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‘Compelled by circumstances’: Some banks forecast 75-bp Fed hike

REUTERS

SINGAPORE  — Investment banks have ramped up projections for US interest rate rises following a hotter-than-expected inflation reading, with several now forecasting a 75-basis-point (bp) hike this week.

The US Federal Reserve meets on Wednesday in the midst of heavy selling in stock and bond markets following May data showing the US consumer price index (CPI) rising at its fastest pace since 1981.

A 75-bp hike would be the biggest since 1994.

CME’s FedWatch tool, based on the prices of short-term credit futures, shows about a 1/4 chance of a 75-bp rate hike at this month’s meeting and a better-than-even chance of there being at least one 75 bp hike by next month’s meeting.

“The May inflation data was so concerning that we think the Fed will react even more aggressively in moving rates ‘expeditiously,’” BNY Mellon strategist John Velis said on Monday. His note forecast a 75-bp hike on June 15, up from 50 bps.

“We felt compelled by circumstances to change our view (and) so communicate it.”

Barclays and Jefferies also forecast a 75-bp hike for this week.

“US CPI surprised to the upside and continues to show broad and persistent price pressures,” Barclays analysts said in a Sunday note. “We think the Fed probably wants to surprise markets to re-establish its inflation fighting credentials.”

Markets have braced, too, with a sell-off in short-dated Treasuries along with futures tied to the Fed policy rate extending in Asia on Monday. Yields on the two-year Treasury note are at their highest since late 2007. — Reuters

Fête de la Musique PH is back live

A POPULAR free music event celebrated in 130 countries around the world is going back live after hosting online editions over the past two years of the COVID-19 pandemic.

The Philippine edition — Fête de la Musique PH — will have a series of live celebrations across Metro Manila, Palawan, Baguio, Cebu, and Siargao from June 21 to 28.

This year’s music festival is titled “Tara Allez!” or “let’s go!” in both colloquial Filipino (tara) and French (allez). In commemoration of the 75th anniversary of Franco-Phil bilateral relations, it will feature new collaborations between artists from the Philippines and France. It also aims to harness the healing power of music, forge new friendships, and build and support communities.

“We’re excited to bring the Fête de la Musique celebrations back to the beautiful places of the Philippines,” Executive Director of Alliance Française de Manille Xavier Leroux said in a statement. “This year’s festivities will find us rediscovering the joys of live and in-person music once again.”

As part of Fête de la Musique’s continued partnership with the Department of Tourism (DoT), this year’s festivities will celebrate not only the artists and music from various parts of the country, but will also showcase the rich culture of some of the Philippines’ popular tourist destinations.

“Now that the Philippines is open to fully vaccinated individuals from all over the world, there’s no better time than now to explore our islands, and immerse in our vibrant arts, music, and culture,” DoT Assistant Secretary for Branding and Marketing Communications Howard Uyking said in a statement.

THE PERFORMANCES
On June 25, the main stage for Fête de la Musique 2022 will be at the Puerta Real Gardens, Intramuros, Manila, and will feature performances from the Cheats, The Itchyworms, Lola Amour, Anima Tierra, and a special number by Brass Pas Pas Pas Pas featuring Curtismith, Toni B., Faye Yupano, and Zsaris.

Fête PH 2022 has teamed up with various partners across the archipelago to support their own physical Fete-stivities such as Lokal Lab for the Siargao stage on June 21 at the Santa Fe Beachfront Playground; Kalye Artisano x Lio Estate for the El Nido stages on June 26 and 28 at El Nido, Palawan; and Melt Records x Alliance Francaise de Cebu for the Cebu stages on June 25 at Draft Punk and June 26 in La Vie.

French artists Marc Fichel, DJ Blutch, and Maxime Cozic will be flying in from Paris to perform around the country.

Singer-songwriter and pianist Marc Fichel will perform at the Sofitel hotel in Pasay City on June 23. Mr. Fichel will also be performing at the main stage in Intramuros on June 25 in a collaboration with The Voice Teens grand winner Cydel Gabutero; and alongside Palawan-based musicians in El Nido on June 26.

DJ Blutch, known for his abstract hip hop and house mixes with video mapping will also perform in Sofitel on June 24, and at the main stage in Intramuros on June 25 in a collaboration with a surprise Filipino movement act. He will be joining Cebu-based musicians on June 26.

Dancer and choreographer Maxime Cozic will perform an 18-minute solo piece and in collaboration with embodiment artist Dona Tumacder-Esteban and improvisational drum circle Bathala Na at the final Fête PH 2022 stage in Kalye Artisano in Lio Estate, Palawan, on June 28.

In addition, Fête de la Musique has once again partnered with over 30 independently produced pocket stages in Metro Manila to simultaneously feature various genres and musical moods on June 24.

The participating venues include Alchemy Bistro Bar, Archipelago Makati, Boogie, Braiser’s The Village Cafe in Parañaque, Commune, Craven’s Bar and Restaurant, Dear Adam Sweet Lucy, Elements Boutique Hotel, Futur:st, H&J Restaurant, Kampai, La Collina, Leisure HQ, OTO, Pardon My French, Pura Vida Manila, Saguaro Bar & Cafe, Skinny Mike’s Sports Bar in BGC, The Apartment, The Green Door, The Astbury, The Social on Ebro, The Spirits Library, Topic, Thumbayan Grill, White Banana, WYP, and Z Hostel.

Some performers include Basically Saturday Night, Johnny Alegre, Ean Mayor of UDD, Coffeebreak Island with Bing Austria and Tuesday Vargas, Tropical Depression, Apartel, Mulan, and Samantha Nicole.

Fête de la Musique also partnered with Funkybeat Entertainment, a music production company led by Francis De Veyra, to produce and compose an anthem for this year’s celebrations.

Fete de la Musique in the Philippines 2022 is presented by Alliance Française de Manille, in partnership with the Embassy of France and B Side Productions, and co-organized by the Department of Tourism.

For more information, visit www.facebook.com/FetePH/.     Michelle Anne P. Soliman

Maynilad clarifies water issue, starts solar farm

MAYNILAD Water Services, Inc. is “in discussion” with the water regulatory office on a recent supply interruption issue that resulted from the resurgence of the algal bloom in Laguna Lake.

The company’s statement was disclosed by its parent firm Metro Pacific Investments Corp. (MPIC) to the stock exchange on Monday after the reported water interruption.

It said the algal bloom is hampering water production in its Putatan water treatment plants.

“Maynilad acknowledged the concerns raised by MWSS (Metropolitan Waterworks and Sewerage System) and is doing everything necessary to restore normal service given current constraints on the quality of the raw water source,” MPIC said.

“Ongoing treatment interventions by Maynilad have resulted in a quicker resolution of the algal bloom episode compared to previous years, as gradual increase in Maynilad’s water production is already being felt despite the persistent high algal count in the Laguna Lake,” it said.

It added that in the meantime, Maynilad “continues to mitigate the effects of the incident to its affected customers by delivering potable water through mobile tankers and announcing a daily supply availability schedule so that affected customers can store water for their needs.”

Maynilad believes that the situation is temporary and expects the onset of the rainy season will dissipate the effect of the algal bloom on the lake’s raw water supply, MPIC said.

The firm said MWSS imposed a fine of around P64 million on Maynilad for the water service interruption that occurred between December 2021 to February 2022.

“Maynilad received the notice of imposition of the fine on March 14, 2022 and the fine was settled in the form of rebates to affected customers,” it said.

MAYNILAD’S SECOND SOLAR FARM
Separately, Maynilad announced on Monday that it had energized its second solar power farm inside La Mesa compound in Quezon City to provide more renewable energy for its water facilities.

“We are serious about managing the environmental impact of our operations, which will continue to expand as we build more facilities over the next few years. The use of renewables is one of our strategies for minimizing greenhouse gas emissions, along with carbon sequestration through the reforestation of watersheds,” said Maynilad President and Chief Executive Ramoncito S. Fernandez.

The new one-megawatt photovoltaic (PV) solar farm covers a land area of 12,157.30 square meters. The power plant was built to augment the power requirements of La Mesa treatment plant 1 and several pumping stations within the La Mesa compound.

The plant is expected to reduce the electricity consumption of Maynilad’s La Mesa facilities by around 90,000 kilowatt-hours, as well as minimize carbon emissions by 21 tons per month. It is also projected to generate annual cost savings of around P7 million to P10 million from purchased electricity.

Maynilad’s first solar farm is a one-megawatt PV installation that began production in 2021.

“This marked Maynilad’s initial foray into renewables, which it is pursuing in line with its environmental sustainability and operational efficiency initiatives,” the water concessionaire said.

Maynilad is the water supplier for Metro Manila’s west zone, which covers Caloocan, Pasay, Parañaque, Las Piñas, Muntinlupa, Valenzuela, Navotas, Malabon, Cavite, and certain portions of Manila, Quezon City, and Makati.

MPIC, which has a majority stake in Maynilad, is one of three Philippine units of Hong Kong-based First Pacific Co. Ltd., the others being Philex Mining Corp. and PLDT, Inc.

Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has an interest in BusinessWorld through the Philippine Star Group, which it controls. — Luisa Maria Jacinta C. Jocson

Ramos lifts two golds, one silver

SEVENTEEN-year-old Rose Jean Ramos of Zamboanga — INTERNATIONAL WEIGHTLIFTING FEDERATION

In World Youth Championships in Guanajuato, Mexico

SEVENTEEN-year-old Rose Jean Ramos of Zamboanga — INTERNATIONAL WEIGHTLIFTING FEDERATION

THERE is another potential heiress to Tokyo Olympics gold medalist Hidilyn F. Diaz’s throne as queen of Philippine weightlifting.

Her name is Rose Jean Ramos and, just like Ms. Diaz herself, a product of that world-class lifter-producing city in Zamboanga.

The 17-year-old pocket-sized wonder showed her true worth to be one of the possible successors to Ms. Diaz’s throne as she captured a pair of gold and silver medals in the World Youth Championships in Guanajuato, Mexico on Monday.

Ms. Ramos struck gold in the clean and jerk with a lift of 85 kilograms and in total weight with a 155kg while settling for the silver in the snatch with a 70kg in the women’s 45kg class.

She blew away the field that included Venezuelan Kerlys Montilla and Indian Soumya Sunil Dalvi, who wound up second and third in total with 153kg (71kg in snatch and 82kg in clean and jerk) and 148kg (65kg, 83kg), respectively.

It was a reprise of her performance from last year’s edition in Jeddah, Saudi Arabia where she bagged mints in snatch and total and silver in clean and jerk.

She also snared a gold and silver in the world championship, hosted by Peru and done online due to the pandemic, the previous year that underscored her ability to follow in the footsteps of Ms. Diaz.

“We’re on a roll,” said an ecstatic Samahang Weightlifting ng Pilipinas president Monico Puentevella, who put the medals on Ms. Ramos’ neck himself during the awarding ceremony.

Mr. Puentevella sees great potential in Ms. Ramos to make it to the 2024 Paris Olympics alongside several other bets headed by Ms. Diaz and Vanessa Sarno, an equally promising 18-year-old lass from Tagbilaran, Bohol who ruled her heavier division in the Hanoi Southeast Asian Games last month and the Asian Championships in Tashkent, Uzbekistan a year back.

“Here we come, Paris 2024. We’re beating the best in the world. We can do it,” said Mr. Puentevella, who thanked coach Allen Diaz, the Philippine Sports Commission and the Manny V. Pangilinan Sports Foundation for the support.

With the likes of talented youngsters like Mses. Sarno and Ramos, the future is secured when the time comes Ms. Diaz would call it a day. — Joey Villar

PLDT Home partners with Lionsgate Play

John Wick, Twilight, Hunger Games now available for streaming

BROADBAND service provider PLDT Home sealed an exclusive partnership with streaming platform Lionsgate Play which gives subscribers access to the entertainment company’s titles, including the blockbuster film franchises The Hunger Games, Twilight Saga, John Wick, and Saw, and the television series Mad Men.

By subscribing to a PLDT Home Fiber Plan, users can access and watch Lionsgate Play’s action, comedy, drama, horror, and thriller titles.

The Philippines is the fourth country in the Asia-Pacific region that Lionsgate Play has entered. It first launched in India in 2020 and then in Indonesia and Malaysia last year.

“Beyond PLDT-powered homes, Lionsgate Play shall also be available to Smart customers soon,” Jeremiah de la Cruz, PLDT Home Senior Vice-President and Head of Consumer Business-Home Group, said in a statement.

“[It] is really important that we continue to expand out all the different types of content choices, entertainment choices…” Mr. De La Cruz told members of the press at the launch on June 11 at Manila House VIP Club in Pasay City. “Our endeavor has been to ensure viewers are provided with a curated lineup of great content, spread across genres for the best viewing experience,” Lionsgate Executive Vice-President Amit Dhanuka said of the partnership.

Lionsgate Play Philippines General Manager Ma. Cecilia Marino said that the streaming platform offers “premium Hollywood content” due to its high budget productions that cater to “urban millennials,” she said.

Lionsgate has over 17,000 titles in their library. The streaming platform promises viewers they will “play more, browse less.”

THE TITLES
Lionsgate Play’s banner content includes American crime drama Power. Executive produced by rapper and actor Curtis “50 Cent” Jackson, the show follows drug dealer James St. Patrick (played by Omari Hardwick) as he tries to leave his life of crime behind to manage his own nightclub. Another highlighted film is the futuristic action movie Apex, starring Bruce Willis as a falsely convicted prisoner given a chance at freedom.

“A lot of critics describe our programs as being provocative, thought-provoking, sensational, quirky. It’s surprising,” Ms. Marino said in her speech during the launch. “But to us, when you watch our films, what we take most pride in is we create stories that have a unique perspective.”

Now available locally through the platform is Gaslit, starring Julia Roberts and Sean Penn. The new series centers on the story of Martha Mitchell (Ms. Roberts), wife of former US President Nixon’s Attorney General John N. Mitchell. Ms. Mitchell discovers the full extent of the Watergate scandal in the 1970s and was the first to call out Nixon’s involvement in the scandal. 

“We shine on lesser told stories. In the past most of the time, other film outfits concentrated on President Nixon and the journalists who covered the scandal. With us, we focused on the housewife, Martha Mitchell,” Ms. Marino said.

Lionsgate Play also gives PLDT Home subscribers the first access to the historical drama Becoming Elizabeth on June 17, one week after the show’s United States release. The show chronicles Queen Elizabeth I of England’s rise to power and all the intrigue and betrayal that came with becoming queen.

“We carefully select those programs that we think can capture your interest,” Ms. Marino said.

Also available are the films in the The Hunger Games, John Wick, the Twilight Saga, and SAW franchises, and the all-star whodunit Knives Out which follows a detective (Daniel Craig) in his investigation of the mysterious death of a wealthy novelist (Christopher Plummer).
Existing and new subscribers of PLDT Home Fiber Plans 1699 and up will be given exclusive access to Lionsgate Play without the additional charges until June 1, 2023.

Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has a majority stake in BusinessWorld through the Philippine Star Group, which it controls.

For more information, visit https://pldthome.com/lionsgateplay. — Michelle Anne P. Soliman

Nestlé seeks passage of law on responsible plastic use

NESTLÉ Philippines, Inc. pressed Malacañang to sign the consolidated legislation on extended producer responsibility (EPR) to help sustainability efforts in the country.

In a statement on Monday, the company said it is hoping that President Rodrigo R. Duterte will sign the law, adding that EPR seeks to establish a circular economy, which seeks to produce minimal waste.

“As the country’s first multinational fast-moving consumer goods company to achieve plastic neutrality — recovering plastic waste equivalent to what it puts out in the market — Nestlé Philippines fully supports the consolidated legislation on EPR for plastic waste, and hopes it will be signed into law by President Duterte,” the company said.

“We congratulate the authors and sponsors of this EPR legislation which we have consistently advocated. Its enactment into law will be a major step in building a waste-free future and a circular economy. Our vision is that none of our packaging, including plastics, ends up in landfills, oceans, lakes, or rivers, or as litter,” Nestlé Philippines Chairman and Chief Executive Officer Kais Marzouki said.

In May, Congress ratified the consolidated version of House Bill 10696 and Senate Bill 2425 as the working draft for the bill seeking to hold enterprises accountable for the life cycle of their products, especially in its post-consumer or end-of-life stage. The bill is currently awaiting the signature of Mr. Duterte.

The bill also seeks to manage plastic packaging waste such as sachets, labels, laminates, and other flexible plastic packaging products, whether single or multi-layered; rigid plastic packaging products; plastic bags for carrying or transporting of goods and provided or utilized at the point of sale; and polystyrene.

According to Nestlé Philippines, it seeks to make its packaging fully recyclable or reusable by 2025. The company is utilizing a holistic approach to plastic waste, which has three focus areas, namely: developing the packaging for the future via packaging and delivery innovation and plastic reduction; assisting to shape a waste-free future with increased collection and recycling; and driving new behaviors and understanding through solid waste management (SWM) education.

Nestlé Philippines also collected 48 million kilograms of plastic waste from August 2020 to May 2022, adding that the company transitioned to paper straws for its locally manufactured ready-to-drink products.

It also developed the first SWM education modules to be distributed across 20,000 public schools across the country.

“Even as we pursue economic, social and environmental sustainability, Nestlé has embarked on a journey of regeneration: to help protect, renew and restore the environment, improve the livelihoods of farmers, and enhance the resilience and well-being of communities and consumers. Putting into practice EPR on plastic waste will be a landmark development for sustainability and regeneration,” Mr. Marzouki said. — Revin Mikhael D. Ochave

Thailand battles Canada in Volleyball Nations League

FIFTEEN-time SEA Games champion Thailand — VOLLEYBALL NATIONS LEAGUE

By Joey Villar

FOR decades, Thailand has been Philippine volleyball’s barometer for success.

So in the next six days, Filipino fans will get a chance to see the mighty Southeast Asian (SEA) champions up close and personal as the Thais wage war in Week 2 of the Volleyball Nations League (VNL) starting with a duel with the Canadians at 3 p.m. at the Smart Araneta Coliseum.

The 15-time SEA Games gold medalist have actually given the country a sample size of its immense talent after its masterful 25-13, 25-10, 25-16 destruction of the host team in an exhibition game at the Filoil Flying V Arena on Saturday.

It was a reprise of the Thais’ 25-15, 25-14, 25-13 devastation of the Filipinas in the Hanoi Games last month on their way to claiming their 13th straight gold in the biennial event and 15th overall.

Now, expect the country to probe deeper into the product of Thailand’s ascension as a world power as the latter plays Poland on Thursday, current VNL leader Japan on Friday, and World No. 1 United States on Sunday.

And the Thais are not in the VNL for no reasons.

After Week 1 in Ankara, Turkey, the World No. 14 has stolen some of the thunder from the big guns by zooming to seventh in an ultra powerful 16-country field with eight points to show on three wins in four outings.

Its triumphs came at the expense of Bulgaria, 25-20, 25-22, 25-20, on May 31; World No. 5 Serbia, 25-23, 25-27, 25-20, 20-25, 15-12, on June 2; and World No. 3 and Asian Games titlist China, 25-23, 13-25, 14-25, 25-23, 15-11, on June 5.

Their only defeat thus far came at the hands of the Belgians, 25-22, 18-25, 23-25, 25-21, 15-13 on June 4.

Meanwhile, pace-setter Japan, unbeaten in four outings with 11 points, battles Poland, currently at No. 8 with eight points on three wins in four games, in the other offering at 7 p.m.

PLDT is a presenting partner while The STAR, Quezon City headed by Mayor Joy Belmonte, Maynilad, Philippine Sports Commission and the Philippine Olympic Committee are among those backing the event.

When weaknesses contribute to strengths

Outward Definitive Edition — PHOTO FROM STORE.EPICGAMES.COM

Video Game Reviews
Outward Definitive Edition
Sony PlayStation 5

Power Rangers: Battle For The Grid – Super Edition
PS4

Rising Hell
PS4

IT’s interesting to experience a game that’s willing to do so much despite its indie status. An open-world, sandbox role-playing game with survival elements seems difficult to put together, but Outward Definitive Edition’s uniquely ambitious vision helps it find its own place among a sea of more polished titles. While some of its features feel a little undercooked compared to modern sandbox games, it makes up for its shortcomings with the sheer scale of the world it presents. Adventure waits around every corner in Outward, and while starting on it might be a rough, perilous road, it consequently proves to be a satisfying release well worth your time.

In Outward Definitive Edition, you are an adventurer whose latest journey has gone awry. Now penniless and in debt, you are compelled to once again venture out into the world to complete tasks, explore dungeons, and find treasures to sell so you can get square with your creditors. You’ll face bandits and monsters and aim to survive the toughest of challengers as you travel to an array of vastly different locations, all in an effort to earn more coin. Along the way, you need to be constantly aware of your surroundings and keep yourself in healthy shape. It’s not easy to navigate, and such factors as hunger, thirst, and stamina — or, to be more precise, lack thereof — play a key role in the experience, but it’s one that leaves you satisfied once you grasp what it’s asking of you.

Even as Outward Definitive Edition is an ambitious offering with lofty goals, it’s likewise marred by design issues and inconsistent tutorials. While you are taught the basics of how to play, the rest is up to experimentation, and it can be a dreadful experience if you are unprepared. Combat is unforgiving, and new characters with poor gear will have difficulty facing off against even the lowliest of bandits before running out of stamina. Food and water are constant resources you have to watch out for as they keep your stats topped up and let you stay on your feet. In addition, you can only regain stamina consistently by sleeping, but doing that in the open leaves you vulnerable to attack. It is unforgiving, and often seemingly cruel and tedious when strong enemies can chase you down, or inventory management becomes a chore.

Yet, these issues are also why Outward Definitive Edition’s strong parts leave an indelible mark on you. Combat is tough, yes, but uncovering better equipment and finding the right weapon makes it feel much smoother. The adventure elements feel rough until you are really out in the world, immersing yourself in the starlight. The sheer flexibility of how the world works means you’re free to approach any encounter as you wish. Whether head-on as a warrior, or sneakily as an archer, or even with the use of makeshift traps, there are any number of ways to take advantage of whatever skillset you prefer to display, and the variety makes it all the more satisfying once you finally start taking down opponents and raking in the cash.

RPG-wise, Outward Definitive Edition doesn’t really focus on the story so much as the adventures it offers in a sandbox. While it does have a story you can follow, you’re free to pretty much ignore it as you please, and that’s actually where you can find the most enjoyment. Despite being an indie title, it looks really good, and the sense of anticipation that engulfs you as you travel under the starry night sky, or as you duel against some ancient foe in some forgotten ruin, is one that few games have managed to rival. Stringing together spells that combine to produce an even stronger effect, harrying your opponents with tripwires and traps you carefully place in their way, and even fleeing from deadly foes in order to face them another day are made all the better when each action and loss you incur come with high stakes.

The original release of Outward had myriad concerns. Aside from its uneven difficulty, it suffered from quality-of-life issues that actively hindered your experience at times. The combat feeling floaty could be forgiven, but the lack of quick slots in a game where ability use was so important proved hard to overcome. You needed these to easily access your inventory and maneuver important items and spells during combat. The fact they’re in limited supply ultimately left you feeling like you’re entering combat with one hand tied behind your back. So was the actually mundane experience of having to walk everywhere, in an absolutely huge open world. There were no mounts to be had, and so you had to resort to just going on foot everywhere, a prospect made infinitely worse once you realized that the places you travelled to were also places you needed to travel away from to sell your items.

Thankfully, Outward Definitive Edition addresses many of those concerns even as it provides all the available downloadable content to date. There are still rough spots, but the superior one’s shine. There is no lack of content to be had, and there’s so much to explore and understand in its absolutely massive sandbox. And, yes, its weaknesses also help contribute to its strengths. Outward’s highs most certainly compensate for its lowest points.

All told, Outward Definitive Edition is a hearty recommend. The sheer variety of build, quests, and items you can craft and find make it a joy to play through.

THE GOOD:

• Unique style of gameplay that few other games can match

• Interesting emphasis on stamina, the need to travel light, and preparation

• Plenty of ways to approach combat and exploration

• Feels like a true sandbox where build choice dramatically changes depending on how you approach a given scenario

THE BAD:

• Tedious and starts off very slowly

• Tutorials are not very helpful at conveying the “good way” of doing things

• Much of the game time will be spent running around the world map on foot

RATING: 8/10

POSTSCRIPT: Power Rangers: Battle For The Grid – Super Edition is surprisingly disappointing, even for old Power Rangers fans. Billed as a productive trip down memory lane, it possessed the potential to be transcendent. Unfortunately, it suffers from a handful of issues that bring down its fun factor. From lack of content to really sink your teeth into, to its lackluster presentation and visual flair, it is ultimately hampered by its inability to stand out from the competition.

At its core, Power Rangers: Battle For The Grid – Super Edition is a fighting game with tag-in mechanics that allow for a fluid three-versus-three system. Characters battle for dominance over one another in a setup which allows for easy combos to be strung together with little to no issues. Unlike other fighting games like Tekken and Soul Calibur which rely on memorizing often complicated combos, it aims to be much more dynamic. Emphasizing the fundamental elements of attacking and defending, it’s a very easy fighter to get into, and one that still manages proper skill provided you can read your opponent.

To its credit, this is probably Power Rangers: Battle For The Grid – Super Edition’s best strength. Once you get started, it provides a continuous flow of content where you’ll be taking fights even if you don’t know the particular character you’re controlling too well. It doesn’t really matter when combos flow naturally through game time, and the fun is kept up due to each character’s own personal quirks and drawbacks. Special abilities feel satisfying to use, tag-ins and tag-outs are fluid and rewarding, and the fast pace of combat helps it keep its momentum going. It feels like a title you can pick up, learn in minutes, and then do well enough to stay invested. And why wouldn’t you? While its graphics are nothing groundbreaking, it’s still able to look charming and colorful. It properly emphasizes the differences between characters and brings them to life in a way that’s both flashy and entertaining.

Sadly though, while the characters you can pick in Power Rangers: Battle For The Grid – Super Edition are all unique, there’s a distinctive lack of variety holding it back. You only have a small roster to play with, and the ease of learning the game actually proves to hinder its staying power. You begin to face the same characters and enemy combinations over and over again, and while this helps you learn their moves, players used to fighting games with a bigger cast will be disappointed. Most of the playtime you’ll get from the title isn’t from trying new characters, but from mastering old ones, and that gets boring quickly when there’s a lack of challenge found in the single-player artificial intelligence. While it’s challenging enough for a casual playthrough, it in no way substitutes for a human opponent, and the online mode, while sufficient, lacks basic quality-of-life features to keep it entertaining.

To be sure, Power Rangers: Battle For The Grid – Super Edition is actually pretty decent. It has solid fundamental elements, and the visuals it presents should match your memory of the show from which it traces its roots. Moreover, the defined roles of each character mean that you’ll be able to gravitate towards playstyles with which you feel most comfortable. However, while these help cement the game’s identity, the lack of content remains a disappointment. It really just makes Power Rangers: Battle For The Grid – Super Edition feels like it could’ve been much more; while it’s a sufficiently fun game, it’s one that’ll burn through a bit too quickly.

Power Rangers: Battle For The Grid – Super Edition is, in a nutshell, a quaint distraction. If you’re a fan of fighting games and Power Rangers and don’t mind the relatively small scale of the game, it can give you your money’s worth and more. This little budget title does pack far more punch than its weight suggests, and while it might not last you a long time, it’s at least worth a look due to its reasonable price tag.

THE GOOD:

• Well defined mechanics and combat

• Easy to pick up and play

• Nice, fluid graphic style that captures the essence of the show

THE BAD:

• Lacks content to keep you entertained for long

• Its small cast hurts its staying power, as it never feels like there’s much variety to be had

• Very little single-player content on offer

RATING: 7.5/10

From out of the fires of hell comes a neat little roguelite with a lot of personality. Covered in the drapes of its heavy metal motif, Rising Hell is all about escaping the ravenous demons of the underworld by engaging in fast-paced, platforming action. With a heavy emphasis on verticality and speed, this little indie title is a heavyweight in its own right. Basking in its easy-to-learn mechanics, it tests you on how high you climb before you fall, and on how long you can last doing one thing over and over again until you finally escape. It doesn’t really get more complicated than that. Rising Hell doesn’t really feature a deep story, and that’s a-okay when it manages to compensate for its thin narrative by bringing to the forefront its deep gameplay.

In Rising Hell, your aim is to be free of the depths of hell before it drags you back. To do so, you must defeat whatever enemies lie before you, and ascend as high as you can before you die. A lot of it will be built on what is already familiar ground of the genre; you’ll acquire resources, amass upgrades, and slowly but surely climb your way to freedom. When you die, you restart. On the game’s easier Redemption mode, you lose a life instead, and with enough lives lost, you have to start all over again.

Where Rising Hell shines, however, isn’t in how it redefines the genre. It’s all about pacing and presentation. Rising Hell, unlike other titles like, say, Rogue Legacy, encourages you to be fast and mobile. Plenty of dangerous enemies hinder your ascent, but the visceral combat is both fast-paced and punishing. Your attacks, combined with your double jump, enable you to really amp up the speed when dealing with your foes, and you’ll find yourself slicing through them like a veritable whirlwind of blood and viscera. Be careful when you do it, though; while enemies tend to be dispatched easily, their attacks are still devastating, often having you rely on quick movement like dashes and jump attacks to skirt out of their range.

This is where your upgrades come in, not only changing up how you play but also enabling you to take bigger risks in Rising Hell without really dumbing down on the difficulty. Active abilities you find from artifacts and relics are limited in use, but they give you some devastating short power, like summoning projectiles to take down your foes. Your more passive normal upgrades usually give you stat buffs — attack increases based on the number of enemies around you, killed enemies exploding, and so on — but can sometimes also provide drawbacks depending on how powerful the ability can be. Being immune to spikes, for instance, also increases the damage you take from other sources, and so it’s a nice way to really offset disadvantages with the benefits you’re able to hold. You never really overpower your foes, but you never feel helpless or hamstrung by your characters, either. You will still mostly rely on your skill and quick thinking, which strikes the best balance in a roguelite so focused on speed and efficiency.

The stages you’ll go through in Rising Hell are pretty quick, but they end in bosses that can actually be quite tough. The good news is that if you do lose and have to restart, your progress is not wholly in vain, with your losses continually unlocking new rewards for you to discover and use in combat. It’s really a simplistic loop, and games can start and finish in as fast as five to 10 minutes per run. It can be mechanically complicated, especially if you want to push yourself to the limits, but it never feels frustrating or unfair, and while some stages can feel brutal in what they ask of you, the thrill it can give is hard to match.

In sum, Rising Hell is deftly able to combine combat with the upward momentum you need to summon. The times where you unleash combo uppercuts with normal attacks to reach higher ground, all while avoiding stage hazards, are both satisfying and rewarding to go through. With unlockable characters to control, a slew of new power-ups waiting to be used, and even a challenge mode to run through, Rising Hell has a decent amount of content to offer, especially for its price.

THE GOOD:

• Fun, visceral art style and combat

• Fast-paced, with a heavy focus on movement and speed

• Decent amount of extra content on hand, plus a slew of unlockables

THE BAD:

• Might not have as much on offer as a roguelite

• Can get frustrating at times if you’re not willing to adapt to its melee combat

RATING: 8/10

THE LAST WORD: Yomawari: Lost in the Dark will be coming to the Nintendo Switch. Slated for a late-2022 release, it expands the narrative fans of the atmospheric horror genre have sought and found in Yomawari: The Long Night Collection. In the series’ third offering from Nippon Ichi Software, gamers will be following the exploits of a young girl exploring her hometown in search of her lost memories. Armed with only a torch, she has but a single night to meet her objective even as a plethora of enemy spirits stand in her way.

Physical copies of the game — in standard and deluxe editions — are already available for preorder in the NIS America and Europe site.

GCash sees demand for fair and affordable loan rates

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FILIPINOS are seeking affordable and fair lending rates, the operator of mobile wallet app GCash said on Monday after it disbursed more than P2.5 billion in cash loans in the span of 10 months.

“We want to make lending more accessible to consumers to prevent them from becoming victims of informal lenders who usually charge predatory rates. We want Filipinos, especially the unbanked, to have access to funds whenever they need it,” GCash President and Chief Executive Martha M. Sazon said in a statement.

GCash, operated by Globe Fintech Innovations, Inc. (Mynt), offers a loan program called GLoan, which allows pre-qualified users to take loans from P1,000 to P50,000. The loan is payable in five, nine or 12 months, with no other requirements needed.

GLoan uses the in-house trust platform GScore to check a borrower’s ability to pay.

Meanwhile, GCash’s “buy now, pay later” option GGives disbursed P345 million from December 2021 to May 2022 with 85,000 merchants. The option lets consumers make immediate purchases without cash or a credit card.

The mobile wallet said that it had also partially deployed the $300-million funding it secured late last year to grow its lending operations, improve the platform, and further scale the business.

“We have not fully deployed the capital raised, and we plan to do so by further investing in our lending initiatives, our wealth management aspirations, and the digital ecosystem in rural areas in the country,” Ms. Sazon said.

An estimated 60 Filipinos are GCash users, comprising about 83% of the Philippines’ adult population. — Luisa Maria Jacinta C. Jocson

Filipino cyclists pedal for slots in the national team next week

FILIPINO cyclists will battle for spots to the national team as PhilCycling stages its National Championships for Road unfurling next week in Tagaytay, which celebrates its 84th founding anniversary the same day.

“The City of Tagaytay rolls out the red carpet for the National Championships for Road as the major PhilCycling race coincides with the city’s biggest celebration,” said Tagaytay City Mayor Agnes Tolentino.

“And this major sports event marks a victory not only for Tagaytay City, but for the entire country as well, against the Covid-19 (coronavirus disease 2019) pandemic,” she added.

Co-presented by Standard Insurance, MVP Sports Foundation and Smart, PhilCycling president Abraham Tolentino said the top five in road, Individual Time Trial (ITT) and criterium in the men and women elite categories will be named to the national squad for the rest of the year.

The four-day event will hold the criterium on Tuesday, the ITT the next day, women’s road race on Thursday, and men’s road race on Friday.

The Philippine Olympic Committee president and congressman from Tagaytay City also said those who will make the national team will benefit with the training they will receive while boosting their stocks for possible inclusion in the contingent to be sent in next year’s Southeast Asian Games in Phnom Penh, Cambodia.

Around 400 have registered online at press time but the PhilCycling will screen all participants especially those seeing action in the younger categories based on a rider’s skill set to conform with regulations on the maximum number of athletes that are allowed for a particular event and road condition. — Joey Villar

Netflix announces another round of global hit Squid Game

LOS ANGELES — Global megahit Squid Game will return for a second season, Netflix, Inc. announced on Sunday, offering a few hints about what is to come in the dark Korean drama.

Squid Game became Netflix’s most-watched series when it was released in September 2021. The show tells the story of cash-strapped contestants who play childhood games for a chance of life-changing sums of money. It inspired countless memes and Halloween costumes and kickstarted sales of green tracksuits.

Writer and director Hwang Dong-hyuk teased a few details about the show’s second season in a letter released by Netflix.

Characters Gi-hun and The Front Man will return, he said, and “the man in the suit with ddakji might be back.”

“You’ll also be introduced to Young-hee’s boyfriend,” he added.

Young-hee is a motion-sensing animatronic doll featured in one of the games.

Netflix did not say when the new season would be released. — Reuters

Alaska Milk readies plastic upcycling facility in Rizal

ALASKA Milk Corp. (AMC) on Monday said it began the construction of a multi-layered plastic upcycling facility in Antipolo, Rizal as part of its net zero plastic waste goal by the end of the year.

The project is in collaboration with D&G Pacific Corp., RePurpose, Inc., and the local government of Antipolo City.

Tarang Gupta, AMC managing director, said the partnership with D&G Pacific to build an upcycling facility “is our way of staying relevant: offering solutions to our consumers, helping the environment, and contributing to nation-building as a whole.”

The move comes as sustainability continues to be a top priority of the company, industries, and governments here and abroad, the official added.

The facility will produce WoW boards, which are sturdy panels or sheets that are a direct replacement for particle boards, medium-density fiberboards, and plyboards.

“This plastic upcycling facility uses the TrashBot technology imported from TrashCon Laboratory in India that turns plastics and non-degradable materials that are otherwise dumped or burnt. This prevents the dumping of plastics and helps the environment by preventing trees from being cut,” AMC said.

D&G Pacific President Edmund M. Dimalanta said that aside from minimizing the volume of discarded materials and waste being sent to landfills each year, the facility also reduces the need for production using new or raw materials.

The reduction means cutting air and water pollution, greenhouse gas emissions, and often conservation of global resources.

“This initiative by AMC and D&G Pacific is a forward-thinking approach that the private sector can emulate,” Antipolo City Environment and Waste Management Officer Violeta S. Faiyaz said.

“We hope to be the best practice example to other cities looking into partnering with the private sector to help reduce plastic waste that is often thrown back to oceans and landfills,” she added. — Luisa Maria Jacinta C. Jocson