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Gov’t port repurposing boosts BuhaWind’s offshore wind plans

BUHAWIND.COM.PH

OFFSHORE wind energy developer BuhaWind Energy Philippines will advance its four-gigawatt (GW) projects after the government announced plans to repurpose three strategic ports as logistics hubs, a company official said.

“Repurposing these ports is a game-changer for the Philippine offshore wind industry,” PetroGreen Energy Corp. President and Chief Executive Officer Francisco G. Delfin, Jr. said in a statement on Tuesday.

“The Currimao Port’s involvement in the BuhaWind project is crucial for establishing the Philippines as a significant player in the regional and global offshore wind market,” he added.

BuhaWind is a joint venture between Denmark’s Copenhagen Energy and PetroGreen, the renewable energy arm of the Yuchengco group.

The company is developing the 2,000-megawatt (MW) BuhaWind offshore wind farm in Northern Luzon.

The Currimao Port will play an important role in the construction and operation of the wind project, it said.

BuhaWind is developing two additional 1,000-MW offshore wind projects in Northern Mindoro and East Panay, set for completion by 2031 and 2033.

The Sta. Clara port in Batangas will support the Northern Mindoro project.

The Department of Energy (DoE) has announced that the Philippines Ports Authority is crafting detailed engineering designs and repurposing three priority ports: Currimao in Ilocos Norte, Batangas in Sta. Clara, and Jose Panganiban in Camarines Norte, due to their proximity to high-potential offshore wind energy sites.

The DoE plans a green energy auction for offshore wind in mid-2025. So far, it has awarded 92 contracts to 38 developers, totaling 66.101 gigawatts of potential capacity. — Sheldeen Joy Talavera

Major exhibit marks MADE art tilt’s 40th year

POW MARIN’S 2016 work You Are What You Eat comes to life through augmented reality.

Winning works through the years get 2D and 3D treatment for show

FOR THE 40th edition of Metrobank Foundation, Inc.’s (MBFI)Metrobank Art & Design Excellence (MADE) program, the theme of “Sibol,” meaning growth, highlights the evolution of its winning artists and the overall Filipino art landscape over the four decades of the competition’s existence.

“With a vision to provide hope and encouragement to Filipinos amid the challenges experienced in the 1980s, our late founder, Dr. George S.K. Ty, launched an annual painting competition which eventually evolved into a visual arts and design competition now known as MADE,” MBFI President Aniceto M. Sobrepeña said at the exhibit’s launch on Sept. 19.

Art is “a mirror that reflects the soul of a nation, allowing Filipinos to express their minds and hearts,” he added.

“Looking back to the launch poster we released in 1984 with the tagline, ‘Artists of Today, Art Masters of Tomorrow,’ we’re thrilled to see how many of our MADE artists have flourished and become respected figures in contemporary art,” he said.

Thus, instead of the usual competition this year, MBFI opened a month-long retrospective exhibit at the Metropolitan Museum of Manila (The M), to showcase “the growth of Philippine art and culture.”

INTERACTIVE EXPERIENCE
The collection, curated by Sandra Palomar of the Foundation University in Dumaguete, presents winning artworks elevated by 2D and 3D experiences that engage the different senses. These are on the second-floor gallery.

Ms. Palomar said that art has the power to augment one’s faith and strength, especially because Filipinos are tactile by nature.

“I am glad that this exhibition will allow people to use other senses than just our sight to engage with the works in creative ways,” she told BusinessWorld. Arranged by decade, the interactive experiences are spread out among the winning works, which makes viewing the exhibit pleasantly surprising.

The first of these is Roberto Feleo’s August 6, which was among the top three works in MADE’s inaugural edition in 1984. Painted on polychromed wood, it’s title card is infused with the scent of old wood to give viewers a sense of the material used by the artist.

Meanwhile, Last Trip by Mark Justiniani, which won first prize in the Oil on Canvas category in 1990, is accompanied by a cassette tape and player. It allows visitors to play urban sounds as background music to the painting depicting fatigued jeepney passengers at night, brought to life with a distinct curvilinear perspective.

Mr. Justiniani was at the launch of the exhibit, where he echoed the importance of nurturing artists in a competition such as MADE. “I remember [that] with the prize money I bought my first easel,” he said.

Another memorable work is Jowee Aguinaldo’s Puro Kahig, Walang Matuka, which portrays farmers who labor yet are unable to provide for themselves. The surreal 2023 Oil on Canvas grand prize-winning piece shows a bare dinner table as families helplessly look on. Its interactive element is a tablet that allows one to digitally draw food on the table.

Augmented reality, holograms, virtual reality, and digital canvas experiences allow many of the artworks to come to life and even move, thanks to technology provided by Samsung Philippines.

MADE EVOLUTION
On the museum’s 3rd floor gallery are artworks of awardees whose practices have developed beyond their usual craft.

Some of the artists showcased here are 2001 painting grand prize winner Maria Taniguchi, whose work Untitled (Celestial Motors) now represents her growth using video; and 2010 painting grand prize winner Yeo Kaa, whose work ys003 shows how she has delved into sculpture using fiberglass resin.

An awe-inspiring work is the 2022 installation piece MANAnahi, put together by 2008 painting grand prize winner Raffy Napay. There are also rare woodblock prints by Elmer Borlongan, who isn’t immediately associated with that particular medium, and a 2017 mixed-media piece by Leeroy New, whose works have become increasingly resourceful and elaborate over time.

“By taking a break from our usual competition to revisit and reaffirm the mission of MADE, we’ve realized that our commitment to nurturing young Filipino artists and promoting Philippine culture has truly borne fruit,” added Mr. Sobrepeña during the tour of the works.

He also announced that MBFI is future-proofing next year’s competition with a streamlined submission portal, which was briefly shown at the event. In the meantime, MADE’s 40th anniversary exhibition aims to inspire young artists as they prepare for the 2025 program.

Sibol runs until Oct. 19 at The M in Bonifacio Global City, Taguig. It is open and free to the public. — Brontë H. Lacsamana

CTA partially grants P29-M tax credit to Global Energy Supply Corp.

CTA.JUDICIARY.GOV.PH

THE COURT of Tax Appeals (CTA) has granted Global Energy Supply Corp. a P29-million tax credit for unutilized creditable withholding taxes (CWT) in 2019, partially approving the company’s request.

In a Sept. 20 decision, the CTA Third Division ruled that the company, a licensed retail electricity supplier, is entitled to a P29-million tax return out of the P32 million petitioned, due to insufficient documentation of its 2019 taxable income.

“The petitioner has sufficiently proven that it is entitled to the issuance of tax credit certificate in the amount of P29,074,538 representing its unutilized CWTs for 2019, pursuant to Section 76 in relation to Sections 204 and 229 of the Tax Code,” a part of the 22-page ruling of Associate Justice Henry S. Angeles read.

“Only the amount of P29,074,538 CWT must be granted, considering that this is the amount which corresponds to the income payments which were verified to have been included in petitioner’s taxable gross income per its annual ITR (income tax return) for TY (Taxable Year) 2019,” it added.

The decision noted that upon reviewing the petitioner’s 2019 general ledger, which showed total revenues of P1,596,114,046, it was found that these figures matched the revenues reported in the petitioner’s 2019 audited financial statements and annual income tax return. However, the income associated with the claimed CWT was only P1,588,350,922. — Kenneth Christiane L. Basilio

Justin Nuyda tribute exhibit celebrates his origins

PORTRAIT SKETCHES of Justin Nuyda by various Saturday Group artists.

IN 1968, Filipino artist Justin “Tiny” Nuyda, along with Alfredo Roces and other masters, founded the Saturday Group, an elite group of artists which included the likes of Cesar Legazpi, H.R. Ocampo, Vicente Manansala, and Jose Joya, who met every Saturday for discussions that centered on intellectual and artistic exchange.

Today at Hapag in Rockwell, Makati, guests can glimpse how this era of Philippine modern art played a key role in Mr. Nuyda’s early journey as an artist.

The exhibit Justin Nuyda: Origin Story, launched at Hapag early last week, will run until the end of September. The opening was marked by a 10-course dinner prepared by the restaurant’s creative culinary team, using the flavors of Bicol as an homage to the artist’s home province.

Search Mindscape Foundation, founded by Mr. Nuyda’s daughter Ayni Nuyda, orchestrated the engaging experience that paid tribute to the late master. Known for interactive art events, the foundation is channeling its efforts into celebrating his life and passions for what would have been his 80th birthday.

“This is deeply personal for me. I wanted to pay tribute to his origins, highlighting what made him the person he was — both as an artist and as an individual. His personal experiences shaped his art, and that personal side of his journey is often overlooked,” Ms. Nuyda said at the Sept. 17 launch.

Since the exhibit is about her father’s origin story, it includes his early works from 1969 to 1971 as well as portrait sketches of him made at Saturday Group Sessions by his peers Alfredo Roces, Mars Galang, Benedicto “Bencab” Cabrera, Romulo Olazo, Solomon Saprid, Romulo Galicano, and Ang Kiukok, among others.

Curated by Stephanie Frondoso, the collection aims to “highlight the more personal nature of Justin Nuyda’s life and work.”

Part of his identity as an artist, albeit unknown to most, was his dedication to the scientific field. As a lepidopterist, Mr. Nuyda contributed to the study of butterflies by identifying and illustrating over 100 species.

“His butterfly paintings provide us a glimpse into his impassioned parallel practice as a lepidopterist,” Ms. Frondoso said.

THE ART OF DINING
Hapag chefs Thirdy Dolarte and Kevin Navo instilled Mr. Nuyda’s passions in the splashes of color and texture in the Bicolano dishes at the launch dinner.

The kinilaw comprised of blue marlin tossed in mango vinegar and spring onion oil along with fresh, in-season fruits, evoking the colorful landscapes of his paintings. Meanwhile, the sweet putok bread with pili nut butter and lacto-fermented jackfruit had a distinctly butterfly-shaped floral topping.

Another standout was the pinangat, a mix of shrimp, tinapa-stuffed kale, and laing (coconut-braised taro leaves).

“Growing up, we looked forward to his home-cooked meals,” Ms. Nuyda explained. “Cooking was something that he took great pride in. His friends remember him for his Bicolano dishes.”

Because Hapag prominently features Mr. Nuyda’s works on its walls, it was easy for guests to appreciate the inspiration behind the exclusive 10-course meal.

Unbeknownst to many, Mr. Nuyda’s culinary pursuits also birthed iconic concoctions, like the potent Weng-Weng cocktail, which cognac house Martell also prepared that night.

Ms. Nuyda said she found it vital that the tribute to her father was a sensorial experience, presented outside of the usual gallery setting.

“Throughout my father’s career, he had a willingness to explore different platforms for showcasing his work. I wanted this exhibit to be different, to challenge the way people engage with art by stimulating the five senses. At a time when art consumption has become increasingly transactional, I believe it’s important to offer something more experiential,” she said.

Other projects and initiatives honoring her father are in the pipeline for Search Mindscape Foundation, including a museum retrospective, the publication of a monograph chronicling his works, and a donation of his butterfly specimens to the Smithsonian Institute in the US.

Ms. Nuyda added: “By celebrating my father’s legacy, we hope to inspire a new generation of artists to explore their own creative freedom, to push boundaries, and to engage with others in meaningful ways.” — Brontë H. Lacsamana

AboitizPower: Renewables need baseload for reliability

RENEWABLE ENERGY should be integrated with reliable baseload power to address its intermittency and ensure the country’s power needs are met during the energy transition, according to an official from Aboitiz Power Corp. (AboitizPower).

“We need reliable and reasonably priced baseload power to address the inherent intermittency of renewable energy and the geographical challenges of injecting these intermittent capacities to our present grid,” Ronaldo Ramos, AboitizPower’s chief operating officer for thermal operated assets, said during the Coaltrans Asia 2024 in Bali, Indonesia.

Citing data from the Philippine Energy Plan, the company said that the country needs around $550.2 billion to reach the goal of increasing the share of renewable energy in the power mix to 50% by 2040.

“We all want a future that is powered by abundant renewable energy. The costs of solar panels and battery storage technologies going down are encouraging,” Mr. Ramos said. “But we must be mindful of the present realities of the Philippines.”

AboitizPower said that “a careful and phased approach” is needed for a just energy transition that accounts for “the current realities of the socio-economic needs” of the country.

The company said that coal, as a baseload energy source, can “fill in the gaps of more intermittent renewable energy,” stabilizing the power grid.

AboitizPower is a leading player in the Philippine power industry, involved in electricity generation and distribution, with a diverse portfolio of renewable and non-renewable power plants. — Sheldeen Joy Talavera

Far Eastern University, Inc. to hold Annual Stockholders’ Meeting on Oct. 19

 

 


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Auction house Christie’s opens at the Henderson in Hong Kong

PRESS.CHRISTIES.COM

CHRISTIE’S opened its new headquarters in Hong Kong, capping off a series of real estate expansions by auction houses in the financial hub.

The company occupies the 6th to 9th floors of The Henderson — a skyscraper in the Central district developed by Henderson Land Development Co. and designed by Zaha Hadid Architects — for a total of 50,000 square feet (4,645 square meters).

“We have always been very ambitious with Hong Kong,” Christie’s Chief Executive Officer Guillaume Cerutti said in an interview. The new space would allow the firm to have control over the timing of its auctions, unlike before when sales were held at the Convention and Exhibition Center. For instance, its November sales often clashed with the Thanksgiving holiday period, he said.

Hong Kong remains Asia’s art hub, even as a Chinese economic downturn means that collectors have become more selective in their spending. Christie’s global auction sales for the first half of this year declined 22% from 2023.

“Even in this moment where there are some challenges in the macro environments, politically and economically in the world, we’ve seen the Asian market keeping its share of 20, 25 or more percent of our turnover,” said Mr. Cerutti. While these collectors previously bought Asian art, they are now “crucial” to sales in other categories such as impressionist works, modern art, and watches, he said.

Christie’s expansion comes after Sotheby’s opened a new 24,000-square-foot space located at Central’s Landmark Chater, while Phillips opened an office at the West Kowloon Cultural District last year.

The expansion by auction houses brings some relief to Hong Kong’s troubled real estate market. Commercial vacancies are at a record high, and retail and office rents have plunged. Leasing rates at The Henderson, whose other tenants include financial firms Carlyle Group, Inc. and Coller Capital Ltd., have been highly watched as a proxy for the property market.

At Christie’s, some of the pieces that will be auctioned at its inaugural sales at the new location have set the art world buzzing. These includes Vincent Van Gogh’s Les canots amarrés, which is expected to sell for between $30 million and $50 million, and Claude Monet’s Nymphéas, estimated at between $25 million and $35 million. — Bloomberg

PFA honors the best in Philippine franchising in FEA 2024

Winners of this year’s Franchise Excellence Awards gather for a group photo.

The Philippine Franchise Association (PFA) recently hosted the prestigious Franchise Excellence Awards (FEA) 2024 Awards Night at the SMX Convention Center-Manila, gathering the country’s leading franchise brands to honor their exceptional contributions to the Philippine franchising industry. The event was graced by Department of Trade and Industry Secretary Ma. Cristina Aldeguer-Roque, who served as the guest of honor.

Now on its 25th year, FEA is the only awards for the franchising sector in the country. Its winners have become benchmarks for success in the industry many of which have conquered international markets. Through these awards, PFA aims to strengthen a culture of excellence, showcasing businesses that have demonstrated innovation, resilience, and adaptability while maintaining good ethical business practices.

DTI Secretary Ma. Cristina Aldeguer-Roque was guest of honor in the FEA 2024 Awards Night.

This year’s theme, “Ensuring Success Through Excellence and Sustainability,” underscores the importance of pursuing industry leadership while embracing a sustainability mindset. The awards emphasize the role of franchises in creating sustainable business models that drive long-term success for both franchisors and franchisees.

“FEA serves as a reminder that excellence is the driving force that propels the franchising industry forward,” said PFA President Joseph C. Tanbuntiong in his speech. “And in this crucial time in our history when environmental and social upheavals are becoming more frequent, excellence can only be impactful if it is driven by a sustainability mindset.”

Winners of the FEA 2024 were selected for their outstanding achievements in growth, operational excellence, and positive impact on community. Their success stories reflect the dynamic nature of franchising in the Philippines and its role in driving inclusive economic growth.

Aside from the franchisor and franchisee winners, FEA 2024 also bestowed the Chairman’s Award to two individuals who have contributed to the growth and development of the Philippine franchising sector. These were Go Negosyo Founder Jose Ma. “Joey” A. Concepcion III and international franchising guru Greg Nathan who have facilitated several Certified Franchise Executive (CFE) programs for PFA.

The franchisor award categories up for grabs were: Outstanding Filipino Franchise Award, International Master Franchise Award, Most Promising Filipino Franchise Award, Best Marketing Campaign Award, Innovative Excellence Award, and Sustainability Award.

The Outstanding Filipino Franchise Award honors Filipino franchises that have become benchmarks in national market penetration through excellent franchise operations and good corporate governance. The International Master Franchise Award, meanwhile, recognizes international franchises, which have become benchmarks in franchise operations, particularly in the sustained growth in sales, expansion and employment.

The Most Promising Filipino Franchise Award is granted to a homegrown franchise under the micro, small, and medium enterprises (MSMEs) category that are seen with the potential to become a major player in the Philippine franchising sector.

The Best Marketing Campaign Award franchise celebrates companies with a successful and effective marketing program that contributed significantly to the growth of their companies and, overall, to the advancement of the franchising sector.

The Innovative Excellence Award recognizes franchise brands that have exhibited remarkable agility, successfully pivoting or implementing innovative strategies. The award also acknowledges the resilience of franchisors that have navigated challenges effectively to sustain their business.

Lastly, the Sustainability Award highlights outstanding sustainable developmental programs and initiatives instituted by PFA member companies that impact positively on their primary and secondary stakeholders.

The FEA franchisor awardees for this year were 7-Eleven; But First, Coffee; Chatime; Chowking; Dr. Carl Balita Review Center; Famous Belgian Waffles; Grainsmart; Greenwich; Health Screen Laboratory and Diagnostic Center; Mang Inasal; Master Siomai; Potato Corner; Shakey’s; and Toby’s Sports.

FEA 2024 also recognized franchisees who were exceptional in the way they managed their stores towards growth and profitability. The lone international franchisee award went to William Xu, Potato Corner franchisee in Myanmar. The regional franchisee awardees were: Enrico “Cholo” Francisco of Max’s Restaurant (NCR); Cecilia Pua Phee of Max’s Restaurant (North Luzon); Pablo Olivarez II of Yellow Cab (South Luzon); and Anniebeth Gapido of Dr. Carl Balita Review Center (South Luzon) and Abdullah Guinda, Dr. Carl Balita Review Center Cotabato (Mindanao). Among the regional awardees, Mr. Francisco was voted National Franchisee Awardee.

Those who have won a category award a second time were inducted into the Hall of Fame. These awardees are Famous Belgian Waffles, Mang Inasal, Potato Corner and Shakey’s. For the franchisees, the Hall of Fame welcomed Ms. Phee of Max’s Restaurant and Ms. Gapido of Dr. Carl Balita Review Center.

FEA 2024 was made possible with the support of PWC-Philippines.

Max’s Group franchisees triumph at the Franchise Excellence Awards

Enrico D. Francisco, franchisee of Max’s Shell Don Antonio, was recognized with the National Franchisee Award.

Franchisees of Max’s Group, Inc. (MGI), the largest casual dining restaurant chain in the Philippines, recently celebrated their success at the Franchise Excellence Awards on Sept. 2, 2024, held at the SMX Convention Center. Organized by the Philippine Franchise Association, the event honors franchise brands that exemplify excellence in business growth and contribute significantly to the franchising sector.

Enrico D. Francisco, franchisee of Max’s Shell Don Antonio, won the Regional Franchisee Award for the National Capital Region in the Food — Large Store Category and was also recognized with the National Franchisee Award. Ma. Cecilia Pua Phee, franchisee of Max’s La Union, received the Regional Franchisee Award for North Luzon and was inducted into the 2024 Hall of Fame, having previously won in 2009.

Ma. Cecilia Pua Phee, franchisee of Max’s La Union, received the Regional Franchisee Award for North Luzon and was inducted into the 2024 Hall of Fame.

Additionally, Pablo Olivarez II, franchisee of Yellow Cab — Olivarez Plaza Los Baños, also secured a Regional Franchisee Award for South Luzon. These accolades highlight the franchisees’ commitment to service and operational excellence. “We take pride in our consistent efforts and dedication, which lead to achieving our strategic goals,” stated Mr. Olivarez.

Pablo Olivarez II, franchisee of Yellow Cab — Olivarez Plaza Los Baños, secured a Regional Franchisee Award for South Luzon.

The awards reflect years of collaboration and mutual progress. “As business partners of MGI, we are united in meeting our customers’ needs, and we are grateful for the support that fuels our continuous growth,” Ms. Pua Phee remarked. Mr. Francisco added, “Our partnership is built on trust and confidence, which are key to our achievements.”

MGI remains dedicated to understanding the evolving needs of its franchisees, providing support and guidance to foster growth and success in franchise operations.

 


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Zobel matriarch Doña Beatriz, 88

DOÑA BEATRIZ ZOBEL DE AYALA — JAIME AUGUSTO ZOBEL DE AYALA VIA FB/PHILSTAR.COM ARTWORK

DOÑA Beatriz Zobel de Ayala, the matriarch of the Zobel de Ayala family, passed away at the age of 88 on Monday, Sept. 23.

“We confirm the passing of Doña Beatriz Zobel de Ayala, the wife of Ayala Corp. Chairman Emeritus Jaime Zobel de Ayala,” the conglomerate said in a statement on Tuesday.

“The family requests privacy during this most difficult time,” it added.

Ayala Corp. did not provide additional details about the passing of Ms. Zobel.

Born on Feb. 29, 1936, in Madrid, Spain, Ms. Zobel was the mother of Ayala Corp. Chairman Jaime Augusto, as well as Fernando, Bea Jr., Patsy, Cristina, Monica, and Sofia.

A memorial service for Ms. Zobel will be held on the morning of Sept. 27 at the Santuario de San Antonio Parish, Forbes Park, Makati City.

In lieu of flowers, Ayala Corp. said that the Ayala family requests donations in Doña Bea’s memory to her favored causes, including the Friends of Elsie Gaches and the Tuloy Foundation. — Revin Mikhael D. Ochave

Actor Meryl Streep shows solidarity at UN with Afghan women, girls

MERYL STREEP — COMMONS.WIKIMEDIA.ORG

UNITED NATIONS — A female cat has more freedom in Afghanistan than a woman does, Hollywood actor Meryl Streep said at the United Nations (UN) on Monday in a bid to get world leaders to focus on the plight of Afghan women and girls.

“The way that … this society has been upended is a cautionary tale for the rest of the world,” Ms. Streep told an event on the sidelines of the UN General Assembly to encourage the inclusion of women in the future of Afghanistan.

The Taliban seized power in August 2021 when US-led forces withdrew after 20 years of war. The UN has sought a unified global approach to dealing with the Taliban, who have cracked down on women’s rights.

Most girls have been barred from high school and women from universities by the Taliban. The group has closed beauty salons and curtailed travel for women without a male guardian.

“Today in Kabul a female cat has more freedoms than a woman. A cat may go sit on her front stoop and feel the sun on her face. She may chase a squirrel into the park. A squirrel has more rights than a girl in Afghanistan today, because the public parks have been closed to women and girls,” Ms. Streep said.

“A bird may sing in Kabul, but a girl may not and a woman may not in public. This is extraordinary,” she said.

The Taliban say they respect rights in line with their interpretation of Islamic law. The group formally codified a long set of rules governing morality last month that were based on a decree by the Taliban’s supreme spiritual leader in 2022 and will be enforced by the morality ministry.

“Without educated women, without women in employment, including in leadership roles, and without recognizing the rights and freedoms of one-half of its population, Afghanistan will never take its rightful place on the global stage,” UN Secretary-General Antonio Guterres told the event. — Reuters

Sustainable mining is not an oxymoron: Upholding SDGs

JCOMP-FREEPIK

(Part 3)

It is clear from what we have written so far that sustainability goes much further than just protecting the physical environment from human abuse.

As we have seen, the Semirara Mining and Power Co. (SMPC), in order to demonstrate that sustainable mining is not an oxymoron, tries to align its corporate goals to the 17 Sustainable Development Goals (SDGs) of the United Nations (UN). So far we have described the corporate strategies and programs that are aligned with the first nine SDGs of the UN. We shall now complete the list so that in its small and humble way, SMPC can serve as a role model for other mining companies in the Philippines, one that is trying to make its operations compatible with sustainability.

I am proud of the fact that I am an Independent Director of the parent company of SMPC, DMCI Holdings, Inc., a publicly listed Philippine corporation. As an Independent Director, I am not beholden to protect only the interest of the shareholders.  Under Philippine laws, I have to protect all the stakeholders of the corporation, especially the rank-and-file workers, the management, the suppliers, the immediate community in which the enterprise is located and the nation at large. I am glad to report that the interests of these stakeholders have not been given short shrift by SMPC, as the initial listing of the SDGs have shown.

Let me now proceed to the eight remaining SDGs.    

The 10th SDG has to do with reducing inequalities. From the macroeconomic point of view, we already saw how the community in which SMPC operates has already attained what the Administration of President Ferdinand Marcos, Jr. is still striving for, i.e., to reduce to a single digit the level of the nation’s poverty incidence. Already, the host community of SMPC, as of 2021, had a poverty incidence of 8% (the National Economic and Development Authority or NEDA targets 9% for the whole nation by 2028). SMPC is now focusing on upskilling, reskilling, and retooling out-of-school youth to help them to be employed or to be small-scale entrepreneurs. Women and marginalized groups are especially targeted in social development projects.

For SDG No. 11 (Sustainable Cities and Communities), SMPC has non-stop mine rehabilitation and restoration programs, rural electrification, construction and maintenance of road networks (especially farm to market roads) and livelihood infrastructure such as a commissary, a food court, and a wet market.

For SDG No. 12 (Responsible Consumption and Production), there are programs for water resource management, the reduction or management of emissions, wastes, and affluents.  There are programs in educating the community in the efficient use of energy, responsible sourcing and green criteria for suppliers, and bottom ash repurposing.

Directly related to mitigating climate change or protecting the physical environment are carbon offsets through afforestation and reforestation; biodiversity offsets through marine and terrestrial conservation programs, capacity building towards a carbon transition roadmap, and emergency response and disaster resilience programs.

SDG No. 13 directly targets the climate change issue. SMPC is one of the pioneers in obtaining carbon credits through afforestation and reforestation. It obtains biodiversity offsets through marine and terrestrial conservation programs. It has appropriated P1.5 billion for climate-related investments. It is undertaking capacity-building initiatives towards a carbon transition roadmap. It has established an emergency response and disaster resilience program. It has partnered with the LGU of Caluya for a mangrove enrichment program.

Last April, SMPC celebrated Earth Day by planting 1,500 mangrove seedlings in Barangay Semirara, Caluya. This activity was supported by over 150 participants who included SMPC employees, Philippine Coast Guard personnel, and residents of the barangay. Mangroves support food security and livelihood since they serve as a valuable nursery habitat for fish and crustaceans. By stabilizing shorelines, these coastal forests also provide protection from a plethora of disasters such as storm surges, tsunamis, and rising sea levels. Furthermore, mangrove forests can sequester an estimated three to five times more carbon per hectare than tropical forests, thus playing a key role in climate change mitigation.

As regards SDG No. 14 (Life Below Water), a world-class initiative of SMPC is the Semirara Marine Hatchery Laboratory (SMHL).  A flagship program to protect marine biodiversity, the SMHL is the only private facility in the Philippines that has spawned and propagated eight species of the giant clams, which are considered keystone species to the coral reef ecosystem. Reseeded giant clams promote diversity where they live as they attract corals, fishes, and small marine biota. These giant clams also clean their environment when they sip seawater for food and then release the clean, clear water back to the sea.

SDG No. 15 is Life on Land. One of those who accompanied me to visit Semirara island was a history professor from my university, the University of Asia and the Pacific, whose hobby is bird watching. He literally went wild when we visited SMPC’s Semirara Avian Biodiversity Conservation Center which maintains and operates a wildlife breeding aviary. It also serves as a rescue center that rehabilitates juvenile birds found fallen from their nests, injured adult birds, and other wildlife affected by storms or found before vegetation clearing during mine expansion projects. To date, this facility has released 66 captive-bred birds at the rehabilitation of the South Parian Mine.  Among the birds protected were 34 endangered, 18 vulnerable. 18 near threatened species, totaling some 70 birds. My friend said that to a true-blue birdwatching afficionado, seeing birds in captivity, no matter how exotic, does not count. Thus, he spent time on his own going around the island with his bird watching equipment. He attested that he saw many beautiful birds in the wild in the Semirara forests. He happily reported that he even saw a “lifer,” the word used by birdwatchers when they see a new bird species for the first time in their lives.

In our very visit to the island, we saw in action the reality of SDG No. 16. Both the CEO and the COO of SMPC spent practically the whole day meeting with the various members of the community in dialogues, consultations, and issue resolutions.  They involved as many of the stakeholders of the company as possible in obtaining views about a serious problem that was facing the mining operations: the seepage of sea water into the coal mines. We saw that through constant dialogue, the SDG of peace, justice, and strong institutions was very much in the minds of the owners and management.

We learned that there was absolutely no case of child or forced labor. At all levels, values formation is conducted and there are very clear guidelines on whistleblowing and community grievances.

There was strong evidence of SDG Goal No. 17 being addressed, i.e., Partnerships for the Goals, as there were very many examples of public-private partnerships for sustainable development and social development programs.

We had the opportunity to meet some of the barangay officials who confirmed that the channels of communication between the LGU and the company were always open as there were regular coordination meetings with local government units on the barangay development plans.

We learned from all our conversations with the various stakeholders of SMPC we talked to that all the positive aspects of mining we witnessed could be primarily attributed to the late Victor Consunji, one of the children of former Secretary of Public Works and Highways and founder of the DMCI group of companies, David Consunji. Having inherited from his father the outstanding qualities of leadership and concern for the common good, Victor spearheaded the conversion of the island of Semirara into a model of sustainable mining and a progressive community with one of the lowest poverty incidences in the Philippine archipelago.

 

Bernardo M. Villegas has a Ph.D. in Economics from Harvard, is professor emeritus at the University of Asia and the Pacific, and a visiting professor at the IESE Business School in Barcelona, Spain. He was a member of the 1986 Constitutional Commission.

bernardo.villegas@uap.asia

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