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Fruitas swings to profit despite no seasonal uptick

FRUITAS Holdings, Inc. reported on Monday that its first-quarter earnings reached P6 million, improving from a net loss of P16 million in the same period the year before.

Net sales were up by 26% to P330 million from P261 million in 2021.

“This was achieved despite the lack of seasonal uptick from the Christmas season, including lechon sales, in the first quarter of 2022 and the Level 3 restrictions imposed in January 2022,” the company said in a disclosure.

Earnings before interest, taxes, depreciation, and amortization (EBITDA) also improved to P53 million from P15 million.

In 2021, the company trimmed its net loss to P16 million from a loss of P48 million in 2020.

In February, the registration statement for the initial public offering (IPO) of Balai ni Fruitas, Inc., a wholly owned subsidiary of Fruitas, was formally received by Securities and Exchange Commission (SEC).

It is targeting to list on the small, medium and emerging board of the Philippine Stock Exchange (PSE), subject to compliance with SEC and PSE requirements.

“We are fully committed to deliver value to our shareholders by improving operations and profitability. The potential IPO of Balai ni Fruitas will be an important exercise for us, which we expect to complete in first half of 2022,” Fruitas President and Chief Executive Lester C. Yu said.

At the stock exchange on Monday, Fruitas shares closed higher by 0.91% or P0.01 at P1.11 apiece. — Luisa Maria Jacinta C. Jocson

ABS-CBN, Kroma launch interactive channel

ABS-CBN and Kroma Entertainment, which is backed by the 917Ventures Retirement Fund, launched the Pinoy Interactive Entertainment or PIE Channel (pie.com.ph) on May 23.

PIE channel is a real-time and multi-screen interactive channel where programs will be accessible to both television and digital platform audiences who can participate, often directly, with the shows. The programs air from 5 a.m. to 2 a.m.

“We always look at means to innovate and deliver fresh entertainment. We joined forces with 917Ventures and Kroma for their ecosystem of unique solutions expertise and technology and distribution scale. Combining this with our expertise in content creation, we are ushering in a new one-of-a-kind format for TV and digital entertainment that is designed to celebrate the fun and joy that viewers love,” ABS-CBN Head of Digital Jamie Lopez said during an online press conference on May 18.

“We are always looking for ways to uplift the lives of Filipino people by giving them access to essential services such as health services, financial services, groceries and even education,” 917Ventures managing director Vince Yamat said. “But we also realize that Filipinos should be given access to entertainment and participate in shows from the comfort of their homes.”

“Whether on their TV sets, laptops, desktops, or mobile devices, PIE is accessible to Filipinos who want to try a new way to consume — and play with — the shows they love,” KROMA Entertainment Chief Executive Officer Ian Monsod said.

THE SHOWS
PIE Channel’s programs include talk shows, interactive game shows, and talent shows. Viewers can participate in the programs by creating an account through the channel’s website.

The morning talk show — it airs at 7 a.m. — Piesilog offers inspiring stories and information needed for the day. It is hosted by Home Buddies Facebook community creator and Nobi Home founder Frances Cabatuando.

The variety show Barangay Pie airs at noon. It is hosted by Mayor TV, Abby Trinidad, Ruth Paga, Sunshine Teodoro, Inah Evans, Patsy Reyes, and Coco Cordero.

The talent show Piegalingan hosted by actor and online streamer Ralph Malibunas, beauty queen and actress Sam Bernardo, and actor Eris Aragoza — highlights the achievements and skills of contestants.

PIE Channel’s Pienalo offers an interactive experience on the viewer’s chosen device. On it, the familiar game “Pera o Bayong” is given a new interactive format. An online player is selected and they have to choose from among 10 bayongs (woven market bags) containing cash prizes ranging from P3,000 to P100,000, winning the money contained in the bag of their choice. Meanwhile, online viewers are also given a chance to select a bag labeled as the “Tambahayan’s Choice.” Five viewers whose names will be raffled will win the amount contained in the “Tambahayan’s Choice” bag.

Another interactive show is the program Palong Follow, where viewers work together to find the country’s next big digital content creator.

Hosted by Aaron Maniego, Karen Bordador, and Renee Dominique, the interactive show PIE Night Long features relatable stories and situations with viewers able to share their opinions and be involved in the storytelling process.

Meanwhile, the interactive soap opera UZI allows viewers to suggest what happens in a story and complete an episode.

P10 MILLION UP FOR GRABS
In line with the launch, the PIE Channel is giving away P10 million in cash prizes over three months to viewers who engage with the shows and join games.

“As technology continues to evolve. We’re going to see more innovations that will make entertainment more immersive, engaging and rewarding. Just as technology evolves, so does the behavior of our audience. We embrace this and look at ways to complement this through entertainment,” ABS-CBN’s Mr. Lopez said.

PIE Channel is accessible to digital TV households in Metro Manila, Cebu, Davao, Iloilo, Zamboanga, Naga, Baguio, and nearby provinces through partner station BEAM. Aside from digital TV (PIE can be found by scanning the digibox), the channel can be viewed on its website pie.com.ph, on YouTube (http://youtube.com/iampieofficial), and on Sky Cable Channel 21. PIE will also be available on GCash GLife beginning May 28. — Michelle Anne P. Soliman

Megawide swings to net loss as expenses rise

MEGAWIDE Construction Corp. swung to an attributable net loss of P112.76 million for the first quarter of the year from a profit of P2.85 million in the same period a year ago.

Despite its total revenues increasing by 12% during the quarter to P4.16 billion from P3.72 billion previously, Megawide incurred a net loss due to higher expenses, its first-quarter report showed.

Its net loss after tax widened to P278.89 million from a loss of P137.92 million in the same period last year.

“The impact of additional expenses from other charges net and tax expense resulted in the higher net loss in 2022,” the company said.

In terms of revenues, the company’s construction businesses contributed P2.79 billion, an 11% improvement from the previous year’s construction revenue.

“The construction segment has maintained its momentum in delivering projects on time despite quarantine measures at the start of the year,” the company said.

“With a healthy orderbook, the company is in the position to work on its order which are earmarked to be completed within two to three years from various projects such as Suntrust Home Developers’ Suncity West Side City project, Megaworld’s Newport Link project, and the Department of Transportation’s Malolos Clark Railway Phase 1 Project,” it added.

At the same time, the company said its landport operations delivered revenue of P131 million from office towers and commercial spaces during the period, and contributed 3% to the total consolidated revenues.

“Due to the restrictions in foreign travel, Philippine Offshore Gaming Operators experienced indefinite disruption on their operations, resulting in lower office occupancy levels and translated to 30% or P56 million lower revenue from the same period last year.”

Meanwhile, its airport segment showed “slight recovery” with an increase in revenues by 93% or P106 million. The company’s airport business “remains optimistic of a turnaround as global vaccination program has been effectively rolled out and consumers are starting to travel,” it said.

Revenue for the first quarter reached P220 million, 93% higher than the same period last year and contributed 3% to the total revenues.

The company said passenger volume more than doubled from last year’s pandemic level “although not enough to breach the pre-pandemic level” with domestic passenger volume of 590,000 from last year’s 190,000, and international passenger volume of 60,000 from last year’s 2,000. — Arjay L. Balinbin

Coca-Cola teams up with SBCorp. to offer MSME loans 

COCA-COLA Beverages Philippines, Inc. (CCBPI) has recently partnered with the Small Business Corp. (SBCorp.) to help the recovery of micro, small, and medium enterprises (MSMEs) across the country by expanding the access to loan programs.

The CCBPI said in a statement on Monday that the partnership will allow SBCorp. to expand the reach of its RISE UP Tindahan loan program to CCBPI’s partner retail stores, dealers, distributors, and other MSMEs.

Loans under the RISE UP Tindahan project seek to help businesses adjust to the realities of doing business in the new normal. The project offers loans ranging from P300,000 for micro-tindahan loans to P5 million for SME loans, with three years repayment term inclusive of a grace period of up to 12 months and no collateral required.

“The process in RISE UP Tindahan is simple, which is key to reaching more MSMEs. We need to overcome the challenge of inaccessibility, and part of this is making sure that procedures aren’t overly complicated — that MSMEs don’t feel intimidated or overwhelmed,” CCBPI General Trade Director Chris Pesigan said.

“The partnership with SBCorp. manifests the collective, urgent goal of helping the MSME sector recover, stabilize, and progress,” he added.

SBCorp. Chief Operating Officer Santiago S. Lim said the project allows the project to reach more entrepreneurs in the metro and the rest of the country.

“Reaching out to the far ends can be a daunting task, but since we have Coca-Cola now as our partner, with your seasoned experience on the ground, we are confident that this project will be successful,” Mr. Lim said.

Those that will be eligible for the loans are micro, small, and medium businesses such as sari-sari stores or family-run convenience stores, retail stores, distributors that are under the partner, which is CCBPI.

“Applicants must also be ready with documents such as their barangay business permit, and government-issued IDs among others. The loan application will undergo credit, business, and financial assessments. Applicants will then be contacted via e-mail regarding the results of each stage,” CCBPI said.

The CCBPI is the bottling arm of Coca-Cola in the Philippines while the SBCorp. is the financing arm of the Department of Trade and Industry. — Revin Mikhael D. Ochave

‘We’ll be back next year for that three-peat,’ declare Abando, Yu

LETRAN Knights enjoying their trophy. — SYNERGY/GMANETWORK INC.

A NEW chapter is being written in the National Collegiate Athletic Association (NCAA). And the Letran Knights are the ones transcribing it.

Moments after they were crowned back-to-back champions, the fantastic boys from Muralla have unabashedly declared they would shoot for nothing less than a three-peat feat in Season 98 and extend their reign in the oldest collegiate league in the land.

And at the forefront of the campaign are no less than the men of the hour — reigning MVP Rhenz Abando and the cerebral Fran Yu.

“We’ll be back next year for that three-peat,” said Mr. Yu, who opted to say for one final season to chase that coveted third crown.

Both Messrs. Abando and Yu were instrumental in the Knights’ immaculate season where they went 12 straight games without a single defeat.

The uncanny duo should and would remain in the pedestal next year as they spearhead an ambitious bid to establish a new order.

Or did they establish a dynasty already?

For the first time in the last 15 seasons, a school not named San Beda reigned supreme in the NCAA more than two straight times.

During that long span, the San Beda Red Lions has made the finals 14 seasons in row starting in 2006 and won 11 titles along the way.

A Calvin Abueva-paced San Sebastian and an Aldin Ayo-mentored Letran broke the order when it prevailed in 2009 and 2015, respectively, but the two never won it two in a row.

Until this league of extraordinary gentlemen came to fore in destroying the old order and forming a new one. — Joey Villar

Cannes Film Festival News: Squid Game star Lee Jung-jae steps behind the camera for Hunt

CANNES — Squid Game star Lee Jung-jae flexes his filmmaking muscles with Hunt, a spy thriller he wrote, directed, produced and also acts in.

Mr. Lee’s directorial and screenwriting debut received its world premiere at the Cannes Film Festival, where it is screening out of competition.

The fast-paced, action-packed movie centers around two South Korean spies who are tasked with uncovering a North Korean mole, and wind up investigating each other in the process.

Mr. Lee, 49, stars as one of the spies opposite his long-time friend and business partner Jung Woo-sung.

He said his nearly three-decade long career was a big help when stepping behind the lens.

“I have acted in many different genres and I could remember scenes I’d shot as an actor that were difficult to film or that didn’t come out as I expected,” he told Reuters in Cannes.

“I tried to remember those scenes when I was writing the script to ensure I could be as effective as possible when directing.”

Mr. Lee makes his debut riding on the high of the success of his Netflix series, which became the streaming giant’s most popular show globally, and the triumphs of other Korean TV shows, films, and music around the world.

“I am so thankful that I am making my directorial debut during this renaissance of Korean culture,” Mr. Lee said.

“I hope to get to meet international audiences and fans more often with other movies and content as well.”

Asked which of the many hats he wore on the project he enjoyed the most, Lee did not hesitate.

“Of course acting. I’m an actor. It’s my identity. So, I just loved acting the most.”

UKRAINIAN DIRECTOR DENOUNCES RUSSIAN PRESENCE
Ukrainian director Dmytro Sukholytkyy-Sobchuk criticized the Cannes Film Festival for including a Russian director in its line-up, as the debut filmmaker’s Pamfir was shown at Cannes’ Directors Fortnight on Saturday.

The festival has banned official Russian delegations from attending, but Russian dissident Kirill Serebrennikov, who has spoken out against the invasion of Ukraine, premiered his in-competition film Tchaikovsky’s Wife at the festival last Wednesday.

“When he’s here, he is part of the Russian propaganda, and they can use him,” Sukholytkyy-Sobchuk told Reuters on Saturday.

The Russian director Serebrennikov had said earlier last week that Russian culture should not be boycotted, saying that Russian culture “has always promoted human values.”

The Ukrainian director Sukholytkyy-Sobchuk described the sensation of being in Cannes while his country fights against a Russian invasion as “alien.”

“Everything what’s happened here, it’s something that would not belong in Ukraine — the peaceful life… We have (an) opposite reality,” he said.

Set in the forests of western Ukraine’s Chernivtsi region, Pamfir begins with the return of a father, Leonid, to his family after months of working in Poland. A church fire attributed to Leonid’s son Nazar forces the father to take up a quick smuggling job, angering the local contraband boss.

With references to Greek tragedy and the bible story of Abraham and Isaac, the story of fighting for redemption has resonance with the ongoing conflict.

“(The film) is a reflection of the strength and power of the Ukrainian people, who are very strong and who will win. It’s just a question of time… because we can’t be defeated,” said Oleksandr Yatsentyuk, who plays Leonid.

ALI ABBASI INTRODUCES ‘PERSIAN NOIR’
Iranian director Ali Abbasi premiered Holy Spider at the Cannes Film Festival on Sunday, the tale of a serial killer in the holy city Mashhad — based on a true story — dubbing the genre “Persian noir.”

“This is a film noir. This is a Persian noir,” Mr. Abbasi told Reuters.

The movie takes viewers to the outskirts of the Iranian city, where serial killer Saeed Hanaei, played by Mehdi Bajestani, hunts down destitute prostitutes in what he sees as a cleansing mission. Pursuing him, investigative journalist Rahimi, played by Zar Amir Ebrahimi, suspects local corruption is hampering his arrest.

“We want to build a universe, a universe which is dark, which has an underbelly, which has vice, which has trouble, which has all sorts of conflicts ongoing,” said Mr. Abbasi. “Is that an accurate portrait of Iran?”

The movie shows a society that is unforgiving to those who deviate from its religious rules. When the real life “spider killer” was caught in 2001, he found support for his argument that he was stamping out what he called moral corruption, although he was convicted and executed the following year.

“I’m talking about a real case — we didn’t know… would he be convicted? Would he be punished?” said Mr. Abbasi.

The movie, distributed by Metropolitan Filmexport, is one of 21 films vying for the festival’s top prize, the Palme d’Or. Mr. Abbasi won the Cannes prize in the Un Certain Regard, category in 2018 with Border.

Describing the contradictory nature of Iranian society, where women may be highly trained doctors and engineers but are also subject to tight controls over what they wear and how they look in public, the director said he sought to expose these tensions.

“This picture is not one sided. There is reason to hope. There’s also reason to fear.” — Reuters

QCinema Int’l Film Fest announces #QCShorts grantees

Jaime Morados

A DIVERSE program of themes and styles from this year’s winning short films are in store in QCinema’s 10th year, which will be held in November.

The short films tackle a range of concerns — from a reflexive attempt to save a silent film reel, an introspective search for meaning by an online sex worker, contrasting issues of migration set in Cagayan Valley, a psychological journey in a Quezon forest, and to a surreal film set amidst the backdrop of a decaying Pasig River.

These films are Ang Pagliligtas sa Dalagang Bukid by Jaime Morados, BOLD EAGLE by Whammy Alcazaren, Luzonensis mula 7 hanggang 9 by Glenn Barit, Mga Tigre ng Infanta by Rocky De Guzman Morilla, Ngatta Naddaki y Nuang? by Austin Tan, and sa ilog na hindi nagtatapos by JT Trinidad.

These films were chosen from close to 160 entries.

THE FILMS
Ang Pagliligtas sa Dalagang Bukid (Saving the Country Maiden) is set in 1921. Sixteen-year-old Joaquin attempts to save the film reel of the first movie he’s ever seen in the midst of a studio fire.

The film is Mr. Morados’ first QCinema entry. His previous works include Protacio and The Bum (2021), which won the Jury Prize at the Binisaya Film Festival, and Aga-Hiw, The Dreamer (2022), Montañosa Film Festival 2022’s Best Picture.

BOLD EAGLE is the story of Bold, an anonymous online-sex worker who seeks validation from his cat as he wonders if he can amount to something more than just a pretty face.

The third feature film by the director, Whammy Alcazaren, Fisting: Never Tear Us Apart, won Best Director and Jury prize at the Cinema One Originals Film Festival 2018. His production thesis and first feature, COLOSSAL, was awarded Best Cinematography and was nominated for best film at the Gawad Urian 2013.

In Luzonensis mula 7 hanggang 9,  a “neanderthal” man is about to leave for work abroad. He discovers that his passport is missing hours before departing. Together with his father, they retrace their path to find it.

Glenn Barit, a Filipino director, sound designer and scorer from Cagayan, is a familiar name in QCinema. His debut film, Cleaners, swept awards at the 2019 Asian Next Wave Competition of QCinema 2019, which includes Audience Choice, Best Picture, and Best Screenplay.

Mga Tigre ng Infanta follows Katrina’s wild hunt deep into the psyche of her grandmother, whose corpse has gone missing. The film is set in the town of Infanta, Quezon, where superstition is said to be alive in community life.

Marikina-based filmmaker Rocky Morilla, is particularly interested in narratives involving women and the environment. She co-founded Pothos Collective, which focuses on creating emancipative narratives that push boundaries.

Ngatta Naddaki y Nuang? (Why did the Carabao cross the Carayan?) tracks Oyo’s return to his hometown in Cagayan in search of a carabao, before he finally migrates to another country, while memories of a flood and sights of industrialization fill him.

Austin Tan, the film’s director, is from Cagayan. His short films mostly tackle political and social topics through concepts dealing with memory and death. Aside from Ngatta Naddaki y Nuang?, he is also working on his first feature project, which received project development support from Locarno Open Doors, Full Circle Lab, Film Development Council of the Philippines, and EAVE Ties that Bind.

Lastly, sa ilog na hindi nagtatapos, is the story of four individuals which unfold through Baby, a middle aged trans woman. She becomes a vessel to fill in their void as her own desire grows. The film is set in the areas surrounding the decaying Pasig River.

The director, JT Trinidad’s hybrid short, as if nothing happened, competed at the BAFTA-qualifying London Short Film Festival 2020 and was included in CNN Life Philippines’ list of Best Filipino Films of 2020.

Philippine office market occupancy stabilizes

BW FILE PHOTO

 

(First of two parts)

AFTER seven consecutive quarters of negative net take-up, the Metro Manila Office Market has finally turned a corner as Colliers recorded a positive net take-up for the first quarter of 2022.

Net take-up, which is the change in occupied space between two periods, was recorded at 26,000 square meters (sq.m.) for the first quarter of 2022 and is forecasted to reach 350,000 sq.m. by the end of the year, a significant improvement from the annual net take-up of -274,000 sq.m. recorded in 2021.

This means that the occupancy level has stabilized overall as some companies continue to surrender spaces, right size and downsize while the vacancy is expected to rise due to the supply overhang.

At the onset of the COVID-19 pandemic when nobody knew yet the gravity of the problem, Colliers’ Office Services — Tenant Representation initiated The New Normal Paper Series hoping to guide the office market stakeholders how to survive the challenges of the pandemic.

CHANGING THE WAY WE WORK
This was the first paper that our team wrote and shared, which was based on a Harvard Business Review article, “Is It Time to Let Employees Work from Anywhere?

Here we discussed the benefits of having a remote workforce such as cost reduction, opportunities to expand the talent reach and scaling productivity. Without any other options since the government imposed very strict quarantine measures, the only way to carry out operations was to work from home (WFH).

Companies had to quickly adjust and adopt new measures to make WFH successful. We noted that the coronavirus disease 2019 (COVID-19) pandemic could become the catalyst for change and businesses must figure out ways how to continuously deliver their products and services efficiently and effectively without compromising the health and safety of their employees, clients, and communities.

SURVIVAL: A SHARED CAUSE
The second paper touched on how the various shareholders can soften the blow of the COVID-19 pandemic. Here we were fully aware that both the landlords and tenants were equally affected but nonetheless called for the application of the bayanihan spirit so that the office market will not hit rock bottom.

We projected then that the smaller businesses which were occupying the small spaces in office buildings were the most vulnerable. Looking at our database, we found that they occupied around 14.7% of the office market, which was potentially how the vacancy could increase in a prolonged pandemic situation.

This was on top of the expected demand slowdown in various sectors like the Philippine Offshore Gaming Operators (POGOs) which occupied 10% of the office stock pre-pandemic.

We advised the landlords to listen to their tenants and try their best to keep them from leaving since occupancy was more important than revenue during this time. Low occupancy of office buildings meant subsidizing the daily operations.

On the other hand, we advised tenants to be transparent and sincere in working out a win-win situation with their landlords, not to gain, but simply to survive together until the market rebounds since survival should be a shared cause.

DECISION-MAKING IN A VUCA WORLD
During this time when the world was increasingly becoming volatile, uncertain, complex, and ambiguous (VUCA), we said that it was important to “keep swimming,” otherwise we might end up worse than it would be.

Here we recommended that stakeholders apply the Effectuation Principles, which is an entrepreneurial process where the identification of the next best step by assessing the available resources to achieve the goals while continuously balancing these goals with the existing resources and actions. These principles are used by expert entrepreneurs to help them wrest control in an unpredictable environment. The five principles are as follows:

Bird-in-hand — start with what resources and means you have.

In unpredictable situations, rather than focusing on a goal, it is best to first assess the resources that are available and create a solution from there. These resources can be determined by asking, “who I am,” “what I know,” and “whom I know.” Once you are able to determine what resources you have, you may start to create ideas and solutions.

Affordable loss — the future is unpredictable, so know what you are comfortable losing.

In any new endeavor, there will always be risks. Instead of focusing on an expected return and working back to minimize the risks, it is best to understand how much you are willing to lose on each step. This will let you determine which endeavors you are willing to take knowing what you are risking and what there is to gain even if the result is unfavorable. This will limit your risks as you are already aware of what you may lose.

Lemonade  — “When life throws you lemons, make lemonade.”

The pandemic was full of surprises and continues to be unpredictable. Despite the challenges and uncertainties, there are still plenty of opportunities around to be maximized. Instead of trying to control outcomes, it is best to take in these surprises and find a way to make these valuable. The current times also present “opportunities” for companies to find new ways of innovating (e.g., delivery and logistics services, telemedicine, teleconference platforms, etc.) These innovations will hopefully inspire more companies to be creative to sustain the economy.

Crazy quilt — work together with partners who are willing to cooperate and commit to the goal.

Having partners to work with you not only helps you achieve your goal, but also increases your means and resources. Of course, the goal may evolve as more ideas and resources are shared. It is still important to remember points 1 and 2, by knowing what you have and the risks you carry as partners. During the pandemic, it was more important to work together, communicate, create partnerships and leverage on key strengths with suppliers and clients.

Pilot in the plane — the future depends on the choices the pilot makes.

In an unpredictable environment, it is best to focus on the things that are within your control. It may be true that larger market forces determine how the future will play out, but it is also true that the future is shaped by the actions taken today.

In the same sense, inaction may also affect future outcomes or worse, result in further losses. Instead of allowing yourself to be thrown around by the unpredictability of the market, it is best to make sense of the current situation and figure out what can be done within your means.

With this paper series, our hope then was to encourage our clients and partners to continuously swim through the murky waters so as not to stagnate since, in our mind, inaction and paralysis could be worse for all of us.

So, when we were tallying the results of the first quarter performance of the office market, we were so glad to see that the office market occupancy has stabilized as Colliers recorded the net take-up to be positive.

 

Dom Fredrick Andaya is the  senior director and head of Office Services, Tenant Representation, Colliers Philippines.

LBC Express net income drops to P48.9 million

BW FILE PHOTO

LBC Express Holdings, Inc. on Monday said its attributable net income for the first three months of the year decreased by 65% to P48.87 million from P139.73 million previously, mainly due to lower revenues.

Revenues for the quarter fell 9.17% to P3.96 billion from P4.36 billion in the same period a year ago, the company’s first-quarter results showed.

“After the nationwide community quarantines in 2020, the retail sales surged due to increase in demand and this continued up to the first quarter of last year. There is also a downturn of revenue from corporate clients by 11%,” the company said.

Its total expenses for the period fell 5.15% to P3.68 billion from P3.88 in the same period in 2021.

The decrease is “largely from reduction in cost of delivery and remittance by 12% relative to the decrease in volume and improved productivity that resulted in decline in the cost of contractual employees,” the company said.

This is partially offset by a surge in the cost of freight-air relative to the increase in air freight and fuel prices hike.

Meanwhile, the company’s non-operating expenses for the period grew 14.84% to P247.41 million from P215.43 million previously.

Its income before tax dropped 78.78% to P59.89 million from P282.29 million in the same period last year.

LBC Express Holdings shares closed 0.22% higher at P23.05 apiece on Monday. — Arjay L. Balinbin

Chef de mission Ramon Fernandez represents PHL team at Vietnam SEA Games closing rites

CHEF DE MISSION Ramon Fernandez (left) joined the winning weightlifters group in Vietnam SEA Games. Gold medalist Vanessa Sarno (far right) — PSC

HANOI — True to his word as the last man standing, national team chef de mission (CDM) Ramon Fernandez stayed behind to represent the Philippine delegation on Monday for the closing rites of the 31st Vietnam Southeast Asian (SEA) Games at the My Dinh National Stadium. With most of PH team members bound for or already at home, Mr. Fernandez was to be joined by his deputies Carl Sambrano and Pear Managuelod of rollersports and muay thai, respectively, at the affair to be closed by Vietnam Sports, Culture and Tourism Minister Nguyen Van Hung. Also joining the event was Vietnam Prime Minister Pham Minh Chinh, who was to extinguish the Games Flame,  as the curtain wrung down on the 31st edition of the biennial sports showcase held in the Vietnamese capital and neighboring provinces.

The SEA Games Federation flag will likewise be lowered and handed over to the representative of Cambodia, which will host the 32nd SEA Games in the Cambodian capital of Phnom Penh in May 2023.

The regional meet was supposed to be held last November but was delayed for six months due to the spike in coronavirus disease 2019 (COVID-19) cases that swept the region. Sorely affected by the virus crisis was the build-up of the country’s campaigners, who fought an uphill but gallant battle in winding up fourth overall in the medal standings with 52 gold, 70 silver and 105 bronze medals, according to Mr. Fernandez.

As expected, Vietnam ran away with overall honors (205-125-116), Thailand was a distant second (92-103-136) and Indonesia third (69-91-81). “We finished fourth place among 11 brother-countries in the region. This is our best finish since 1983 (in the Singapore SEA Games when we placed second to Indonesia) in a SEA Games event outside the Philippines,” Mr. Fernandez claimed.  “As chef de mission, I am truly very proud of this feat! Just as I thank my Philippine Sports Commission (PSC) family headed by Chairman William Ramirez for their all-out support,” the PSC commissioner added.

“To Philippine Olympic Committee President Abraham Tolentino, maraming salamat po for giving me the honor to head the delegation. To my deputy CDMs Pearl Managuelod and Carl Sambrano and to everyone who contributed one way or the other, daghang salamat,” Mr. Fernandez said. “This was an enlightening and educational experience for yours truly. We fought as one and won as one! Mabuhay ang atletang Pilipino!” he exclaimed.

As one of his last functions as the head of the Philippine delegation, the PSC official attended the final CDM meeting the previous day where Cambodian CDM Soksival Nhan thanked the Vietnamese organizers for their warm hospitality in the running of the Games. “Nhan extended his personal invitation in welcoming all of the other 10 participating countries to the 32nd SEA Games in Phnom Pehn next year,” Mr. Fernandez said, adding that he would stay until on Tuesday to see that all the PH team members are safely on their way back home before boarding his own flight back to Manila.

Film icon Susan Roces, 80

Susan Roces in the Sept. 20, 1971 cover of Bannawag

QUEEN of Philippine Cinema Susan Roces passed away on Friday evening (March 20), her daughter, Senator Grace Poe confirmed on Facebook. She was 80 years old.

“With great sadness, we announce the loss of our beloved Jesusa Sonora Poe, whom many of you know as Susan Roces,” Ms. Poe’s statement said. “Remember her in her beauty, warmth and kindness.”

On Saturday, Ms. Poe confirmed cardiopulmonary arrest to be her mother’s cause of death.

Born Jesusa Purificacion Levy Sonora on July 28, 1941, the award-winning actress starred in more than 130 films over a seven decade-long career.

Younger audiences are familiar with the actress who played the role of Cardo Dalisay’s grandmother Lola Flora in FPJ’s Ang Probinsyano, the long-running action series based on her late husband Fernando Poe, Jr.’s 1997 film of the same name.

The actress made her screen debut at the age of 11 in 1952’s Mga Bituin ng Kinabukasan. Her best known films include Dance O’ Rama (1963) Ana-Roberta (1965), Maruja (1967), To Susan With Love (1968), Divina Garcia (1970), Bilangguang Puso (1972), and Patayin sa Sindak si Barbara (1974) and Nasaan Ka Nang Kailangan Kita (1989). Her last film appearance was in 2003’s Mano Po 2: My Home. Her roles on television include John en Shirley (2006-2007), Iisa Pa Lamang (2008), and Walang Hanggan (2012).

Ms. Roces won five Filipino Academy of Movie Arts and Sciences (FAMAS) awards, and the Lifetime Achievement Award from the 2003 Film Academy Awards.

During the Sine Sandaan celebration in 2019 which marked the centenary of Philippine films, the Film Development Council of the Philippines named Ms. Roces as one of the Philippine Cinema Luminaries and gave her and her late husband the Love Team of the Century award.

Ms. Roces’ colleagues in the entertainment industry turned to social media to give tributes following her passing.

FPJ’s Ang Probinsiyano star Coco Martin wrote on Instagram: “Mahal na mahal kita Lola. Maraming salamat po sa lahat ng biyaya, pag-gabay at pag-aruga. Nabuo ako, dahil sa pagmamahal mo. Hindi kita makakalimutan. Nasa puso at nasa isip kita habangbuhay. Mahal po kita. (“I love you very much, Lola. Thank you for all the grace, guidance, and nurturing. I became whole because of your love. I will never forget you. You will be in my heart and mind all my life. I love you.”)

In a resolution filed in the Senate, outgoing Senate President and entertainer Vicente “Tito” C. Sotto III said, “The passing away of a legendary movie star whose invaluable contribution to Philippine cinema is beyond compare and whose sincerity, warmth, guidance, and kindness had truly touched the hearts of her fellow workers in the film industry sector, particularly the young actors and actresses who have just begun their movie careers, will be mourned by the Filipino people and the nation.”

On the Cultural Center of the Philippines President’s Facebook page, Arsenio “Nick” Lizaso wrote: “Her artistry and wisdom have become great sources of inspiration for many. But to those who have worked closely with her, it was her generosity and genuine goodness that truly made a mark. Like a true artist, she has loved her craft to the fullest, a strong pillar of the industry. Ms. Roces may have passed on, but her star will continue to shine for everyone.”

Ms. Roces’ wake is open to public viewing from 10 a.m. to 10 p.m. until May 25, at the Heritage Memorial Park, Taguig City. Interment will be at the Manila North Cemetery. — MAPS

Demand for midrise building residential developments growing in key cities

 Development Corp. is developing more midrise residential garden communities around the country. Glade Residences is SMDC’s newest project in Jaro, Iloilo City. — COMPANY HANDOUT

DEMAND for midrise building (MRB) residential developments is on the rise, especially in key cities such as Laguna and Iloilo.

Roy Golez, Leechiu Property Consultants director for research and consultancy, said they are seeing increasing demand for midrise building developments as rising land values make it more expensive for people to have their own single detached homes.

“MRBs offer a more affordable alternative… There’s a demand for MRBs from millennials and families,” he said in a webinar on SM Development Corp.’s (SMDC) Facebook page on Friday.

Cyrill Manzo, SMDC assistant vice-president for architecture design management, said the company is launching several midrise residential projects outside of Metro Manila.

“For SMDC, we’ll be launching some projects in Iloilo, Cagayan de Oro, Laguna, Cavite to name a few. For each project we have about 1,900-3,000 units. So imagine around 10,000 to 15,000 units in the market every year. This is SMDC’s way to help solve the housing backlog,” she said in the same webinar.

Ms. Manzo said the concept for these projects revolve around “green living” and sustainability.

“SMDC’s MRB residential communities are lifetime investments for residents. It’s a future-ready, sustainable property development that doubles as an investment… It is the future of real estate,” she added.

Mr. Golez noted growing demand for such projects in Laguna, which has seen fast population growth due to the industrial parks and new infrastructure projects that improved accessibility and connectivity. Iloilo has seen similar growth as more business process outsourcing firms expand and create more jobs in the city.

He noted it is a good time to invest, since real estate values have continuously grown even during the pandemic.

“This gives buyers the reassurance that investments made in these projects will likewise continue to grow… Demand for housing today is too huge and it will continue to be high. It contributes to the capital appreciation of your condo unit,” Mr. Golez said.

He also noted developers are now offering modern-designed, sustainable housing projects at very low cost.

“Buying a real estate property provides an opportunity for buyers to help the country. Investments in real estate have six times multiple in the economy. One peso spent in real estate translates to six pesos contribution to the economy,” he said.

Mr. Golez offered some tips before making any real estate investment, such as making sure of the project’s location and the strength of the real estate developer.

“Be ready to invest. Have enough savings, cash flow and emergency fund before you put your first peso in any real estate investment. Have enough money so you can cover the monthly payments and amortization… Also, invest in a modern, sustainable project designed to focus on health and property growth value,” he said. — Cathy Rose A. Garcia

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