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K-pop’s BLACKPINK returns with new release after more than 3 years

SEOUL — K-pop superstars BLACKPINK released their new EP, entitled DEADLINE, on Friday, the first release from the group in more than three years since their second full-length album in 2022.

The National Museum of Korea in central Seoul was bathed in pink lights to mark the release. More than 300 fans lined up in the atrium of the museum on Friday, set up as a listening zone for the five tracks of the EP.

The four-member girl group’s global following has helped it set records. Earlier this month, BLACKPINK became the first artist in the world to surpass 100 million YouTube subscribers, according to the band’s agency YG Entertainment.

The band was also the first K-pop group to headline Coachella and the British Summer Time concerts.

“These days, even when I’m walking on the street, at a clothing store, restaurant, or café, I hear K-pop,” said Ko Seon-a, a 20-year-old Korean woman living in Japan who had come to the museum on Friday.

The five tracks on the new EP include the title track “GO” and the pre-released EDM track “JUMP.”

All four members renewed their contracts in 2023 with their agency but have also established their own agencies or signed different deals for solo activities.

They have all pursued solo projects, including member Ros’s chart-topping 2025 single “APT.” with Bruno Mars.

Some fans hoped that the global popularity of K-pop acts such as BLACKPINK also contributed to a wider enjoyment of Korean culture.

“I hope that Korean traditional culture will be known through K-pop,” said Kwon Hyeok-jae, a 30-year-old man dressed in a pink traditional hanbok. — Reuters

Villar Land faces DoJ subpoenas, vows full cooperation

BW FILE PHOTO

THE Department of Justice (DoJ) has initiated subpoenas on Villar Land Holdings Corp., its related entities, and key officers following a criminal complaint filed by the Securities and Exchange Commission (SEC) over alleged market manipulation, insider trading, and misleading disclosures.

Justice spokesperson Raphael Niccolo L. Martinez told reporters on Monday that the complaint lodged by the SEC will proceed to a preliminary probe scheduled for March 16.

“After undergoing initial evaluation, the complaint lodged by the SEC against Villar Holdings Corp. et al with the DoJ will proceed with preliminary investigation for alleged violations of the Securities Regulation Code,” he said.

“Subpoenas have been served upon the respondents,” he added, noting that “a few have not yet received [the subpoenas] and/or are still in process, but all Villars have been served.”

Manuel B. Villar, Jr., chairman of Villar Land Holdings, previously denied the allegations, saying that he and his companies have always upheld good corporate governance, complied with regulations, and will fully cooperate with any investigation.

The case stems from a complaint filed by the SEC on Jan. 30, following an announcement a day later that it was pursuing criminal charges against Villar Land Holdings, formerly Golden MV Holdings, Inc., along with related entities and officers.

The SEC said the acts cited in its complaint constituted false or misleading statements and schemes that deceived investors, in violation of Sections 24.1(d) and 26.3 of Republic Act No. 8799, or the Securities Regulation Code.

“The DoJ will determine if there is merit to the allegations by the SEC. Of course, as a matter of procedure, all respondents will be given an opportunity to present their defenses,” Mr. Martinez said.

In a statement on Monday, Villar Land said its directors are ready to respond to the allegations in the complaint and present their side in the appropriate forum.

“Villar Land and its directors welcome the opportunity to explain their side and respond to the allegations in the complaint at the proper forum,” the company said.

“The company and its directors are fully prepared to cooperate with the proper authorities and are confident that an impartial panel will find that no violation of law was committed,” it added.

On Monday, Villar Land Holdings closed unchanged at P579. — Erika Mae P. Sinaking

Songs for when too much is about to happen

By Brontë H. Lacsamana, Reporter

Album Review
Nothing’s About to Happen to Me
Mitski
Dead Oceans, Inc.

A LOT of time has passed since the late 2010s, when Japanese-American musician Mitski was an indie darling among depressed millennials grappling with the initial pangs of adulthood.

Come 2023, no one would have predicted that she’d find commercial success with her slow lounge ballad, “My Love Mine All Mine,” which introduced her to top 100 charts and was used in millions of TikTok videos. Mitski would be the last person you’d expect to have a kind of teen pop following, and her eighth and latest album reflects that.

Produced and engineered by Patrick Hyland and mastered by Bob Weston, Nothing’s About to Happen to Me is an apt continuation of her contemplative and organic-sounding 2023 album The Land Is Inhospitable and So Are We. This time, there’s more theatrical fanfare as she utilizes more ensemble and band arrangements.

Filled with thoughts on loneliness and delusion, the album is centered on the persona of a reclusive woman. In her chaotic yet liberating home, we get a peek into her solitary journey of self-discovery — the perfect avenue for Mitski to showcase her distinct, hauntingly beautiful style of music.

“I’d never live in a small town. I’ve made too many mistakes,” she begins in the album’s first track, “In a Lake.” Her forlorn voice is familiar and soft amid the gentle Americana sounds of the banjo, accordion, and double bass. Towards the end, a somewhat crazed, grandiose ending is ushered in by the horn section along with city noises (“And in a big city, you can start over / The lights all around you, the dark safe in the sight”), breaking the illusion of a romanticized, isolated life.

The next track is the album’s straightforward rock song, “Where’s My Phone?” Here, the lead single presents gritty guitars as Mitski’s frantic vocals repeat a search for her lost phone, or her lost self. The energy it gives off is akin to the punk anxiety found in her 2014 album Bury Me at Makeout Creek, which is a treat for longtime fans.

“Cats,” the third track, goes back to a steady pace. With heart-rending lyrics about her cats making up for the absence of a lover, Mitski adds the right amount of texture to the song, thanks to a subtle string arrangement complementing the thrum of the guitar and drums.

The fourth track, “If I Leave,” is a standout. It expresses dependence on a lover and the raw desolation felt without them, bringing back the emo sensibilities of her 2016 album Puberty 2. With fuzzy, heavy guitars, it’s a big, slow track that’s truly cathartic.

“Dead Women” follows with a darker, lonelier tone as Mitski sings of a woman’s morbid imagining of how loved ones would remember her after her death. Here, she is lyrically in top form: “Ransack the house for what you’ll auction, what you’ll keep / Then embalm me up ’cause you’re hosting the viewing / Saying, ‘She gave her life so we could have her in our dreams’ / ‘She gave her life so we could fuck her as we please.’”

The sixth song, “Instead of Here,” is sad and slow. It’s a simple track, but just as emotionally effective, as the lyrics express the preference of being alone rather than the pain of living with others.

A similarly mid-tempo track follows, possibly the best of the album. “I’ll Change For You,” another single, showcases equal parts desperation and restraint in Mitski’s sung love confession, supported by lush, bossa nova-style instrumentation. Here, she celebrates the allure of idling at a bar, where there are many people to be with yet no one at all. “So I’m loitering outside / Watching all the cars passing by / Like a kid waiting for my ride,” she sings.

She also gives us an upbeat anthem with “That White Cat,” bringing back her punk sound from the mid-2010s. With a thrashing guitar and angry vocals, the drama of a white cat marking her house as its own plays out with fervor and escalates.

“Gotta go to work / To pay for the cat’s house / For the red-corseted wasp / Who lives in the roof / For the family of possums / For the bugs who drink my blood / And the birds who eat those bugs,” she sings.

The second to the last song is “Charon’s Obol,” where Mitski evokes a bit of 1950s blues and country. The moody tune takes on the spirit of Charon, the ferryman to the afterlife in Greek mythology, as the lyrics detail taking care of a dead woman’s pet hounds.

“Lightning” closes the album, steady in its slow indie rock reckoning with the concept of death. Mitski’s raw voice again leaves an impact atop the rollicking instrumentation.

“I can hear the song of my death / Singing for the lightning to come / Calling to the thunder, ‘Polo,’” are the final words of the album.

The rich inner world found in Mitski’s music fills the mind as each track ends and makes way for the next. Her artistry remains as potent as ever, reflecting a world that keeps on spinning whether something big befalls us or not — ultimately, a wry admission of heartbreak as well as a true comfort.

Nothing’s About to Happen to Me is out now on all music streaming platforms.

Gov’t fully awards T-bills at higher rates on inflation fears

BW FILE PHOTO

THE GOVERNMENT made a full award of the Treasury bills (T-bills) it offered on Monday even as average rates went up week on week amid renewed inflation concerns after the United States and Israel launched attacks on Iran.

The Bureau of the Treasury (BTr) raised P27 billion as planned via the T-bills it auctioned off as the offering was almost thrice oversubscribed, with total tenders reaching P76.546 billion. However, this was below the P96.82 billion in bids recorded last week.

The Auction Committee made a full award of its offer as all tenors fetched average yields that were below the prevailing secondary market levels, the Treasury said in a statement.

Broken down, the government awarded P9 billion as planned in 91-day T-bills as demand for the tenor reached P27.666 billion. The three-month paper fetched an average rate of 4.311%, up by 7.1 basis points (bps) from 4.24% last week. Bids accepted had yields ranging from 4.26% to 4.445%.

The Treasury also borrowed the programmed P9 billion via the 182-day debt as tenders hit P30.5 billion. The average rate of the six-month T-bill was at 4.417%, rising by 6 bps from 4.357% previously. Tenders awarded carried rates from 4.389% to 4.45%.

Lastly, the BTr sold the targeted P9 billion from the 364-day securities as bids totaled P18.38 billion. The one-year paper’s average yield was at 4.564%, climbing by 6.3 bps from 4.501% last week. Accepted bids had rates from 4.5% to 4.6%.

At the secondary market before Monday’s auction, the 91-, 182-, and 364-day T-bills were quoted at 4.4312%, 4.5242%, and 4.6208%, respectively, based on PHP Bloomberg Valuation Service Reference Rates data provided by the Treasury.

T-bill yields rose after declining for seven straight weeks before the release of February inflation data, with players expecting a higher headline figure from the January print, Rizal Commercial Banking Corp. Chief Economist Michael L. Ricafort said in a Viber message.

“T-bill average auction yields also corrected slightly higher after the recent geopolitical risks related to Iran that led to higher global crude oil prices… that could lead to higher local fuel pump prices and could lead to some pick up in overall inflation,” he added.

“Demand was weak given recent developments, which may push inflation expectations in the near term that may delay rate cuts globally,” a trader likewise said in a text message. “This will warrant less rate cuts or even possible hikes if prolonged as the supply chain is affected again.”

A BusinessWorld poll of 17 analysts yielded a median forecast of 2.4% for February inflation, which would be the fastest clip in 13 months or since the 2.9% in January 2025.

This would be faster than the 2% recorded in January and the 2.1% in February 2025 and would mark the straight month that inflation settled within the Bangko Sentral ng Pilipinas’ (BSP) 2%-4% annual target.

Still, this is close to the low end of the central bank’s 2.3%-3.1% forecast for the month.

Oil prices surged by as much as 13% on Monday after shipping in the crucial Strait of Hormuz was disrupted by retaliatory Iranian attacks following initial bombing by Israel and the United States that killed Iranian Supreme Leader Ali Khamenei, Reuters reported.

Brent crude futures rose to as much as $82.37 a barrel, the highest since January 2025, before retreating to be up $5.41, or 7.4%, to $78.28 by 0605 GMT.

US West Texas Intermediate crude climbed to an intraday high of $75.33, up over 12% and the highest since June, though it later pared gains and was up $4.74, or 7.1%, at $71.76.

Both benchmarks jumped as a sustained exchange of counterattacks damaged tankers and sharply disrupted shipments in the Strait of Hormuz, a waterway between Iran and Oman that connects the Gulf to the Arabian Sea.

On a typical day, ships carrying oil equal to about one-fifth of global demand from Saudi Arabia, the UAE, Iraq, Iran, and Kuwait sail through the Strait along with tankers hauling diesel and jet fuel and gasoline and other products from their refineries to major Asian markets including China and India.

On Tuesday, the government will offer P30 billion in reissued seven-year Treasury bonds (T-bonds) with a remaining life of four years and 10 months.

The Treasury wants to raise P248 billion from the domestic market this month, or P108 billion in T-bills and P140 billion via T-bonds.

The government borrows from local and foreign sources to help fund its budget deficit, which is capped at P1.647 trillion or 5.3% of gross domestic product this year. — Aaron Michael C. Sy with Reuters

MREIT posts 18% rise in 2025 distributable income

RICHMONDE TOWER — MREIT.COM.PH

MREIT, INC. reported an 18% increase in its 2025 distributable income to P3.7 billion from P3.2 billion in 2024, supported by stronger occupancy rates and steady leasing activity across its office assets.

Revenues reached P5.6 billion, up 24% from the previous year, driven by rental income and new assets added to the portfolio, the real estate investment trust (REIT) of Megaworld Corp. said in a disclosure on Monday.

“Our 2025 results demonstrate the strength of our platform and the consistency of our execution,” MREIT, Inc. President and Chief Executive Officer Jose Arnulfo C. Batac said.

“Wave 4 marks our transition toward a more disciplined and accretive phase of growth. We remain focused on expanding our portfolio in a way that strengthens long-term income sustainability for our shareholders,” he added.

The company expects regulatory approval in the first half of 2026 for its Wave 4 transaction, announced in December 2025. This involves swapping shares for nine Grade A office buildings in McKinley Hill, Taguig, totaling 165,500 square meters (sq.m.) of gross leasable area (GLA).

According to MREIT, over 80% of the portfolio is leased to Global Capability Center (GCC) tenants, which generally involve long-term commitments, higher operational integration, and lower relocation risk.

After Wave 4, MREIT plans its next expansion phase in the second half of the year, targeting diversification into select mall assets. Pending due diligence, valuation, and regulatory approvals, this could add 100,000 to 750,000 sq.m. to the portfolio.

The REIT also declared a cash dividend of P0.250478 per share, payable on March 26 to shareholders. This translates to an annualized yield of 7.0% based on the Feb. 26 closing price of P14.26.

MREIT’s portfolio includes office assets in Megaworld townships, including Eastwood City, McKinley Hill, McKinley West, Iloilo Business Park, and Davao Park District.

The company aims to reach one million sq.m. in gross leasable area by 2027, supported by Megaworld’s pipeline of income-generating assets and Alliance Global Group’s property portfolio.

At the local bourse on Monday, MREIT shares declined 0.56% to P14.16 apiece. — Alexandria Grace C. Magno

David Ellison is shaking up CBS News; CNN looks to be next

DURING his Thursday night newscast, CNN anchor Jake Tapper found himself in an awkward position: reporting on the sale of his employer, Warner Bros. Discovery Inc., to Paramount Skydance Corp.

“We have some breaking news in our national lead that affects everybody I’m looking at right now in the studio,” Mr. Tapper said.

Paramount, the parent of CBS and MTV, had agreed to buy Warner Bros., the owner of cable networks like CNN, TNT, and HBO, for $110 billion. The deal that will put Mr. Tapper and his associates under the same corporate umbrella as CBS News, whose new leadership has accused the mainstream media of liberal bias.

That possibility has sent a chill through CNN’s newsroom, which is wary of recent developments at CBS following Paramount’s August sale to Skydance Media, led by technology heir David Ellison. Mr. Ellison, 43, is chief executive officer (CEO) of the newly merged Paramount Skydance.

“CNN employees and viewers have serious concerns about whether Paramount CEO David Ellison will uphold the news network’s editorial independence amid severe political turbulence,” CNN media analyst Brian Stelter wrote on Friday.

In a note to staff, CNN chief Mark Thompson, the former CEO of the New York Times Co., said employees should stay focused on their work.

“Despite all the speculation you’ve read during this process, I’d suggest that you don’t jump to conclusions until we know more,” Mr. Thompson wrote.

While there are scant details about how the merger will affect both companies’ news operations, the changes forced on CBS News by Mr. Ellison indicate that CNN may be in for a reckoning of its own. Both news organizations trail their competitors in audience ratings by a large margin and are looking for ways to climb out of the cellar.

To get his $8-billion takeover of Paramount past regulators, Mr. Ellison appointed the former head of a conservative Washington think tank as an ombudsman to review complaints of bias in the news division. Once that deal closed in August, Mr. Ellison acquired the media startup the Free Press and proceeded to name its controversial founder Bari Weiss as editor-in-chief of CBS News.

Ms. Weiss has frequently criticized mainstream media and has gained popularity among conservatives.

At CBS News, she has been booking guests, suggesting stories, and making changes to on-air talent, trying to revive the network’s last place nightly newscast. The audience for the CBS Evening News totaled 4.34 million viewers a night on average in January. That’s far below the leader, ABC World News Tonight, at 8.33 million, and the NBC Nightly News, at 6.74 million, according to Nielsen data from NBC.

“Obviously, what role Bari Weiss is going to play in a Paramount Skydance-Warner Brothers merger on CNN is a topic of interest given what’s going on,” said Douglas Arthur, an analyst at Huber Research Partners.

In January, Ms. Weiss ruffled feathers at CBS News by delaying a 60 Minutes segment even after the network had promoted it to viewers. Ms. Weiss said she wanted more reporting but the piece, about a prison in El Salvador that held deportees from the US, later aired with few changes.

In a town hall meeting with staff, Ms. Weiss said she hoped to avoid similar incidents in the future.

“Now, am I ever going to hold something again after it has been put out there with promos?” Ms. Weiss asked. “I don’t want to make that exact same decision again. No, I do not.”

The changes have sapped morale at CBS News, according to current and former employees, including Carol Marin, a former 60 Minutes correspondent and now a senior faculty fellow at the Center for Journalism Integrity & Excellence at DePaul University.

“I don’t think CBS has sufficiently answered for the kind of problem that its upper management has created,” she said in an interview.

At Bloomberg’s Screentime Conference in October, Mr. Ellison said he’s interested in “reinvigorating” CBS News, restoring balance to its coverage and targeting the 70% of viewers who are centrists.

“We want to be the most trusted destination in news media,” Mr. Ellison said. Ms. Weiss’ Free Press “really does align with the value system that we’ve been seeking and really does align with the legacy of CBS News.”

CNN has had its own internal turmoil, and a takeover of Warner Bros. by Mr. Ellison’s Paramount would probably mean more.

The Guardian reported that Mr. Ellison’s father and financial backer, Oracle Corp. Chairman Larry Ellison, had discussed with President Donald J. Trump the possibility of firing CNN hosts that the president doesn’t like. Mr. Trump himself called for new ownership of CNN in December.

“I don’t think the people that are running that company right now and running CNN, which is a very dishonest group of people, I don’t think that should be allowed to continue,” he said.

In January, CNN averaged 660,000 nightly viewers in prime time, a distant third place to leader Fox News, at 2.05 million, and MS Now, at 887,000.

“They’re being challenged now to approach things in a different way and in that sense, getting more input from more places and more people can be a good thing,” said Jon Klein, a former executive at both CNN and CBS. CBS News could get a “real shot in the arm,” because of CNN’s extensive operations abroad.

Both organizations previously explored combining operations for economic benefits both in the late 1990s, when Mr. Klein was at CBS, and in 2010 when he was at CNN, he said.

While CNN competes more with other politics-focused networks, like Fox Corp.’s Fox News and Versant Media Group Inc.’s MS NOW, CBS is a traditional broadcaster going up against ABC and NBC. Historically, the two news organizations were alike in many ways, Mr. Klein said. Anderson Cooper, a CNN anchor, has long moonlighted at 60 Minutes. Mr. Cooper left the CBS gig after nearly 20 years earlier this month.

“The cultures of CBS News and CNN are very similar,” Klein said. “That’s why it was always logical.”

But the culture of CBS News may be changing under Mr. Ellison and Ms. Weiss, and a merger with CNN would also likely result in major editorial changes at the 24-hour news network, according to veteran media executive Jon Miller, CEO of Integrated Media Co. who has done stints at News Corp., AOL, and Viacom.

CNN’s current leadership may be ousted and the network may come under Ms. Weiss if Paramount takes over, he said.

CNN made programming updates earlier this year that included shifting longtime Mr. Trump critic and anchor Jim Acosta to a less-favorable time slot. That led to his departure and accusations that CNN, which is typically seen as left-leaning, was trying to gain favor with the president.

Mr. Ellison has also been focused on beefing up the Paramount+ streaming service, with new content deals like the $7.7 billion, seven-year deal with the Ultimate Fighting Championship.

A focus on streaming could benefit CNN, which has struggled to develop an online strategy. After shutting down CNN+, a nascent subscription service, in 2022, Warner Bros. brought in Thompson to lead the network. He launched a new subscription product in October called All Access that lets viewers stream CNN.

One sticking point for a possible merger is labor. CBS News is a union shop, while CNN isn’t, a difference that complicated the 2010 effort to merge the two news organizations, according to Rich Greenfield, an analyst with Lightshed Partners.

The Writers Guild of America, which represents screenwriters and newsroom staffers, said Friday that it was opposed to the merger of Paramount and Warner Bros., calling it “disaster for writers, consumers, and the entire entertainment industry.”

A combination also increases the risk of “creating a monolithic media,” said Neil Brown, president of the Poynter Institute for Media Studies. That could destroy what makes CNN and CBS distinct and alienate their audiences.

“Consumers will be better served if lots of organizations are trying to serve them with new and different products rather than try to blend everything into one,” Mr. Brown said. — Bloomberg

RCBC looks to raise at least P5B via sustainability bonds

RIZAL COMMERCIAL BANKING CORP.

RIZAL COMMERCIAL Banking Corp. (RCBC) is targeting to raise at least P5 billion from an offering of three-year fixed-rate ASEAN Sustainability bonds.

The planned issuance will be the ninth drawdown under the bank’s P200-billion bond and commercial paper program, which in 2022 was expanded from the P100 billion initially approved in 2019, it said in a disclosure to the stock exchange on Monday.

RCBC plans to hold the public offer period for the bonds from March 12 to March 26, subject to final management determination, market, and other conditions.

The bonds are expected to be issued and listed with the Philippine Dealing & Exchange Corp. on April 8.

“As part of the bank’s commitment to a greener and more sustainable future, the bonds will be used to finance or refinance, in whole or in part, the eligible green and social categories as described in the bank’s Sustainable Finance Framework,” RCBC said.

The Securities and Exchange Commission approved the bank’s application for an ASEAN label for the bond issuance on Feb. 23.

The bank has tapped Standard Chartered Bank (SCB) and RCBC Capital Corp. as the joint lead arrangers and bookrunners for the transaction, while the selling agents are SCB and RCBC.

RCBC last tapped the domestic market in July last year, raising P12.21 billion from an offering of ASEAN Sustainability Bonds, well above the minimum issue size of P3 billion amid strong demand. The notes have a tenor of two years and six months and carry a coupon rate of 6% per annum.

This brought total issuances under the bank’s peso fundraising program to P99.01 billion.

Meanwhile, the bank also raised $350 million from an offering of five-year sustainability bonds in January 2025. The notes were priced at 5.375% per annum and were issued out of its $4-billion medium-term note program and under its Sustainable Finance Framework.

RCBC’s net income rose by 11% year on year to P10.6 billion in 2025 on the strength of its core businesses.

Its shares dropped by 70 centavos or 2.8% to end at P24.30 each on Monday. — Aaron Michael C. Sy

DigiPlus chairman boosts stake with P1-billion share purchase

DIGIPLUS.COM.PH

DIGIPLUS Interactive Corp. (PLUS) Chairman Eusebio H. Tanco increased his stake in the listed gaming and leisure company with the purchase of 63.12 million shares, representing 1.4% of the company’s total issued and outstanding shares on Friday.

The shares were acquired at P16.40 each, DigiPlus said in a regulatory filing on Monday. The 63.12 million shares were worth roughly P1.04 billion.

“DigiPlus is entering an exciting phase of growth. We have built market-leading platforms anchored on responsible innovation, disciplined execution, and long-term growth,” Mr. Tanco said. “I firmly believe in our ability to capture the significant opportunities ahead and deliver enduring value to our shareholders. The fundamentals of the digital entertainment industry remain strong, and DigiPlus is well-positioned to lead,” he added.

“I think Eusebio Tanco buying up a big chunk of PLUS shares was likely meant to offset market concerns after Andy Tsui and Hu Jianguo exercised their ESOPs,” Unicapital Securities Equity Research Analyst Jeri R. Alfonso said in a Viber message.

“For context, Mr. Tsui exercised his options last week with the ESOP (employee stock ownership plan) exercise price at P2.68. With the stock currently trading at P16.60, that’s an immediate paper gain of around P156 million for him alone,” she added.

Ms. Alfonso also noted that no lock-up period applies, allowing them to trade or sell those shares on the exchange at any time.

“That’s probably why Mr. Tanco stepped in with a massive purchase, to help counter the negative sentiment and steady PLUS’ stock price,” she said.

The purchase occurred amid the company’s ongoing expansion of digital entertainment platforms tailored for the Philippine market.

“Led by a seasoned and execution-driven management team, DigiPlus continues to invest in proprietary research and development, cutting-edge technologies, and best-in-class user experience capabilities to strengthen its competitiveness,” the company said.

“It is also institutionalizing a robust responsible gaming and player protection framework, positioning DigiPlus for sustained, long-term value creation,” it added.

On Monday, shares in DigiPlus rose 3.73% to close at P16.70 apiece. — Alexandria Grace C. Magno

BSP ‘optimistic’ on hitting digital payments goal

STOCK PHOTO | Image by NAIPO.DE from Unsplash

THE PHILIPPINES could still hit its digital payments target by 2028 if it can advance developments in cross-border payments, lower transfer fees, and increase adoption for government transactions, a Bangko Sentral ng Pilipinas (BSP) official said.

“I remain optimistic because (it’s in) 2028, right? And we’re now (in) 2026. And the low end of the target is just a few points away,” BSP Deputy Governor Mamerto E. Tangonan told reporters on the sidelines of an event on Monday.

“The high end of the target, if all these fall into line — what I mentioned earlier — if the uptake is as good as we think it will (be), that direct debit will be huge, and if we’re able to make the fees more reasonable, and also get (the) government to adopt more, I think (that’s possible),” he added.

The BSP wants digital payments to make up 60%-70% of the total volume of retail payments by 2028 in line with the Philippine Development Plan.

In 2024, online payments accounted for a 57.4% share in terms of volume and 59% in value terms in the country’s total monthly retail transactions, according to the BSP’s 2024 Status of Digital Payments in the Philippines report. These are up from 52.8% and 55.3%, respectively, in 2023.

Mr. Tangonan said online payments growth has decelerated since 2024 amid slow adoption among the “late majority,” as well as concerns on security, affordability and internet connectivity.   

“Right now, we have the early majority adapting and using it. What we need is the late majority to realize the second wave of growth,” he said. “That segment is… not as fast in adopting technology as the first, and they’re so value or price sensitive. That’s why I’ve been saying we have to make the fees more reasonable if you want that.”

“That’s why… there are many things I want to push. What I mentioned earlier: cross-border (payments), fees, and the government. We’re supporting the Digital Payments Act or now at the House, they call it the E-Bayad Act,” Mr. Tangonan said, adding that they hope the law is enacted within the year.

The official said they are working on setting up protocols to enable the return of funds to scam victims as part of efforts to promote digital payments.

“It can now be done bilaterally, but it’s better if there is a protocol common to all,” he said.  

PROJECT NEXUS ON TRACK
Meanwhile, Mr. Tangonan said Project Nexus, which will facilitate instant cross-border payments in the region, is on track to go live by midyear.

“Through Project Nexus, we are connecting InstaPay with the fast payment systems of five other major economies in our region. Indonesia recently joined as the sixth central bank partner,” he said in a speech during the same event.

“The goal is 24/7, near-instant transfers, mid-transparent, at low fees. We are working toward the implementation this year. Our planned launch date is mid-2027.”

In March 2023, the BSP announced that it will partner with the central banks of Malaysia, Thailand, Singapore, and India in connecting their domestic instant payment systems under the Bank of International Settlements’ Project Nexus. Earlier this year, Indonesia joined the project.

Mr. Tangonan said they are slightly ahead of the planned timeline.

“We’ve been saying mid-2027, because that’s the timeline agreed on by the central banks,” he said. “We’re a bit ahead (because) we’ve hired the key executives. We formed the company based in Singapore… They’re now running it. We selected a technology operator.”

This year, the six central banks are working on building and testing the project through their respective instant payment systems, he added. — Katherine K. Chan

PLDT Home ramps up digital services, fiber prepaid to expand reach

PLDTHOME.COM

PLDT INC. said its fixed broadband unit PLDT Home is focusing on broadening its portfolio of digital home services and accelerating fiber prepaid offerings to reach a wider segment of Filipino households while maintaining capital discipline.

“The fixed broadband unit of PLDT is leaning more aggressively into digital services as households spend a larger share of time and wallet on streaming, smart-home tools, and gaming,” the company said in a statement on Monday.

PLDT Home also said it continues to see uptake in bundled plans. It noted that fiber prepaid is sustaining growth after emerging as a strategic response to a price-sensitive market and a key driver of subscriber expansion.

“PLDT Home expects the prepaid segment to deliver meaningful growth in 2026, supported by positive unit economics and returns aligned with business thresholds,” the company said.

As of end-2025, PLDT’s fiber network spanned 1.25 million kilometers across domestic and international routes.

PLDT Home logged P61 billion in service revenues, up 3% year on year, while fiber revenues rose 6% to P59.4 billion. Total fiber net subscribers reached 3.76 million.

PLDT’s attributable net income slipped 7.12% to P30.01 billion in 2025, as higher expenses and flat core earnings weighed on results. Telecommunications company core income — which excludes the impact of asset sales and losses from Maya Innovations Holdings — declined 3% to P33.93 billion from P35.14 billion in 2024.

Gross revenue in 2025 rose 1% to P218.39 billion from P216.83 billion the previous year.

At the local bourse, PLDT shares closed P26, or 1.86%, lower at P1,374 apiece.

Hastings Holdings, Inc., a unit of the PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., holds a majority stake in BusinessWorld through the Philippine Star Group, which it controls. — Ashley Erika O. Jose

Entertainment News (03/03/26)


Women’s Month celebrated by QCinema

IN CELEBRATION of National Women’s Month, the QCinema International Film Festival is mounting a special series of screenings this March at Gateway Cineplex 18, bringing together three films that foreground women’s stories. The Women’s Month lineup opens on March 4, 6 p.m., with a by-invitation screening of Sisa, a 2025 Philippine historical thriller drama written, co-produced and directed by Jun Robles Lana. The film, set during the final years of the Philippine-American War, follows a woman, played by Hilda Koronel, driven to madness after witnessing a brutal massacre. Its Philippine theatrical release is scheduled for the same date. On March 11, 4 p.m., QCinema presents a free screening of The First Women, a documentary directed by Adriana Yañez and sponsored by the Embassy of Brazil in partnership with Instituto Guimarães Rosa. The film centers on a group of women now in their 60s who once formed the foundation of Brazil’s first women’s soccer team. Closing the lineup on March 11, 7 p.m. is The Little Sister, written and directed by Hafsia Herzi and presented with the support of the Embassy of France. Adapted from Fatima Daas’ novel The Last One, the coming-of-age drama follows Fatima, a young lesbian woman of Algerian descent in Paris, as she grapples with faith, family expectations and her emerging sense of self. Tickets for the screening are priced at P200.


Spanish films spotlight women

THIS MARCH, the Embassy of Spain, through Instituto Cervantes and its Cultural and Education Offices, turns the spotlight on women this month. The genius of female directors is highlighted in “Espacio Femenino (Female Space),” a film series held every Tuesday of the month which will feature a movie by one of these women filmmakers who delve into varied themes, ranging from intimate personal dramas to pressing social issues, leaving a lasting impression on both local and international film circuits.


Bruno Mars releases new album

MARKING a decade since his last solo project, Bruno Mars has returned with his long-awaited fourth solo album, The Romantic, available now via Atlantic Records. The project features songs including the explosive “I Just Might,” which recently debuted on the Billboard Hot 100, and “Risk It All,” accompanied by an official music video directed by him and Daniel Ramos, now on YouTube. The album is available on all digital music streaming platforms.


CinemaOne films for March

THE movie lineup for CinemaOne this month will be stacked with star-studded films. One is Partners in Crime starring Vice Ganda and Ivana Alawi, premiering for the first time in cable on March 22. More Vice Ganda box-office hits will light up Blockbuster Sundays, like Beauty and the Bestie on March 8, Fantastica on March 15, and The Unkabogable Praybeyt Benjamin on March 29. Meanwhile, Donny Pangilinan and Belle Mariano’s film Love Is Color Blind is set to air on March 21, alongside other romantic films such as Crazy Beautiful You on March 8, The Hows of Us on March 15, Must Be Love on March 22, and Can’t Help Falling in Love on March 29, all starring Kathryn Bernardo. CinemaOne is available on SKYcable ch. 56, Cignal ch. 45, GSat Direct TV ch. 14, and other local cable service providers.


Family Feud celebrates 4th anniversary

GMA NETWORK’s game show Family Feud marks its 4th anniversary with a month-long celebration beginning March 2. Hosted by Dingdong Dantes, this month’s guests include Vice Ganda, Jhong Hilario, Vhong Navarro, Darren Espanto, Ryan Bang, Cianne Domingo, Jackie Gonzaga, and Amy Perez. Fan favorites playing this month include the Sexbomb moms, PBB Celebrity Collab 2.0 winners, and love team Shuvee Etrata and Anthony Constantino. Cinema icons and Sisa stars Hilda Koronel and Eugene Domingo, alongside Dina Bonnevie, Carmi Martin, Bembol Roco, and Rez Cortez will also play. One episode will have Lisa Macuja and her team of ballerinas facing off against Ricci Rivero and his team of basketball players. Family Feud airs on weekdays, 5:30 p.m., on GMA Network.


Reminders of Him premieres in cinemas this March

MAIKA MONROE and Tyriq Withers will be starring in Reminders of Him, a film adaptation of the book of the same name by bestselling author Colleen Hoover. The author herself tapped the two actors to play the main characters. It tells the story of a woman who returns to her hometown after a life-altering crash that sends her to prison for seven years. As she tries to rebuild her life and connect with her daughter, she finds unexpected love in a local bar owner. Reminders of Him is in Philippine cinemas on March 11.


The Silent Noise to stream on Prime Video

PRIME VIDEO has released the trailer for The Silent Noise, a Filipino crime drama premiering this month. Led by Angelica Panganiban and Zanjoe Marudo, the series follows a family pushed to its breaking point when long‑buried secrets, a mysterious death, and unresolved tensions collide. It also stars breakout talent KD Omalin. The Silent Noise will premiere on Prime Video on March 20.


Abramorama acquires Eraserheads documentary

THE theatrical rights to screen Eraserheads: Combo On The Run in North America have been acquired by Abramorama, marking the distributor’s first Philippine documentary. Following a festival run abroad, the documentary joins Abramorama’s slate of prestige music film titles, including The Beatles: Eight Days (Ron Howard), The Sparks Brothers (Edgar Wright), and Radiohead’s Meeting People Is Easy (Grant Gee). The acquisition will be marked by an official event at SXSW 2026 next month to celebrate its forthcoming theatrical release in Canada and the United States.


Laufey releases new single, announces new album

GRAMMY-WINNING, Los Angeles-based Icelandic-Chinese artist, composer, producer, and multi-instrumentalist Laufey has announced A Matter of Time: The Final Hour, the deluxe edition of her Grammy-winning album A Matter of Time. The expanded project will be released on April 10 via AWAL/Vingolf Recordings and features four additional tracks, including the new single “How I Get,” which is out now on all digital music streaming platforms.


All of the Noise music showcase set for April

THE REST IS NOISE, a music curation and events production outfit based in the Philippines, returns with the fourth edition of All Of The Noise. The showcase and conference event will take place in three venues across Metro Manila: at Astbury Makati (April 17 and 19), Sari-Sari in Makati City (April 17 and 19), and 123 Block in Mandaluyong City (April 18). It will feature multi-format music programming, with live performances, talks and panel discussions, documentary screenings, a music market, networking, and private studio sessions. Performers include New Zealand’s Phoebe Rings, Indonesia’s Grrrl Gang, Arash Buana, and Gavendri, Singapore’s Shye and Pines, Taiwan’s Heng Jones, and Filipino talent: BP Valenzuela, Fitterkarma, SOS, Ourselves the Elves, Elijah Canlas, DJ Love, Playertwo, August Wahh, Alyson, Novocrane, Amateurish, Carousel Casualties, and many others. Tickets are available via allofthenoise2026.helixpay.ph, with tickets ranging from P400 to P999 (three-day pass).


Bob and Clint Moffatt to visit the Philippines

BOB and Clint Moffatt, a Canadian brother duo who have been professionally performing from the early age of four, began releasing a series of traveling videos, which they titled Music, Travel, Love in November 2018. This year, they are heading to the Philippines for MUSIC TRAVEL LOVE, a show taking place at the Waterfront Cebu City Hotel and Casino on June 27, 8 p.m. Tickets are available at all SM Ticket and TicketNet outlets, with prices ranging from P850 to P3,730.

Sinners wins top Actor Award, boosting chances at the Oscars

A SCENE from Sinners.

LOS ANGELES — Vampire thriller Sinners claimed the Actor Award for best movie cast on Sunday, a major win for the Segregation-era tale on Hollywood’s road to the Oscars.

Sinners triumphed over One Battle After Another, a movie that had been considered a frontrunner after earlier wins during the film awards season.

Actor Delroy Lindo accepted the award with fellow Sinners cast members standing behind him on stage in Los Angeles.

“Every single day we brought ourselves, we brought our hearts, we brought our souls, we brought our spirits to this endeavor,” Mr. Lindo said. “To be recognized by you all, thank you does not even begin to encompass the gratitude that we feel.”

The Actor Awards, previously called the SAG Awards, are handed out by members of the SAG-AFTRA actors union. Winners are closely watched because actors make up the biggest group of voters for the Academy Awards on March 15.

In television awards, actors celebrated the late Catherine O’Hara as the best female in a television comedy for her role as a movie producer in Hollywood satire The Studio.

Seth Rogen, the writer and star of The Studio, accepted the trophy on her behalf. He said Ms. O’Hara frequently sent polite e-mails suggesting rewrites of her scenes and her ideas always made them better.

“It showed you can be a genius and can be kind, and one of those things does not have to come at the expense of the other,” Mr. Rogen said at the ceremony, which was streamed live on Netflix.

Ms. O’Hara, known for movies such as Home Alone and the TV show Schitt’s Creek, died at age 71 on Jan. 30 of a pulmonary embolism.

The Studio won the Actor Award for best cast in a TV comedy, and The Pitt earned best cast in a TV drama. — Reuters

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