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Using unproven methods to tackle cancer could be deadly

PEOPLE who decide to tackle their cancer using only unconventional methods are likely to die sooner than patients who opt for conventional treatments, according to a new study.

People with various kinds of cancer who turned down treatments like chemotherapy or radiation in favor of alternative medicine were two to six times more likely to die within six years, compared to people who accepted medically proven therapies, researchers found.

“In our clinical practice, we started seeing patients coming in with more advanced cancer… because they first tried alternative therapies that failed,” said lead author Dr. Skyler Johnson, of the Yale School of Medicine and the Yale Cancer Center in New Haven, Connecticut.

Many cancer patients add nonmedical therapies to the treatments prescribed by their oncologists. But little is known about patients who choose only unconventional methods to address their cancer, Johnson and colleagues write in the Journal of the National Cancer Institute, online Aug. 10.

To find out more about this group of patients, they used information collected on prostate, breast, lung and colon cancers for the US National Cancer Database between 2004 and 2013.

The researchers had data on 280 people who tried only unproven methods administered by nonmedical personnel. They compared each of these patients to two people with similar cancer type, disease stage, age, race and other attributes, but who received conventional treatments.

Half of the patients were followed for at least five and a half years.

Compared to patients who chose evidence-based cancer treatments, those who used unconventional methods tended to have high social and economic status, be from northwestern US states, have advanced cancers and be in otherwise good health.

Overall, patients who chose unproven methods were more than twice as likely to die during the follow-up period than those who received treatments like chemotherapy, radiation, and surgery.

Compared to those receiving evidence-backed treatments, patients with breast cancer who opted for unproven methods were more than five times as likely to die, those with lung cancer were more than twice as likely to die and those with colon cancer were about five times as likely to die.

“Our findings highlight the importance of timely proven care for cancer,” Johnson told Reuters Health.

If the patients were followed for a longer period of time, it’s possible the differences could be greater, he said. Some prostate and breast cancers develop slowly even if untreated and may not be deadly within five to six years.

In addition, Johnson said, the researchers couldn’t account for people who received science-based treatments when their unconventional methods failed.

He said people should be cautious about what treatment advice they receive from the internet or through word of mouth.

“This is something they need to think a lot about, because choosing alternative medicine for their cancer treatment could risk their lives,” Johnson said. — Reuters

In Lebanon, salt producers fear craft is drying up

AT 93, Elias al-Najjar has spent half a century harvesting salt by hand from ponds on Lebanon’s Mediterranean shore, but he and his colleagues fear their way of life is dying.

Traditional coastal salt production was once popular in Lebanon, but the fully artisanal practice now survives in just a single seaside town, Anfeh, around 70 kilometers (45 miles) north of Beirut.

Producers like Najjar say the sector has suffered a series of blows, from an exodus of pond owners during Lebanon’s civil war, to the lifting of import tariffs.

“I used to produce 300 tons myself in the 1950s,” the elderly man says.

“Now I make 30 tons maximum.”

Anfeh’s salt producers accuse the government of refusing them permits to repair their equipment in order to turf them off prime coastal real estate and make way for developers.

“If they can’t destroy the ponds, they want to make them unworkable so it’s easier for fat cats to buy them to build resorts,” says Hafez Jreij, 67.

“The land the ponds are on is going to be handed over to developers who want to build beach resorts.”

The municipality confirmed to AFP that the central government is not giving any more permits.

But municipal spokeswoman Christiane Nicolas said the local council has no desire to destroy the sector.

“The government stopped collecting taxes on traditional salt production because it considered it an infringement on public property,” she told AFP.

But she added: “There’s no evidence the authorities want to hand over the coast to developers.”

Salt extraction is a time-consuming process subject to the vagaries of weather, meaning it can only be practised around four months a year.

First, sea water is drawn into meter-deep concrete ponds via pumps powered by small windmills.

The water sits in the ponds of up to 20 square meters (more than 200 square feet) for at least 20 days, evaporating to leave a salty liquid residue.

That salty water is then swept into shallower concrete pans, and left to concentrate further for another 10 days.

Each day, producers sweep the sea water across the pan to ensure it dries evenly.

As the liquid disappears, blindingly white salt crystals emerge in lines, twinkling in the sunlight.

Jreij says Lebanon’s traditional salt industry produced 50,000 tons a year during the sector’s heyday between 1955 and 1975.

“Lebanon did not need to import salt, and the state imposed a 200% tax on salt imports,” he says.

But from 1975, when Lebanon’s 15-year civil war erupted, the industry began suffering a series of setbacks.

Many pond owners were among the Lebanese who fled in waves over the years of the grinding conflict.

With their departure, production started to fall below demand, prompting the government in the 1990s to lift the import tax on foreign salt.

The decision made it hard for local producers to compete and, with the sector in free fall, the government announced it considered many of the salt pans to be illegal construction on public coastline.

As a result, it stopped taxing income from salt production in 1994.

And without tax receipts, municipalities started rejecting permit applications from producers to maintain their equipment, producers say.

Those refusals prevent repairs on worn-down infrastructure, thereby killing the industry, they complain.

Jreij estimates half of all the salt pans in Anfeh are now unusable as a result of the 1994 decision.

Jreij also said that local authorities tried to shut him down in 2015 and 2016 by claiming the sea water feeding the ponds was contaminated.

“We did laboratory tests on the water at extraction points and they all conformed to safety specifications,” Jreij says.

Najjar, who said he had had a similar problem, showed to AFP the analysis results, carried out in Lebanon.

For now, producers in Anfeh are scraping by, selling salt to individual and industrial buyers at a rate of between $2 and $4 per kilogram, much less than the price of imported salt.

Fisherman Daniel Fares, 37, says he is a loyal customer of Jreij because the entire production process is transparent.

“The sea is clean, and you know where the salt is coming from,” he tells AFP.

“I prefer it over imported salt because it has no additives, which makes it suitable for pickling sardines too,” says Fares, who also sells some of Jreij’s salt to his own customers for home use.

Jreij sees the fight to preserve the salt ponds as part of a greater battle to protect Lebanon’s coastline, much of which has been gobbled up by developers.

“Salt ponds don’t produce waste, they don’t block the way to the sea, and they don’t block the beautiful view of the Mediterranean,” he says.

“Resorts do all of that.” AFP

Mixed martial arts has much to gain from ‘The Money Fight,’ says analyst

THE much-anticipated “crossover” fight between boxing superstar Floyd “Pretty Boy” Mayweather and mixed martial arts champion Conor “The Notorious” McGregor, dubbed “The Money Fight,” comes down this weekend presenting an interesting dynamic than should redound well for MMA, this according to one local fight analyst.

Mixed martial arts has much to gain from ‘The Money Fight,’ says analyst
Boxer Floyd Mayweather, Jr. (L) and MMA fighter Connor Mcgregor pose during a media press conference Aug. 23 at the MGM Grand in Las Vegas, Nevada. Mayweather, the 40-year-old undefeated former welterweight boxing champion, has been lured out of retirement to face McGregor, a star of mixed martial arts’ Ultimate Fighting Championship. — AFP

Happening at the T-Mobile Arena in Nevada on Sunday (Manila time), the fight will see undefeated boxing world champion Mayweather take on Ultimate Fighting Championship lightweight champion McGregor in a virtual clash of worlds involving two of the most popular combat sports out there.

For local fight analyst Nissi Icasiano, the way things stand, MMA stands to gain much from the Mayweather-McGregor collision considering how the burden of proof lies more on boxing.

“Mixed martial arts has nothing to lose and everything to gain in this blockbuster. Even if Conor McGregor loses by decision or knockout, it’s business as usual for the entire sport, especially for the UFC, which will garner a big slice of the pie in terms of revenue. Of course, it can be argued that an MMA athlete has absolutely nothing to offer in a boxing bout against a master boxer like Floyd Mayweather. But if Floyd Mayweather loses, that’s the problem,” said Mr. Icasiano when asked by BusinessWorld for his thoughts on the mega-fight that is about to happen.

“Like what I said, MMA has everything to gain and nothing to lose. Floyd is still the face of boxing even if he hasn’t competed for two years. Boxing is in the twilight zone. If Floyd loses in this bout, it will definitely be the final nail in the coffin for boxing. It’s hard to imagine a master boxer like Floyd Mayweather to be beaten by an MMA fighter, whom I cannot even consider as a pound-for-pound best. We all know what happened when James Toney decided to wear four-ounce gloves against Randy Couture in August 2010. It was not Toney’s habitat. Plain and simple. But if Floyd loses to Conor, not only he scathes his immaculate record, but it will put boxing behind MMA, cementing MMA as the premier combat sport in the world,” added the analyst who follows and writes about boxing and MMA.

But while a McGregor win could have a tremendous ripple effect, Mr. Icasiano said it is going to be easier said than done since the Irishman is going up against someone who arguably is the best in the boxing business.

“Mayweather will win because he is simply a master boxer. Mayweather is known for dictating the bout’s tempo with his distinctive and effective brand of defensive guile all throughout his career, utilizing his shoulder roll, high-guard and elbow block to get rid of the shots from his foes. In addition, he is recognized as a minimal-but-accurate hitter, clobbering his counterparts with a drop jab, leaning right hand and inside slap hook,” said Mr. Icasiano.

“It is not a secret that McGregor is hittable. For a guy like Nate Diaz, who has a decent boxing for MMA, Conor had a hard time. Moreover, going the distance has been Conor’s problem. For Conor to win, he has to utilize being a southpaw. Floyd’s Philly Shell does not work with lefties. Conor has to be unorthodox inside the ring,” he added.

Asked to comment on how he would call the fight, Mr. Icasiano said it is going to be Mr. Mayweather taking it.

“Floyd Mayweather will win this fight. He said that it won’t go the distance. Here’s my take. I see the outcome of this fight similar to Floyd’s stoppage of Arturo Gatti in June 2005,” said the analyst, referring to the controversial fight between Messrs. Mayweather and Gatti that saw the former scoring a controversial knockdown in the opening round while the fight was seemingly on a lull.

Mr. Mayweather eventually finished Mr. Gatti in six rounds by technical knockout.

The Money Fight is available locally on pay-per-view, check your cable operators for details. — Michael Angelo S. Murillo

Fariñas: Complainants have no personal knowledge of accusations vs Bautista

WITHOUT THE personal knowledge of the complainants, the allegations against Commission on Elections (Comelec) Chairman Andres Bautista are all hearsay, Majority Leader Rodolfo Fariñas said Thursday. Thus, Mr. Farinas said, the House is faced with a “novel” impeachment complaint, in which the allegations come mostly from Bautista’s estranged wife, Patricia, who accused her husband of amassing unexplained wealth of at least P1 billion. For his part, Mr. Bautista said he is prepared to face the impeachment complaint filed against him at the House of Representatives and answer the allegations at the proper time and place. After his absence at the first briefing of the Comelec’s proposed 2018 budget, Mr. Bautista appeared at the House on Thursday, Aug. 24, to defend the P16.1-billion appropriation for the poll body. The impeachment complaint against Mr. Bautista was filed on Aug. 23, by lawyer Ferdinand Topacio and former congressman Jacinto Paras. — interaksyon.com

Martin Nievera finds a home in Solaire

By Zsarlene B. Chua, Reporter

DUBBED AS the country’s “Concert King” and with a career that has spanned more than a quarter of a century, Martin Nievera is the newest “and only” celebrity endorser of the integrated casino resort, Solaire, according to a company executive.

“It wasn’t really about the timing – it was because we decided we wanted somebody speaking for Solaire and being out in the market and when we huddled up together and talked about who would be perfect [for the role] and there was no one else but Martin [Nievera]. He was the only man on the list,” Cyrus Sherafat, SVP for casino marketing at Solaire Resort and Casino, told the media during a press conference on August 18.

The endorsement deal, which will span two years, will have Mr. Nievera perform at the Solaire as its resident artist.

“Of course, performing is something he does best… so we will certainly have many performances in the Theater and in more intimate ones Eclipse,” Mr. Sherafat said.

Mr. Nievera has previously performed various sold-out shows at the Theatre in Solaire, the most recent being Martin Home at the Theatre in Solaire in 2015, and is hoping to continue performing in the venue like it’s his own “home theater” and invite some of his friends to do the same.

Other plans for Mr. Nievera include holding private dinners with the casino’s VIPs and a cook-off against the resort-casino’s head chef, Michael Dinges.

“This is a singer’s dream,” said Mr. Nievera of his new roles as the “bigmouth of the casino,” before adding that the best part of having the job was he was directed to be himself.

And this vivacious personality of his showed through the casino-resort’s newest theme song, “Follow the Sun,” which he co-wrote with The CompanY’s Moy Ortiz. The accompanying video shows Mr. Nievera walking down the halls of the hotels in his bathrobe and swimming in the pool with his suit on.

“He’s a very funny guy and he likes to entertain the crowd and engages with people. Our customers get to do a lot [in the property] but it’s not every day they get to spend some time with Martin,” said Mr. Sherafat.

The property’s entertainment director, Audie Gemora, commented during the press conference that Mr. Nievera is a perfect fit for the only Filipino-owned integrated resort in the country, and since Solaire has focused on promoting not only Broadway performances but also Filipino icons, it follows that they should have someone like Mr. Nievera to represent them.

“We want to establish ourselves as the center of entertainment and to do that we’re bringing all the [Filipino musical] icons [even] as far back as Sylvia La Torre – a singer from the 1930s, would you believe [it]?” he said, before adding they want to open Solaire for the younger Filipino artists and would want to develop their own artists and acts soon.

The OFW band that made it big

CONCERT
Aegis na Aegis: The Story of Us
Sept. 1, 8 p.m.
Newport Performing Arts Theater, Resorts World Manila

By Zsarlene B. Chua, Reporter

Theirs are voices Filipinos know by heart and their songs are karaoke and singing contest staples — from the career-making 1998 single “Halik” to other powerhouse songs like “Luha” and “Basang-basa sa Ulan.” Aegis has certainly made its mark as one of the most successful rock bands in the country and now it is coming home with its first major concert in Metro Manila on Sept. 1 at the Newport Performing Arts Theatre (NPAT) in Resorts World Manila.

“This is the first time someone trusted us with such a big venue,” said Juliet Sunot, one of the band’s vocalists during an Aug. 8 press conference at the NPAT.

She added that they are a bit afraid that they won’t be able to fill the 1,500-seat theater as they have always played in small venues, both locally and internationally.

The band — composed of the Sunot sisters, vocalists Juliet, Mercy, and Ken, as well as Rowena Adriano on the bass, Vilma Goloviogo on drums, Rey Abenoja on guitar and backup vocals, and Stella Pabico on the keyboard — started out playing in clubs and bars in Japan in the early 1990s.

Their timeless hits (mostly penned by Celso Abenoja, the brother of guitarist Rey Abenoja) became successful and iconic thanks to their heartfelt lyrics, and are now household karaoke favorites. They were even used to create an original musical by PETA called Rak of Aegis.

On Sept. 1, the band will not only sing its hits but will also tell the story of a group of Overseas Filipino Workers (OFW) who wanted to make it big and did.

Tickets range in price from P861 to P5,163 and are available at the Resorts World Manila Box Office and all TicketWorld outlets (www.ticketworld.com.ph). For details, visit www.rwmanila.com or call 908-8833.

Once shunned money market funds proving to be unlikely haven in US

CASH is flowing into short-term US government debt funds at the fastest pace in more than six months, just when you might expect investors to be running for the exits.

Demand is surging even as lawmakers wrangle with a looming debt-ceiling deadline and investors become concerned about Treasury missing payments on the securities held in most of the funds. More than $75 billion has been deposited in government money-market funds in the four weeks ended Aug. 16, compared with outflows of about $18.5 billion from US exchanged-traded and mutual funds, Investment Company Institute data show.

Whether investors are seeking a refuge from geopolitical risks or having cold feet over the sustainability of the record rally in stocks, they’re benefiting from safeguards put in place in October to prevent a repeat of the run on money-market funds experienced during the financial crisis. The changes prompted a shift of more than $1 trillion to government funds from what are known as prime funds by more risk tolerant investors in the run-up to the reforms.

“Investors will probably be less concerned and less weary about the gyrations around the debt ceiling and what that might mean for US securities,” said Deborah Cunningham, chief investment officer for money markets at Pittsburgh-based Federated Investors, which oversees $242 billion in money funds.

In the latest episode, Treasury Secretary Steven Mnuchin said in a letter to Congressional leaders last month that it is “critical” the debt limit is raised by Sept. 29, while Treasury bill investors see the clock running out sometime around early- to mid-October. Regardless, funds like Federated and Invesco are already shunning securities maturing around the deadline.

As of July, taxable money-markets funds, which includes Treasury funds, held about $679 billion of short-term US government debt. Of that, $111 billion is maturing in October, or about 11% of all Treasury holdings in the funds and 2% of all government money-markets assets, according to a J.P. Morgan Securities note published Aug. 21.

“I’m not frightened by those numbers or scale as we have many options to invest during this general time frame that people discuss as the problematic time,” said Patricia A. Larkin, chief investment officer of cash investment strategies at Dreyfus Corp. “The Fed’s RRP (reverse repurchase agreement) is a very welcome tool from the capacity perspective, especially in a situation like this.”

First introduced in September 2013, the Federal Reserve’s fixed-rate overnight reverse agreement was yet a viable alternative for funding during earlier debt-ceiling debate episodes, given the small amount of counterparties and a daily cap of $1 billion a day per entity. Now, there’s a $30 billion limit for the Fed’s 136 counterparties, 102 of which are money-market funds.

“If you have about $2 trillion in government-only money funds and 10% leaves — that’s about $200 billion and that has to go somewhere,” said Joseph Abate, a strategist at Barclays Capital in New York. “Does it go to bank deposits? In the past it has gone into bank deposits, at least for the institutional investors. I don’t know where they put it all really.” — Bloomberg

Sta. Lucia allots up to P500M to develop Silay residential community

STA. LUCIA LAND, Inc. has teamed up with a Silay-based company to develop a 67-hectare master planned lake residential community in the city known for its ancestral homes, and rich culture.

The La Alegria project offers 1,101 residential lots with sizes ranging from 150 square meters (sq.m.) to 300 sq.m., and 83 commercial lots, ranging from 500 sq.m. to 1,000 sq.m. Lot prices start at around P4,000 to P5,000 per sq.m.

“[The development cost] is around P400 million to P500 million,” said Sta. Lucia President Exequiel D. Robles during the project’s launch on Thursday, adding the amount covers the construction of facilities, electrical and water lines, drainage and the man-made lake.

Work on the project has already started, including the initial road tracing, ahead of the formal launch on Sept. 8. Its target buyers are overseas Filipino workers (OFWs), and residents of Bacolod and Silay, although the company also considers those in Iloilo as a likely market.

The land on which the lakeside community will be built is owned by Claudio Lopez, Inc., a property company in Silay that has its own separate residential development projects in the city.

“In about a year and a half, we will be done with the whole project,” said Eduardo V. Tirona, president of Sta. Lucia marketing unit Orchard Property Marketing Corp.

Mr. Tirona is confident the project will be sold out in three to four years, due to its affordability. “But our land has more value because it’s on a prime location, and it’s unique in a way that it has more amenities and a lake,” he added.

Aside from the man-made lake called Lake Aurora, the project will also feature a lighthouse, swimming pool, gazebo and picnic area.

Michael J. Valderrama, general manager of Claudio Lopez, said his family’s company put in the land for the project while Sta. Lucia will be the developer.

“This is a huge development, and it will bring a lot of employment to the people in Negros, especially in Silay,” he said, adding a portion of the development will be allotted for Claudio Lopez’s own commercial projects.

David M. dela Cruz, Sta. Lucia executive vice-president and chief financial officer, said La Alegria is an example of the company’s thrust of developing the countryside and helping build cities outside Metro Manila.

“We’re pretty much scattered all over the country,” he said, citing the company’s projects in Cebu, Bacolod, Davao, Iloilo, Pampanga, Baguio and Nueva Ecija, among others.

The company’s target market is the middle to lower-middle class, and OFWs. “If you’re at The Fort, you’re not our market,” Mr. Dela Cruz said.

Although joint ventures have been “very successful” for the company, Mr. Dela Cruz said “it would be better and would complement the entire business if we start acquiring our own land.”

Sta. Lucia currently has 900 hectares under a joint venture arrangement, while another 900 hectares have been acquired by the company on its own.

Mr. Dela Cruz said the company has recently put up a business unit to look into the commercial component of the residential projects that were sold.

“To build a commercial establishment like a mall [is] capital intensive. We’re thinking now what to do with these commercial properties,” he said.

The options are either to lease them out to bigger retailers, an outright sale or to operate the properties and replicate the company’s experience in the Sta. Lucia Mall in Cainta.

Mr. Dela Cruz said the company’s commercial segment accounts for about 28-32% of revenues. “That’s our mall in Cainta. Everything else is residential,” he said. — Victor V. Saulon

Amazon’s The Tick pokes fun at the world of comic book superheroes

LOS ANGELES – Marvel and DC Comics superheroes may be battling for box-office domination, but on the small screen, a little known blue superhero is offering up a satirical take on larger-than-life crusaders for justice.

The Tick, a new Amazon Studios series premiering on Friday, follows the adventures of eccentric superhero The Tick, a man in a blue spandex suit with feelers sticking out of his head who has no memory of his own origins.

He and his bumbling sidekick Arthur fight incompetently against strange villains like Ramses IV, Ms. Lint, The Terror and Overkill, while encountering respected superheroes.

“It’s set in the real world where superheroes exist. I’m also a superhero, but even the superheroes think I’m weird,” actor Peter Serafinowicz said in an interview of playing The Tick.

Superheroes have saturated Hollywood in recent years, including Disney-owned Marvel’s 2008 action Iron Man and Warner Bros. rebooting the DC Universe with Batman, Superman, and Wonder Woman.

On television, shows such as Gotham, Agents of S.H.I.E.L.D, and Netflix’s The Defenders have offered a more in-depth take on superhero stories.

The Tick, created by cartoonist Ben Edlund in 1986, has had two previous iterations on television, in a 1994 animated series and in a 2001 live-action series. The story has “always been in dialogue with whatever has been big in superhero pop culture at the time,” said actor Griffin Newman, who plays Arthur. – Reuters

A game for both brains and brawn

VIDEO GAME REVIEW
Yakuza Kiwami
PlayStation 4

By Alexander O. Cuaycong and Anthony L. Cuaycong

EVEN FOR THOSE familiar with the Yakuza franchise, Yakuza Kiwami can come as a jolt to the senses. On paper, it’s a remake of the original release on the PlayStation 2 in 2005, but quite a few elements have been changed — and mostly for the better — so that it’s best treated as the latest title in the series, closer in tone to immediate past predecessor Yakuza 0. Never mind that the story line is largely the same. As before, it follows the exploits of Kazuma Kiryu, a Yakuza strongman of the Dojima family. And then things go awry, with Kiryu taking the fall for the murder of his boss. Ten years later, he is paroled for good behavior, and must a search for his missing fiancee while being hunted by people he once called his brothers.

This sets the stage for Yakuza Kiwami’s story sections, and it is told and acted with a healthy amount of believability in the source material. While at times the narrative does feel a bit disjointed, it manages to sell Kiryu’s story well as a whole, especially when combined with unique gameplay mechanics. Through a crafty in-game levelling system, experience points are gained as much by fighting as by eating and exploring — even talking to people on the streets.

This encourages the player to keep moving forward. While grinding is possible, far greater advances are made by accomplishing the story, made all the more interesting by the frequent appearances of Majima, Yakuza Kiwami’s comedic miniboss. There is an organic sense of progression when Kiryu starts to improve his fighting skills, dulled by a decade’s worth of imprisonment, by slowly getting back to his old routine.

To be sure, Yakuza Kiwami takes some getting used to; the combat in the game is a little hard to grasp at first. Largely playing like a spectacle fighter, it has Kiryu dodging, blocking, and weaving in battle, using weapons, and, more importantly, his fists, during fights. In particular, he can choose from among four stances, and each stance has its own benefits and weaknesses, giving players a choice on the type of playstyle they feel most comfortable with. One stance lets Kiryu weave and dodge like a boxer, landing multiple blows with superior speed and footwork. Another lets him fight like a heavyweight, absorbing blows left and right and then countering with heavy backhands. 

The variety in choice makes each fight play out differently, and switching between stances is not only easy, but also encouraged, as certain finishing moves can be done only in certain stances. These finishing moves range from faceplants to suplexes, and can go from brutal to ridiculous in no time flat.

This is probably Yakuza Kiwami’s greatest asset as a whole. The game knows perfectly well how to sell itself to players. It has moments of seriousness, only to go off the beaten path for a comedic quip and a ridiculously cheesy line. It feels like a mix between a drama and a B-grade action film, complete with tropes and little jokes to make the story flow. It takes its story — but never itself — seriously, so it’s never afraid to engage in self-deprecation; laughs at Kiryu’s expense abound. And while it can get grim, the overall visual effects, the gameplay design, and even the quests and how they’re structured are all a joy to experience.

True, Yakuza Kiwami isn’t perfect. User-interface issues sometimes pop up during combat and make it difficult to maneuver Kiryu around. Bosses can turn into a literal grind, and even regular enemies get to be a chore when they start wielding firearms and weapons. On the whole, though, it’s an extremely enjoyable title well worth its price. Polished, smooth and fun, it provides a nice blend of levity and gravity with good gameplay and interesting set pieces. It’s a superb release that compels players to use both brains and brawn. Highly recommended.

THE GOOD
• A compelling story with a nice mix of drama and humor.

• Plenty of side missions and side activities.

• Enjoyable combat, with plenty of variety in style and weaponry.

THE BAD
• Hub area is somewhat limited and disappointing for gamers expecting a more open-world feel.

• Bosses get somewhat tedious without proper strategies and upgrades.

• Combat system takes getting used to, and some encounters can get frustrating.

RATING: 9/10

Death toll from floods

NEW DELHI — The death toll from floods sweeping South Asia has climbed above 1,000, officials said Thursday, as rescue teams try to reach millions stranded by the region’s worst monsoon disaster in recent years.

Thousands of soldiers and emergency personnel have been deployed across India, Bangladesh and Nepal, where authorities say a total of 1,009 bodies have been recovered since August 10 when intense rainfall started falling.

In neighboring Uttar Pradesh, floods have swamped nearly half the vast state of 220 million, India’s most populous.

Disaster management agency spokesman T P Gupta told AFP 82 people had died and more than two million affected by the disaster there.

The state borders Nepal, where 146 people have died and 80,000 homes destroyed in what the United Nations is calling the worst flooding in 15 years. — AFP

47 Meters Down is all wet

By Heather Turk
Front Row Features

Movie Review
47 Meters Down
Directed by Johannes Roberts

IF YOU THOUGHT the trailers for the new underwater thriller 47 Meters Down made the film look like a made-for-TV release, you weren’t entirely wrong. The movie was scheduled to go straight to DVD before its original distributor, Dimension Films, sold the rights to Entertainment Studios Motion Pictures. In an attempt to cash in on Discovery Channel’s Shark Week craze and no doubt Mandy Moore’s This is Us fame, Entertainment Studios Motion Pictures decided to release the film in US theaters instead, a week before Shark Week began.

What’s interesting to note, however, is that 47 Meters Down doesn’t really feel much like a shark movie at all.

The story itself is quite simple. Two sisters on vacation in Mexico decide to go cage diving to see some great white sharks up close. Lisa (Mandy Moore, Saved!), on the rebound after a devastating breakup, is out to prove to her ex that she’s not as boring as he thought — although she still needs a little extra encouragement from her younger, more adventurous sister Kate (Claire Holt, The Originals) to get into the rusty, rickety cage. Once the two are lowered 16 feet into the water, though, Lisa realizes what an amazing, once-in-a-lifetime experience she’s agreed to and quickly forgets about the dangerous-looking cage she’s trapped in.

When the sisters try to take an underwater photograph to show Lisa’s ex just how adventurous she can be, they accidentally drop the waterproof camera — and see it immediately getting swallowed by a nearby great white. Anxious to get back on the boat, Lisa asks the skipper, Captain Taylor (played by Matthew Modine, Stranger Things), to raise the cage back out of the water as Kate disapprovingly looks on. While the cage is being lifted back up to safety, however, the boat winch breaks, causing the cage to plummet to the bottom of the Pacific Ocean floor, 47 meters below.

What follows is more a race against time than a fight for survival against some great whites as Lisa and Kate deal with having a limited oxygen supply while being trapped underwater. Sure, there are sharks swimming in the surrounding waters, but they never feel as threatening as the notion of Kate and Lisa running out of air before being rescued.

Since at 47 meters below Kate and Lisa are just out of communication range with the boat, the young women are forced to leave the protective cage a couple of times during the 89-minute film to try to radio for help closer to the ocean’s surface. Needless to say, these scenes are where the shark-infested waters really come into play. However, distorted dialogue due to the scuba masks Lisa and Kate are wearing and dark lightning make it hard for these scenes to have the impact they should since it’s difficult for viewers to follow what’s going on. One scene in particular is extremely ineffective because viewers can’t tell if the shark actually bit a character or if she got away.

Holt and Moore do the best they can with the hurried script by writer-director Johannes Roberts (The Other Side of the Door) and Ernest Riera (The Other Side of the Door), which rushes any character development at the start of the film to get to the underwater action. Moore’s character does get the opportunity to develop a bit, though, as the story goes on, when Lisa finally decides to stop hyperventilating about the situation she’s in and do something about it.

A semi-predictable third act twist provides most of the film’s heart-pounding action, although it’s too little, too late. While the end of the film does answer the question of whether or not Lisa and Kate survive, it also leaves viewers with several questions that go unanswered — like what actions are taken against Captain Taylor and his crew, if any.

In the end, 47 Meters Down still plays like the made-for-DVD release it was instead of a big-screen summer blockbuster. With so many other must-see movies at the theater this summer, audiences are advised to wait until the film’s inevitable home video release, as this claustrophobic tale of being trapped underwater might actually play better on a smaller screen.

MTRCB Rating: PG

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