Iloilo City, TIEZA sign MoA to push city as meeting destination

THE CITY of Iloilo was filled with a variety of celebrations unfolding simultaneously over the fourth weekend of January, from dance competitions and float parades, to street food stalls and mall concerts, which meant only one thing — it was the height of the Dinagyang Festival.

The annual celebration, which gets its name from the Hiligaynon word dagyang that means “merrymaking,” first started in 1967, when a replica of the Señor Santo Niño de Cebu was brought to Iloilo. Its evolution as a religious and cultural festival reflects the devotion of Ilonggo Catholics to the Child Jesus.

Its 58^th edition this year, with the theme “Bugay sang Ginoo, Bugal sang mga Ilonggo” (Blessings of the Lord, Pride of the Ilonggos), embodies the mindset of the local government as it continues to develop the city both for Dinagyang Festival and for overall tourism.

“Last year, more than 150 MICE (meetings, incentives, conferences, and exhibitions) events happened at the Iloilo Convention Center, and we want to sustain and improve those events,” Raisa S. Treñas, mayor of Iloilo City, told the visiting Manila media on Jan. 23.

In 2024, the Department of Tourism recorded about 1 million tourist arrivals in Iloilo City. This marked a 12.95% increase from 886,283 tourist arrivals in 2023.

In late 2023, the city was named the Philippines’ first UNESCO Creative City of Gastronomy, which Ms. Treñas cited as a major draw for visitors.

“Tourists really consider Iloilo City not only because of the facilities that we have, but because we are now known for gastronomy,” she said.

In light of this, Iloilo City and the Tourism Infrastructure and Enterprise Zone Authority (TIEZA) signed a memorandum of agreement (MoA) on Friday, allotting P17.6 million over the next five years to develop the city into a MICE destination.

“This partnership for us is very important because, last year, the MICE Center in Iloilo presented to me the schedule of activities for all the MICE events, and January was already fully booked,” Ms. Treñas said, pointing out the one-year booking waitlist for TIEZA’s Iloilo Convention Center.

Meanwhile, an estimated 350,000 visitors flocked to Dinagyang-related events on the festival’s final day on Jan. 25, according to the Iloilo City Police Office.

THE FINAL WEEKEND
It was bright and sunny on the final weekend of the Dinagyang Festival which saw several major events including the Kasadyahan sa Kabanwahanan, a celebration of competing cultural festivals from across the province, on Jan. 24; and the Ati Tribes Competition, featuring tribal performers in Ati warrior gear presenting the history of Panay, on Jan. 25.

The Tultugan Festival from Maasin, Iloilo, showcasing elaborate bamboo set pieces to represent their town, won the Kasadyahan sa Kabanwahanan. They bested seven other Iloilo towns and clinched a P1.2-million cash prize.

The winner of Dinagyang’s Ati Tribes Competition this year was Tribu Salognon, representing Jaro National High School from Jaro, Iloilo City. Their performance, which had the traditional dance component honoring the Señor Santo Niño while also incorporating designs inspired by the endangered maral or Visayan leopard cat, earned them a P1.5-million cash prize.

The winning school also received an additional P10 million in infrastructure projects, coming from the Iloilo City government’s Special Education Fund.

“Beyond the drums, the dances, and the vibrant colors, Dinagyang plays a vital role in the life of our city. It is a powerful engine of tourism and economic activity,” said Mayor Treñas in her speech on Jan. 24.

“Every year, thousands of visitors come to Iloilo, filling our hotels, supporting our restaurants, boosting local businesses, and creating livelihood opportunities for performers, artisans, vendors, transport workers, and many others,” she added. “Dinagyang is one of the reasons Iloilo is what it is today.”

Aside from the Dinagyang Festival, the city government also celebrated TIEZA’s help in redeveloping public plazas in Molo, La Paz, and Jaro, alongside the MICE partnership.

“Iloilo City is strategically positioned to fulfill its vision of becoming a leading hub for MICE, supported by its advantageous geographic location, expanding direct air connectivity from major Asian destinations, diverse tourism assets, and a highly skilled service workforce,” TIEZA chief operating officer Mark Lapid said at the signing on Jan. 23.

“We are confident that this collaboration will accelerate the growth of Iloilo’s MICE industry and deliver substantial economic benefits to the Ilonggo community.” — Brontë H. Lacsamana

PIONEER modernist architect Lorenzo “Lor” Calma passed away at the age of 97 on Jan. 27.

“He will be deeply missed and lovingly remembered for his generosity of spirit, his belief in others, and the quiet warmth and calm he brought to everyone he met,” wrote his children, designer Lorena Calma and architect Eduardo Calma, in a social media post. They also noted their father’s “enduring legacy that helped shape modern Philippine architecture.”

With a reputation for using minimalist lines and local materials across architecture, sculpture, and furniture design, Mr. Calma is responsible for timeless works such as the interiors of the Manila International Airport (now known as the Ninoy Aquino International Airport) and the Asian Development Bank.

Born on March 4, 1928, in Pampanga, he was a multidisciplinary artist who “sought to transform international modernism into an expression of Filipino culture, context and values,” according to his firm, Lor Calma & Partners. He studied at the Mapua Institute of Technology School of Architecture and Planning and influenced Philippine postwar design in the 1950s and beyond, later co-founding the Philippine School of Interior Design in 1967.

He was the recipient of numerous awards including the Most Outstanding Kapampangan in Arts and Architecture (2010) and Outstanding Professional of the Year in Interior Design (1997). His practice is continued by his studio and family through Lor Calma & Partners.

The firm’s tribute read: “His legacy lives in the values he championed: restraint over excess, meaning over trends, craftsmanship over convenience. He taught us that design is not about spectacle, but about clarity, purpose, and respect — for materials, for context, and for people.”

In a Facebook post, his nephew Juan Carlo Calma, who is also an architect, said his uncle was “a multifaceted artist and architect.”

“He is funny with always a very discerning taste with interesting stories — very experimental and always promoting Filipino craftsmanship — the most authentic display of Filipino modern minimalism and that can truly express the sensual use of local materials and his magnificent paper folds architecture showing both restraint and bold statements,” he said.

The wake is ongoing at the Heritage Memorial Park until Jan. 30 from 3 to 10 p.m. This will be followed by his internment on Jan. 31, with details to follow.

Mr. Calma is survived by his wife, children, and grandchildren. — BHL