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Full MRT-7 operations seen by 2nd quarter 2025

The Metro Rail Transit Line 7 will run from North Avenue, Quezon City to San Jose del Monte in Bulacan and is expected to accommodate up to 850,000 passengers daily. — COMPANY HANDOUT

By Arjay L. Balinbin, Senior Reporter

THE planned demonstration and partial operability for San Miguel Corp.’s (SMC) Metro Rail Transit Line 7 (MRT-7) will no longer push through, an official from the Department of Transportation (DoTr) said.

Instead, the DoTr is now targeting full operations of MRT-7 by the second quarter of 2025.

“The demonstration is no longer feasible because they will have to finish the construction of the depot,” DoTr Project Management Service (PMS) Director Eduardo D. Mangalili told BusinessWorld on Monday.

Under former DoTr Secretary Arthur P. Tugade, the department wanted partial operability of the MRT-7 this year.

“So far, there is no more partial operation target,” Mr. Mangalili said, adding that what is being targeted now is to have the MRT-7 start full operations by the second quarter of 2025.

The MRT-7 will run from North Avenue, Quezon City to San Jose del Monte in Bulacan.

Mr. Mangalili said the depot in San Jose del Monte will have to be completed first because that is where the power will come from.

The DoTr official said the MRT-7 project is now 60.35% complete and that the stations in Tandang Sora, Don Antonio, Batasan, and Manggahan in Quezon City will be finished by June this year.

“San Miguel is trying to catch up, together with the construction of the depot and based on the schedule, they were given 12-15 months, and then they can accommodate the operation,” he added.

The P63-billion project has three major components: a 24.7-kilometer (km) mass rail transit system with 14 stations from North Avenue to San Jose del Monte, Bulacan; an intermodal transportation terminal that will serve as a transportation hub catering to other types of public transportation; and a 19-km highway from San Jose del Monte to Bocaue, Bulacan.

A total of 36 trainsets or 108 cars acquired by SMC from South Korea’s Hyundai Rotem will be used for the railway system.

The project, which started construction in August 2016, is expected to accommodate up to 850,000 passengers daily and cut travel time between Quezon City and Bulacan from four hours to 34 minutes.

The MRT-7 will also connect to the existing Light Rail Transit Line 1 and MRT-3 to improve accessibility throughout the capital region and the nearby growth corridor of Bulacan province.

PHL urged to ramp up infrastructure investment

Workers are seen in a construction site in Manila. — PHILIPPINE STAR/RUSSELL PALMA

By Luisa Maria Jacinta C. Jocson, Reporter

THE PHILIPPINES and ASEAN+3 member economies should boost infrastructure investments, which will help drive economic recovery while maintaining debt sustainability amid a looming global recession, the ASEAN+3 Macroeconomic Research Office (AMRO) said.

AMRO Senior Economist Byunghoon Nam said the Philippines’ infrastructure stock and competitiveness is “low” compared with its neighbors.

“Despite the ‘Build, Build, Build’ program launched in 2017, the Philippines still faces sizeable investment needs for both traditional infrastructures, such as transportation and utility, and new infrastructures for digitalization and climate change mitigation/adaption,” he said in an e-mail.

The Philippine government plans to spend at least 5-6% of gross domestic product (GDP) on infrastructure.

Based on the latest Development Budget Coordination Committee (DBCC) report, the government plans to allocate P1.248 trillion for infrastructure this year, up by 4.1% from the P1.199-trillion program for 2022. The Department of Budget and Management (DBM) has yet to finalize this year’s infrastructure program.

“Infrastructure investments can contribute to boosting economic recovery and enhancing growth potential, while, at the same time, maintaining debt sustainability,” Mr. Nam said.

In an analytical note “Public Infrastructure Investment and Macroeconomic Impact in ASEAN+3 economies,” AMRO said the fiscal multipliers and long-term effects of public investment “may be higher during the recession and under high uncertainties.”

Higher public infrastructure investments may increase the debt-to-gross domestic product (GDP) ratio in the first year, but will eventually reduce it in the medium term as the economy grows and raises fiscal revenues, it added.

“In Japan, Korea, the Philippines, and Cambodia, the debt-to-GDP ratio declines substantially in the medium term, compared to the baseline, mainly due to high revenue buoyancy,” AMRO said.

Mr. Nam noted that the extent of the debt-to-GDP ratio’s decline would depend on the “efficiency of investments in promoting growth and the responsiveness of revenue to growth.”

As of end-November, the National Government’s outstanding debt hit a record P13.644 trillion.

The debt-to-GDP ratio was 63.7% at the end of September, the highest debt-to-GDP ratio in 17 years. It also remains above the 60% threshold considered manageable by sovereign debt lenders.

For 2023, the government is aiming to bring down the debt-to-GDP ratio to 60-62%.

In its study, AMRO noted that narrowed fiscal space during the pandemic may prevent governments from hiking infrastructure spending.

“Due to the revenue shortfalls and massive healthcare/stimulus spending during the pandemic, the public debt-to-GDP ratios in all member economies have increased substantially, raising concerns about debt sustainability. As a result, the authorities are leaning toward restoring their fiscal buffers in the medium term, notwithstanding the need for continuing economic recovery support,” it added.

In 2020, the Philippines, Singapore, and Brunei governments reduced public capital expenditures, as they reallocated funds to healthcare and support for pandemic-hit businesses, but restored capital spending in 2021.

In 2021, infrastructure spending rose by 31% to P895.1 billion from the P681 billion spent in 2020. As of end-November 2022, infrastructure spending was up 14.3% to P869.2 billion.

Mr. Nam said governments should implement policy measures to improve investment efficiency and strengthen revenue collection.

“For investment efficiency, the authorities should pay more attention to choosing projects based on rigorous cost-benefit analysis; monitoring and reviewing the implementation of projects to address the potential risks and issues preemptively; and improving the coordination and cooperation among public and private stakeholders,” he said.

To boost revenues, Mr. Nam said authorities maximize collection capacity, strengthen tax compliance, introduce new taxes, and raise tax rates.

“In addition, encouraging the public-private partnership (PPP) with a well-designed legal or institutional framework would mitigate the government’s financing burden while inviting the efficiency of the private sector. Financing sources would also be available from China’s Belt and Road Initiative (BRI) that has been encouraging infrastructure investments in the region,” he added.

The government last year revised the implementing rules and regulations (IRR) for the Build-Operate-Transfer (BOT) Law, which it hopes will attract more private sector investment in infrastructure.

INCENTIVES URGED
Meanwhile, Terry L. Ridon, a public investment analyst and convenor of think tank InfraWatch PH, said that the government should focus on making more infrastructure investments in underdeveloped areas.

“For emerging and underdeveloped areas, it will be the government’s sole burden to fund infrastructure which can improve the economy in various localities. As such, government-funded infrastructure in emerging areas should be encouraged, as it can create new industries and jobs, and improve efficiencies,” Mr. Ridon said in an e-mail.

“This will consequently lead to higher incomes and broader economic activity in previously economically stagnant regions, and contribute to a better management of government debt,” he added.

Mr. Ridon urged the government to offer incentives to encourage private sector investment.

“Ultimately, the Marcos government will have to decide whether to take on more debt to fund its infrastructure program or grant significant incentives to the private sector to engage in PPPs despite threats of recession, rising interest rates and other uncertainties,” he added.

Antonio A. Ligon, a law and business professor at De La Salle University, said it is uncertain whether the government can maintain a sustainable debt level while raising investments in infrastructure “due to the unclear roadmap of economic programs of the government.”

The Sound of Music returns to Manila

(L-R) PRODUCER Marc Routh with the cast of The Sound Of Music Jill-Christine Wiley, Trevor Martin, and Lauren Kidwell.

MANY fans who have seen the film or have been exposed to its music in their youth have fond memories of The Sound of Music. Whether it’s seeing the mountain ranges at the introduction of the film and panning to Maria’s turns, or being introduced to the music by their parents. They may also have had the chance to watch the musical on which the film was based when the international touring production came to Manila in 2017.

Metro Manila audiences will again be able to see the musical live when the international tour of a reimagined version of Rodgers & Hammerstein’s The Sound of Music, produced by Broadway International Group, comes to the metro for performances from March 7 to 26 at the Samsung Performing Arts Theater in Circuit Makati.

The musical’s story follows the governess (and failed novice) Maria who changes the lives of the widowed Captain von Trapp and his seven children by reintroducing them to music. It culminates with the family’s flight across the Austrian mountains as tensions rise prior to the outbreak of World War II.

The music, which celebrates its 65th anniversary next year, won five Tony Awards including Best Musical, and the Grammy Award for Best Show Album for its original run. It has also entertained generations of audience members with live productions across the world, and, of course, the classic film starring Julie Andrews and Christopher Plummer, which won five Oscar Awards including Best Picture.

“It’s quite exciting because Jack O’Brien — who is truly one of the great Broadway directors — has reimagined the show. He’s been able to really dig deep into the heart of the show can find a lot of the humanity, a lot of the honesty and the integrity of this really beautiful musical,” said Marc Routh, president of Broadway Asia Group, who has been producing, managing, and licensing the show for 30 years, at a press conference on Jan. 18 at the Samsung Performing Arts Theater.

Aside from the Broadway Asia Group, the new touring production of The Sound of Music is produced by Simone Genatt, along with co-producers Roy Furman, Broadway Asia Group, Cornice Productions and Gabrielle Palitz, in association with GMG Productions.

THE CAST
At the age of five, Jill-Christine Wiley saw The Sound of Music – her first musical theater show – together with her mother.

“[I remember thinking that] this five-year-old would not make it through the show or be at all interested. I apparently sat at the edge of my seat the entire time and had to meet the girl playing Maria afterwards and hand her a rose,” Ms. Wiley recalled. Soon after, she auditioned for the musical bagged the role of Marta von Trapp, the second youngest child in the family.

Now she plays the governess Maria Rainer and recently performed her 500th show with the musical.

The children are what she loves about doing the show. “The children of our show are one of my favorite aspects of the show and getting to share the stage with them…There is no greater masterclass in acting than watching a child light up onstage and watching them discover their characters and make genuine connection with their stage siblings,” Ms. Wiley said. The cast of children from North America will be joining the full company for the first time during the Manila leg of the tour.

Joining Ms. Rainer onstage is Trevor Martin who plays Captain von Trapp, and Lauren Kidwell as Mother Abbess.

“I love singing with Jill… I don’t know if many of you know but ‘My Favorite Things’ is actually between Mother Abbess and Maria,” Ms. Kidwell said. Unlike in the 1965 film musical, Maria and Mother Abbess perform the song together in Act 1 of the musical.

“Being able to access my character in a way that is surprising to a lot of people who come to see our show and just getting to play and access a fun childlike enjoyment of music through my character is something I love discovering every single time onstage,” Ms. Kidwell added.

THE MUSIC AND STORY
The show features music by Richard Rodgers, lyrics by Oscar Hammerstein II, with a book by Howard Lindsay and Russel Crouse.

The touring production highlights the original creative work of three-time Tony Award winning director Jack O’Brien, Broadway choreographer Danny Mefford, and musical supervision by Andy Einhorn, as well as an award-winning Broadway creative, design, and production team.

“At the heart of it is the music,” Mr. Routh said of what makes the musical a classic. “It’s a story about self-discovery, deep romantic love, and supporting these children who are growing up in harsh environments and giving them love through the medium of song…,” he added.

Having performed in the show many times, Ms. Kidwell admitted to still getting emotional every time she sings her solo.

“Every time I sing ‘Climb Ev’ry Mountain,’ without fail I get emotional,” Ms. Kidwell told BusinessWorld. “I sing it twice throughout the show, and the moment that underscoring happens, I get goosebumps.”

Aside from its music, the story’s relevance remains evident in situations around the world today.

“Georg von Trapp was a real person, so was Maria Rainer, and obviously these situations really did happen,” Mr. Martin said of the themes in relation to the Second World War. “There are some parts that are brought into the theatrical realm in the show, but that context is still there.”

The story, he said, transitions to being about surviving authoritarian rule and “refugees having to leave their home.”

“At the end of the show, the last 30 minutes or so, really feel like [a] new show… and that makes me very proud to be a part of it. [Because] I felt like that is an extremely important subject to talk about, whether it be from the 1940s or today,” Mr. Martin said.

Tickets to The Sound of Music are now on sale, online at ticketworld.com.ph and at TicketWorld outlets. — Michelle Anne P. Soliman

Arts & Culture (01/25/23)

PHIL.KOREAN-CULTURE.ORG

Art Lounge Manila holds Lunar New Year show

THE YEAR of the Water Rabbit is marked by Art Lounge Manila through the exhibit “Auspicious Beginning 88” as a way to convey the wish of good luck, peace, stability, and prosperity that the year of the Rabbit is said to bring.  The exhibit features a selection of Filipino-Chinese artists brought together by visual artist Addie Cukingnan. They are Addie Cukingnan, Meneline Wong, Charlie Co, Ronnie Lim, Dexter Sy, Rudy Yu, Ed Uygongco, Seb Chua, Elena Coyiuto, Tracie Anglo Dizon, Jo Uygongco, Victor Ng, Kylo Yu, Winna Go, and Margarita Lim. The exhibition will run until Jan. 31 at Art Lounge Manila at the Podium, Ortigas Center. For more information, visit www.artloungemanila.com.


Ang Huling el Bimbo is looking for Ligaya

AFTER auditions last year, Newport World Resorts’ Full House Theater Company (FHTC) has announced the new cast of the hit Ang Huling El Bimbo The Musical which will be staged in April at the Newport Performing Arts Theater. The search is now on for a child actress to play the role of Ligaya. The role is open to female children ages eight to 12 who are fluent in Tagalog. Interested parties must send a three-minute audition video singing a Tagalog song, together with their CV, and half-body photo. Send the requirements to aheb2023@gmail.com and indicate “Ligaya Audition” in the subject. The submission period is from Jan. 23 to 5 p.m. on Jan. 31. Those who will qualify will be contacted for an in-person audition at a later date.


Korean center presents fairytale-themed exhibit

THE EXHIBIT “Once Upon A Time… Hanbok Fairytale of Wooh Nayoung,” a reimagined world of fairytales with Korean twist, runs until Feb. 28 at the Korean Cultural Center (KCC) in the Philippines. Artist Wooh Nayoung’s experience in majoring in Korean painting and working in a game company led to creating her own style combining Western and Eastern characteristics. She is currently promoting the beauty of the traditional Korean dress, the hanbok, to the world through her work and collaborations with Hollywood and Disney. The exhibit is meant to make the visitor feel like they had stepped into a giant fairytale book. Princess characters like Cinderella and Rapunzel are dressed in hanbok and their animal friends are as well. In the children section of KCC’s library, a coloring station has been set up for visitors to reimagine their own fairytales. Visitors who show themselves enjoying the exhibition in their social media can present their posts at the KCC reception area to get a set of postcards. The Korean Cultural Center in the Philippines is located at 59 Bayani Rd, Fort Bonifacio, Taguig City. It is open from Monday to Friday, 9 a.m. to 4 p.m., and every Saturday from 10 a.m. to 4 p.m. Admission is free. Guests are advised to bring their vaccination card to present upon entry. A maximum of 60 people is allowed inside the building at a time for health and safety regulations.


The Pasinaya festival is back

PASINAYA, the multi-arts festival, returns onsite at the Cultural Center of the Philippines (CCP) Complex and other outdoor venues on Feb. 3 to 5. The festival highlights the complex’s different outdoor venues such as the CCP Front Lawn, Liwasang Kalikasan, Tanghalang Ignacio B. Gimenez, and its surroundings, and parade ground of Vicente Sotto Street, among others. “This year, Pasinaya follows the theme ‘Piglas Sining.’ We are breaking away from the notion that the CCP is just the building.  We are emphasizing that CCP can be anywhere,” said CCP artistic director Dennis N. Marasigan. Pasinaya continues its experience-all-you-can, pay-what-you-can scheme. For a suggested donation of P50, participants may go in and out of the different CCP venues to attend the 30-minute workshops in various art disciplines conducted by leading artists, resource persons and teachers, or watch as many shows, screenings, and activities as they can. Registration starts at 6:30 a.m. at the Bukaneg side of the Front Lawn and at Vicente Sotto Street. On Feb. 3, there will be a Pagtitipon, an invitational gathering of the Kaisa sa Sining (KSS) regional partners. There are 59 regional partners from Luzon, Visayas and Mindanao in the KSS network, with three new partners joining. Palihan and Palabas happen on Feb. 4 and 5, kicking off at the CCP Front Lawn with a parade and special program. In Palihan, audiences can join the different workshops, and in Palabas they can watch unlimited shows, featuring more than 3,000 artists from different art fields. Pasinaya partners with various galleries, museums and art spaces around the metro to put the spotlight on communal artistic spirit and collaborations. For this segment, the Paseo Museo, there will be hop-on, hop-off shuttle vans that will go around the participating arts spaces for free on Feb. 4 and 5. Meanwhile, festival programmers and art groups will meet in Palitan on Feb. 4 and 5, on-site at Tanghalang Ignacio Gimenez and online via Zoom. For updates, visit the Cultural Center of the Philippines social media accounts. 


Salcedo Auctions announces new auctions

SALCEDO Auctions will be mounting the Gavel&Block “art + design” auction on Feb. 4. It features modern and contemporary art, and furniture, jewelry, watches, designer pieces, and other collectibles. A special section is dedicated to Scrapboards by Project Re-Dew — surfboard sculptures created out of PET bottles upcycled into resin and wood fragments from the aftermath of Super Typhoon Rai (Odette) — which are being sold to help rebuild the surfing town of Siargao. The auction preview will run from 9 a.m. and 5 p.m. daily except Sunday and Monday until Feb. 3 at NEX Tower, 6786 Ayala Ave., Makati City. Salcedo Auctions also announced that its auction, “The Well-Appointed Life,” will now be held twice a year, in March and September. The auction features important Philippine art, heirloom furniture and decor in the “Connoisseur Collection,” a collection of fine jewelry and timepieces, and rare automobiles. For more information, visit https://salcedoauctions.com/.


Artbook.ph’ offers new books for the new year

ARTBOOKS.PH has a new selection of books for the new year. Among the books are: Cuenca: Sketchbook of a Spanish Hill Town (₱6,000) in which artist Fernando Zóbel shares his memories in Cuenca, Spain from 1963-1965 through annotated drawings in ink and watercolor; Bullfighting in the Philippines, 1602-2022 (₱999) by Gaspar A. Vibal, which is the most comprehensive Philippine taurine history to date; Heritage Churches of the Cagayan River Basin (₱699) by Javier Galván Guijo, part of the Fifty Shades of Philippine Art series by Vibal, is a comprehensive architectural survey of the major heritage churches of the Spanish colonial era that were built due to the evangelical efforts along the Río Grande de Cagayan and includes the history of a church and its urban settlement, the description of its features, the measurement and typification of its major architectonic elements, and a critique of its aesthetics and conservation aspects; When We Danced (₱3,575), a photobook by Eddie Boy Escudero which captures the vibrant and liberated 1990s club scene in Manila; and CATipunan: Furrtraits Vollumes 1, 2, and 3 (P150 each) which are collections of written and visual portraits of cats produced for International Cat Day (Aug. 8) in 2022.


Virgin Labfest is looking for plays

NOW in its 18th year, the Virgin Labfest (VLF), the annual theater festival of unpublished, unstaged, untried, and untested works, is now open for script submissions for its 2024 edition. Deadline for submission is midnight on Feb. 28. Entries must be submitted in doc or pdf format only to thewritersblocinc@gmail.com. The call for script submissions is open to all Filipino citizens only.  Entries should have a maximum running time of 40 minutes. The festival is open to various themes and genres. All submitted works must not have been previously published in book form, staged commercially for more than two performances (staged readings and/or one-time workshop productions are allowed), or have not received any recognitions and awards in competitions and the like. Script entries may be in Filipino, English, Cebuano, Hiligaynon, or Ilocano, but should be submitted with accompanying Filipino translations.  Entries in other Filipino languages will also be considered based on availability and capability of performers. A partnership project of the Cultural Center of the Philippines, The Writer’s Bloc, and Tanghalang Pilipino, Inc., the theater festival will select 12 new one-act plays. The playwrights of the selected plays must be willing to undergo a script development process with the creative team of the festival. The finalists will be formally announced at the end of the VLF Year 18, slated this June. For inquiries, call 8832-1125 local 1600 or email virginlabfest2023@gmail.com

Converge hits fiber port target, steps up coverage

LISTED fiber internet provider Converge ICT Solutions, Inc. announced on Tuesday that it had achieved its two-million fiber port rollout target for 2022.

“As of Dec. 31, 2022, Converge has already deployed more than two million fiber ports in Luzon, Visayas, and Mindanao, further cementing its position as the largest fiber-to-the-home (FTTH) network in the Philippines,” the company said in an e-mailed statement.

Converge said it is on track to reach its accelerated target to cover approximately 55% of homes nationwide this year, with its household coverage at 53% as of Sept. 30, 2022.

The company has allocated P21 billion to P23 billion in total capital expenditures for this year.

“Converge continues to expand its nationwide network reach to efficiently deliver consumer network demands and empower Filipinos across urban and rural areas,” Converge Co-Founder and Chief Executive Officer Dennis Anthony H. Uy said.

“With this record deployment of ports, we are ensuring high availability in more areas around the country,” he added.

The company noted that it bolstered its port deployment in the National Capital Region, including Rizal, North and Central Luzon, as well as Mindanao.

“Converge also maintained its aggressive rollout in the Visayas as it continued to seek growth opportunities in the region,” it added.

The company also said that it has extended its fiber footprint to more than 613,000 kilometers, consisting of subsea, aerial, and terrestrial fiber optic cable network, all over the country.

For the nine months that ended Sept. 30, 2022, Converge saw its net income grow 17% to P6.11 billion from P5.2 billion in 2021.

Revenues for the period went up 30% to P24.48 billion from P18.83 billion previously, while the cost of services increased 29% to P9.65 billion from P7.46 billion in the same period last year.

The company achieved earnings before interests, taxes, depreciation, and amortization or EBITDA of P14.4 billion for the period, 39% higher than the previous year.

“As a result, the company’s consolidated EBITDA margin reached an all-time high of 59.0% during the nine-month period,” Converge said in a statement. — Arjay L. Balinbin

Pompeii’s House of the Vettii reopens: A reminder that Roman sexuality was far more complex than simply gay or straight

FRESCOES from the House of the Vettii. — PHOTO FROM POMPEIISITES.ORG

AS Pompeii’s House of the Vettii finally reopens after a long process of restoration, news outlets appear to be struggling with how to report on the Roman sex cultures so well recorded in the ruins of the city.

The Metro opened with the headline “Lavish Pompeii home that doubled as a brothel has some interesting wall art,” while the Guardian highlighted the fresco of Priapus, the god of fertility (depicted weighing his oversized penis on a scale with bags of coins) as well as the erotic frescoes found next to the kitchen.

The Daily Mail, on the other hand — and arguably surprisingly — said nothing about the explicit frescoes and instead centered its story on the house’s “historic hallmarks of interior design.”

As a scholar who researches modern and contemporary visual cultures of sexuality, I was struck by how the heavy presence of sexual imagery in the ruins of Pompeii seems to confound those writing about it for a general audience.

As a gay man and a researcher on sexuality, I am all too familiar with the ways modern gay men look to ancient Rome in search of evidence that there have always been people like us.

It is now clear among the research community that such straightforward readings of homosexuality in classical history are flawed. That is because same-sex relations among Romans were lived and thought about in very different ways from our own.

Roman sexuality was not framed in terms of the gender of partners but in terms of power. The gender of a free man’s sexual partner was less relevant than their social position.

Socially acceptable Roman sexuality was about power, power was about masculinity — and Roman patriarchal sex cultures were assertions of both. An adult free man could have sex as the penetrating partner with anyone of a lower social status — including women or slaves and sex workers of both genders.

Despite this, I understand how politically important and strategic it was for the early homosexual movement to invent its own myth of origin and to populate history with figures that had been — they thought — just like us.

The flip side of modern notions of homosexuality being read into Roman history, is the way in which the widespread presence of sex in ancient Roman (including in the graffiti and visual culture preserved in Pompeii) has been disavowed or — at least — purified by mainstream modern culture.

This phenomenon started when sexually explicit artefacts were first discovered in Pompeii, propelling archaeologists to preserve them due to their historical value, but to keep them hidden from the general public in “secret museums” on account of their obscene content.

Indeed, the coinage of the word “pornography” was a result of the archival need to classify those Roman artefacts. The term “pornographers” was first used to designate the creators of such Roman images in Karl Otfried Müller’s Handbook of Archaeology of Art (Handbuch der Archäologie der Kunst), from 1830.

The news coverage around the reopening of the House of the Vettii is one such example of mainstream modern culture sanitizing Roman history.

When focusing on the fresco of Priapus, for instance, news outlets are quick to claim that the god’s oversized penis was merely a metaphor for the wealth accumulated by the men who owned the house. The pair had made their fortune selling wine after being freed from slavery.

This reading of the fresco, while not necessarily incorrect, overlooks the more complex — and for that reason, more interesting — role of phallic imagery in Roman culture.

As classicist Craig Williams writes, the images of a hyper-endowed, hyper-masculine Priapus that were widespread in Roman culture functioned not only as a source of identification but also as an object of desire for Roman men — if not to be penetrated by the large phallus, then at least to wish it was their own.

Priapus, with his large manhood and unquenchable desire to dominate others through penetration was, Williams tells us: “Something like the patron saint or mascot of Roman machismo.”

News coverage of the erotic frescoes found in a smaller room of the house has been similarly too straightforward in claiming them as evidence that that room was used for sex work.

While some scholars have certainly argued that perspective, others believe it unlikely. Some academics suggest that the erotic frescoes in that room (which probably belonged to the house’s cook) had more likely been commissioned as a gift to the Vettii’s favorite slave and very much fit the wider aesthetic of quirky excess that marks the house as a whole.

In a culture where sex was not taboo but instead promoted as a sign of power, wealth, and culture, it is fair to suggest that erotic images wouldn’t just belong in brothels. Sex was everywhere in Rome, including in literary and visual arts.

When reading the recent news stories, I could not help but think that their interpretations, while not wholly wrong, were too skewed into presenting the explicit frescoes as either metaphors for something more noble, or as something that was restricted to a specific site of Roman life — the brothel.

Perhaps these readings are privileged over others because we’re reluctant to accept that sex in ancient Roman culture — a culture we so often mythologize as our “origin” — was performed in ways that we are uncomfortable with.

 

João Florêncio is a Senior Lecturer in History of Modern and Contemporary Art and Visual Culture at the University of Exeter. He receives funding from the Arts and Humanities Research Council.

NAIA privatization covers operations, not assets — Transport chief

NINOY Aquino International Airport (NAIA) check-in counters. — BW FILE PHOTO

THE Transportation department on Tuesday clarified that the Marcos administration will only privatize the maintenance and operations and not the assets of Metro Manila’s international airport.

Transportation Secretary Jaime J. Bautista made the clarification after President Ferdinand R. Marcos Jr. denied on Monday night that there were plans to privatize the Ninoy Aquino International Airport (NAIA).

In a Palace briefing on Tuesday, Mr. Bautista said the private sector will manage the operations through a concession agreement with the government.

“What the President meant was that the assets of NAIA would not be given to the private sector,” he said. “What he meant was that it’s the private sector that will manage the operations through a concession agreement, which is what we have been doing at two airports now – Cebu and Clark.”

The Mactan-Cebu International Airport and Clark International Airport are operated by private firms GMR Megawide Cebu Airport Corp.  and Luzon International Premier Airport Development Corp., respectively.

On Monday night, Mr. Marcos said he and other government officials had a meeting with the company during their trip to New York last year. He said the firm runs several big airports abroad.

When asked to confirm the President’s statement, Mr. Bautista said: “We are preparing the terms of reference, and this will be subject to bidding by proponents.”

He said the department is looking at two scenarios.

“One is for us to receive what you call an unsolicited proposal na puwedeng kasama iyong kausap namin sa (that may include the one we talked to in) New York, or we will invite them to submit a proposal based on the approved terms of reference that we are now preparing,” Mr. Bautista said. “That’s the possibility on the NAIA operations.”

Mr. Bautista said the privatization of NAIA would not automatically lead to an increase in terminal fees. “The government will have a say in the rates that the operators will impose.”

Earlier, he said his agency had been working with the Asian Development Bank on the preparation of the terms of reference for the privatization of NAIA’s operations.

Meanwhile, Mr. Bautista said Mr. Marcos had instructed his agency to fast-track the government’s deal with Sumitomo Corp. and Thales Corp. for the management of the country’s air traffic system.

This was after the country experienced an air traffic management glitch on New Year’s Day.

“The President is very much aware of what happened and he supports our recommendation to implement future requirements necessary for the upgrade or improvement of the CNS/ATM (Communications, Navigation and Surveillance Systems for Air Traffic Management) system, which includes hardware and software maintenance, hardware replacement, ultimate fallback system for software redundancy and the need for an independent CNS/ATM in a separate location.” — Kyle Aristophere Atienza

Guitar lessons seen to improve hand mobility in stroke patients — study 

UNSPLASH

By Patricia B. Mirasol, Reporter 

GUITAR exercises can help rehabilitate hand function among stroke patients with unilateral hand impairment, according to a study. 

Project G.T.A.R.A., or “Grip/Grasp Training with Active Range of Motion Activities using Guitar,” is a set of guitar exercises similar to those used in traditional occupational therapy sessions for patients with one impaired hand and one normally functioning hand.  

The P3-million project, which ended December 2022, was funded by the Department of Science and Technology-Philippine Council for Health Research and Development (DoST-PCHRD) and developed by the University of the Philippines Diliman-College of Music (UPCMu).  

Evaluation of the project results is ongoing.  

“This partnership with UPCMu aims to capitalize on the benefits of leveraging music therapy as a rehabilitation strategy for patients,” said Dr. Jaime C. Montoya, DoST-PCHRD executive director, in a Jan. 20 statement.  

“If successful, this project can contribute to the recovery of our stroke patients with hand impairments, and enable them to perform their tasks normally,” he added.  

The eight-week treatment session culminated in a guitar presentation on Dec. 17 featuring seven of the 17 study participants at the UPCMu’s Mini Hall. The performances, according to the DoST-PCHRD, demonstrated the benefits of utilizing the guitar methods curated by the project team for chronic stroke patients. 

The idea behind G.T.A.R.A. was born in a UPCMu class in 2017 led by Professor Nathan V. Manimtim and a conversation on Classical Guitar Pedagogy – A Handbook for Teachers, a book written by classical guitarist and composer Anthony Glise.   

Daniel Joseph S. Morabe, a UPCMu alumnus and G.T.A.R.A. project team member, said that the Glise book is unique because it discusses the effect of the different guitar playing techniques on the body and health of the guitarist.   

After observing patients in the occupational therapy ward of the Philippine General Hospital, Mr. Morabe saw the rehabilitative potential of guitar exercises. 

Mr. Manimtim, Mr. Morabe’s former professor and G.T.A.R.A. project leader, explained in a Jan. 23 e-mail: “To test whether these similarities [between therapy sessions and classical guitar techniques] were merely superficial or have a deeper connection, Dr. Kreza G. Ligaya — who was a resident physician of Rehabilitation Medicine at that time — invited a stroke patient with right-hand deficiency to participate in a pilot study on the use of specially designed guitar-playing exercises by Mr. Morabe and myself.”  

The improvement seen on this stroke patient’s quality of movement prompted the project proponents to form a team of doctors and musicians to conduct a more comprehensive study.

Maynilad says water treatment plant in Muntinlupa 53% done

MAYNILAD Water Services, Inc. said on Tuesday that it is now more than halfway through the construction of its Poblacion water treatment plant in Muntinlupa.

“Once fully operational by the first half of 2024, this facility will have the capacity to produce 150 MLD (million liters per day) of potable water for the southern portion of Maynilad’s concession area, particularly Parañaque, Las Piñas, Muntinlupa, and Cavite,” the west zone water concessionaire said.

The Poblacion water treatment plant, now 53% complete, is expected to produce 50 MLD of additional water supply by yearend. It will be Maynilad’s third facility to tap Laguna Lake as an alternative raw source of water.

Currently, Maynilad has two treatment plants in Putatan, which provide 300 MLD to around 1.7 million customers.

“Our production of 300 MLD is stretched to meet the current requirements of our customers in the south. Hence, whenever extreme conditions necessitate reduced production, there is no extra supply so some of our customers experience service disruption. The additional output that we will get from the Poblacion WTP will help to address that,” said Maynilad Chief Operating Officer Randolph T. Estrellado.

The Poblacion water treatment plant is part of Maynilad’s P220 billion service enhancement program for 2023 to 2027.

Separately on Tuesday, Lee Robert M. Britanico, deputy administrator for customer service regulation of the Metropolitan Waterworks and Sewerage System (MWSS), said that the agency’s corporate office continues to look for a new water source.

“If we fail to look for an additional source the existing water supply can no longer meet the demand and the increasing population,” he said in a virtual press briefing.

He also said that the MWSS is now coordinating with Maynilad and Manila Water Co., Inc. to ensure adequate and uninterrupted water supply for the summer months.

“We have a supply deficit now not just in southern Metro Manila,” Mr. Britanico said, referring to the Philippine capital and parts of Cavite and Rizal provinces.

“[Because] the population in these areas continued to grow and the water supply is not coming from Metro Manila, our corporate office is looking for another source to augment that deficit, and we encourage everyone to conserve water and encourage Maynilad and Manila Water to be efficient,” he said.

Mr. Britanico said the MWSS is now preparing for the summer months when it expects a supply deficit due to high temperatures and the lack of rainfall.

“Rest assured as of now, we are okay but we encourage the public to conserve water, let us not take that for granted,” he said.

Mr. Britanico added that if population growth continues amid a lack of new water sources, a significant supply deficit might happen by 2024.

“Right now, if we will base the projection on the population, most likely next year we will have a problem but if we can find a new water source for Metro Manila, Cavite and Rizal, then that will address the issue,” he said.

Meanwhile, the MWSS regulatory office on Tuesday directed Maynilad to rebate P27.48 million to customers affected by the water services interruptions in areas served by the concessionaire’s Putatan water treatment plants.

“MWSS has determined the final rebate amount for Maynilad customers. Maynilad shall rebate a total of P27.477 million as reasonably determined by this office,” Mr. Britanico said.

The decision came after the recurring service interruptions from December 2022 until January this year in areas covered by the Putatan plants such as the southern part of Metro Manila.

Mr. Britanico said the MWSS is set to announce on Jan. 31 the final number of customers to receive the rebate.

“Right now, we are still validating the total and final number of affected customers. The rebate will be reflected on the next water bill, which is in February,” he said.

Mr. Britanico said that if the “one-time, big-time” rebate is higher than the customer’s water bill, the difference will be carried over to the next billing period.

Metro Pacific Investments Corp., which has a majority stake in Maynilad, is one of three Philippine units of Hong Kong-based First Pacific Co. Ltd., the others being Philex Mining Corp. and PLDT Inc.

Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has an interest in BusinessWorld through the Philippine Star Group, which it controls. — Ashley Erika O. Jose

A glamourous Parisian’s haute couture wardrobe goes up for auction at Christie’s

CHRISTIES.COM

PARIS — A wardrobe owned by a Parisian woman who rubbed elbows with Yves Saint Laurent and other famous French designers is up for online auction at Christie’s as Haute Couture week kicks off in Paris.

A friend to Hubert de Givenchy, Karl Lagerfeld, and others, the anonymous owner behind the 116-lot auction amassed a collection of haute couture pieces ranging from playful cocktail dresses and classic suit ensembles to elegant evening gowns.

“This client — she chose everything and she wore everything. It’s very intimate,” Christie’s auctioneer Camille de Foresta said.

The most valued item in the sale is a purple velvet dress designed by Lagerfeld for Chanel for the 1988 winter collection.

Estimated at €4,000 to €6,000, the Tudor-inspired dress is embroidered with gold thread and beads by the French atelier Lesage, and sports a removable satin collar — a Lagerfeld trademark.

The auction also features several Yves Saint Laurent creations, including a gold lame encrusted tunic and matching pants, a nod to the designer’s love for Moroccan culture.

A velvet bustier evening dress, from Saint Laurent’s 1984-1985 haute couture collection, is also up for sale.

“The client loved Saint Laurent. And you know, all haute couture clients, they said that the Saint Laurent outfits are the most comfortable and the more feminine and sensual,” Ms. De Foresta said.

The Parisian owner also wore pieces by Christian Lacroix, Gianfranco Ferre for Dior, and Valentino, and most of the couture pieces were bought in the 1980s and 1990s.

Christie’s haute couture auction — which started on Jan. 11 and runs until Jan. 25 — has been attracting mostly fashion and decorative art museums as well as the fashion houses themselves seeking to fill their archives.

Haute Couture Fashion Week, which wraps up on Thursday, allows an elite club of top-end designers to show off elaborate creations, which are not mass-produced for stores but tend to be sold to private clients. — Reuters

WHO urges ‘immediate action’ after cough syrup deaths

PHL among flagged countries  

P&G Philippines issued a recall in December 2022 for Sangobion Kids (Iron + Vitamin B-Complex) due to the potential presence of ethylene glycol, a toxic organic compound used to make polyester and antifreeze, above the allowable limits. 

LONDON — The World Health Organization (WHO) has called for “immediate and concerted action” to protect children from contaminated medicines after a spate of child deaths linked to cough syrups last year.  

In 2022, more than 300 children — mainly aged under 5 — in Gambia, Indonesia, and Uzbekistan died of acute kidney injury, in deaths that were associated with contaminated medicines, the WHO said in a statement on Monday.  

The medicines, over-the-counter cough syrups, had high levels of diethylene glycol and ethylene glycol.  

“These contaminants are toxic chemicals used as industrial solvents and antifreeze agents that can be fatal even taken in small amounts, and should never be found in medicines,” the WHO said.  

As well as the countries above, the WHO told Reuters on Monday that the Philippines, Timor Leste, Senegal and Cambodia may potentially be impacted because they may have the medicines on sale. It called for action across its 194 member states to prevent more deaths.  

(Related story: “P&G recalls Sangobion Kids due to toxic substance,” BusinessWorld, Dec. 14, 2022)  

“Since these are not isolated incidents, WHO calls on various key stakeholders engaged in the medical supply chain to take immediate and coordinated action,” WHO said.  

The WHO has already sent specific product alerts in October and earlier this month, asking for the medicines to be removed from the shelves, for cough syrups made by India’s Maiden Pharmaceuticals and Marion Biotech, which are linked with deaths in Gambia and Uzbekistan respectively.  

It also issued a warning last year for cough syrups made by four Indonesian manufacturers, PT Yarindo Farmatama, PT Universal Pharmaceutical, PT Konimex and PT AFI Pharma, that were sold domestically.  

The companies involved have either denied that their products have been contaminated or declined to comment while investigations are ongoing.  

The WHO reiterated its call for the products flagged above to be removed from circulation, and called more widely for countries to ensure that any medicines for sale are approved by competent authorities. It also asked governments and regulators to assign resources to inspect manufacturers, increase market surveillance and take action where required.  

It called on manufacturers to only buy raw ingredients from qualified suppliers, test their products more thoroughly and keep records of the process. Suppliers and distributors should check for signs of falsification and only distribute or sell medicines authorized for use, the WHO added. — Reuters

Assisted SIM registration in remote areas begins this week

THE Department of Information and Communications Technology (DICT) announced on Tuesday that the assisted registration of subscriber identity module (SIM) cards in the identified remote areas will start this week.

“SIM registration rollout in remote areas will commence this week for 15 identified locations in different provinces,” the DICT said in a statement.

According to DICT Spokesperson and Undersecretary Anna Mae Y. Lamentillo, the government-led facilitation of SIM registration in remote areas aims to ensure that the implementation of the SIM registration law is “inclusive and that we finish the SIM registration on time.”

“We are reaching out to SIM end-users in areas with limited telecommunication or internet access to assist them in registering their SIMs. The DICT’s Free Wi-Fi sites will serve as the hubs for SIM registration in geographically isolated and disadvantaged areas (GIDAs),” she added.

The department said that the Department of the Interior and Local Government (DILG) has tasked concerned local government units (LGUs) to ensure the success of the assisted registration in the identified areas.

“The DILG is providing its full assistance in the rollout of SIM registration in remote areas through our LGUs. Secretary Benhur C. Abalos, Jr. has already urged LGUs to exert all efforts to promote responsible use of SIM cards, educate their stakeholders on the benefits of SIM registration, and guide and assist our citizens in the whole registration process,” said DILG Spokesperson Margarita N. Gutierrez.

Among the identified areas for the assisted SIM registration are Pasuquin, Ilocos Norte; Moalboal, Cebu; Palo, Leyte; Pangantucan, Bukidnon; Malalag, Davao del Sur; Atok, Benguet; Camalaniugan, Cagayan; Calumpit, Bulacan; Rosario, Batangas; City of Zamboanga, Zamboanga del Sur; Baco, Oriental Mindoro; City of Ligao, Albay; Carles, Iloilo; Arakan, Cotabato; and Tagbina, Surigao del Sur.

In an e-mailed statement, PLDT and Smart First Vice-President and Group Head of Corporate Communications Cathy Y. Yang said: “Since the launch of the SIM registration process last Dec. 27, Smart and TNT have taken the lead in the industry setting up assisted SIM registration booths at stores, markets, terminals, schools, government offices, and other locations accessible to the public across the Philippines, in collaboration with local government units, partner stores, and regional provincial distributors.”

“These assisted booths and touchpoints are meant to fast-track SIM registration, and the simultaneous SIM Registration with the NTC is seen to help hasten the process further. Smart and TNT personnel will provide a priority lane for seniors, for persons with disabilities, and for those using basic phones, in order to make SIM Registration as inclusive as possible. This is aligned with our commitment not to leave anyone behind,” she added.

According to the DICT, registration has been completed for 24,120,541 SIM cards as of Jan. 22. “Based on records provided by the National Telecommunications Commission, the total number is 14.27% of the 168,977,773 million subscribers nationwide,” it said. — Arjay L. Balinbin