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THE Ayala Foundation, the STEPS Scholarship Foundation, and internationally acclaimed Filipino-American prima ballerina Stella Abrera join forces again for another series of magical classical ballet performances to raise funds for CENTEX, Ayala Foundation’s flagship education program.
FASHION and dance both serve the same purpose: to glorify the human body and display it at its zenith. Keeping in mind this goal, Ballet Philippines, for its 50th anniversary gala on Sept. 29, will feature a 50-piece couture collection in a fashion show from renowned Filipino designer Michael Cinco alongside a new dance by Alden Lugnasin, inspired by the Swan Lake ballet. The show will be held at the Marriott Hotel Grand Ballroom.
THE Moscow Ballet’s classical choreography arm La Classique will be coming to the Philippines for a series of performances of the ballet classic Swan Lake, a timeless favorite set to the music by Russian composer Pyotr Ilyich Tchaikovsky.
BOY CAMARA, a 69-year-old retired rock star and college heartthrob, was hanging out in New Jersey when he received a random message from Alice Reyes. Would Mr. Camara like to join the restaging of Tales of the Manuvu, inquired Ms. Reyes, the founder of Ballet Philippines (BP) who returned to the company in 2017 as its artistic director.
THE dancers of Ballet Manila have been training six times a week since last December for two very different kinds of shows. This is in preparation for the closing performances of its 23rd season, “Tour de Force,” which ends in March with a double-header called Deux.
IF EXPERIENCE is the best teacher, then prima ballerina Lisa Macuja-Elizalde is a straight A-student. For 32 years she danced lead in 350 full-length ballets and performed in 90 cities on five continents. Retired from dancing since 2017, the A-student took on the role of teacher early in her career, melding both theory and practice in her teaching style. Among her best students is Ballet Manila’s guest principal dancer, Katherine Elizabeth Barkman, who is the only ballet dancer to win back-to-back medals from two of the most prestigious ballet competitions in the world.
FROM A dance that empowers women to a metaphor on the fluidity of gender and to that defining moment when we finally meet our significant other, the repertoire of Ballet Philippines’ Ang Pilya atbp. feat. the Young Choreographers Showcase, highlights not only the power of narration and dance, but also the talents of young choreographers and dancers in the country.
Ballet Philippines' Young Choreographers Showcase will be held from June 9-10 at the Cultural Center of the Philippines. Seven pieces will be presented for the first time.
TRAFFIC, and not the misconception that art is elitist, is the reason why many find the Cultural Center of the Philippines (CCP) to be,...
By Nickky Faustine P. De Guzman, Reporter Tanghalang Pilipino’s Ang Pag-uusig was among the big winners at the 10th Gawad Buhay awards — considered as...
TANGHALANG PILIPINO’s Ang Pag-uusig — a translation of the classic 1953 Arthur Miller play The Crucible — received the most Gawad Buhay awards nominations...
GOOD STORYTELLING through ballet is not only evident in the dancer’s powerful pirouettes and leaps, or turns and swirls of the hand and feet,...