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SEC warns against two unauthorized investment groups

THE SECURITIES and Exchange Commission (SEC) is warning the public against engaging with groups that solicit investments from the public without a license to sell securities.

In advisories on its website, the corporate regulator flagged Cashdrop/Cashdrop Online Store and Lokal.Plate Corp. as unauthorized operators of investment schemes.

It advised the public “not to invest or stop investing in any investment scheme being offered by (Cashdrop and Lokal.Plate)” and to “exercise caution in dealing with any individuals or group of persons soliciting investments for and on behalf of it.”

In the case of Cashdrop, the SEC said the group has no record of registration with the commission. All it has is a business name registration given by the Department of Trade and Industry.

“Nonetheless, Cashdrop is not authorized to solicit investments from the public since it has not secured prior registration and/or license from the commission as prescribed (by the Securities Regulation Code),” it said.

The group offers packages that supposedly allowed investors to double their money in 15 days.

Lokal.Plate runs a similar scheme and requires passive investments from the public. The group offers franchising for a supposed food service provider called “Lokalplate”, where orders are made through a digital link that franchisees must promote.

The group promises a 15% to 20% earning for every ordered food, and a commission of P3,000 for every recruited investor.

Like Cashdrop, Lokal.Plate is not authorized to solicit investments from the public, the SEC said. The group is a registered corporation, but does not have the secondary license to allow the operation of an investment scheme.

The SEC noted that Lokal.Plate’s articles of incorporation explicitly says it “shall not solicit, accept or take investments/placements from the public neither shall it issue investment contracts.”

For violating the Securities Regulation Code, the people behind Cashdrop and Lokal.Plate may be penalized with a P5-million fine, a 21-year imprisonment, or both. — Denise A. Valdez

Lenders, tech firms adjust to e-payments shift

FINANCIAL INSTITUTIONS are boosting their capabilities to ensure they can accommodate the needs of consumers and merchants in their shift to digital payments amid the coronavirus pandemic.

While systems put in place by regulators and financial players to facilitate digital transactions have helped, there is still a lot to work on as Filipinos embrace digital transactions, stakeholders said at the BusinessWorld Virtual Economic Forum last week.

“One-third of digital buyers during the pandemic are first- time users. More than half of them are in non-Metro areas. 95% of them plan to continue using it even beyond the pandemic,” Mamerto E. Tangonan, digital payments expert, said at the forum on Thursday.

At first, the “radical shift” was only done out of necessity to survive and thrive given the restriction measures during the lockdown, said Paolo Azzola, chief operating officer at PayMaya Philippines, Inc.

He said government initiatives also drove the rise in e-payments, such as state subsidy programs and the use of online payments for government transactions.

“Consumers opened e-wallet accounts at an unprecedented pace. MSMEs (micro, small and medium enterprises) are among the hardest hit, and to survive, many went online, through social media, messaging apps, e-commerce, and building their own sites and apps,” he said.

Martha M. Sazon, president and chief executive officer of Mynt, the operator of GCash, said the emergence of digital payments during the lockdown paved the way for the rise of “social sellers” apart from merchant sellers that tap online financial services in doing business.

“People are starting as consumers… and later on, they slowly evolve into becoming a full-fledged business owner in our system,” Ms. Sazon said.

Bangko Sentral ng Pilipinas (BSP) data showed 4.1 million digital accounts were opened in bank accounts and nonbank electronic money issuers during the lockdown.

PESONet, the electronic fund transfer service under the National Retail Payment System that facilitates batch transactions credited by the end of a banking day, saw transaction volumes surge by 264% year on year as of September. InstaPay, its retail counterpart which allows real-time fund transfers for transactions less than P50,000, also saw transactions grow by 758% to 30.3 million from 3.5 million.

People’s familiarity with smartphones also allowed for their gradual shift to e-payments, Ms. Sazon said.

“You don’t have to learn another skill set because you are so familiar with telco… All you need is a cellphone and internet, and you can transact,” she said.

ADAPTING TO DIGITAL
However, BDO Capital & Investment Corp. President Eduardo V. Francisco said many of their customers appear to be more of “digital adopters” than “digital natives.”

“We have a lot of clients who still want to go to the branch managers even if they are in face masks… [They are] not comfortable with cellphones,” Mr. Francisco said.

He said the virus outbreak has accelerated “forced digitalization” for some consumers, saying only 15% of their roughly 12 million bank clients had e-banking accounts prior to the pandemic.

This has risen to about 40% of the total customer base to date, he said. These clients do not only use their online banking facility to check their balances but to make transactions as well.

For service providers, the pandemic also stress-tested lenders’ capabilities to operate despite restriction measures, said ING Bank N.V. Manila Country Manager Hans B. Sicat.

“One thing we learned is that we can keep the bank running 24/7 literally from home. We haven’t really had the need to go to the office as part of the operations,” Mr. Sicat said.

He added that service providers should boost security measures to “ensure trust in the system is on the highest level” as e-payments gain traction.

Moving forward, stakeholders said there is still much to be done for the industry to make digital financial transactions more efficient.

Mr. Tangonan said there is a need to expand electronic payment infrastructures to also include other case points such as bills payment and account-to-account payments for digital commerce.

He said players should also target to expand their services to unserved and underserved market segments.

“We need to bridge those customers who are still using cash… and one way of doing that is giving them access points even in non-Metro areas where they can exchange or deposit their cash into their accounts,” Mr. Tangonan said.

GCash’s Ms. Sazon said the national ID system could help them in reaching more Filipinos as the Know-Your-Customer process remains a challenge in onboarding new clients.

“More transactions will spur the economy and of course we’re all for that,” ING’s Mr. Sicat said.

The BSP targets to have 70% of Filipino adults already owning a formal account with financial institutions by 2023. As of 2019, only 29% of adults are financially included, leaving 51.2 million still unbanked.

A study by the Better Than Cash Alliance found the volume of e-payments in the country made up 10% of the total transactions in 2018 from just 1% in 2013. By value, e-payments comprised 20% of the total in 2018, also growing from the 8% seen in 2013.

The BSP wants e-payments to make up 50% of total transactions in the country both in volume and value by 2023. — Luz Wendy T. Noble

‘Imagination machine’ seen as next step in firms’ post-pandemic planning

THE PHASE of trying to rebound from the coronavirus pandemic is still ongoing for most businesses, but a key to make the most of the disruption is to start reimagining for a new future.

Following months of reacting to the immediate impact of the outbreak and continuing efforts to return to regular operations, the next phase for companies must be learning the new patterns of consumer behavior and planning for reinvention, said Anthony Oundjian, managing director and senior partner at Boston Consulting Group (BCG) in the Philippines.

“It’s probably going to take time to get the vaccine, so the next six to 12 months may pretty much look like right now. (That means we) make sure that our employees are safe and we can have positive cash flow. But then, it’s really time to think about the long term… It’s time to think what kind of changes in consumer behavior will last beyond this crisis, and to adapt to this new normal,” Mr. Oundjian said at the BusinessWorld Virtual Economic Forum last week.

He introduced the idea of building an “imagination machine”, which is an active effort to look ahead after realizing that something needs to change.

He said a common trigger for business reinvention is the quest for a surprise, which involves spotting accidents, anomalies and analogies and developing an idea out of patterns.

Other ways to reimagine a business are exploring to find new pain points, creating an open environment to share ideas, and codifying successful practices to form new systems.

“I think some of the most successful models in the last few years… came from a dream or ambition. In our day-to-day, especially before the crisis when we’re all so busy, we tend to forget about this, to not step back, not take the time to dream and invent. Today, when we have a bit more time when we’re home, that is probably something we could do,” Mr. Oundjian said.

He noted that in the Philippines, where the lockdown was implemented sooner and is stricter than in other countries, there are new business models that thrived better than in other jurisdictions.

“Very early, we went to a very strict lockdown and it was a very long lockdown. I think it has triggered stronger changes in behavior… I think the development of social commerce in the Philippines has been stronger than in many markets precisely because of… the strictness of this lockdown,” Mr. Oundjian said.

Social commerce is the selling of products or services through social media platforms, versus the traditional e-commerce that use designated sites or platforms for transactions.

At the beginning of the lockdown, Mr. Oundjian said he only expected the likes of Lazada and Shopee to be the first or the only winners of the shift of online shopping. But he observed a lot of transactions done through messaging applications, social networking sites, and other peer-to-peer platforms, supported by e-wallets.

“You have hundreds of thousands of micro-entrepreneurs now starting to make a living from this. I believe this is a strong space, and it’s going to get organized and people will scale up,” he said.

“They’ll go from selling their fresh crops from home to being a dark kitchen and (opening) more points of presence in the country. I think we’re at the beginning of a movement… and it’s a very inclusive movement (that is) unlocking a lot of possibilities for the country,” he added.

While the Philippines’ growth trajectory has been reversed this year — the economy contracted 11.5% in the third quarter — Mr. Oundjian believes the country will return to its path of a rising middle class for the long term.

“We’re going back to this trajectory of growth and opportunities for Filipinos, because the fundamentals are still there. We’re still a young population, we’re still very digital, we’re resourceful. So we’re going to get back. The question is how quickly and how much,” he said.

“When I see where we are today and the resilience that we’ve demonstrated, I’m quite excited to see companies move on and embrace this phase of reimagination,” he also said. — Denise A. Valdez

Silent Film Festival adapts to the time of COVID

FOR the first time since its inception in 2007, the International Silent Film Festival is moving online, forgoing live music accompaniment and using original recorded scores from Filipino musicians instead.

The festival, touted as Asia’s first silent film festival, will run from Dec. 4 to 6 via www.iwatchmore.com and the 10 films from four countries will only be available at specific time slots.

From Japan come six animated shorts taken from the Japanese Animation Classics collection, digitized and subtitled in English by the National Film Archive of Japan (NFAJ). The six animated films include the oldest existing Japanese animation, The Dull Sword (1917), a four-minute short directed by Junichi Kouchi. 1917 is considered the birth year of domestic animation in Japan.

The Dull Sword tells the story of a samurai who tests the new sword he purchased from a swordsmith called “Dull Smith” by attacking a blind person.

The other Japanese Animation Classics to be shown are Burglars of “Baghdad” Castle (1926) The Animal Olympics (1928), Two Worlds (1929), Old Man Goichi (1931), and A Day after a Hundred Years (1933).

The Japanese entries will be scored by the HJH Composers Collective. The group is composed of Hiroko Nagai, Jordan Peralta, and Harold Andre Santos, contemporary music composers with a diverse musical palette of pop, classical, folk, jazz, electronic music, and traditional Philippine and Japanese music. They frequently collaborate with other artists to create music for film, theater, dance, and visual arts.

The Japanese silent films will be screened on Dec. 4, 6 p.m.

From Italy come two films: The Silent Killer narrates a mother’s journey home amidst the COVID-19 (coronavirus disease 2019) pandemic. This story alternates with interviews with scientists, politicians, ordinary people, and COVID-19 chronicles from all over the world. The film is scored by Franco Eco. It will be shown on Dec. 5, 11 a.m.

At 6 p.m. on the same day, Italian film Malombra (1917) by Carmina Gallone will be shown. Directly inspired by a gothic novel set on the shores of the Como Lake, the film’s protagonist, Marina, goes to her uncle’s castle where she discovers a bunch of letters. The film will be scored with original music composed and performed by classical pianist Raul Sunico.

From France comes La Manoir de la peur (The Manor of Fear), a 1927 film by Alfred Machin.

This silent film noir narrates the story of a young man who investigates a series of crimes in his village. Michael Mark Guevarra, one the country’s top saxophone players, will be scoring this film. The film will be shown on Dec. 6, 11 a.m.

Finally, from Germany comes Metropolis (1927) by Fritz Lang on Dec. 6, at 6 p.m. The science fiction classic combines visual power with a love story around the reconciliation of labor and capital. Alyana Cabral (aka Teenage Granny) along with Kent Pesito, Miguel Nuñez, Jon Olarte, Joee Mejias, Tristan Ortega, and Kiko Nuñez will score the film.

Aside from the film screenings, the International Silent Film Festival will also be holding a webinar on film archiving on Dec. 4, 3 p.m. Speakers will include film archiving experts from Japan, France, Italy, and Germany and will be moderated by filmmaker and archivist Clodualdo del Mundo, Jr. The webinar is open to film institutions, schools, and the general public and those interested may register via https://zoom.us/webinar/register/WN_YdJxtJSeRdyiagGXwZNQdQ?fbclid=IwAR3wocC8pBgHHetr70O8JxsHrpYXBdruqdOtxM9VVM-p6dMGcAWNY7tI0Is.

The International Silent Film Festival is organized by the Embassy of France to the Philippines, the Japan Foundation Manila, the Philippine Italian Association, the Goethe Institut, and the Film Development Council of the Philippines, in partnership with iWatchMore.com. — ZBC

Spotify grows 27% on back of discounts in Q3

THE MUSIC streaming service Spotify grew its subscriber base by 27% in the third quarter (Q3) of 2020, bringing its total to 144 million on the back of offering discounted plans which, conversely, brought them a loss of €101 million or $121 million in the quarter according to Spanish analytics firm Comprar Acciones.

In the Philippines, Spotify has been offering some free tier users premium access for three months at P129, the price of a one-month subscription. Other premium tiers such as daily (P15) or family subscription or six premium accounts (P194) are also available.

The promotions did work as the service beat analysts’ estimates of 142 million paid subscribers according to Refinitiv data. It also brought monthly active users to 320 million or up 29% in the third quarter compared to numbers recorded last year.

Spotify expects to have between 150 to 154 million premium subscribers by the fourth quarter of 2020 against a forecast of 152.5 million.

The company has consistently grown its user base since 2015.

Spotify also reported an increase of 15% in subscription revenues in the third quarter of the year, bringing it to €1.79 billion, and a 9% increase in ad revenue.

The increases are attributed to the service’s entry in Russia and 12 other European markets in July. The company noted that the Russian launch was “the company’s most successful launch yet.”

Despite its growth on several fronts, Spotify still posted a loss of €101 million as discounted rates brought down revenue per user to €4.19 or -10%.

The loss is a massive reversal as in the same period last year, Spotify made €241 million in profit.

Spotify nevertheless is still the most subscribed music streaming service globally, with a 35% share of the market in 2019 according to statistics portal Statista. Spotify is followed by Apple Music at 19% and Amazon at 15%. — ZBC

DMCI Homes improving building durability of Davao condominiums after 2019 earthquake

DMCI HOMES is strengthening the durability of its condominium buildings in Davao City in light of a recent earthquake that hit the region last year.

In a statement over the weekend, the Consunji-led property developer said it completed seismic upgrades on the four buildings in its Verdon Parc project, namely Martel, Belvedere, Trevans and Maurin.

It engaged the Office of the City Building Official, Philippine Institute of Civil Engineers and Macro Consulting Structural Engineers Company in the planning and construction of the structural enhancements, it said.

Among the efforts were retrofitting the structure, reinforcing columns and beams with carbon fiber, and adding cross-brace and knee-brace support in strategic locations.

“As we start the turnover of the Belvedere building this month, our clients can be assured that Verdon Parc is up to the latest seismic safety standards. We have also enhanced the property’s features and property management services to complete residents’ resort-living experience at Verdon Parc,” DMCI Homes Vice-President for Project Development Dennis O. Yap said in the statement.

The Trevans and Maurin buildings are likewise scheduled for turnover by February and October next year, respectively.

Earlier this year, President Rodrigo R. Duterte threatened DMCI Holdings, Inc. that he will “not grant (the company) any permit to dig” following an issue relating to a condominium he said it built in Davao City.

The condominium is Ecoland 4000, which reportedly sustained “major cracks” after an earthquake in Davao City late last year.

DMCI Holdings is the listed parent of DMCI Homes, which recorded a 58% earnings decline to P3.91 billion during the past three quarters due to the coronavirus pandemic. — Denise A. Valdez

PIRA to consider evaluating data using telematics for auto insurance

THE PHILIPPINE Insurers and Reinsurers Association (PIRA) said it would consider data evaluation based on telematics, a technology used in mobile phones to detect and analyze driving behavior, in replacing motor tariff and promoting insurance technology or insurtech.

Risk advisor Simon Lee of Deloitte recently told PIRA in a webinar that the tool provides a driver score by collecting seven types of data: speed, acceleration, mileage, braking, time of trip, cornering, and location. A score of up to 100 as excellent for each category determines whether a driver is safe or dangerous.

With the use of GPS in telematics, Mr. Lee said drivers can be alerted on accident-prone roads, allowing them to take safer routes.

“It’s very timely because we’re in the middle of our debate whether to continue the tariff or offer an alternative. To my mind, this is a perfect alternative to that and I hope this is going to feed to the discussion,” PIRA Executive Director Michael F. Rellosa said.

Motor tariff is the amount shouldered by the insured before their claims are processed.

According to the Insurance Commission, private car owners must pay a minimum deductible of P2,000 or 0.5% of the sum insured (SI), whichever is higher. For commercial vehicles and motorcycles, the requirement is P3,000 or 1% of SI, and P500 or 1% of SI, respectively.

Citing data from a client in Japan, Mr. Lee said it was able to offer 25% less in premiums and reduce claims to 17 in a year using telematics. Meanwhile, he said a client in Portugal improved its customer retention by 23% and loss ratio at 19% annually.

As the drivers become more aware of their dangerous driving behaviors using data from telematics, Mr. Lee said insurers can also offer customer rewards which develop loyalty to the company.

“Based on frequent interaction with the client, these programs were proven to have greater influence than tariff discounts on driving behaviors,” he said.

Motor tariff discounts provide at least 0.75% of SI or P3,000 for private vehicles and 1.50% of SI or P4,500 for commercial vehicles.

“It’s really interesting. I’m sure we’ve opened their eyes to this possibility. We do have that sandbox thing in place and probably we could use that to introduce this new way of serving our clients,” Mr. Rellosa said.

In June, the Insurance Commission (IC) issued guidelines on the adoption of a regulatory sandbox framework, requiring insurtech firms to secure approval from the regulator.

A regulatory sandbox is a controlled environment where a licensed insurance provider will set up a system to allow “small scale and live testing of technical innovations” in different scenarios.

The sandbox should be operated in experimentation cycles that will have to be approved by the IC, with a maximum period of one year with period extension of up to six months.

Applicants will also have to submit an “exit plan” from the regulatory sandbox that will contain a methodology of scaling up the project for a larger market; a plan for clients in case the proposal is discontinued; and the amount allotted to implement the technological solution that shall be intended as payment for any claims arising from said implementation or adoption thereof, which shall be unimpaired at all times.

“I think this could help in the development of underwriting through the use of insurtech. Maybe, we will expect this initiative from the industry,” IC Claim Adjudication Officer Alwyn Franz P. Villaruel said. — K.K.T. Jose

Pandemic seen to give Metro Manila a chance to correct urban planning errors

By Cathy Rose A. Garcia, Managing Editor

THE PANDEMIC has exposed the vulnerabilities of mega-cities like Metro Manila, but it also offers a once-in-a-lifetime opportunity to correct urban planning mistakes, a top urban planner said.

Palafox Associates Founder and Principal Architect Felino “Jun” Palafox, Jr. said the pandemic is forcing cities around the world to rethink urban development for the “new normal.”

“I think cities will bounce back and bounce forward… We must learn from it. In fact with this pandemic. We are revisiting plans and programs that were not implemented. Even cities like Milan, the center of the pandemic, they are now changing urban development,” he said during a fireside chat at the BusinessWorld Virtual Economic Forum on Nov. 25.

In April, Milan unveiled the Strade Aperte plan which aimed to reduce car use by introducing bicycle lanes, wider pavements, and pedestrian and cyclist-priority streets.

“Other cities in the past, every time there is a pandemic, they improve. when there was cholera in Paris and London, they fixed their sewerage system so there was clean water and sanitation. In the US, when there was a cholera epidemic, they created Central Park and more open spaces,” Mr. Palafox said.

15-MINUTE CITY
Mr. Palafox lamented the lack of public parks and open spaces in Metro Manila, saying cities should be more walkable and bikeable.

“Open spaces are the lungs of the city. What we are pushing for is the 15-minute city… Neighborhoods where one can work, live, dine, shop and learn with healthcare and wellness centers should be within the 15-minute walk or ride,” he said.

Paris Mayor Anne Hidalgo earlier this year proposed the “ville du quart d’heure” — the quarter-hour city — where offices, shops, health facilities, and parks will just be a 15-minute walk or bike ride away. She also proposed creating bike lanes and removing parking spaces for cars.

Mr. Palafox believes Metro Manila can still implement similar measures to ease congestion. Several mayors in Metro Manila have implemented bike lanes in their cities during the lockdown.

“I’ve also been proposing for our congested cities to have elevated walkways and bike lanes in EDSA or congested areas that do not have wide sidewalks… This will have vendors in the area, so that all hours of the day, you feel safe. With vendors, there are more eyes on the public realm, so you feel safer,” he said.

At the same time, Mr. Palafox said the pandemic also gives the Philippine government an opportunity to balance national development.

“The primacy of Metro Manila is wrong. A primate city is more than 10 times the second largest city… Makati, Ortigas and Fort Bonifacio, these are areas with big concentrations of jobs and economic activity but they are surrounded by low-density, gated communities. So the employees of these job centers are edged out of the housing stock around the centers. We can correct that and maybe these CBDs, after this pandemic, should build more affordable housing for workers so they become part of the city,” he said.

It would be ideal to have more integrated, mixed-use developments within the cities, Mr. Palafox added.

CLIMATE CHANGE
Climate change is another problem being faced by cities, especially in the Philippines. Two super typhoons (Rolly and Ulysses) caused heavy flooding in parts of Luzon island.

“Metro Manila used to be the Pearl of the Orient Seas, now it is an example of how not to develop a city, how not to do it,” Mr. Palafox said.

“Zoning should be changed so the projects face the waterfront. Waterfront is an amenity, and our country has the fifth longest coastline in the world… Unfortunately in our country, we treat the waterfront, our waterways as the garbage and sewerage system.”

The Philippines has a total coastline of 36,289 kilometers, according to the Environment department.

Mr. Palafox said the government should make preparations to address potential disasters, since it is “90% cheaper, less expensive to address the hazards before they become disasters rather than post-disaster rehabilitation.”

“This crisis, we can get inspired by the best practices in the world and we can correct the mistakes we made,” Mr. Palafox said.

Central Azucarera de Tarlac posts P62.11-M net loss

LISTED sugar miller Central Azucarera de Tarlac, Inc. incurred a P62.11-million net loss in the July to September period, the first quarter of its fiscal year, despite posting higher revenues during these months.

In a disclosure to the stock exchange, the sugar company said its loss in the first quarter is slightly lower than the P62.41-million net loss it posted in the same period a year ago.

“The first quarter of fiscal year 2020-2021 was focused on managing resources while faced with challenges on all fronts. The first quarter was aimed at cash generation by converting inventory,” the disclosure said.

Central Azucarera de Tarlac said its revenues during the period rose by 57% to P219.03 million from P139.51 million last year.

The sugar company added that it capitalized on its alcohol sales as its sugar inventory has yet to increase as the milling season starts in the second quarter.

“The company has no beginning sugar inventory to sell compared to last year’s roughly 30,000 sugar bags or P46.5 million sales. This reduction was off-set by the alcohol and molasses revenues, both posting favorable price and quantity variances,” the disclosure said.

Revenues of the company’s alcohol and molasses products during the period reached P190.21 million and P17.50 million, respectively.

Meanwhile, Central Azucarera de Tarlac’s operating expenses increased by 1.2% to P24.75 million against P24.45 million last year.

The company said its depreciation and amortization expenses rose to P2.2 million, compared to P1 million a year ago, due to capital expenditures in non-factory facilities over the past years.

“Professional fees increased to P5.4 million from P4.9 million due to one-time engagements of various professionals in the last reporting period,” the disclosure said.

“The ill effects of the coronavirus disease 2019 (COVID-19) pandemic pushed the company forward in solidifying its commitment to strengthen its operations by exploring diversity and upholding sustainability and in all its business models,” it added. — Revin Mikhael D. Ochave

Japan-inspired condominium to rise in Manila

LISTED VISTA LAND & Lifescapes, Inc. is continuing its joint venture with Mitsubishi Estate Co. Ltd. to build a Japanese-inspired condominium in Taft, Manila.

In a recent statement, the Villar-led property developer said its condominium arm Vista Residences, Inc. will work with the Japanese firm on a 42-storey condominium tower.

The development will have more than a thousand units and a retail space, and will target university students and young professionals in the Taft area.

“Vista Land is excited to present our very first Japanese-inspired condominium property in Manila… We want our homebuyers to be able to balance their purpose and passion while enjoying the convenience of city living,” Vista Land President and CEO Manuel Paolo Villar said in the statement.

The project will offer studio and one-bedroom units and will feature larger common areas and outdoor spaces as it aims to appeal to a premium market.

It will be located close to De La Salle University, College of St. Benilde and St. Scholastica’s College, and will be a few minutes away from Makati City, Taguig City and the Bay Area.

“We are grateful for our partnership with Vista Land that will enable us to take on another challenge to share our expertise and passion in real estate development, and we hope to explore more opportunities with Vista Land,” Mitsubishi Estate Senior Executive Officer Yutaro Yotsuzuka said in the statement.

“We look forward to our collaboration in terms of concept, architecture and technology that will differentiate this project from the rest of the condominium properties in Manila,” he added.

The two companies first announced their 60-40 joint venture for a condominium project in Taft last year. — Denise A. Valdez

Entertainment News (12/01/20)

Itchyworms release 2 Christmas songs

THE ITCHYWORMS keeps the holiday cheer going with the simultaneous release of two Christmas songs: “Have A Merry Christmas” and “Maligayang Pasko.” Honoring the tradition of writing Yuletide-themed originals, the pop-rock quartet is keen on uplifting people’s spirits during the pandemic. Lead vocalist Jugs Jugueta said that “Have A Merry Christmas” was inspired by a meme featuring Jose Mari Chan which he said was funny the first time it came out, but lost its charm with repetition year after year. So he posted a challenge on Facebook: instead of posting about Jose Mari Chan, write your own Christmas song. “Have A Merry Christmas” was his reaction to his own challenge. Intricately arranged with Beatlesque pop harmonies, string arrangements, and catchy, sing-along moments, “Have A Merry Christmas” has a message of joy and positivity. Meanwhile, “Maligayang Pasko” takes listeners back to the 1970s and early ‘80s. It is a laid-back, groovy tune that winks toward Manila Sound and city pop. The two songs are now available on all streaming platforms worldwide via Sony Music.

Bianca remakes Rivermaya classic

ACOUSTIC pop newcomer Bianca has released a stripped-down version of Rivermaya’s classic song “Hinahanap-hanap Kita” via Sony Music Philippines. Arranged with acoustic guitars, lush strings, and subtle electronic beats, Bianca’s rendition of the 1997 alt-rock staple infuses a more poignant take than the original.  “Hinahanap-hanap Kita” is co-produced by 6cyclemind’s Rye Sarmiento who gave the finishing touches to Bianca’s first single, “Biglaan,” which has racked up a million streams so far on Spotify. “Hinahanap-hanap Kita,” a part of her upcoming EP, is now available on all streaming platforms worldwide.

PhilPop releases final batch of songs

THE NATIONWIDE songwriting competition PhilPop has released the final batch of songs from the South Luzon cluster. Carefully selected from thousands of submissions, the entries from this particular group reflect truths about romantic relationships, disappointments, and heartaches. Distributed by Warner Music and produced by PhilPop, the homegrown tracks are now available on all digital and streaming platforms worldwide. The entries are “Para Kay Catriona,” composed by Kulas Basilonia and interpreted by I Belong to the Zoo; “Bitaw,” composed by Keen and interpreted by Zsaris; and “Lunod,” composed by Chochay Magno and interpreted by Shaira Opsimar.

R&B artist Gareth T. drops new song

HONG KONG-based R&B producer/artist Gareth.T has dropped a soulful jam called “2 More Weeks” via international indie label, Umami Records. Infused with a Mac Ayres-inspired vibe and lo-fi beats, “2 More Weeks” tells the story of someone wanting to go home to see their loved ones. This R&B bop features hip-hop verses coasting through breezy melodic lines and a slinky pop edge. Currently based in Boston while studying at Berklee College of Music, the prolific producer has been dropping a new track every four weeks, and has no plans to slow down. Listen to “2 More Weeks” at this link: https://www.umamirecords.sg/2-more-weeks/.

Miley Cyrus drops album Plastic Hearts

MILEY Cyrus returns to the music scene with the release of her highly anticipated new album, Plastic Hearts, out now via RCA Records. Cyrus’ seventh studio album features collaborations with Billy Idol, Joan Jett and Dua Lipa. Built around retro-inspired bangers and thumping stadium anthems, Cyrus’ new sound gives listeners a renewed sense of appreciation for music made in the 1970s and ‘80s, as seen in her cover art, which was photographed by iconic rock & roll photographer Mick Rock. Cyrus had already released two singles from the album: “Prisoner” featuring Dua Lipa, which was accompanied by a campy rock video featuring the duo, plus Cyrus’ summer hit, “Midnight Sky.” Plastic Hearts is now available on all digital platforms worldwide.

Quasi-lenders’ loan portfolio drops in 1st half

THE LENDING portfolio of nonbank financial institutions with quasi-banking functions (NBQBs) dropped in the first half of the year as players merged or gave up their licenses, an official from the Bangko Sentral ng Pilipinas (BSP) said.

“As of end-June 2020, the NBQBs’ total loan portfolio (TLP) dropped by 33.6% year on year to P133.4 billion following merger and/or surrender of QB license of certain entities resulting from a review of strategic direction and business operations,” BSP Managing Director for Policy and Specialized Supervision Lyn I. Javier said in an e-mail.

Quasi-banks include financing companies and investment houses.

This also affected total operating income of NBQBs, which plummeted 70.8% to P3.9 billion.

“The decline is also partly influenced by the drop in non-interest income, particularly trading income,” Ms. Javier said.

Like their bank counterparts, quasi-lenders also saw a higher nonperforming loan (NPL) ratio amid the impact of the pandemic. The industry’s NPL ratio picked up to 5.8% as of end-June from 4.4% a year ago.

“The current NPL ratio is higher than the Philippine banking system’s estimated NPL ratio of 4.6% by end-December 2020.  Nevertheless, we expect that the NBQB’s NPL ratio will remain manageable in the next two years,” Ms. Javier said.

The Philippine banking system’s bad loan ratio stood at 3.4% as of end-September, already the highest since the 3.42% NPL ratio logged in May 2013.

The BSP will remain watchful of the NPL ratio of quasi-lenders amid the current crisis, said Ms. Javier.

“The NBQB industry is expected to remain stable as most of the financing companies and investment houses with QB license are linked with universal and commercial banks hence, governed by the same set of risk management standards,” she said. — L.W.T. Noble