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AboitizPower eyes fully electric fleet for power utilities by 2040

ABOITIZ Power Corp. (AboitizPower) on Thursday rolled out its corporate electric vehicle (EV) fleet transformation program as it aims to achieve 100% electrification for the fleet of its units by 2040.

“We aim to achieve 40% electrification for four-wheeled vehicles and motorbikes by 2030 and finally transform and electrify 100% of the AboitizPower DU (distribution utility) fleet by 2040,” said Anton Mari G. Perdices, the company’s distribution utilities chief operating officer, in a media release.

According to the company, the EVs were manufactured by Chinese automaker Build Your Dreams and will be deployed in its distribution utilities Visayan Electric Co., Inc., Davao Light and Power Co., Inc., and Cotabato Light and Power Co.

“Electrifying our fleet will help us further reduce carbon emissions, lower operating costs, and contribute to cleaner air in the cities where we operate. This way, we are also helping empower the evolution of the cities we serve,” Mr. Perdices said.

The program is in support of Republic Act No. 11697 or the Electric Vehicle Industry Development Act, which requires industrial and commercial companies to have at least 5% of their fleets comprise EVs.

“Globally, (the mobility sector) is a major contributor to air pollution and greenhouse gas emissions,” AboitizPower President and Chief Executive Officer Emmanuel V. Rubio said, noting it accounts for 31.3% of total final energy consumption.

“With an ever-growing demand for powered mobility, we recognize that deeper electrification of mobility is a key enabler in achieving a cleaner and more sustainable world energy system. After all, a broad range of mobility applications can be powered with electricity from cleaner or zero-emission sources,” he added.

The EV fleet transformation program is in line with the company’s growth strategy of adding 3,700 megawatts (MW) of renewable energy (RE) such as solar, wind, and geothermal, it said. This is part of its generation portfolio in the next 10 years.

Earlier this month, AboitizPower announced that its subsidiary Aboitiz Renewables, Inc. would build two solar power projects in Negros Occidental and Zambales with a capacity of 173 MW and 211 MW, respectively.

The 173-MW solar power project is targeted for commercial operations by 2024, while the 211-MW project is targeted for 2025.

The company has RE projects with a combined capacity of about 1,000 MW that are in the pipeline through the development of wind, solar, and geothermal plants.

At the stock exchange on Thursday, shares in AboitizPower went up by 15 centavos or 0.43% to P35.35 apiece. — Sheldeen Joy Talavera

A diverse mix of celebrities flexes their comedy muscles

COMEDY icons, dramatic actors, and social media stars come together in Comedy Island Philippines, a series which premieres on Aug. 31 on Prime Video. The series is a hybrid of scripted scenes and unscripted fun that allow the contestants to show their improvisational comedy chops.

Comedy Island Philippines presents a story where the protagonists find themselves stuck on a magic island with the world possibly ending, but it also pits the cast members against each other in unscripted scenarios to determine a winner.

The cast — actors Carlo Aquino, Rufa Mae Quinto, Andrea Brillantes, Jerald Napoles, and Cai Cortez, internet stars Awra Briguela and Justine Luzares, and Drew Arellano — are supposedly washed up on the shore of the mysterious Tawa-Tawa Island. For the fictional “Centennial Games,” the castaways must compete in various games and improvise to survive and escape the island.

Though Ms. Quinto, Mr. Napoles, and Ms. Cortez have previously shown off their comedy skills on film and television, it will be a first for many of the unexpected wild cards.

“Noong inalok ’to sa ’kin, kinabahan ako. Kaya tinanggap ko (When I was offered this job, I got nervous. That’s why I accepted it),” said Mr. Aquino at a press conference at the Teatrino in Greenhills on Aug. 30.

Known for more dramatic, heartthrob-type roles, he approached the challenge of Comedy Island as exciting new ground that he could explore along with the other cast members, he added.

For Ms. Brillantes, a young, sweet, and quirky actress with a wide following on social media, the show is also her chance to show that she has skills that many Filipinos have not yet seen.

“Feeling ko kasi may potential talaga ako maging comedian (I really feel like I have the potential to be a comedian)!” she said at a press conference.

In a self-deprecating manner, she added that even if others may be better at making people laugh, she balanced the cast by providing all of the “cuteness.”

Quark Henares, Prime Video’s head of original content for the Philippines, said that the goal was to have a diverse cast and put them in a place where they can unexpectedly let their talents shine.

“Awra Briguela and Justine Luzares, for example, are comedic internet personalities who haven’t really seen improv comedy. It’s a different, exciting environment for them,” he said.

Even for the host (known as “Master of Celebrities” in the show) Drew Arellano was challenged since he had only hosted shows as himself and not as some flamboyant, improvising character.

“There’s something that would kind of attract every sort of comedy or entertainment fan. We put it all together and let them play,” said Mr. Henares.

REPRESENTING THE PHILIPPINES
The six-part series, produced by Amazon Studios in collaboration with BASE Entertainment Asia, is one of three versions in a franchise, along with Comedy Island Indonesia and Comedy Island Thailand.

All three were filmed on the same island in Phuket, Thailand, albeit at different times using different variations of the set.

Tanya Yuson, a producer at BASE Entertainment Asia, said this led to many logistical challenges, from weather inconsistencies to having to figure things out on the fly, since this was the first ever series of its kind.

“The brief actually came from Amazon Studios APAC. They have a regional head for unscripted content so they just gave the concept to us and, for the most part, trusted each country to execute it their own way,” she explained.

The cast was handpicked carefully to ensure an interesting mix of diverse professional backgrounds, from comedy stalwarts to young celebrities.

“Improv classes and workshops were given to all of them beforehand, to make sure they would be equipped to take on the various games, skits, and activities in the show,” said Ms. Yuson.

For Randolph Longjas, the director of Comedy Island Philippines, an important part of making the series as Filipino as possible was drawing from local mythology for the scripted story.

Growing up in Leyte, he drew from stories of the mythical island of Biringan, an advanced city that can provide gifts to humankind but that no one can explicitly talk about or ever visit.

“I wanted the universe to be relatable in terms of our folklore, from how the cast ended up there to why the island even exists. I adapted the concept of Biringan for Comedy Island, but I just named it Tawa-Tawa,” Mr. Longjas said.

He added that his initial story pitches to Ms. Uson didn’t pass, and he only had the mythical concept as a wild card. “She said no to the first three [ideas], and when I presented this one, she instantly said it was perfect,” he said.

WHAT COMES NEXT
The six-part series will launch with three episodes streaming back-to-back each week over a two-week period, from Aug. 31 to Sept. 7.

On whether a second season is being planned, Mr. Henares said that it will depend on the success of the show.

As head of Amazon Originals for the Philippines, he added that Filipinos should take pride in the fact that the series will be available on Prime Video not just locally, but in over 240 countries and territories worldwide.

“Philippine humor is different and will be interesting for non-Pinoys. We’re kengkoy (jokesters) and wholesome and we lean more towards the family-friendly, action, and adventure genres. Our comedy is very feel-good,” he said.

Comedy Island Philippines joins the thousands of TV shows and movies in the Prime Video catalogue, including exclusive local Filipino titles such as Fit Check: Confessions of an Ukay Queen, Cattleya Killer, Ten Little Mistresses, Walang KaParis, and Deleter.

Mr. Henares also gave a rundown of upcoming Filipino titles to look forward to on Prime Video — from In My Mother’s Skin, the Filipino horror film that garnered acclaim at Sundance Film Festival, and the rambunctious next season of Drag Den with Manila Luzon.

“We really want to delight everyone, from serious films to comedy to horror to romcoms. We come out with homegrown content at least once or twice a month,” he said.

Prime Video is available in the Philippines for P149 per month. For more information, visit www.primevideo.com. The streaming service offers a free seven-day trial. — Brontë H. Lacsamana

ACEN unit and Indon firm agree to develop RE projects in Indonesia

A SUBSIDIARY of Ayala-led ACEN Corp. and a member of Puri Usaha Group have agreed to develop renewable energy (RE) projects in Indonesia via a joint venture company.

In a stock exchange disclosure on Thursday, ACEN said its unit ACEN Indonesia Investment Holdings, Pte. Ltd. and PT Trisuya Mitra Bersama entered into an investment agreement and shareholders’ agreement for PT Puri Prakarsa Batam, the joint venture firm, on Wednesday.

In its media release in May last year, ACEN said the renewable energy projects would focus on large-scale solar power plants, battery energy storage system, and green hydrogen projects.

According to the release, the joint venture entity involves Suryagen Group — where PT Puri Prakarsa Batam is part of — and covers the Batam, Bintan, and Karikum islands, as well as East Tenggara province.

The projects to be built in Indonesia are intended to export power to Singapore via subsea cable, which is the Surgayen platform’s first project that it sought to develop.

To date, ACEN has around 4,200 megawatts of attributable capacity spread across the Philippines, Vietnam, Indonesia, India, and Australia. The company is targeting to reach 20 gigawatts in attributable renewables capacity by 2030.

For the second quarter, ACEN reported an attributable net income of P2.21 billion, up 23.5% from P1.79 billion previously.

Revenues rose by 32.2% to P11.33 billion while expenses also increased by 43.6% to P10.24 billion.

On Thursday, shares in the company declined by 2.34% or P0.12 to P5.01 each. — Sheldeen Joy Talavera

Fuse Lending sees strong credit growth

FUSE LENDING, Inc., a subsidiary of Globe Telecom, Inc.’s financial technology arm Mynt, expects double- to triple-digit loan growth this year after disbursements hit P100 billion as of July.

Loan growth for the rest of the year will be driven by holiday expenses, which could prompt consumers to use GCash products such as GGives and GScore, Fuse Lending President and Chief Executive Officer Tony Isidro said to reporters on Wednesday

“GGives enables customers to better afford bigger-ticket items like gadgets, cellphones, and computers, even furniture for the house,” he added.

GGives is GCash’s buy now, pay later product powered by Fuse Lending.

“Today, we’ve disbursed over P100 billion to over three million customers. And we know it’s a much bigger market than that… It’s a significant portion of the user base of GCash at the moment, but we believe that with the current products and more products in the pipeline, we’ll be able to create an even bigger positive impact to more and more Filipinos,” he said.

“While we disbursed [loans] to three million Filipinos, there’s so many more millions of our kababayans that need access to fairer loans,” he added.

Loan growth will also be supported by GCash’s in-house credit scoring system, GScore, Mr. Isidro said.

“We continue to push the envelope. We believe we’re in a good place right now, especially with the innovations we did with GScore, which is our proprietary trust score, we’ll enable more and more Filipinos to have access to fairer loans,” he added.

Majority or 65% of the loans disbursed as of July went to retail and consumers, while the remaining 35% went to micro and small businesses, Mr. Isidro said.

Meanwhile, on Wednesday, GCash launched Sakto Loans, an extension of GLoan, GCash’s instant cash loan, and GGives, its buy now, pay later loan.

GCash users may borrow P100 up to P1,000 with no interest, payable in 14 or 30 days, GCash said in a statement.

“Sakto Loans offers an added comprehensiveness to our already extensive product lineup. In instances where we only need a small amount to get by, this nano-loan feature will save us the time and energy of having to borrow from family and friends or even informal lenders,” Mr. Isidro said in a statement.

He said the product was made after an internal study found that while nine out of 10 Filipinos rely on loans, 57% of them tap informal lenders to make ends meet.

“Sakto Loans serves as an expansion of our suite of lending options GLoan, GCredit and GGives, which has provided users with a convenient way to borrow money with just a few taps on their phone. Through access to fair lending, we are able to provide more Filipinos access to borrowing means that truly prioritizes their needs,” he said.

“By using GGives or GLoans Sakto, Filipinos are now given the opportunity to borrow small amounts which they can use to pay for their daily transactions whether it’s online or offline,” he added. — AMCS

Phinma Education triples net income in first half

THE educational unit of Phinma Corp. has tripled its net income for the first half of the year on the back of higher enrollment figures. 

In a statement on Thursday, Phinma Education Holdings, Inc. said its consolidated net income tripled to P307.47 million versus P96.88 million a year ago. 

“Increase in costs and operating expenses to support the increase in enrollment and face-to-face classes were offset by lower credit loss provisions as a result of higher collection efficiencies,” the company said.

According to Phinma Education, it logged a 30% increase in second-semester enrollment compared with the same period last year. 

“This resulted in a 52% year-on-year growth in revenues for the first half of 2023,” the company said.

The company recently opened Phinma Cagayan de Oro College Iligan campus, Phinma Araullo University San Jose Campus in Nueva Ecija, and a new dentistry building at Southeastern University Phinma, Cebu City.

It also finished renovations in Phinma Saint Jude College Quezon City, Phinma Rizal College of Laguna, and Horizon Karawang in West Java, Indonesia, while another new building is underway at Phinma University of Pangasinan. 

Phinma Education has 10 schools with more than 124,000 students. The company claims to have a 79.06% passing rate for first-time takers across various licensure exams, while 71% of graduates are employed within one year after graduation. 

“This year is a convergence of our model continuing to show promise, the growing need for the services we provide, and our business doing well on all aspects. We hope to be able to reach more and more underserved students who need quality education the most, so that they can uplift themselves, their families, and communities,” Phinma Education President and Chief Executive Officer Chito B. Salazar said.

Shares of Phinma Corp., the parent firm of Phinma Education, were last traded on Aug. 30 when they finished at P20.30 apiece. — Revin Mikhael D. Ochave

Only Murders in the Building is a loving parody of the whodunit

ONLY Murders in the Building (2021) -IMDB.COM

ONLY Murders in the Building, starring Steve Martin, Martin Short, and Selena Gomez, has returned for a third season. The popular series follows the whodunit mystery formula, beginning with a murder in the apartment building the characters live in, the perpetrator of which the three sleuths must work out by the series’ end.

Much of the innovation of Only Murders in the Building lies in its incorporation of the true crime podcast with the familiar whodunit formula.

The whodunit is not easily combined with the true crime format. True crime narratives search for their killers in communities of thousands, whereas the whodunit works with a strictly limited number of suspects. True crime stories often turn on an accident or chance events, which would feel unsatisfying within the structure of a cozy detective novel. And true crime narratives always involve difficult ethical implications, whereas the fictional whodunit often works to represent murder as artistically pleasing.

Another way of putting this is that while true crime is tragedy, the whodunit is comedy. It often makes use of irrational situations and explanations. Its detectives are sometimes ridiculous figures who use their absurdity (or, in the case of Only Murders in the Building, are simply absurd) to disarm suspicion and physical violence is downplayed. Most importantly, in a whodunit everything is resolved — we know the killer will be caught.

In his essay “The Guilty Vicarage” (1948), the poet W. H. Auden argues that the whodunit actually resembles a tragedy in the way it offers readers a cathartic experience of violence. But this transgression is neutralized by the eventual identification of the murderer, an act which not only provides narrative closure but also implies the innocence of the rest of the cast.

But more recent criticism has challenged this reading of the genre, arguing that the resolutions of whodunits inevitably have loose ends, or leave tricky ethical questions unanswered.

Although the plot of Only Murders in the Building borrows the tropes of the whodunit, it is far from a conventionally cozy crime caper.

In 1929, the critic Ronald Knox devised his 10 commandments for the detective writer.
Knox’s rules were satirical, poking fun at the cliches of the interwar whodunit (for instance, his rule that “no Chinaman must figure in the story” satirized the tendency of interwar popular fiction to include depictions of Asian villainy). But Only Murders deliberately breaks many of Knox’s injuctions.

For instance, Knox rules that “not more than one secret room or passage is allowable.” Of course, the Arconia — the building the murders happen in — is riddled with such passages.

The rules likewise state that the murderer “must not be anyone whose thoughts the reader has been allowed to follow,” a law broken in season two when the (spoiler ahead) murderer is one of the people investigating the murder and from whose perspective we get an insight into.

Perhaps most comically, Knox’s injunction against the cliched use of identical twins in detective fiction is subverted in Only Murders by the appearances of Charles’ stunt double Sazz Pataki (Jane Lynch), who even in everyday life never fails to be coincidentally wearing exactly the same outfit as Charles.

Knox’s rules, though tongue in cheek, reinforced a sense of the importance of “fair play” between author and reader. The murderer must be someone we know, with clues fairly displayed so that the reader might have a chance of reaching the conclusion before the detective.

The fact that Only Murders gleefully undermines these rules reflects the fact that its real pleasure is not in the mystery itself, since viewers cannot compete with Charles, Oliver, and Mabel. We don’t have the information required to decode the meaning of the victim’s last words “14 Savage” in season two, for instance. But, whereas in the traditional whodunit this might considered a weakness, in Only Murders it becomes an advantage because we realize it is the genre itself being parodied.

The appeal of the show is not, then, in trying to work out whodunit, but in enjoying its convoluted plots.

The finale of season two, for instance, provides a dizzying succession of twists, identifying three potential murderers in rapid succession. When the real murderer is revealed, we gasp not because we overlooked some vital clue but at the audacity of the plotting.

For all its postmodern self-referential trappings and awareness of contemporary fan cultures, Only Murders’ main use of the whodunit is as a historical reference to the early 20th century. The popularity of Agatha Christie was, after all, contemporary with the rise of the kind of Broadway musical Oliver attempts to direct in season three. The clash of genres in Only Murders is self-consciously reflected in Oliver’s decision to transform his play Death Rattle from a psychological thriller to a musical.

The theatrical setting of season three also looks back to a tradition of interwar whodunits set in the theater. Novels such as Ngaio Marsh’s Vintage Murder (1937), Margery Allingham’s Dancers in Mourning (1937), and Ellery Queen’s The Roman Hat Mystery (1929) take place on, or around, the stage. The theater setting makes explicit what is implicit in the whodunit: that we are watching a performance that is not entirely truthful. These references to early 20th century culture emphasize the importance of the Arconia itself to the show. Like the whodunit form, it is an early 20th century structure the characters find themselves getting lost in. Only Murders in the Building season three is a loving tribute to this golden age of mystery and eccentric theatricality of it. — The Conversation via Reuters Connect

Christopher Pittard is a Senior Lecturer in English Literature at the University of Portsmouth. He has received funding from the Arts and Humanities Research Council.

UBS to cut 3,000 Swiss jobs as it slashes costs by $10 billion

ZURICH — UBS Group plans to cut 3,000 jobs in Switzerland in the next couple of years, as it offered the first glimpse of how it plans to achieve more than $10 billion in cost savings after taking over Credit Suisse.

UBS also announced it would be keeping Credit Suisse’s domestic bank — and the ensuing job losses are expected to result in a backlash in Switzerland.

The world’s largest wealth manager could have spun off the business and floated it in an initial public offering but the domestic bank has been a solid profit-maker for Credit Suisse and last year it was the only division in the black.

“Our analysis clearly shows that a full integration is the best outcome for UBS, our stakeholders and the Swiss economy,” Chief Executive Sergio Ermotti said in a statement.

He wrote in a memo to staff to said that 1,000 jobs redundancies will result from integrating Credit Suisse’s domestic bank, while another 2,000 would result from the need to profoundly restructure Credit Suisse.

The prediction of over $10 billion in cost-savings by end 2026 compares with an earlier estimate of $8 billion by 2027. Most savings are set to come from reducing headcount.

Hanging on to existing Credit Suisse clients is seen as key if UBS is to successfully pull off the Herculean deal.

Credit Suisse reported net asset outflows of 39 billion Swiss francs ($44.4 billion) in the second quarter, underscoring that the rescue has failed to stem the loss of confidence in its franchise.

But UBS said the outflows took place at a slower pace compared with previous quarters and turned positive in June.

UBS’ global wealth management reported net new money of $16 billion, its highest for the second quarter in over a decade.

The shotgun marriage to its fallen rival at the behest of Swiss authorities — the first-ever merger of two global systemically important banks — has created both opportunities and risks for UBS.

On one hand, analysts note that UBS acquired Credit Suisse for a song — just three billion Swiss francs — while gaining a large asset base, good client relationships and talented employees.

At the same time, analysts warn that the complexity and the hasty nature of the deal brings significant execution risks as UBS must aggressively cut jobs, shrink Credit Suisse’s investment banking operations and manage outflows as clients seek to spread risk.

UBS booked net profit of $29 billion for the second quarter. Groupwide UBS results include just one month of Credit Suisse earnings as the deal only closed in June.

The bumper profit is due to a huge one-off gain that reflects how the acquisition costs were far below Credit Suisse’s value. It was somewhat under a consensus estimate of $33.45 billion from a poll conducted by the bank. — Reuters

NLEX Corp. set to finish part of Pampanga road project this year

NLEX Corp. on Thursday said it expects to complete the preliminary works of the 200-meter portion of San Simon road in Pampanga by yearend.

“The goal is to enhance safety, accessibility, and mobility of motorists especially during the rainy season. We aim to complete the project as soon as possible with minimal disruption to the motorists,” NLEX President Jose Luigi L. Bautista said in a statement.

NLEX, a unit of Metro Pacific Tollways Corp. (MPTC), said it is undertaking preliminary works to fast-track the elevation of the portion of San Simon road.

The works will include the completion of the detailed engineering design for the pavement raising, which will cover both the north and south bounds of the 200-meter portion of the Tulaoc overpass, and the design for the flood walls.

The company also said it would work to raise the pavement of the San Simon ramp and improve the drainage system following events of massive flooding in Central and North Luzon, which affected a portion of the NLEX San Simon.

“The problem is the flood level outside the NLEX has overflowed to the lowest area of NLEX in San Simon. We asked the DPWH (Department of Public Works and Highways) to raise the Tulaoc overpass so we can also elevate this portion of the expressway,” Mr. Bautista said.

MPTC is the tollways unit of Metro Pacific Investments Corp., one of three key Philippine units of Hong Kong-based First Pacific Co. Ltd., the others being Philex Mining Corp. and PLDT Inc.

Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has a majority stake in BusinessWorld through the Philippine Star Group, which it controls. — Ashley Erika O. Jose

Entertainment News (09/01/23)


Red rerun this weekend

THE TWO-MAN play Red, which tackles a period when the American painter Mark Rothko worked on a series of paintings for a major restaurant, will have its final shows on Sept. 1 to 3 at the PETA Theater Center. The play stars Bart Guingona, who also directed, and JC Santos. The play will have performances on Friday, Saturday and Sunday at 8 p.m., and on Saturday and Sunday at 3:30 p.m. There will also be a theater talkback with Gang Capati with Guingona and Santos who will talk about “Mental Health through Red” on Sept. 1, and another called “Artist at Work” with guest Leeroy New along with Mr. Guingona and Mr. Santos at the 3:30 p.m. performance on Sept. 3.


ABS-CBN top TikTok entertainment account in SE Asia

ABS-CBN was the most viewed TikTok entertainment account in Southeast Asia for the first half of 2023. According to data from TikToktainment, ABS-CBN’s official TikTok account @abscbn generated a total of 2,850,148,520 video views in the first half of the year or an average of 898,817 video views per video. Among the most watched videos of @abscbn on TikTok are clips from the revenge drama series Dirty Linen. The teleserye has amassed over 2.3 billion views on TikTok. In addition, highlights from other ABS-CBN shows like It’s Showtime and FPJ’s Batang Quiapo among others,also contributed significantly to the total video views of @abscbn on TikTok, which currently has 5.3 million followers and 274.7 million likes. Meanwhile, the ABS-CBN PR account @abscbnpr on TikTok was the overall top performer, amassing 81.9 million views, from April to June and the number one account during the month of May and first half of August in both the entertainment info category.


TAN set to do mall shows in the Philippines

K-POP group TAN is coming to Taguig, Quezon City, and Cagayan de Oro this September for a series of mall shows produced by Universal Records Philippines, SBTown, Think Entertainment, and Kumu. The male group, composed of Changsun, Jiseong, Sunghyuk, Taehoon, Hyunyeop, Jooan, and Jaejun, is known for hit singles like “DU DU DU,” “FIX YOU,” and their latest song “HEARTBEAT.” The mall shows will be held on Sept. 8 at the Market! Market! Activity Center, Sept. 9 at the TriNoma Activity Center, and Sept. 10 at SM City CDO Downtown. For more details, follow Universal Records PH on their social media pages.


Dog movie and adult comedy Strays opens Sept. 13

THE LIKES of Will Ferrell, Jamie Foxx, Isla Fisher, Park Randall, Josh Gad, and Sofia Vergara return to the big screen as a powerhouse comedic voice cast for the R-16 live-action dog movie Strays, which opens on Sept. 13. It follows the misadventures of Reggie, an abandoned, naive Border Terrier voiced by Will Ferrell (fresh off his CEO stint in Barbie), who learns to survive on the streets with his newfound pals while trying to find his way back home. His friends include the fast-talking, foul-mouthed Boston Terrier named Bug (voiced by Oscar-winner Jamie Foxx), the smart Australian Shepherd named Maggie (Isla Fisher from Now You See Me), and the anxious Great Dane named Hunter (Randall Park from Always Be My Maybe). After production wrapped, director Josh Greenbaum adopted the main dog Reggie. “I decided to adopt one of them and asked my kids to name him. They immediately said we’ve got to name him Reggie because he played Reggie in the movie,” he said.


Ogie Alcasid showcases his greatest hits

FILIPINO singing icon Ogie Alcasid is gearing up for his one-night jam session Ogieoke The Concert, on Sept. 29, 8 p.m., at the Newport Performing Arts Theater. His songs include “Nandito Ako,” “Kailangan Kita,” “Bakit Ngayon Ka Lang,” and “Ikaw Lamang,” which he will perform live with special guests like the star of Ang Huling El Bimbo The Musical Gian Magdangal and world-class soprano Lara Maigue. Mr. Alcasid was last seen at the Newport stage last year with multi-hyphenated star Ian Veneracion in the KilaboTitos concert. To sing along to the best of his hits this September, book tickets at any TicketWorld or SM Tickets outlet. Tickets are priced from P1,000 to P7,800.


a1 releases new single to kick off Asian tour

BRITISH-Norwegian boy group a1 returns with a new single, “Call Me When You Land,” which celebrates their 25th anniversary as a band. It is about treasuring moments with loved ones, written by all the band members — Ben Adams, Christian Ingebrigtsen, Mark Read, and Paul Marazzi — during the pandemic. Musically, the track is a throwback to their earlier ballad hits from the 1990s like “Everytime,” “Like a Rose,” and “One More Try.” The song was also released at the start of their Asian tour ai TWENTY FIVE, which has a Philippine leg in October. The shows will be held on Oct. 12 at the SMX Convention Center in Davao, Oct. 13 at the Waterfront City Hotel and Casino in Cebu, and Oct. 14 and 15 at the New Frontier Theater in Quezon City. Tickets, priced from P850 to P5,565, are available at all SM Ticket outlets nationwide or via www.smtickets.com.


Scorsese film to be released globally in October

APPLE Original Films has revealed that Killers of the Flower Moon, the newest feature film of award-winning director Martin Scorsese, will have a global theatrical release date of Oct. 18. The wide release, in partnership with Paramount Pictures, will be followed by a digital debut on the streaming platform Apple TV+. The film was directed by Mr. Scorsese and written for the screen by Eric Roth and Mr. Scorsese, based on David Grann’s best-selling book of the same name set in 1920s Oklahoma. It depicts the serial murders of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror. Killers of the Flower Moon premiered earlier this year at the 76th Cannes Film Festival, where it was met with critical acclaim.


Netflix drops teaser for David Fincher’s next film

THE TEASER trailer for the new Netflix film The Killer starring Michael Fassbender has been released ahead of its Nov. 10 release date. The crime thriller is directed by David Fincher (Se7en, Fight Club, and Gone Girl). The film follows a solitary and cold assassin (played by Mr. Fassbender) who battles both his employers and his inner demons while on an international manhunt. The teaser trailer shows a glimpse of his methodical mind and way of life as he repeatedly narrates to himself to “stick to the plan,” all while the action seemingly escalates and threatens to push him off his axis. The Killer will premiere on Netflix on Nov. 10.

 

Fed ramps up demands for corrective actions by regional banks

US REGULATORS are quietly demanding that regional lenders shore up their liquidity planning, part of a ramp-up in efforts to tighten supervision in the wake of three bank failures earlier this year.

The US Federal Reserve has issued a slew of private warnings to lenders with assets of $100 billion to $250 billion, including Citizens Financial Group, Inc., Fifth Third Bancorp and M&T Bank Corp., according to people with knowledge of the matter. The wide-ranging notices have touched on everything from lenders’ capital and liquidity to their technology and compliance, the people said, asking not to be identified discussing confidential supervisory information.

The onslaught of such warnings — known as matters requiring attention and matters requiring immediate attention, or MRAs and MRIAs — comes as examiners look for other signs of stress in a system already strained by the collapse of First Republic Bank, Silicon Valley Bank and Signature Bank this year. It’s part of a wider increase in scrutiny impacting banks of all sizes after Michael Barr, the Fed’s vice chair for supervision, vowed to “improve the speed, force and agility” of oversight earlier this year.

These nonpublic admonitions generally require a board-level reply that includes a time line for corrective action. For lenders on the receiving end of these MRAs and MRIAs, rectifying such actions can be costly. If left unaddressed, they can escalate into harsher public orders that can take years to resolve.

“The bigger concern is the time frame we’re talking about for resolution,” said Gary Bronstein, who leads the financial-services team at the law firm Kilpatrick Townsend & Stockton LLP. “We’re going to start seeing the supervisory staff impose tight deadlines on resolution. If banks are not resolving these issues pretty quickly, then we’ll see enforcement actions.”

A Fed spokesperson and representatives for Citizens, Fifth Third and M&T all declined to comment.

REGULATORY SCRUTINY
With their latest efforts, regulators have focused on Category IV banks, which are in the same size range as the three banks that failed this year. Supervisors had previously taken a lighter touch to regulating that category after Congress passed legislation in 2018 that raised the bar for which firms would face more stringent oversight from $50 billion to $250 billion.

The group also includes KeyCorp, Huntington Bancshares Inc., Regions Financial Corp. and First Citizens BancShares, Inc., according to the people familiar with the matter. Representatives for KeyCorp, Regions and First Citizens also declined to comment, while Huntington didn’t respond to multiple requests for comment.

All US lenders park a portion of their money in Treasuries and other bonds, and those assets dropped in value last year amid the Fed’s aggressive push to raise interest rates. While the country’s largest banks are required to recognize those unrealized losses in their regulatory capital, Category IV banks are exempt from that rule.

That’s why regulators have grown increasingly concerned that a surge in these paper losses won’t be adequately reflected in Category IV banks’ capital ratios, which demonstrate the health of their balance sheet.

TECHNOLOGY FOCUS
Regulators are also more closely examining lenders’ information-technology systems and compliance functions. In some cases, those reviews lead examiners to demand fixes for shortcomings.

In other cases, examiners have ordered lenders to ensure they have swift access to the Fed’s discount window, a capability that neither Silicon Valley Bank and Signature Bank had at the ready. That ultimately hastened their demise. They have also demanded lenders provide proof that they can easily liquidate their portfolios of available-for-sale securities if they need to raise cash in a pinch.

The existence of MRAs and MRIAs at any given firm isn’t uncommon: as of June of last year, there were 157 supervisory findings across 18 firms larger than $100 billion, excluding the global systemically important banks, according to Fed data. But for regional lenders, a litany of warnings could force them to hire more workers to handle compliance and risk management. If the matter is escalated to an enforcement action, banks could face monetary penalties.

“Recent stress in the banking system shows the need for us to be vigilant as we assess and respond to risks,” Barr said in May in prepared remarks for a Congressional committee. “Accordingly, supervisors are redoubling their efforts to assess banks’ preparedness for emerging credit, liquidity and interest rate risks.” 

In the wake of Silicon Valley Bank’s failure, an April report by the Fed revealed shortcomings in the central bank’s supervisory process. After realizing the firm was sitting on billions in paper losses on its balance sheet, customers yanked nearly all of the bank’s deposits. That forced California regulators to seize the bank.

But examiners at the Fed had uncovered those issues months earlier. As part of a series of MRAs and MRIAs they issued to Silicon Valley Bank in 2022, regulators had already ordered the bank to improve its process for tracking interest rate risks. The Fed ultimately said that supervisors responded too late and didn’t demand prompt enough action from the bank.

“Supervisors did not fully appreciate the extent of the vulnerabilities as Silicon Valley Bank grew in size and complexity,” the Fed said in a the report. “When supervisors did identify vulnerabilities, they did not take sufficient steps to ensure that Silicon Valley Bank fixed those problems quickly enough.”

Increased regulatory scrutiny isn’t limited to smaller firms: Goldman Sachs Group, Inc., for its part, is hiring hundreds of staffers to fix issues raised by supervisors. Discover Financial Services, bracing for a consent order from regulators at the Federal Deposit Insurance Corp., announced the abrupt retirement of its chief executive officer and has also been hiring more personnel to deal with authorities’ concerns.

“There’s just been a very noticeable and heightened regulatory focus on anything liquidity, deposits or funding related,” James Stevens, the co-leader of the financial services industry group at the law firm Troutman Pepper. “I can’t think of ever experiencing such an acute focus on deposits, liquidity and funding risk. That’s manifesting itself in a lot of rule-making and a lot of on-site examination questions.” —  Bloomberg

Nokia deploys its latest antenna for Globe

NOKIA Corp. is deploying its latest interleaved passive active antennas  (IPAA+) for Globe Telecom, Inc. to help advance 5G deployment in the Philippines.

“We are thrilled that Nokia’s state-of-the-art products will be deployed in the Philippines. Our enduring pain points in site acquisition and TCO efficiency are being addressed by the features,” said Joel Agustin, senior vice-president and head of network planning and engineering of Globe, in a statement on Thursday.

An IPAA+ is an antenna developed by Nokia for 5G to support other legacy cellular technologies like 4G, 3G, and 2G.

The deployment of IPAA+ will allow Globe to accelerate and streamline its 4G and 5G rollouts and will help deliver a higher level of network efficiency and performance, Nokia said.

Nokia has identified the finding of additional space on towers and rooftops as among the problems faced by service providers in the rollout of 5G, it said, claiming that its antennas will address this issue.

“We are delighted to partner with Globe Telecom on this deal that will see our state-of-the-art IPAA+ products being deployed in the Philippines. These products are lighter, more modular and cover all sub-6GHz 5G frequency bands. We look forward to collaborating closely with Globe on this important deployment,” Jeciel Nuyda, president of Nokia Shanghai Bell Philippines, said.

In 2022, Globe invested P101.4 billion in its network and exceeded its rollout targets with 2,267 new 5G sites and more than 13,600 mobile sites upgraded to 4G.

At the stock exchange on Thursday, shares in the company fell by P12 or 0.66% to end at P1,802 apiece. — Ashley Erika O. Jose

Three lessons in monetary policy

I know him and have served as co-panelist with him in seminars organized by the International Monetary Fund (IMF) and the Bank for International Settlements (BIS) many years ago. As central bank governor of the South African Reserve Bank, Lesetja Kganyago could not have been clearer in putting in the public domain the typical but compelling issues that emerging markets like South Africa and the Philippines face today. This is all about “keeping inflation from drifting above our targets, resisting demands for lower interest rates to lift short-term economic growth, and financing unsustainable fiscal positions.”

In the Philippines, some have proposed, and in some instances, directed, that we use all legal tools to control the prices of rice and ensure that it is always available. In the past, rice could drive the consumer price index to dizzying heights. Some quarters have also proposed more sales of the US dollar by the Bangko Sentral ng Pilipinas (BSP) to keep the peso strong and inflation under check. The Philippines is a net importer of goods and services, so they expect that a strong peso is good for inflation management. Without adjusting the BSP policy rate, that measure will not be sustainable. We would simply dissipate our gross international reserves (GIR) for nothing. Fundamental reforms in our production and trade are obviously critical; our problems are definitely systemic.

Others would even advise the monetary authorities to refrain from doing anything because we are facing inflation that is mainly cost-push. It is driven by the short supply of goods and services and an imperfect value chain. Logistics would just have to be sorted out. Inflation pressures are considered temporary. In hindsight, we are wiser to realize that the US Fed bought into this idea and Chairman Jim Powell had to catch up in a big, perhaps disruptive, way. We were also a victim of this misguided thought, keeping our hands tied while inflation was clearly on an inexorable ascent last year. The BSP was compelled to do an unprecedented 75 basis points increase in an off-cycle meeting of the Monetary Board to make up for such a monetary slippage.

What were the key areas of experience in inflation management that Governor Kganyago share in his article published by the IMF’s Finance and Development in March? The article is entitled “A Road Well Traveled.” His contribution stressed that in a period of high inflation, emerging markets have lessons to share with advanced economies.

Managing supply shocks is the first lesson that Kganyago shared. Unlike in advanced economies, which debated on how to achieve their inflation targets given interest rates that were close to zero and inflation that was already too low, the issue in emerging markets could be as plain as the central bank having to explain to the public why it must move even when supply shocks are dominant. Kganyago admitted that in his 12 years with his bank’s Monetary Policy Committee, he was more absorbed in measuring the impact of supply shocks and explaining to the public how they differentiate between transitory and persistent effects. Demand pressures lend themselves more to monetary policy.

The South African governor argued that at least in his country, even with moderate inflation, price and wage setters do monitor inflation and index their prices accordingly. We don’t have to remind ourselves about the Philippines’ price tag law which requires appropriate tags or labels to indicate the prices of consumer products. Without such, constant re-pricing could happen. Profiteering gives birth to higher and more persistent inflation.

However, if central banks choose to be passive in dealing with persistent supply shocks like bad harvests, it is possible price pressures could magnify and inflation expectations upset. As argued in our previous columns, this would render monetary policy very much behind the curve. What could have been more transient ends up more persistent with second round effects.

Thus, if we hear economists arguing that we refrain from doing anything about those supply shocks which dissipate over time, beware. In many emerging markets, we see very volatile pricing and in Kganyago’s language, less tolerance for real income losses. Since current inflation is likely to persist in the future, policy responses from the central banks should be done more often as necessary. Inflation matters to both households and firms, and the quarterly business and consumer expectations surveys of the BSP should prove that.

The second lesson is all about the mandate of the central bank. We love how Kganyago explained that monetary policy can be distorted by fiscal policy, as many central bankers from emerging markets would have experienced. This is evidenced by the increasing concerns about fiscal dominance. Since it is the central bank’s balance sheet that is bound to be hit, we share Kganyago’s point that central bank mandates “remain simple and direct.” This means governments should implement a broader macroeconomic strategy that would promote economic growth and other social goals including fiscal sustainability. Heavy lifting by the central banks, like what they did during the Global Financial Crisis, has its limits.

Governor Kganyago cited the South African experience in the 1990s when they started to implement three-pronged macroeconomic reforms that permitted it to reap a consistent period of economic growth. They decided to float their exchange rate, freeing them from years of costly and ineffective exchange rate intervention. They shifted to market-friendly inflation targeting as a monetary policy framework, resulting in lower interest rates and more stable prices. They exercised fiscal restraint that brought about fiscal sustainability that helped avoid incurring too much debt that could have crowded out the private sector from the capital markets.

Of course, he admitted that there were very difficult challenges in doing public policy and South Africa was not spared from episodes of low growth in the process. During those times, it was monetary policy that “held the line, but monetary policy is not everything.”

In the Philippines, we should expect that tight monetary policy could have a depressing impact on economic growth. But it is important that we don’t blame monetary policy that addresses high inflation because high inflation could also depress private consumption and discourage private investment, leading to lower growth. Instead, the other branches of government should also do their share, especially in managing supply shocks. The primary mandate of the BSP is price stability.

The final lesson shared by the South African governor is “how to maneuver when making policy and… how to strike a balance between acting resolutely and remaining open to new ideas and information.”

He observed that advanced economies face the problem of groupthink. We share his view that in emerging markets, there could be different levels of opinions, ranging from whether policy rates should be adjusted, or to do nothing, to how much to adjust. Different views are held not only on the policy board but even beyond. In the larger society, there might be thousands who would keep some other variants of monetary policy views.

To promote effective public policy, Kganyago proposed that divergent views on tactical issues should be welcome, but consensus should prevail on what he called the grand strategy.

We admire the singularity of his commitment to the central bank mandate laid out in the South African Constitution, and that is to protect the value of the currency in the interest of balanced and sustainable growth. Making an issue out of the central bank’s role in the economy is a non-starter. It’s been decided by the framers of the Constitution.

“Diversity of opinions is important, but not everything needs to be pulled apart.”

On this basis, central banks should stay the course when making monetary policy, reiterating as necessary their strategic goals. Any kind of support from civil society should be nurtured and expanded. Expect that critics would ignore the challenges of central banking, that when the central banks decide, they decide with uncertainty as to future and attendant risks.

Kganyago advised that when it comes to tactical operations, central banks should be more open minded. Changing their mind should always be an option. It is important that the governor of the central bank should be the sole policy spokesperson. Not any of his deputies, who could be entrusted with explaining the data and the results of econometric exercises behind the policy choice. Not any of the members of the policy board, who might even hold a contrary view.

The South African Reserve Bank governor concluded his article with the need for governments to avoid high levels of indebtedness and to use available financing more efficiently to achieve higher levels of economic growth.

In keeping with his tone, we should recall what former Bank of England Mark Carney wrote in his book, Value(s), about humility. He wrote that humility matters because it is an attitude to leading and governing. It should not be an impediment to taking action. Humility, among others, is recognizing that there could be surprises that need to be dealt with.

In central banking, there could indeed be many surprises.

 

Diwa C. Guinigundo is the former deputy governor for the Monetary and Economics Sector, the Bangko Sentral ng Pilipinas (BSP). He served the BSP for 41 years. In 2001-2003, he was alternate executive director at the International Monetary Fund in Washington, DC. He is the senior pastor of the Fullness of Christ International Ministries in Mandaluyong.

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