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Songs for Selina and the unspoken truths in the music industry

WITH its harrowing yet grounded portrayal of the music industry’s grim realities, Songs for Selina is set to open new conversations about the struggles of Filipino musicians who aspire to make it big.

The film follows Selina (played by Mica Javier) and Maya (Rachel Coates) as musical soulmates whose bond is fractured by the unforgiving and cutthroat nature of the industry they once dreamed of conquering together.

A theme of the film is the importance of independent storytelling in a commercially driven industry, according to one of the film’s executive producers, acclaimed Filipino R&B musician Jay R, who is also the chief songwriter of the movie’s original songs. At a virtual press conference on March 5, he explained that the film draws from real experiences.

“The message is for artists to be original because that’s the route we took for this movie. We didn’t license any songs. We created everything from scratch,” he said.

Aside from Ms. Javier and Ms. Coates, the cast boasts a strong ensemble of actors with film, theater, and music backgrounds. It includes Rachel Alejandro, Audie Gemora, Nicole Laurel, Leanne Mamonong, Gian Magdangal, and Jay R himself.

Another thing that sets the film apart is that the songs are diegetic, which means the music is part of the story, as if written and performed by the characters themselves. Jay R shared that the songwriting process for it was challenging compared to writing songs for himself.

“The songs have to hold up weight to be good enough to listen to on the radio. At the same time, it’s telling the story of what’s happening in the movie,” he explained. The original motion picture soundtrack, now on streaming platforms, mainly features solos and duet performances by the two lead stars.

For Ms. Javier, although Songs for Selina was shot back in 2019, the film remains very relevant in the US and the Philippines today. “It’s about the struggles of artists that are trying to make it in the industry and how those paths can be completely different,” she said.

“I think with TikTok, Instagram, and YouTube shorts, the internet is giving everyone access to what goes on behind-the-scenes. This increases exposure and awareness of issues like ghostwriting or creators’ works not getting properly monetized or paperwork problems,” she added. “It does happen in the industry. This movie doubles down on those facts.”

Ahead of the Philippine theatrical release on March 18, the film had been picked up by Amazon Prime US and Tubi for its North American release last year.

Ms. Javier explained that the film has become “a proof of concept that Filipino creatives, from behind the scenes to in front of the camera, can compete on a global level.”

Songs for Selina is also a way for Filipino talents to “put their best foot forward,” according to Ms. Alejandro, who plays a supporting role as a music industry bigwig.

“Filipino singing talent is one of the best, if not the best, in the world. I feel like it’s perfect that this film focuses on music and it’s a story about music. That’s who we are as Filipinos,” she said. “We’re putting our best foot forward in the world, showing what we do that’s so special and extraordinary.”

Songs For Selina, directed by Dean Rosen, is produced by Homeworkz Entertainment and distributed in the Philippines by Black Cap Pictures. — Brontë H. Lacsamana

Pacific Online acquires Belle treasury shares in P280-M transaction

THE 400-HECTARE Tagaytay Midlands Golf Club — BELLECORP.COM

PACIFIC ONLINE Systems Corp. (LOTO), a gaming and technology firm, has purchased 200 million treasury shares of Belle Corp., a developer of leisure, residential, and casino properties, at P1.40 per share in a P280-million transaction.

The deal follows Belle’s board approval of the sale and slightly increases the listed firm’s public float.

“Pacific Online shall provide the other details of its acquisition of part of Belle’s treasury shares through its filing of the requisite Material Related Party Transactions disclosure as this transaction is valued at more than 10% of the Company’s total consolidated assets based on its latest audited financial statements,” the company said in a disclosure on Thursday.

Belle Corp. said on Wednesday that its board approved the sale of up to 200 million treasury shares to raise fresh capital, which will be partly used for forthcoming projects.

“The sale of treasury shares will be done through the facilities of the Philippine Stock Exchange based, at the minimum, at prevailing market prices at the time of the sale,” the company added.

If fully subscribed, the transaction would increase Belle’s public float by roughly 1.12%, from 44.59%.

Belle, a portfolio investment of SM Investments Corp., develops club, golf, and residential facilities at Tagaytay Highlands and Tagaytay Midlands in Tagaytay City. Its subsidiary Premium Leisure Corp. oversees operations at the luxury casino resort City of Dreams Manila.

At the local bourse on Thursday, Belle rose 0.71% to P1.41, or up P0.01, while Pacific Online gained 0.6% to P1.69, also up P0.01. — Alexandria Grace C. Magno

Philippine banks’ profit growth may slow on narrowing margins

Peoples walk past automated teller machines in Makati City, June 23, 2016. — REUTERS

PHILIPPINE BANKS’ profit growth could slow down this year as the interest rate environment normalizes and with geopolitical risks adding more uncertainty to already gloomy economic prospects.

“Universal banks should continue to post positive earnings in 2026 but at a more moderate pace as loan growth cools and interest margins compress with potential policy easing,” Philippine Institute for Development Studies Senior Research Fellow John Paolo R. Rivera added in a Viber message.

“Increasing global volatility due to geopolitical tensions or US policy shifts can affect Philippine banks indirectly via capital flows, forex (foreign exchange) volatility, and investor sentiment.”

Latest Bangko Sentral ng Pilipinas (BSP) data showed that the banking sector’s net income rose by 3.648% to P405.606 billion in 2025 from P391.33 billion in 2024.

Mr. Rivera said this growth was mainly supported by higher net interest earnings, lower loan loss provisions amid stable asset quality, and fee income from banks’ transactional and wealth management services.

The biggest gainers were those with strong retail and payments franchises, diversified fee streams, and controlled cost bases, he added, as these names are already experienced in balancing their consumer and corporate loan portfolios.

The country’s three largest private banks in asset terms, namely, BDO Unibank, Inc., Metropolitan Bank & Trust Co. (Metrobank), and Bank of the Philippine Islands (BPI), posted record profits in 2025 despite increasing competition in the industry, First Metro Investment Corp. Head of Research Cristina S. Ulang said in a Viber message.

BDO’s attributable net income climbed by 6.28% year on year to P87.17 billion in 2025, while Metrobank’s profit rose by 3.29% to P49.72 billion, and BPI’s earnings increased by 7.4% to P66.62 billion.

CONSUMER PUSH
Banks will likely continue to expand their consumer lending business this year as the segment remains largely untapped, April Lynn C. Lee-Tan, chief equity strategist at COL Financial Group, Inc., said in a Viber message.

She said there could be an increase in the industry’s nonperforming loans (NPL) as they grow their retail segments as these sectors are naturally riskier but offer better margins.

“Consumer expansion is likely to remain a focus, especially in mortgages and auto loans, but lenders will be more cautious and selective given credit risk considerations. Aggressive consumer targeting may continue in niches where credit scoring and digital engagement reduce risk, but broad-based rate wars are less likely,” Mr. Rivera added.

“Improvement in asset quality seen in 2025 with NPL ratios near multi-year lows should broadly persist, but pressures could emerge if growth remains soft and certain segments (micro, small, and medium enterprises and unsecured credit) slow or reprice. Prudent risk management and early intervention frameworks will be key to keeping NPLs contained through 2026.”

Ms. Ulang likewise said that asset quality will likely remain stable this year as lenders stay cautious due to lingering domestic and external risks.

Ms. Tan said credit and profitability risks could stem from escalating geopolitical concerns as the conflict in the Middle East could drive up oil prices and the US dollar.

“That would lead to higher inflation and hurt consumers. The peso could also weaken as investors turn risk averse and shift to safe-haven assets like gold, the US dollar and US bonds,” she said.

“A stronger US dollar can put pressure on the Philippine peso and increase hedging costs, while risk-off episodes can dampen investment and corporate borrowing,” Mr. Rivera added. “But the sector’s strong capital base, predominantly domestic funding, and relatively low direct foreign risk exposure mean that Philippine banks are generally well-positioned to absorb external shocks, even if volatility continues.”

Last month, the Monetary Board delivered a widely expected 25-basis-point (bp) cut for the sixth consecutive meeting, bringing the policy rate to 4.25% to support domestic demand as the country deals with the economic fallout from a corruption scandal that has affected consumer and investor confidence.It has now lowered benchmark borrowing costs by a total of 225 bps since it began its easing cycle in August 2024.

BSP Governor Eli M. Remolona, Jr. has said that they are open to supporting growth through monetary policy as long as easing does not cause inflation.

However, he said that they are now less certain about the policy path ahead despite a manageable inflation outlook, adding that rate cuts may not be enough to boost the economy amid lingering governance concerns.

Analysts have said that oil supply disruptions due to the widening conflict in the Middle East could stoke domestic inflation anew and give the BSP less space for further rate cuts. — Aaron Michael C. Sy

Stuff to Do (03/06/26)


Watch Disney and Pixar’s Hoppers

IN the animated film Hoppers, an all-star voice ensemble takes on a fun cast of animals — Kathy Najimy, Dave Franco, Meryl Streep, Piper Curda, Bobby Moynihan, and Jon Hamm. It is directed by Daniel Chong with an original score by Mark Mothersbaugh and capped off by an end-credits song from SZA called “Save The Day.” The film introduces Mabel (Curda), an animal lover who seizes the opportunity to test a new technology that allows her to “hop” into the body of a robotic beaver, making her communicate directly with animals. It leads her to uncover mysteries in the animal world beyond anything she could have imagined. Hoppers is now showing in Philippine cinemas.


See artworks by women

THE exhibition PaintHERs: Women in Arts will be on view at the Quantum Skyview, Upper Ground B, Gateway Mall 2 from March 7 to 15. On March 8, Binibining Pilipinas 2025 Globe Annabelle McDonnell and Binibining Pilipinas 2025 2nd runner-up Kathleen Espinido will officially open the show, along with a special performance from P-pop girl group KAIA. The exhibit features tattoo artists, with a tattoo pop-up where women can get both real and temporary tattoos. The event will also have side activities, including an art workshop, a flower bar, and a DIY pouch station.


Explore Sari Dalena’s work in a retrospective

THIS MARCH, a multi-site retrospective presents the cinema of filmmaker and professor Sari Dalena across the University of the Philippines Film Institute (UPFI), the Mowelfund Film Institute, the University of the Philippines Mindanao, The Green House Cinema (Davao), and Mindanao State University–Iligan Institute of Technology. Titled Counter-Archives of a Film Guerrera: A Retrospective of Sari Dalena’s Cinema, and curated by Patrick F. Campos, the program gathers Dalena’s documentaries, hybrids, experimental works, and video art into a sustained look at how film can function as a counter-archive. It opens March 6 at the UPFI Cine Adarna with a screening of Memories of a Forgotten War and Cinemartyrs, timed with the start of Women’s Month and in commemoration of 120 years since the 1906 Bud Dajo massacre, a central historical wound revisited by both films. Post-screening conversations will follow.


Play Pokémon Pokopia on Nintendo Switch

POKÉMON POKOPIA, a town-building game, is now on Nintendo Switch 2. The game is planned and co-developed by The Pokémon Company, Game Freak, Inc., and Koei Tecmo Games. Starting March 10, it will launch a seasonal event called “More Spores for Hoppip,” where the Cottonweed Pokémon named Hoppip will be arriving in town. Players must collect the special cotton spores available during the event period and become friends with Hoppip, Skiploom, and Jumpluff. The in-game event will run until March 25.


Watch Zootopia 2 in cinemas

DISNEY’S Zootopia 2 will be available on Disney+ this March. The film continues the adventure of rookie cops Judy Hopps and Nick Wilde as a new mysterious character, Gary de’Snake, arrives in Zootopia. To crack the case, the partner cops go undercover to discover new parts of the town entangling them in a wild escapade. After the success of Zootopia and Zootopia+ which have collectively been streamed over 805 million hours globally to date, Zootopia 2 will arrive on Disney+ on March 11.


Watch The Sandbox Collective’s Spring Awakening

ONGOING until March 22 at the Proscenium Blackbox Theater in Rockwell, Makati City, is The Sandbox Collective’s season opener, the Tony Award-winning rock musical Spring Awakening. With book and lyrics by Steven Sater and music by Duncan Sheik, the production is based on the Frank Wedekind play of the same name. Set in 19th century Germany, it tells the stories of teenagers exploring their burgeoning sexualities and rapidly changing bodies. This version is directed by Andrei Nikolai Pamintuan, with musical direction by Ejay Yatco. It also marks The Sandbox Collective’s first production under the leadership of its new artistic director, Sab Jose. Menchu Lauchengco-Yulo and Ana Abad Santos share the role of Adult Woman while Audie Gemora plays the Adult Man. Alongside them are Nacho Tambunting and Alex Diaz who share the role of Melchior Gabor; Nic Chien and Omar Uddin who alternate as Moritz Stiefel; and Sheena Belarmino who plays Wendla Bergmann. Spring Awakening is the inaugural show of The Black Box at The Proscenium Theater. Tickets are available via Ticket2Me (tinyurl.com/SandboxSpring2026).


Get nostalgic with Bagets the Musical

BAGETS THE MUSICAL, a stage adaptation of the 1984 coming-of-age film Bagets, follows a group of high school friends navigating adolescence, family, friendship, and young love. This production by Newport World Resorts, The Philippine Star, and VIVA Communications, is directed by Maribel Legarda, with a book by J-mee Katanyag and music by Vince Lim. The five leads are played by Sam Shoaf, Milo Cruz, Noel Comia, Jr., Ethan David, and Andres Muhlach. They alternate with Jeff Moses, Migo Valid, Tomas Rodriguez, KD Estrada, and Mico Hendrix Chua. Also in the cast are Neomi Gonzales, Natasha Cabrera, Mayen Cadd, Ring Antonio, and Carla Guevara Laforteza. Bagets the Musical runs until March 22 at the Newport Performing Arts Theater, Pasay City. Tickets, ranging in price from P1,000 to P4,000, are now available at the Newport World Resorts Box Office and via TicketWorld.


Travel the world with the Brickman Wonders

GMG PRODUCTIONS announced that the Manila leg of the global tour of the exhibition Brickman Wonders of the World has been extended until March 8 at The Space at Solaire. It features over 45 iconic landmarks from across the globe, all brought to life in LEGO brick form. Visitors can walk through recreations of famous sites such as the Taj Mahal, the Leaning Tower of Pisa, the Arc de Triomphe, and many more. Tickets are available exclusively on TicketWorld.

Batangas poultry marks milestone with first certified cage-free egg house

AKF’s Program Director awarding the cage-free certification to the SLC Agri-Farm Ventures, Inc.

For decades, egg production in Batangas — long known as the “Egg Capital of the Philippines” has largely relied on conventional battery cage systems. Today, that narrative begins to change.

The Animal Kingdom Foundation (AKF) proudly announces the certification of the first cage-free egg house in the province, marking a significant step forward for animal welfare and sustainable agriculture.

SLC Agri-Farm Ventures, Inc., located in San Jose, Batangas, has completed its transition to a cage-free housing system for laying hens. This milestone demonstrates that even in a province responsible for supplying a substantial portion of the country’s egg demand, producers can adopt humane, future-ready farming practices while remaining commercially viable.

“Transitioning was not an overnight decision,” shared Wilson Ang, owner of SLC Agri-Farm Ventures, Inc. “Years ago, we explored free-range and alternative systems, but there simply wasn’t enough market demand. Today, that has changed. Hotels are actively asking for cage-free eggs, and I can personally attest to that demand. The market is finally ready.”

A look inside the newly certified cage-free house of the SLC Agri-Farm Ventures, Inc.

The farm’s cage-free eggs are now supplied to hotels committed to meeting sustainability goals and strengthening responsible sourcing policies. By choosing cage-free, these institutions align their procurement practices with improved animal welfare standards while advancing their broader environmental and social commitments.

According to Atty. Heidi Caguioa, program director of AKF, the cage-free transition reflects years of sustained engagement and collaboration. “This is a breakthrough in our work of encouraging producers to take the leap toward cage-free systems,” she said. “Behind this milestone is extensive groundwork — educating farmers on standards, addressing operational and cost concerns, and building confidence that the market would respond.”

AKF played a central role in supporting SLC Agri-Farm Ventures, Inc. through consultations, technical discussions, and on-site assessments to guide the development of its first certified cage-free house. Acting as both technical partner and industry bridge, the organization helped ensure that the transition met established animal welfare standards while remaining practical for local production conditions.

Through partnerships like this, AKF continues to work with farmers, institutions, and industry stakeholders to accelerate the shift toward humane and ethical egg production. The organization envisions cage-free systems becoming a mainstream component of sustainable food production in the Philippines, where animal welfare, business viability, and consumer demand move forward together.

 


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STI posts 18% income growth despite slight enrollment decline

STI ACADEMIC CENTER in Sta. Mesa, Manila — STI.EDU

STI EDUCATION Systems Holdings, Inc. saw its net income rise 18% to P1.08 billion for the first half of its fiscal year, from P912.2 million in the same period last year.

For the six months ended December 2025, the listed educational institution’s gross revenues climbed to P2.83 billion, up 8% from P2.63 billion a year earlier.

In a statement on Thursday, STI Holdings said it recorded 132,941 total enrollees for school year (SY) 2025-2026, a slight drop from 139,155 the prior year due to public schools starting earlier on June 16, 2025, while STI Education Services Group (STI ESG) and STI West Negros University (STI WNU) began on July 28.

Tertiary program enrollment rose to 102,407 from 101,256 in the previous school year. Continuing students in Commission on Higher Education-regulated programs increased to 73,421, up 14% from 64,429 in SY 2024-2025.

STI WNU in Bacolod City recorded a 3% increase in enrollment to 14,890 students this school year.

The Philippine School of Business Administration (PSBA), managed by STI ESG, saw enrollees jump 45% to 1,583 from 1,095 the previous year, while iACADEMY in Makati and Cebu recorded 1,899 enrollees.

“STI Holdings stays committed to producing job-ready graduates by adopting specialized platforms for cybersecurity and computer-aided design for its Criminology and Information and Communication Technology programs, as well as Adobe Creative Cloud licenses for its Multimedia Arts program,” the company said.

“This initiative prepares students for industry-aligned certifications, aimed at further increasing competitiveness in the modern workforce,” it added.

STI Holdings’ financial year follows its academic calendar, beginning July 1 and ending June 30 of the following year.

At the stock exchange on Thursday, shares in the company rose 3.08% to close at P1.34 each. — Alexandria Grace C. Magno

The Iran War is forcing the Gulf to choose: Fight it or take it

SMOKE BILLOWS from Zayed port after an Iranian attack, following United States and Israel strikes on Iran, in Abu Dhabi, United Arab Emirates, March 1, 2026. — REUTERS/ABDELHADI RAMAHI

By Marc Champion

ONE LESS EXPECTED development since the US and Israel unleashed an air war on Iran last weekend has been the distribution of the Iranian response. The revelation isn’t that Tehran has attacked US bases in the Persian Gulf, as it said it would, or that it began to go after regional energy supplies, which was at least predictable. What’s surprising is the way in which it has singled out the United Arab Emirates (UAE).

The UAE has neither the most important US military base in the Gulf, nor much in the way of oil and gas production. It’s also important to Iran’s economy, as an entrepôt for trade and commerce. The Emiratis, like other members of the Gulf Cooperation Council, said they wouldn’t allow their territory or airspace to be used in the US-Israeli campaign and have kept their word.

The fact that the UAE has, nonetheless, been heavily targeted should tell us something about Iranian intentions. It’s forcing the Emiratis — and other Gulf states — into a dilemma: Should they respond in kind, in effect joining the US-Israeli attack on Iran? Or should they sit back and take it? That’s not an easy choice.

According to the Washington-based Institute for the Study of War, Iran has so far directed more missiles and drones at the Gulf states, which aren’t attacking it, than at Israel, which is. Why? One likely reason is that it can; the shorter distances involved mean there’s a lot less time for Gulf air defenses to shoot drones and missiles down. But that can’t be the whole story, because it explains neither the distribution of attacks within the Gulf, nor the purpose of focusing on the region at all.

The UAE says that, as of Tuesday, it had been targeted by 186 ballistic missiles, eight cruise missiles, and 842 drones. For Qatar, which hosts the largest US military base in the area and has a massive natural gas facility that draws from the same field as Iran, those figures were 101, three, and 39, respectively.

Bahrain, which hosts the US Fifth Fleet, fielded 73 ballistic missiles and 91 drones. For Kuwait, home to the US Central Command, the figures were 178 missiles and 348 drones. Saudi Arabia hasn’t provided aggregated data but seems to have been a less frequent target.

The vast majority of these projectiles have been shot down. A few got through, however, and in the UAE they hit some curious targets either directly or with debris, including the civilian airport that Dubai has turned into one of the world’s largest travel hubs; the power station that runs Dubai’s main desalination plant, critical to the city’s supply of fresh water; the sail-like Burj Al Arab (Arabian Tower) hotel; and the high-end Fairmont hotel on The Palm Jumeirah island development.

These are internationally recognized symbols of the globally integrated statelet the UAE has built in the desert. As my colleague Lionel Laurent has written, the reminder that the UAE lives in one of the world’s most volatile regions poses an existential threat to its model of successful Arab integration with the Western-dominated global economy.

The consensus view seems to be that Iran is trying to force the Gulf states to pressure Donald Trump into halting the war, and that this looks to be a miscalculation, prompting them instead to join in. The first assertion seems very likely to be correct. I’m not sure about the second.

Although there have been some warnings from Riyadh, so far it doesn’t look as though the Gulf states are keen to join the war. On Wednesday, the Emirati Minister of State for International Cooperation Reem Bint Ebrahim Al Hashimy said the UAE did not “seek to expand the circle of confrontation” and called on the US and Israel to return to negotiations with Tehran.

That’s advice worth considering if the White House isn’t sure it can control the war’s outcome, because the message Iran is sending is dark.

The UAE stands in opposition to everything the Islamic Republic represents. Tehran’s goal has, since 1979, been to eject the US and Israel from the Middle East and introduce a religious form of rule and life across the Muslim world. The UAE has, in the interim, built a successful, contrary model. It has become rich by welcoming Westerners and their lifestyles. It hosts the US military. It also, together with Bahrain, Morocco, and Sudan, joined the Abraham Accords that established formal diplomatic relations with Israel, in 2020.

For the UAE and other Gulf states to now join a US-Israeli attack on a fellow Muslim — albeit Shiite — country is not a straightforward choice. First, it does not appear that the Gulf countries could easily operate in already crowded skies, alongside US and Israeli jets. The friendly-fire incident in which Kuwaiti defense units shot down US F-15s serves as a warning. So, any participation would likely be symbolic.

In addition, it isn’t clear that the Gulf states would have the same goals in Iran as Israel, the US, or even anti-regime Iranians — which is why they opposed starting the war in the first place. Among the conflict’s possible outcomes, the most likely are also the least appealing to Iran’s neighbors. A total regime collapse that opens the way to a democratic uprising, for example, is as apt to end in chaos and a failed state. That might not worry Israel or the US, which have the benefit of distance, but it would be a nightmare scenario for the Gulf and Turkey.

The Gulf states want a return to stability. That makes their ideal post-war Iran a humbled continuation of the current regime that restricts itself to trying to build “Shiite Islamism in one country,” rather than across the whole of the Middle East, as the US academic F. Gregory Gause put it in a webinar for the Washington-based Middle East Institute, on Wednesday. The worst possible outcome would be an Islamic Republic whose replacement leaders saw mere survival as victory and then doubled down on regional destabilization, in an effort to reshape events in its favor.

This would see the war drawn out into a second phase that relies on asymmetric means, likely beginning when Iran runs out of missile launchers and other conventional military tools. This would involve activating proxies, such as the Houthis of Yemen and Shiite militias in Iraq, as well as cells of Iran’s Islamic Revolutionary Guard Corps around the world. Qatar said on Tuesday it had rounded up two such cells, accused of spying and sabotage.

The Iranian goal would be to reshape the war into one for the future of the wider Muslim Middle East, tapping into the sympathies of Sunni Islamist organizations such as the Muslim Brotherhood and calling for a wider Jihad against Israel, the US, and their lackey governments across the region. That may seem farfetched, given the hostility between Sunni and Shiite Islamists and current anger at Iran in the Gulf. But if the choice is between backing Iran on one side, or the US and Israel on the other, for Islamists there’s no contest.

None of this speaks to strength on the part of the Islamic Republic. It speaks of desperation. But as its otherwise senseless attacks on the UAE and other Gulf states indicate, the message is that Iran can and will set the region on fire if forced, even in its much reduced condition.

BLOOMBERG OPINION

Maggie Gyllenhaal gives Frankenstein’s monster’s companion a voice in The Bride!

JESSIE BUCKLEY in a scene from The Bride!

LONDON — Oscar nominee Maggie Gyllenhaal’s new film The Bride! began with a tattoo.

“I went to a party and I saw this guy with the tattoo of the ‘Bride of Frankenstein’ on his entire forearm… and something about it hooked me,” the writer-director told Reuters.

Ms. Gyllenhaal, who made her directorial debut with 2021’s The Lost Daughter, watched the 1935 movie, inspired by Mary Shelley’s Gothic novel Frankenstein, in which actor Elsa Lanchester appears as the titular bride for a few minutes.

“It got me thinking about, well, in two minutes, somehow (Ms. Lanchester) was able to make such an impact that this guy tattooed her face on his arm. And at the same time, that movie is not concerned really with her experience at all.”

The result is The Bride!, Ms. Gyllenhaal’s punk and bold new take in which she gives the monster’s companion a voice.

The Warner Bros. movie, released this week, begins in 1930s Chicago, with lonely monster Frank, played by Oscar winner Christian Bale, arriving to see Dr. Euphronius (Annette Bening) to ask her to create a companion for him.

They dig up the corpse of a murdered woman and bring her to life as the Bride, played by Oscar contender Jessie Buckley. Romance, murder, a police chase, and a cultural movement all follow.

“I always like to step into something that is unknowable, that I have to grow within,” Ms. Buckley, who plays three roles in the movie, said. “These characters, in some way, they’re individual, but also they’re just one woman… in a really intense, epic, bold, brave conversation within herself.”

Asked what he made of the story when he first read it, Mr. Bale said: “I thought, I’ve got the wrong script… it was so radical and original and bold that I thought, well, no one’s going to be willing to take the risk to put the amount of money that I’d heard was being put into this.”

“Movies are in dire straits. We’re in trouble. This incredible medium that brings… so many people together and cures loneliness… is getting lost to humanity. And so they’re (Warner Bros.) taking big swings, they’re trusting in amazing filmmakers,” he said.

The actor added his character’s look struck a balance between monster and human.

“We always tried to humanize him as much as we could while still maintaining the fact that he’s someone who, if he lost his temper, could kill everyone in the room and bring the whole house down literally too,” he said.

The cast also includes Ms. Gyllenhaal’s brother, actor Jake Gyllenhaal, who plays a matinee idol, alongside her husband Peter Sarsgaard, and Spanish actor Penelope Cruz, who portray a detective duo hunting Frank and the Bride.

The film opened in the Philippines on March 4 and has an MTRCB Rating of R-16. — Reuters

Peso down for sixth straight day on prolonged Iran conflict

PHILIPPINE STAR/WALTER BOLLOZOS

THE PESO extended its losing streak against the dollar on Thursday as the conflict in the Middle East continues to rattle markets.

The local unit went down by six centavos to close at P58.63 against the greenback from its P58.57 finish on Wednesday, data from the Bankers Association of the Philippines showed.

This was its worst finish in a month or since it ended at P58.69 a dollar on Feb. 5.

The peso opened Thursday’s trading session sharply stronger at P58.40 per dollar. It climbed to an intraday best of P58.335 but failed to hold on to its gains as it finished at its worst showing for the session.

Dollars traded went down to $1.57 billion from $1.774 billion on Wednesday.

The peso continued to slide against the greenback amid the prolonged Middle East conflict and its impact on oil prices, the first trader said by telephone.

“The local currency continued to weaken after Iran denied reports of a negotiation with its US counterparts to end their ongoing conflict,” the second trader said in an e-mail.

For Friday, the second trader said the peso could recover ahead of potentially softer US labor data. The first trader sees the peso moving between P58.30 and P58.70 per dollar, while the second trader expects it to range from P58.50 to P58.75.

The dollar strengthened on Thursday after briefly retreating from three-month highs, as the fallout from war in the Middle East roiled global markets and kept sentiment fragile, bolstering demand for the safe-haven currency, Reuters reported.

Earlier in the session, a towering rally in the dollar was halted as investors clung on to tenuous assumptions that the conflict might not last as long as initially expected and for a resumption of oil shipments through the Strait of Hormuz.

But markets remained at the mercy of the US-Israel war with Iran, now in its sixth day, after Iran launched a wave of missiles at Israel, sending millions of residents into bomb shelters.

That kept the greenback in favor as it quickly reversed early losses to trade higher, leaving the euro down 0.2% at $1.1608 and sterling falling 0.27% to $1.3335.

Against a basket of currencies, the dollar was up 0.2% at 99.00, resuming its climb toward an over three-month high hit earlier this week.

The dollar has risen nearly 1.4% for the week thus far, emerging as one of a handful of winners in a volatile few sessions that have dragged stocks, bonds and, at times, even safe-haven precious metals lower.

The spike in energy prices from the Middle East war has stoked fears of a resurgence in inflation that could derail the rate outlooks for major central banks.

Traders are now pricing in just a 34% chance of a Federal Reserve rate cut in June, as compared with a near 46% chance a week ago, according to the CME FedWatch tool, though that has in part been driven by upbeat US economic data on Wednesday.

The yen similarly reversed early gains and was last little changed at 157.08 per dollar. — A.M.C. Sy with Reuters

SEC says term caps align broker director service with ‘international best practices’

RAWPIXEL-FREEPIK

THE Securities and Exchange Commission (SEC) said the proposed 10-year cumulative term limits for broker directors align the governance of exchanges with international best practices, specifically those established by the International Organization of Securities Commissions (IOSCO).

According to a draft memorandum circular released on March 3, the Commission said it intends to restrict broker directors, or individuals representing trading participants on an exchange board, to a maximum cumulative service period of ten years.

The SEC said that the move is necessary to ensure “fair and effective representation,” allowing more qualified brokers the opportunity to provide “new perspectives” within the leadership of an exchange.

Under the proposed guidelines, a broker director may be elected for a one-year term. However, after serving a cumulative period of five years (whether consecutive or intermittent), the director must observe a mandatory two-year cooling-off period before becoming eligible for re-election.

Once this cooling-off period is completed, a director may serve a fresh term of up to five additional years, provided they do not exceed the overall 10-year maximum limit.

For the purposes of calculation, any service exceeding six months in a given year will be counted as one full year of service.

The SEC sets forth stringent financial and administrative sanctions to enforce compliance with term limits for broker directors.

The basic penalty imposes a fine of P1 million per broker director for each year the violation occurs. In addition, a continuing monthly fine of P30,000 applies for every month a director remains in office beyond the permitted term.

For repeated violations, the consequences escalate. A third or subsequent offense could lead to the suspension or revocation of the exchange’s primary or secondary operating license, reflecting the SEC’s commitment to maintaining strict governance standards and accountability within the industry.

The Commission further said that any schemes designed to circumvent these term limits will be penalized accordingly.

The SEC noted that term limits are already in place for independent directors and those representing other market participants. Aligning broker directors with these standards follows IOSCO principles, which suggest that the length of board terms is a critical factor in the ability of shareholders to actively participate in the nomination and election process.

The proposal is currently in a public exposure phase. The Commission is inviting stakeholders to submit comments, suggestions, and inputs on the draft through March 19, 2026.

Once finalized, the rules will take effect 15 days after complete publication in the Official Gazette or newspapers of national circulation.

A transitory provision will allow incumbent broker directors to complete their current terms before the new limits and cooling-off requirements are applied. — A.G.C. Magno

The Philippines at the crossroads of global risk

PHILIPPINE STAR/MIGUEL DE GUZMAN

The World Economic Forum’s Global Risks Report 2026 reads less like a warning and more like a diagnosis. Its central finding is stark. The world has entered an Age of Competition where uncertainty is no longer episodic but structural, and where risks increasingly compound rather than occur in isolation.

For the Philippines, this is not an abstract global condition. It is already the lived reality.

The report identifies geoeconomic confrontation as the most severe global risk in the immediate term. This refers to the growing use of trade, finance, technology, and supply chains as instruments of strategic pressure. While the Philippines is not a primary actor in great power competition, it is deeply exposed to its consequences. Trade disruptions, shifts in investment flows, energy price volatility, and supply chain realignments directly affect domestic inflation, employment, and growth.

In practical terms, this means that decisions made far beyond Philippine borders increasingly shape local economic outcomes. The risk is not that the country chooses the wrong side, but that it has limited control over shocks generated by others.

An economic downturn ranks among the top 10 short-term global risks in the report, alongside rising concerns over debt and asset bubbles. For the Philippines, this risk manifests less as recession and more as fragility. Growth may continue, but buffers are thin. External shocks quickly translate into higher food prices, transport costs, and fiscal pressure. When global risks accelerate, economic resilience depends not just on macro indicators but on institutional credibility and policy consistency.

Climate-related risks dominate the long-term outlook of the Global Risks Report. Extreme weather events are ranked as the number one global risk over the next decade, followed closely by biodiversity loss and critical changes to Earth systems. For the Philippines, these are not future projections. They are recurring disruptions.

Each typhoon damages infrastructure, displaces communities, and diverts public spending from long term development to emergency response. Over time, this creates a cumulative strain. Climate shocks amplify inequality, weaken productivity, and intensify regional disparities. The report emphasizes that environmental risks increasingly interact with social and economic vulnerabilities. In the Philippine context, climate risk is inseparable from poverty reduction, food security, and political stability.

Infrastructure failure is another risk highlighted in the report, particularly as climate extremes intensify and cyber threats grow. Aging transport systems, power grids, water networks, and digital infrastructure are increasingly exposed. For the Philippines, infrastructure weakness is not simply a development backlog. It is a governance signal.

When infrastructure fails, recovery costs rise. Investor confidence weakens. Public frustration deepens. Infrastructure performance becomes a proxy for state capacity and seriousness. In an age of competition, countries are judged not only by growth, but by reliability under stress.

One of the most consequential risks identified in the report across all time horizons is misinformation and disinformation. It ranks among the top five short-term global risks and remains highly significant in the long term. The report frames misinformation not merely as a media issue, but as a systemic threat that undermines trust, governance, and crisis response.

This resonates strongly in the Philippines. High social media usage, emotionally charged political narratives, and uneven information literacy create fertile ground for false narratives. During elections, disasters, or economic shocks, misinformation spreads faster than institutional correction. The result is polarization, weakened consensus, and reduced compliance with public policy.

In a compounding risk environment, misinformation does not stand alone. It magnifies every other risk. It undermines climate action, distorts economic debate, erodes trust in institutions, and weakens democratic processes. When citizens no longer agree on basic facts, governance becomes exponentially harder.

The Global Risks Report repeatedly emphasizes that today’s threats are interconnected. Climate shocks strain infrastructure. Infrastructure failure undermines economic confidence. Economic anxiety fuels polarization. Polarization accelerates misinformation. Misinformation weakens trust. Trust erosion amplifies every subsequent shock.

This is the anatomy of the polycrisis, and it describes the Philippine condition with uncomfortable accuracy.

Yet the report also offers an implicit lesson. In a world where risks are accelerating and overlapping, the decisive variable is not prediction, but resilience. And resilience rests on trust.

Trust determines whether people comply during emergencies, whether reforms are accepted, whether sacrifices are shared, and whether recovery is possible without social fracture. Trust is not a soft value. It is a strategic asset.

From the Philippine experience, the lens widens to Asia.

Asia sits at the epicenter of the Age of Competition identified in the report. Geoeconomic confrontation, state-based conflict, and technology fragmentation are reshaping the region’s operating environment. Asia’s strength has long been its integration into global trade and supply chains. Today, that same integration creates exposure.

The report highlights multipolarity without effective multilateralism as a defining feature of the coming decade. For Asia, this weakens regional coordination mechanisms and places pressure on middle and smaller economies to constantly rebalance. Trade rules are contested. Technology standards diverge. Security concerns spill into economic decision making.

At the same time, Asia is disproportionately exposed to the long-term environmental risks highlighted in the report. Extreme weather, sea level rise, water stress, and urban vulnerability threaten growth and social stability. Environmental risks are not evenly distributed. They fall hardest on dense, coastal, and lower income populations, many of which are concentrated in Asia.

Misinformation also carries a particular weight in the region. High digital penetration combined with diverse political systems creates a volatile information environment. The report notes that younger populations express heightened concern over misinformation compared to geopolitical conflict. This signals a generational awareness that trust and truth are becoming scarce resources.

Across Asia, the lesson mirrors that of the Philippines. Growth alone is no longer sufficient. In a fragmented global order, countries that sustain institutional credibility, social cohesion, and adaptive capacity gain an advantage that cannot be replicated through tariffs or technology controls.

The Global Risks Report 2026 does not offer comfort. But it offers clarity. The future will not be defined by the absence of shocks, but by the capacity to absorb them. In an age of competition, shared values are not ideals to be admired. They are foundations that determine whether societies bend or break.

For the Philippines and for Asia, the task ahead is not to outpace risk, but to outgrow vulnerability. And that begins with recognizing that trust, once eroded, is far harder to rebuild than any road, bridge, or balance sheet.

 

Dr. Ron F. Jabal, APR, is the CEO of the PAGEONE Group (www.pageonegroup.ph) and the founder of Advocacy Partners Asia (www.advocacy.ph).

ron.jabal@pageone.ph rfjabal@gmail.com

Meet Geeta Gandbhir, the director with two separate Oscar-nominated films

LOS ANGELES — American filmmaker Geeta Gandbhir is making waves in this year’s Oscar documentary race, earning two nominations: The Perfect Neighbor for best documentary feature and The Devil is Busy for best documentary short.

Both films were already on the Academy’s shortlist of 15 before nominations were announced, so Ms. Gandbhir knew she had a strong chance. Still, the moment itself caught her off guard.

“Don’t judge me. I slept through the nominations,” she laughed while speaking to Reuters at the Independent Spirit Awards. “I was so anxious the night before. I planned to go to bed early and sleep well, but I was awake until three in the morning staring at the ceiling. I literally slept through the announcements,” she added.

The Devil is Busy, distributed by HBO Max, offers a gripping, ground‑level look at a day inside an abortion clinic in Atlanta, Georgia, highlighting the dangers that staff and patients face amid America’s shifting political landscape.

The Perfect Neighbor, distributed by Netflix, examines the events leading up to the killing of Ajike Owens in a Florida neighborhood, reconstructing the incident through police calls and body‑camera footage.

Speaking at the Oscars Luncheon, Ms. Gandbhir emphasized how deeply personal both projects are. “Both were made with so much love and attention — and also with my family,” she said. “The Perfect Neighbor is made with my sister‑in‑law and my husband; they’re producers on it. And The Devil is Busy is co-directed with my best friend from college.”

Her connection to The Perfect Neighbor goes even further. “Ajike was a family friend,” she said. “That was our connection — mine and my team’s at Message Pictures — to the case.” — Reuters

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