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Emerging market equities hover near bear territory

MOST EMERGING equity markets are hovering near bear territory after sharp declines since hitting highs in January, and appear set for fresh lows as the simmering US-Sino trade war and rising US yields undermine them.
Twenty out of 23 emerging market stock indexes are trading below their 200-day moving average, a technical analysis showed, suggesting further downside risks to these markets.
China has the worst ratio, with 88% of its companies trading below the 200-day moving average, followed by the Philippines and Poland.
Analysts consider the percentage of stocks trading above or below 200-day moving average as an indicator of strength or weakness of the underlying market.
Another signal that analysts look to confirm a bear market is whether stocks have declined 20% from their year-highs.
Turkey’s 100 share index has fallen about 25% after reaching its year-high in January, while China’s Shanghai Composite index is down 23% from its high.
MSCI’s widely tracked emerging market index has fallen 18% from its January high, based on Monday’s close. — Reuters

China considers measures curbing work harassment

BEIJING — China is considering introducing measures to tackle sexual harassment in the workplace in a civil code draft submitted to the country’s top legislature on Monday, state news agency Xinhua reported.
In recent weeks, the #MeToo movement has escalated in China with accusations of sexual assault spreading across social media in a country where such problems regularly have been brushed under the carpet.
The draft code put forward “clear rules” focused on the “intense problem of sexual harassment” reflected throughout society, Xinhua said on Tuesday.
Victims can demand perpetrators “assume civil liability” according to law for committing sexual harassment through words or actions, or by exploiting someone’s subordinate relationship, Xinhua said, citing the draft rules.
The measures would also require employers to take reasonable measures to prevent, stop, and deal with complaints about sexual harassment, the report added.
The news agency cited a state legal scholar as saying the rules would hold employers responsible to victims if they did not establish mechanisms to prevent sexual harassment, but it did not give more details.
The draft, which is part of a wider civil code, was presented to the National People’s Congress (NPC) Standing Committee, which is expected to run until Friday, according to Xinhua.
The formulation of this part of China’s civil code is expected to run until 2020, the report said, citing Shen Chunyao, who heads the Legislative Affairs Commission under the NPC Standing Committee, meaning the rules, pending revisions, would not become law for more than a year.
The catalyst for a Chinese #MeToo-style movement came in December last year when a U.S.-based Chinese software engineer published a blog post accusing a professor at a Beijing university of sexual harassment.
The fledging movement in China speaks to a changing mindset among the country’s younger generation, and millions of social media users have ensured that any news, scandals and grievances spread quickly, stoking heated online debate about sexual misconduct and what constitutes consensual sex or rape.
Accusations about prominent Chinese figures also present a challenge for the government, which has censored some but not all of the social media posts. — Reuters

Insurance Commission junks PGA, Marsh cases

THE INSURANCE Commission (IC) junked the complaints filed by Prudential Guarantee and Assurance, Inc. (PGA) and Marsh Philippines, Inc. against each other for allegedly breaching insurance laws.
In a statement on Thursday, Insurance Commissioner Dennis B. Funa signed an order dated Aug. 29 dismissing the complaints filed by non-life insurer PGA against the Marsh Group and the one filed by reinsurance broker Marsh Philippines against PGA following a joint motion to withdraw complaints filed by both parties before the IC.
Based on the joint motion, PGA and the Marsh Group said the allegations against each other stemmed from “an innocent misunderstanding and misappreciation of facts.”
“According to PGA and the Marsh Group, they have reconciled their differences involving any and all incidents involved in cases pending before the Insurance Commission and have entered into an amicable settlement and resolution,” the IC added.
Mr. Funa welcomes the positive development regarding the issue, saying the administrative proceedings before the commission have been pending for almost a year.
“We are pleased that PGA and the Marsh Group were able to [amicably] resolve this matter in a relatively short…period,” Mr. Funa was quoted in the statement.
In both complaints, the parties were accused of “having committed acts constituting violations of insurance laws, rules and regulations.”
Late last year, PGA counsel Jose A. Bernas urged the IC to investigate the Marsh Group, saying that Marsh offered airline Cebu Pacific of a reinsurance package through a “fronting insurer.”
“Both parties have a good reputation in the insurance industry not only locally but internationally and the settlement of their disputes is a positive development,” Mr. Funa added.
PGA was the third-biggest non-life insurer in the country in asset terms with P13.07 billion as of end-2017, data from the IC showed.
Marsh Philippines is a licensed insurance and reinsurance broker, a wholly-owned subsidiary of Marsh & McLennan Companies, Inc. — K.A.N. Vidal

PT&T urges PSE to lift trading suspension

PHILIPPINE TELEGRAPH and Telephone Corp. (PT&T) is seeking the lifting of the trading suspension on its shares at the Philippine stock Exchange (PSE), saying it has already completed the requirements.
In a statement on Thursday, the telco company said it has “completed all the requirements set by PSE for the lifting of the voluntary suspension trading of its 800 million common shares.”
PT&T shares were last traded on Dec. 9, 2004, closing at P0.33 apiece.
“Having fulfilled the requirements set by the PSE, PT&T should be allowed to resume trading and enact future plans of the new shareholders and management team,” PT&T Chief Operations Officer Miguel Marco A. Bitanga was quoted as saying in the statement.
The company, under a new management, is competing in the race to become the third major player in the telecommunications industry.
“Whether from a perspective of compliance to the PSE or based on purely economic/market driven benefits, there should be no reason why the company should be prevented from bringing the publicly traded shares into play again, and eventually raising capital to fund future plans, both within and outside of the fixed broadband space,” Mr. Bitanga added.
PT&T chief executive officer James G. Velasquez told reporters last week it is planning to raise funds from the capital market to fund its participation in the government’s bid for a so-called third telco player.
Mr. Velasquez in the statement said the PSE’s rejection of its request to lift the trading suspension would be “detrimental to all creditors of PT&T, which recently secured approval from court to exit corporate rehabilitation.”
The government said it is committed to finish its search for a third telco player by December at the latest. The new player is set to challenge the reigning duopoly of PLDT, Inc. and Globe Telecom, Inc.
PT&T on Thursday also announced its annual stockholders’ meeting has been rescheduled to Sept. 20 from initial date Sept. 14 because of logistical and legal concerns. — Denise A. Valdez

Singer Cliff Richard releasing new album after privacy spat

LONDON — Cliff Richard announced Wednesday he will release his first album of new material in 14 years, a month after the veteran British pop star won a landmark privacy case.
Richard, 77, said the album Rise Up, due out on Nov. 23, reflected the “bad period” he had been through.
He won damages from the BBC after it broadcast live footage, including sweeping helicopter shots, of a 2014 police raid on his home as detectives investigated an allegation of sexual assault dating back to the 1980s.
The singer was never arrested or charged with any offence and England’s High Court found his rights had been seriously infringed in a sensationalist fashion.
Britain’s first home-grown pop star announced the new 16-track album 60 years to the day after his first single, “Move It,” was released on Aug. 29, 1958.
“I chose ‘Rise Up’ as the title track because after the bad period I went through in my life, I’ve managed to rise up out of what seemed like a quagmire,” he told journalists at Abbey Road Studios in London.
“I love the lyric ‘They’re never gonna break me down, they’re never gonna take me down.’
“It is always great to sing lyrics you can ‘feel’ — and I really felt those words!”
Richard said the record could be a “revival” for him.
“Give me a chance, that is all we can ask,” he said.
The album sees Richard reunite with Olivia Newton-John for the first time in nearly 25 years on the track “Everybody’s Someone”, after duetting on “Had To Be” in 1995.
Richard is the third biggest-selling artist in British singles chart history, behind The Beatles and Elvis Presley.
His hits include “The Young Ones,” “Living Doll,” “Summer Holiday,” “Mistletoe And Wine,” and “The Millennium Prayer.” — AFP

Founder alleges misconduct at Papa John’s

NEW YORK — Papa John’s International Inc founder John Schnatter, who is trying to regain control of the pizza chain after resigning as chairman in July, accused Chief Executive Officer Steve Ritchie’s “inner circle” of sexual misconduct, an allegation the company denied on Tuesday.
In a letter to franchisees on Monday and published on Schnatter’s website savepapajohns.com, Schnatter said Papa John’s human resources department had evidence of harassment and intimidation but he did not provide evidence himself.
“Once again, John Schnatter is making untrue and disparaging statements in a self-serving attempt to distract from the damaging impact his own words and actions have had on the company and our stakeholders,” the company said in a statement.
Ritchie, who was previously Papa John’s president, took over as CEO in January after Schnatter had come under fire for criticizing the National Football League’s leadership over national anthem protests by players. Schnatter stepped down as chairman following reports that he had used a racial slur on a media training call.
“The company’s HR department has detailed evidence of sexual misconduct, harassment and intimidation by virtually everyone in Steve’s inner circle, and relating to board members as well,” Schnatter’s letter said.
Schnatter, who owns 30 percent of the company, wrote that the board agreed with him that Ritchie “needed to go” as CEO because of the company’s financial decline. The board asked Schnatter to become executive chairman in June, the letter said. Schnatter had once supported Ritchie as CEO.
Papa John’s said in its response that the board “at no time” had asked Schnatter to become executive chairman. “In fact, the company has taken multiple steps to separate itself from him.”
Ritchie could not immediately be reached for comment.
Schnatter last month sued Papa John’s, saying it had not produced documents related to his departure from the company. Schnatter founded the company in 1984.
Papa John’s has hired investment banks to help find ways to stabilize the chain and assist it if there is an acquisition offer to consider in the future, Reuters reported earlier this month. At the end of last year, Papa John’s had 5,199 restaurants operating around the world, with about 2,700 run by franchisees. — Reuters

BoJ’s tweaks do little for moribund bonds

JAPAN’S benchmark bonds recorded no trades on Wednesday, less than a month after the central bank sought to enliven the world’s second-biggest debt market by relaxing yield control.
That’s the seventh instance this year when the debt didn’t change hands, though the first since July 31 when the Bank of Japan (BoJ) said it will allow the 10-year yield to deviate by as much as 0.2 percentage points around zero percent. The yield rose one basis point early Thursday to 0.105%.
While Hitoshi Suzuki, a BoJ board member, said Wednesday the central bank still needs more time to decide if the policy tweak — the first since yield-curve control was introduced almost two years ago — is sufficient, consensus has emerged among regional banks and insurance companies that more needs to be done as trading returns to abysmal levels.
“There are few trading incentives,” said Eiichiro Miura, general manager of the fixed-income investment department at Nissay Asset Management Corp. in Tokyo. “The market is still trying to figure out the real intention of the BoJ’s policy tweaks as the central bank hasn’t taken any action since it changed its policy.”
The BoJ has maintained bond-purchase amounts at its regular operations over the past month, including one on Wednesday, amid calls by investors for it to cut back. The 10-year yield had closed at 0.095% for five straight days through Tuesday.
FRIDAY SPECULATION
Volatility returned briefly to Japan’s bond market after the BoJ’s policy decision, as traders seeking to test the new boundaries for the 10-year yield pushed the benchmark to an 18-month high of 0.145% on Aug. 2. It has since fallen amid the realization that the BoJ’s reluctance to alter either its bond-purchase plan or the yield target indicates little has changed.
The central bank maintained the guidance to expand its Japanese government bond (JGB) holdings by 80 trillion yen ($716 billion) a year, a key pillar of its ultra-loose policy that has crushed trading volumes in the market. It’s set to announce the buying plan for September on Friday.
“Nervousness prevails in the market ahead of Friday’s announcement of the BoJ’s purchase plan for September and the 10-year bond auction next week,” said Miura. “That also has taken the energy out from the market.”
Forty-year JGBs recorded their first trade in a week on Thursday, according to Japan Bond Trading Co. Meanwhile, two-year debt changed hands on Thursday for the first time since Aug. 24 and five-year bonds traded for the first time since Monday.
The sluggish market has increased speculation for a cut in outright bond purchases and some additional policy measures, Katsutoshi Inadome, senior fixed-income strategist at Mitsubishi UFJ Morgan Stanley Securities Co. in Tokyo, wrote in a report. — Bloomberg

NGCP faces right-of-way challenges in P52-B power interconnection project

DAVAO CITY — The National Grid Corporation of the Philippines (NGCP) is facing challenges in land acquisition for the Mindanao-Visayas Interconnection Project (MVIP), but assured that the P52-billion infrastructure remains on track for the 2020 target completion.
NGCP Communications and Public Affairs Officer Michael O. Ligalig said the challenges include valuation negotiations with landowners, and uncertain ownership due to absence of proper land titles with sometimes two claimants.
“We have to resolve first all the right-of-way concerns (to avoid stalling the project rollout),” Mr. Ligalig said at a media forum here.
He said they started negotiating with lot owners as early as 2017 and some cases have been filed in court to resolve conflicts.
The MVIP will link Mindanao to the interconnected Luzon-Visayas grid, creating a nationwide network for power supply.
The connecting points are southern Cebu in the Visayas and Zamboanga del Norte, Zamboanga del Sur, and Lanao del Norte in Mindanao.
Mr. Ligalig said Zamboanga del Norte is one of the areas where there are right-of-way issues.
The MVIP will involve submarine cables spanning 184 circuit-kilometers and 526 circuit-kilometers of overhead lines.
NGCP plans to begin laying underwater cables by next year.
“There is no problem in underwater cabling, only inland acquisition,” Mr. Ligalig said. — Maya M. Padillo

‘Made in Cambodia’ may become new fashion label with tariffs hitting China

THE NEXT designer handbag you buy is less likely to bear a “made in China” label.
Fashion companies, eager to diversify their supply chains, were already expanding into production sites in Southeast Asia as alternatives to China. Then the trade war happened.
Now, with tariffs on products such as Chinese handbags set to rise, nations like Cambodia and Vietnam are looking more attractive than ever for consumer-goods makers such as Steven Madden Ltd. and Tapestry Inc.’s Coach. And while the Trump administration has slapped duties on goods from many of its largest trading partners this year, it’s allowed some Cambodian products to continue duty-free access to the US market.
“The shift has been under way,” said Steve Lamar, executive vice president of American Apparel & Footwear Association. The talk of tariffs has created “a lot of anxiety” and companies are gauging how fast they can make more changes to their sourcing, he said.
A study released in July by the US Fashion Industry Association showed that, while all of the companies participating in the survey sourced goods from China, 67% expected to decrease the value or volume of production in the country over the next two years. US trade protectionism was listed as the number one challenge for the industry.
MOVING OUTPUT
Steven Madden Chief Executive Officer Edward Rosenfeld said on the company’s most recent earnings call that it has been shifting production of its handbags to Cambodia from China. The maker of shoes and accessories sees 15% of its handbags coming from Cambodia this year, with this percentage doubling in 2019.
“That gives us frankly about a three-year head start on most of our peers, because many folks are just now trying to make that move,” Rosenfeld said at the July 31 conference call. “Our head of handbag sourcing is actually over there right now, working on a plan to ramp that up.”
Tapestry, the luxury company behind Coach and Kate Spade handbags, has adopted a similar strategy, boosting its Vietnamese production and leaving less than 5% of its sourcing from China. Vera Bradley, meanwhile, mentioned last December it is looking at sending manufacturing operations to Cambodia and Vietnam from China.
INVESTMENT INCENTIVES
“Cambodia does offer pretty good investment incentives like tax holidays,” said Matt van Roosmalen, country manager for Cambodia at Emerging Markets Consulting, an investment advisory firm focused on Southeast Asia. “As long as the tariff exemptions persist, companies will be more incentivized to invest production capacity in Cambodia.”
The moves to shift production have had an impact in China: Hong Kong-based Stella International Holdings Ltd. — which develops and manufactures footwear for brands like Prada SpA and Guess? Inc. — has seen its stock drop to its lowest point since 2009 as China and the US ratchet up the trade rhetoric.
Cambodia footwear exports rose 25% in 2017, while garment exports increased 8% in the same period, according to an annual report by the National Bank of Cambodia, which attributed the growth in part to increased demand from the US.
Vietnam, meanwhile, has enjoyed a foreign investor-led economic boom for years, attracting billion-dollar investments from the likes of Samsung Electronics Co. and Intel Corp. It is transforming from mainly an exporter of agricultural commodities, such as rice and coffee, to a Southeast Asian manufacturing hub.
“The country enjoys relatively low inflation, a stable currency, and political stability — all of which helps to attract foreign investment,” said Adam Sitkoff, executive director of the American Chamber of Commerce in Hanoi. “The opportunities are clear — Vietnam is a country of 95 million people traveling pretty quickly on the path from bicycles to motorbikes to BMWs.”
Even before China and the US escalated trade tensions, Cambodia enjoyed duty-free privileges for products such as handbags, suitcases and wallets, part of a US program to help boost development in low-income countries. This designation has so far been maintained by the Trump administration.
In addition to the tariff threat, wages have risen steadily in China, while Cambodia remains one of the lowest-cost countries when it comes to labor. According to estimates provided by Oxford Economics, labor cost in Cambodia is a quarter of China’s.
‘NOT EASY’
Lamar, of the American Apparel & Footwear Association, does recommend caution, however.
“The reality, unfortunately, is that shifting out of China is not easy,” he said.
One reason is that cheap labor does not necessarily equal effective production. Cambodia’s productivity rates are low compared to China, making it a challenge to manufacture more elaborate products. In a survey by the Hong Kong Development Council, which promotes trade and investment for the territory, factory managers suggested that the average labor productivity of Cambodian workers was about 50 to 60% that of Chinese workers.
Another reason is that Cambodia’s infrastructure is well behind China’s. The nation’s infrastructure ranked 106 out of 137, behind neighbors Vietnam and Laos, in the World Economic Forum’s Global Competitiveness Report.
This can cause difficulties in getting merchandise out of the country, Lamar said.
‘FLAWED’ ELECTIONS
Then there’s politics.
The US government recently said that Cambodian elections in July, in which the ruling party won all 125 seats in the National Assembly, were “flawed.”
As a result, the US and Europe could review their trade policies and “potentially stop giving tariff preference to Cambodia’s garment industry,” said Tommy Wu, senior economist at Oxford Economics. Such a move would be a blow for the nation, where garments make up 64 percent of total exports.
“Setting more output in Cambodia should be taken with caution until the political dust settles,” said Sophal Ear, associate professor of diplomacy and world affairs at Occidental College in Los Angeles. — Bloomberg

Stars for all seasons

By Cecille Santillan-Visto
Concert Review
Season of GFriend in Manila
Aug. 26
Kia Theater, Cubao, Quezon City
“FULL FAN experience” best describes the concert of K-pop group GFriend in Manila over the weekend.
VVIP ticket holders were given the opportunity not just to watch the concert but to get access to pre- and post-event activities such as the red carpet, photo and hi-touch sessions, as well as the press conference and the sound check that followed. It was literally a whole day of GFriend interaction and for the group’s fans — called Buddies — it was well worth the money spent on the tickets.
The show was originally set for Aug. 19 but the airplane mishap at the Ninoy Aquino International Airport forced the producer, My Music Taste, to reschedule the concert for a week later.
The six-member girl group apologized for making its fans wait but the ladies made sure the show more than made up for the inconvenience. The three-hour spectacle had Sowon, Yerin, Eunha, Yuju, SinB, and Umji singing some of their biggest hits, combined with solo performances that highlighted their individual dancing and singing skills.
There were five sets, with the ladies dishing out 28 songs, including two encore numbers, “My Buddy” and “Falling Asleep Again.” While the stage and the overall production were neither outlandish nor grand — there was only one LCD screen which served as the stage’s backdrop — the relative simplicity suited the size of the venue.
GFriend opened with “Fingertip” from its The Awakening album and “Navillera,” a cut from LOL. Wearing sexy, military uniform-inspired outfits, they followed these up with “Crush” and “Ave Maria.” To give themselves a breather, they slowed things by singing the ballad versions of “Summer Rain” and “Mermaid.”
During the brief press conference held at the Novotel shortly before the concert, the GFriend members said that, if given the chance, they would want to have an acoustic collaboration with award-winning Filipino singer Morissette Amon. Eunha also gamely shared with fans that opening a hamburger restaurant has always been in her bucket list.
Each had the opportunity to take the spotlight during their solo stages. SinB gyrated to BoA’s “No. 1” even if she was suffering from a shoulder injury and was unable to participate in the hi-touch that followed the concert. Sowon, meanwhile, danced to “Gashina,” an original of Sunmi. Umji, Eunha, Yuju and Yerin also sang “23” (IU), “Bloom” (Gain), “Heaven” (Ailee), and “U Go Girl” (Hyori), respectively. It would have been better if they had original solos but since GFriend is a relatively new group — they were launched only in 2015 — they will likely have more opportunities for separate projects in the future.
It was the second time that GFriend performed in Manila as the group was also here last year for the K-Pop Republic 2 concert. This was their first full solo concert in the Philippines.
“Filipino Buddies always welcome us with passionate and energy and (every visit) is very unforgettable,” Sowon said. Noticeably, male fans made up more than half of the audience and with fan boys in the crowd, the baritone chants that accompanied each of GFriend’s songs were a delightful sidelight.
With the recent disbandment of girl group, Sistar, GFriend wants to be known as the K-pop fandom’s “summer friends.” Sistar was best known as K-pop “queens of summer,” regularly churning chart-topping summer-themed songs. Last Saturday, the audience was pleasantly surprised when the group sang “Sunny Summer” as this song was not included in the regular show set list.
As Korea is experiencing its hottest summer in centuries, GFriend, during the Q&A session, reminded fans planning to visit Korea to keep themselves cool by eating naengmyeon (a type of cold noodle) and, if possible, avoiding spicy food.
Other well-applauded songs were “Me Gustas Tu,” “LOL,” “Glass Bead” “Rainbow,” and “Time for the Moon Night.”
GFriend songs are upbeat and easy on the ears. However, there were several segments during the concert when a dispassionate spectator may have felt that the tempo and melody of some of the songs were similar, if not the same.
But this has always been the trademark GFriend — light and airy and nothing heavy — so that their music can be enjoyed whatever the season.

Bullet in the head

By Noel Vera
Television Review
Loving You
(Mou mei san taam)
Directed by Johnnie To
Available on Netflix
BACK in the mid-1990s I found myself hooked on a particularly intense habit: Johnnie To movies. I’d seen A Hero Never Dies and The Barefoot Kid (his one period martial-arts film) and had been digging through various DVDs ever since, hoping to find more.
Found this: Loving You (Mou mei san taam, 1995), what To considers his first real directing job (he’d made his first feature in 1980; by the time he did this he had some 16 films under his belt). A crime flick with an inordinate focus on a failing marriage, a marriage melodrama with a terrifically tense confrontation 30 minutes in — I mean how would you handle the situation where you’re pinned in an alleyway by a villain on a fire escape, gun pointed down at you? He’d already fired a shot at your head and in the confusion the bullet had somehow missed its mark. Then your nose starts bleeding.
To takes two genres (the crime thriller, the troubled marriage) and deftly caroms between to keep the viewer off-guard or at least interested. His cop Inspector Lau (Lau Ching Wan) is not just flawed but a downright bastard, picking up a woman while his wife waits at her mother’s. Lau takes his job more seriously — he turns down a request to look the other way at an arrest — but you sense a life just this side of out of control. James McNulty might take one look at this guy and give an involuntary nod — not out of admiration (by the end of The Wire he’s presumably learned his lesson) but out of reluctant recognition.
Two things strike you watching the rest of the film: To has done research on the effects of a bullet passing through the corpus callosum into the sinus passages (hence the horrific nosebleed) — or at least put enough imaginative thought into the possible effects of such a wound that you’re persuaded. And To, taking a screenplay by Yau Nai-Hoi (he’d done The Barefoot Kid for To, and would go on to write everything from A Hero Never Dies to To’s latest Three), fashions a remarkably nuanced portrait of a relationship suddenly rent apart, slowly healing. The head wound takes on metaphorical significance: the corpus callosum links the right and left hemispheres of the brain together, communicates between them; by partially severing contact, the two halves operate as two separate minds, almost. The injury to Lau’s brain isn’t so immediately grave (only some of the nerves have been damaged, leading to a loss of smell and taste), but the injury to his marriage is. Lau’s brain slowly recuperates with physical therapy and considerable outside help; his marriage is a different matter.
This was Lau Ching Wan’s first collaboration with To, and through the years the actor would prove as valuable to the filmmaker as Chow Yun Fat to John Woo, or Robert De Niro to Martin Scorsese. Lau’s large expressive eyes, plump cheeks, and small sullen mouth (that can stretch unexpectedly into an ear-to-ear grin) suggest an overgrown boy with shallow enthusiasms and at times something more dangerous, the thick brows gathering above his eyes like storm clouds. He’s the volatile mix that fuels much of the film’s plot.
As Lau’s wife Carman Lee operates under a handicap; she’s relentlessly sidelined, is given little to do at the film’s climax other than scream, and, as far as I can tell, doesn’t even have a proper name (A subtitling omission? HKDB lists her as “Carman”). She looks as if her main purpose is as plot function, but the actor is a quietly intelligent presence, no emotional bag of hormones but a tactful thoughtful woman feeling her way through the intricately knotted problem of her life — if she manages to puncture her husband’s swollen ego (her act of defiance seems to cause more pain to Lau than the bullet ever did) it’s not out of revenge but as an act of survival, a desperate bid for love in a desert of a relationship. Male braggadocio and emotional outbursts don’t sway her; when Lau showers her with extravagant attention, cooking her a full meal of fried fish and roast chicken, she’s skeptical: “Why are you being so nice to me? I know you’re angry.” She’s apparently more susceptible to a steady presence and soft-spoken appeal — but only susceptible; it’s her will that decides, not her heart.
As drug dealer Gwan, To Tsung Hua is sleek and impassive. Doesn’t do much, but with an economy of gesture sketches a ruthless villain with speed, ingenuity, imagination. Yes, he’s a plot function — the inevitable Other that inflicts wrenching stress on Lau’s marriage (ironic considering Lau inflicts plenty of stress on his own) — but for what he is, Gwan is elegantly done, and not a little memorable.
The ending is standard issue with thousands of gallons of igniting gasoline, but hopefully, by this time the viewer appreciates what To managed to pull off — a lovely little character study that cracks open an essentially self-centered, terminally macho soul, then builds him up into something more open, more vulnerable, ultimately more adaptable that you can actually care for, even perhaps root for. To will go on to more impressive displays of visual virtuosity (The Mission), broader explorations of politics and society (the Election films), but this, I submit, is an early masterpiece, gritty noir thriller and intimate human drama poised in delicate balance. Arguably my favorite To, till something better comes along.

Don’t cross

By Richard Roeper
McCall
Movie Review
The Equalizer 2
Directed by Antoine Fuqua
AT LEAST half the time, Robert McCall is more of a Wish Granter/Life Saver than an Equalizer.
A kindly bookstore operator’s ex-husband and his evil henchmen have kidnapped her daughter and are taking her to Turkey. She’ll never see her little girl again! We’ll see about that, says the Life Saver.
A Holocaust survivor who was separated from his sister when they were children is convinced she’s alive, but nobody believes the sometimes confused old man. Give me a little time to look into this, says the Wish Granter.
Thing of it is, McCall’s beneficiaries often don’t even know the identity of their guardian angel. They just think of him as the unassuming neighborhood bookworm and Lyft driver who always has a kind word and carries himself with quiet confidence. He hardly looks the part of a superhero.
Ah, but we know the truth about the widower McCall. We know he’s a highly decorated former military man and ex-CIA Black Ops specialist. We know he was quietly spending his retirement in Boston, avoiding trouble — until he couldn’t look the other way anymore. Now he’s back in the game, but on his own terms, as a freelancer who works alone.
In The Equalizer 2, the great Denzel Washington hits a variety of notes reprising his role as McCall, in a brilliant performance that often rises above the pulpy, blood-soaked material.
When McCall is coping with his OCD and interacting with his neighbors and his Lyft customers, he’s funny and warm and a little bit sad at times.
When McCall is spitting fire while telling a gifted high school kid to make a choice between becoming a gun-totting gangbanger or doing something meaningful with his life, it’s as if we’re suddenly watching a powerful stage performance.
And when McCall (and presumably a stunt double or two) is dispatching garden-variety bro-jerks or heavily armed mercenaries, it’s all about cheering for the quality kills and cringing at some of the bone-cracking violence and even laughing at how coolly McCall bests his opponents — not only physically, but when it comes to action-movie one-liners as well.
Antoine Fuqua, who directed Washington’s Oscar-winning turn in Training Day (2001) and helmed the first Equalizer (2014), returns for the sequel. It’s slick, violent, fast-paced, well-acted but by-the-numbers summer fare.
This is the kind of movie where it’s OK to nudge the person next to you (if you know the person next to you) and whisper, “He’s not going to get out of this movie alive,” or, “It’s so obvious THAT guy is a double-crosser!” It feels as if the screenplay is designed to give you the satisfaction of always being right — not to mention how it stacks the deck by making each of McCall’s opponents so cartoonishly despicable, they deserve the street justice doled out by our guy.
EQ2 is pure B-movie in terms of plot, but we get A-list performances from wonderful actors such as Melissa Leo, who returns as McCall’s former boss, Susan Plummer; Bill Pullman as Susan’s husband, a historian and author; Pedro Pascal as McCall’s former partner in the CIA, who has long thought McCall was dead; and Ashton Sanders (who played the teenage Chiron in Moonlight) as Miles, a teenage neighbor of McCall’s at a pivotal crossroad in his young life.
Fuqua the stylist has never been one to shy away from ominous metaphors and impressively choreographed, extended action sequences — and, oh boy, is that the case here. For days, there’s talk of a storm coming. Ooh, double meaning! We get an actual storm that is close to hurricane level and, of course, the bleep-storm of justice McCall will eventually rain down upon those who dare cross him. (Yet even when the storm is raging and McCall’s main adversary is struggling to keep his balance and stop McCall, he still spits out standard Yapping Villain insults, eventually running out of verbal ammo and yelling, “F— you!”)
There’s no real story to speak of in EQ2. Many of the action sequences are self-contained vignettes in which McCall either quietly helps out someone he knows, or takes matters into his own hands when he happens upon a grave injustice.
The main plot line is put into motion when some hired killers take out a guy who seems to be some sort of diplomat or businessman and his wife in Belgium, and McCall eventually becomes involved. There’s not much effort to tie it all together with any kind of plausible, big-picture cohesion, but no matter.
All we need to know is some very bad people have crossed Robert McCall, and that’s almost always a deadly mistake. — Chicago Sun-Times/Andrews McMeel Syndication
Rating: Three stars
MTRCB Rating: R-13

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