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Pepsi-Cola to delist from local bourse

By Denise A. Valdez, Senior Reporter

PEPSI-COLA Products Philippines, Inc. (Pepsi-Cola Philippines) will be exiting the Philippine Stock Exchange (PSE) after its public ownership dropped below the minimum requirement.

The company told the exchange on Thursday its board of directors had approved the voluntary delisting of shares from the PSE main board due its inability to comply with the 10% minimum public float after a Korean conglomerate bought its shares in June.

Pepsi-Cola Philippines sold a 30.7% stake or 1,132,950,431 shares to Lotte Chilsung Beverage Co. Ltd. for P2.21 billion, which brought down its public float to 2.1%. Breaking the PSE’s 10% threshold for minimum public ownership is a ground for delisting.

“After due evaluation and study of the options available to the company, the board of directors approved and authorized the voluntary delisting of the company’s shares from the PSE,” the company said.

“Considering the level of its public ownership and the prevailing market conditions, it will not be able to comply with the minimum public ownership requirement by Dec. 18, 2020,” it added.

Lotte Chilsung will be doing another tender offer to buy 77,858,236 Pepsi-Cola Philippines shares owned by the public, excluding those currently held by Lotte Corp. and Quaker Global Investments B.V.

The new tender offer will be on Sep. 16. Lotte Chilsung is yet to file its tender offer report with regulators that would contain the conditions for the planned offer.

While the delisting of Pepsi-Cola Philippines may have minimal effect on market movement, some investors may dislike the company’s decision, and lose confidence in the bourse, Philstocks Financial, Inc. Research Associate Claire T. Alviar said.

“Long term investors of Pepsi could be disappointed by the decision of the management since it will be hard for them to liquidate, particularly if they choose not to participate in the anticipated tender offer,” she said in a text message.

“Some people may also lose confidence as the IPO (initial public offering) price of [Pepsi] back then was at P3.50, lower than its current price of P1.70, and there’s a possibility that the tender offer price would also be lower than the IPO price,” she added.

Shares in Pepsi-Cola Philippines stopped trading on June 17, when it closed at P1.70 apiece. Despite its delisting from the PSE, it will remain the exclusive bottler of PepsiCo’s beverage brands Pepsi, Mountain Dew, 7-Up, Mirinda, Mug, Gatorade, Tropicana, Sting and Aquafina in the Philippines.

Ayalas’ AC Energy pulls out of Australian firm Infigen

AN affiliate of Ayala Corp. sold its material stake in an Australian energy firm, which might be delisted from the stock market soon.

UAC Energy Holdings, a 75%-owned company of the Ayalas’ power arm AC Energy, Inc., divested its 20% shareholdings in Infigen Energy, Ltd. for A$0.92 per share to former rival bidder Iberdrola, S.A., the local conglomerate told the Philippine Stock Exchange, Thursday.

“With the potential delisting of Infigen, AC Energy has decided to divest its stake in the company. We wish Iberdrola well on its successful acquisition of the platform,” AC Energy International Chief Operating Officer Patrice R. Clausse said in a statement.

To recall, UAC Energy tried to fully acquire Infigen but later conceded to the Spanish multinational utility. Its old shareholdings were bought for an average price of A$0.794 per share. It previously said that its “offer was not predicated on control.”

UAC Energy’s investment in the Australian company was valued at A$178 million, or about US$128 million, if pegged against Iberdrola’s bid price.

Iberdrola is one of the biggest energy players in the world, having over 55 gigawatts of installed capacity in Spain, the United Kingdom, South America, and the United States. It powers around 34 million consumers worldwide. Presently, it owns three quarters of Infigen’s shares, while it is still accepting more until Sept. 23.

Both Iberdrola and UAC Energy pounced on Infigen, which has a portfolio of renewable projects with 670 megawatts (MW) of capacity, after its share prices dropped with the fall in power prices in the country.

Despite withdrawing investments from Infigen, AC Energy said the joint venture firm will continue to invest in the country with its renewable projects in the pipeline located in four Australian states.

“AC Energy remain[s] committed to invest in Australia as it moves to ramping up construction of its 720 MW New England solar farm in the coming months,” Mr. Clausse said.

It is also developing a 250-MW hydropower plant and 300-MW solar farm in South Australia; a 160-MW solar facility in Victoria; and 1,200-MW renewable energy parks in northwest Tasmania.

UPC\AC Renewables Australia, AC Energy’s joint venture with Hong Kong-based UPC Renewables Group, holds the remaining quarter interest in UAC Energy.

In the first half of 2020, AC Energy commenced the construction of some 700 MW clean power projects in the Philippines, Vietnam, India, and Australia which have a combined cost of A$1.23 billion.

On Thursday, shares in Ayala Corp. fell by 2.23% to close at P700 each. — Adam J. Ang

Mulan, once a sure thing, becomes a problem for Disney

IT WAS supposed to be another $1 billion blockbuster for Walt Disney Co. — a live-action remake of a 1998 animated hit featuring an all-star Asian cast, breathtaking cinematography, and plenty of martial arts.

Instead, the new Mulan is proving to be a political hot potato, reflecting the US’s fraying ties with China, and the choices companies face when operating in the highly politicized, but lucrative environment that is modern-day China.

The $200 million film, which was made available for purchase online in the US and Europe last week and is set to open in China on Friday, has seen a string of controversies — all while the coronavirus knocked out its chances of getting a successful run in theaters.

An online boycott that began last year, when one of the stars spoke supportively of the crackdown on anti-China protesters in Hong Kong, has continued. Now, Disney is facing heat for filming in a part of China where the government has detained as many as 1 million ethnic Uighurs in camps called “voluntary education centers,” and then thanking that region’s authorities in the movie’s credits.

Disney is the latest US business to be embroiled in a political controversy involving China. Last year, the National Basketball Association (NBA) was plunged into turmoil after a team manager tweeted in support of the Hong Kong demonstrators, triggering a backlash and a blackout of games in China. DreamWorks Animation’s movie Abominable stirred up a storm in Asia after the film featured a map reflecting China’s maritime claims disputed by its neighbors.

‘ADDICTED TO CHINA’
Senator Tom Cotton, a Republican from Arkansas, slammed Disney on Twitter Tuesday, saying the entertainment giant is “addicted to Chinese cash and will do just about anything to please the Communist Party.” Another Republican senator, Josh Hawley of Missouri, sent Disney Chief Executive Officer Bob Chapek a letter Wednesday with nine questions, including whether the company would donate any Mulan profits to “organizations dedicated to fighting human trafficking and the other atrocities” in China.

Disney has a lot at stake in the country. The company spent $5.5 billion developing its Shanghai Disneyland resort and has been expanding its smaller park in Hong Kong. The movie market there is also on track to become the world’s largest. But with both Republicans and Democrats focusing on China trade and cultural issues in the run-up to the presidential election, the company could continue to find itself in the political crossfire.

“I wouldn’t be surprised if they’re called before Congress,” said Stanley Rosen, a political-science professor and specialist on China at the University of Southern California.

HIGH HOPES
It certainly didn’t begin this way when Disney started work on the film more than five years ago.

The company sought to address cultural and social concerns about the earlier picture, which featured Donny Osmond and Harvey Fierstein voicing Asian characters. For the new picture, they were replaced with a largely Chinese or Chinese-American cast, including Yifei Liu as the heroine who dresses as a male soldier to save her father, and Jet Li, as her emperor.

Disney chose a female director, New Zealander Niki Caro, because “she has a long tradition of going into very specific communities and telling a story,” said Mulan producer Jason Reed. He pointed to films she had done, such as North Country, about Minnesota iron miners, and McFarland, USA, about a Latino track team in California.

Mulan, which is based on a centuries-old Chinese folk song, incorporates traditional Chinese architecture, costumes and spirituality.

“We spent a great deal of time with scholars, consultants and various creative people really listening to how they look at the world,” Reed said.

CONTROVERSIAL COMMENTS
Then Liu, the film’s star, voiced her support for the mainland Chinese government during Hong Kong pro-democracy protests last year. A #BoycottMulan movement began trending on Twitter.

After the film’s release last Friday, others began to notice that the credits included thanks to local authorities in Xinjiang for letting the company film there. The region is where members of China’s Muslim minority are being held in camps as part of a crackdown that followed a series of Uighur attacks on civilians in 2013, including a flaming car attack in the heart of Beijing: Tiananmen Square.

In 2014, Chinese President Xi Jinping vowed to employ a “strike-first” strategy in Xinjiang. Officials in the region then set up a vast security state along with mass internment camps, which United Nations experts said in 2018 could hold as many as one million Uighurs.

International criticism has been building over the camps for several years, with the US sanctioning officials from the region and European governments condemning the repression of Uighurs. China has sought to defend them by calling them “education” camps that Uighurs attend voluntarily, even though a visit to one last year showed dormitories featuring bars on the windows and doors that only lock from the outside.

Representatives for Disney did not respond to requests for comment.

MARKETING MUSCLE
The financial impact of the controversies on Mulan remains to be seen. The movie already faced a steep climb to profitability because so many theaters were closed by the coronavirus and Disney took the unusual step of releasing it online for $30 on its Disney+ streaming service.

The company also spent tens of millions of dollars marketing Mulan, over and above its production budget. Given the state of the movie-theater business, it will be tough to make back its investment.

Disney hasn’t released numbers on online purchases of the film, although data from third parties suggest there was a lot of interest. Box-office results from China, currently the world’s second-largest movie market, won’t be available until the weekend. Some, like USC’s Rosen, think it will do well there. Chinese theaters have come roaring back from the COVID-19 shutdown since reopening in July, and the film’s stars are popular.

‘SPREADING HATRED’
Meanwhile in China, while many eagerly await the release of Mulan, some users of Weibo, the country’s largest social media platform, touched upon the Xinjiang controversy in their posts and voiced support for the movie.

“The western anti-Chinese forces, Hong Kong and Taiwan independence forces and others are spreading hatred against China’s soft power using Xinjiang,” said one user. Another said, “I seriously don’t understand.”

Rich Gelfond, chief executive officer of Imax Corp., which has a big presence in China, predicts no backlash against US pictures there — even with the trade war and other issues between the countries. The Warner Bros. sci-fi thriller Tenet took in $30 million in China last weekend, the biggest opening for a Christopher Nolan-directed film in the country.

The bigger problems for Mulan could be ones that studios are more accustomed to: piracy, for example, because the movie is already available online. The reviews have also been less than unanimous — 76% of critics and 54% of the audience gave it a thumbs up, according to Rotten Tomatoes.

But the woes for US companies doing business in China aren’t close to being over, said Michael Berry, who teaches Chinese culture at the University of California, Los Angeles.

“Part of this feels like a political pile-on,” he said. “Companies like Disney are faced with difficult decisions when it comes to balancing where they stand with core principles like human rights and access to global markets.” — Bloomberg

SSI targets 20% of sales to come from e-commerce

SPECIALTY retailer SSI Group, Inc. is keen on expanding its e-commerce platforms to contribute 20% of its sales within the next few years.

In the company’s annual stockholder’s meeting on Thursday, SSI President Anthony T. Huang said the coronavirus pandemic is pushing the company to adapt to changing consumer habits.

“Our medium-term vision for e-commerce, in terms of its contribution to our total sales, was 20%. And last year, we were at less than 5% of sales… To date, we’re already at around 12-13%… So, we’re definitely well on our way to meeting our medium-term vision of a 20% contribution,” he said.

The coronavirus pandemic, which has put many local businesses to a halt beginning mid-March and left consumers stuck at home, hit the operations of SSI’s brick-and-mortar stores as reflected in its first-half sales.

SSI swung to a net loss of P476.29 million for January to June, reversing its P345.94-million profit in the same period last year. Revenues dropped 49% to P5.04 billion.

SSI is the Philippine retailer of international brands such as Gucci, Prada, Kate Spade, Zara, Marks & Spencer, Gap, Lacoste, Banana Republic, Muji, Lush, TWG, SaladStop, and Shake Shack.

“Beyond the focus on cutting costs and cash generation, and on emphasizing and communicating the health and safety measures in our brick and mortar stores…, the group’s main focus is on accelerating its e-commerce expansion and on innovating new channels…through which we can reach our customers,” Mr. Huang said.

The company has launched an “at-home concierge service” in May to drive sales from loyal customers remotely. In the next two months, SSI will also be launching a multi-brand site that will gather products across SSI’s brands in one place.

“The group will continue to leverage on its unique brand portfolio and resilient customer base,” Mr. Huang said. “As far as the upper market segment is concerned, which has always historically been a more resilient market, I believe that the recovery for that market segment will be quicker.”

Shares in SSI at the stock exchange picked up nine centavos or 7.63% to close at P1.27 each on Thursday. — Denise A. Valdez

Disney ‘very pleased’ with Mulan, but doesn’t release numbers

WALT DISNEY Co. investors eager to hear early results from the company’s unusual online release of the new film Mulan will have to wait.

Chief Financial Officer Christine McCarthy said Wednesday Disney is happy with the debut of Mulan on its streaming service and that the picture led to an increase in subscribers. But she declined to reveal any sales numbers.

“We are very pleased with what we saw over the four-day weekend — I’ll leave it at that,” Ms. McCarthy said on a Citigroup Inc. conference call. “A four-day weekend is just the beginning.”

Disney will talk more about the release during its next quarterly earnings call in early November, she said. The entertainment giant made the movie available online starting Sept. 4, but customers have to pay an additional $30 — on top of the usual $7-a-month charge.

The decision to release the film online was made after the coronavirus shut down theaters. Ms. McCarthy said only about 68% of US theaters are open and many key markets remain closed, including Los Angeles and New York City. Consumers, particularly older ones and parents, remain skittish about attending theaters during the pandemic, she said.

“Would a family with young kids go? Probably not,” Ms. McCarthy said.

The company said last month that Disney+ had 60.5 million customers. Most of them are in the US and Europe.

“A collateral benefit is what we saw in some additional new subscribers, but that wasn’t the driving force,” Ms. McCarthy said. “We’re certain some people came on the service that had been on the fence before.”

CLOSELY WATCHED
Hollywood executives will closely examine the results from Mulan and compare them to the expected ticket sales from a traditional release, as well as the options for introducing other first-run films in this fashion.

Mulan, a $200 million live-action remake of a 1998 animated hit, was originally supposed to be released in theaters in March. Disney delayed the debut several times because of the COVID-19 crisis. It is releasing the film theatrically in countries where Disney+ isn’t offered. The picture will debut in China, a critical market, on Friday.

The movie, a retelling of a centuries-old Chinese folk story, has generated controversy. Last year, a Mulan boycott began trending on Twitter.com after the film’s star expressed her support for the Hong Kong police during pro-democracy protests there. More recently, Disney has come under fire for shooting some scenes in a region in China where the country’s Muslim minority is oppressed. — Bloomberg

NTC recalls ABS-CBN frequencies

THE National Telecommunications Commission (NTC) has resolved to recall all the frequencies assigned to ABS-CBN Corp. after the House of Representatives in July denied the network’s application for a legislative franchise.

The NTC issued the order on Wednesday recalling the frequencies or channels assigned to ABS-CBN’s 23 radio stations, 42 television stations, and 10 DTTB (digital terrestrial television broadcasting) stations.

“Absent a valid legislative franchise, the recall of the frequencies assigned to the respondent is warranted,” the order said.

The commission cited Section 1 of Act No. 3846 or the Radio Control Law that states: “No person, firm, company, association, or corporation shall construct, install, establish, or operate a radio transmitting station, or a radio receiving station used for commercial purposes, or a radio broadcasting station, without having first obtained a franchises therfor from Congress of the Philippines.”

The House of Representatives denied the network’s application for a franchise renewal on  July 10.

The NTC said all provisional authorities or certificates of public convenience granted to the network are also revoked or cancelled.

“Respondent’s pending applications/petitions before the Commission are hereby dismissed/denied,” said the order as signed by Commissioner Gamaliel A. Cordoba and Deputy Commissioners Edgardo V. Cabarios and Delilah F. Deles.

In 2017, President Rodrigo R. Duterte accused ABS-CBN of swindling after it refused to run political ads he had paid for during the 2016 presidential campaign.

He also criticized the broadcaster for airing news stories about his alleged secret bank accounts. He said he would block the renewal of the company’s franchise if he had his way.

On Feb. 11, the Center for Media Freedom and Responsibility called the case against the network a “dangerous attempt to control and silence free press.” — Arjay L. Balinbin

ABS-CBN films to stream on Singapore TV-on-demand platform

IN A BID to expand the reach of its content worldwide, ABS-CBN will be streaming select films from its library on Singapore’s StarHub TV-on-demand (TVOD) platform.

The move was a partnership between Singaporean telecommunications company StarHub and ABS-CBN’s global subscription television network The Filipino Channel (TFC).

“TFC understands how the ‘new normal’ affects the viewing habits of our audience. Hence, we are growing our premium TVOD with valuable support from our long-term business partners like StarHub and other OTT (over-the-top) partners in the Asia Pacific region,” Raymund Romero, ABS-CBN Global’s head regional marketing head for Asia Pacific, said in a statement.

ABS-CBN Global is the international subsidiary of media giant ABS-CBN and TFC is one of the channels under its wings.

Some of the films that will be shown in StarHub are Unbreakable (2019) directed by Mae Czarina-Cruz, The Hows of Us (2018) by Cathy Garcia-Molina, Finally Found Someone (2017) by Theodore Boborol, My Ex and Whys (2017) by Cathy Garcia-Molina, Clarita (2019) by Roderick Cabrido, and Bride for Rent (2014) by Mae Czarina-Cruz.

ABS-CBN, which was denied a franchise renewal in July, has started focusing on exporting content worldwide — distributing films and TV series to countries in South America, Asia, and Africa. Several of its shows have been moved online.

“This is part of our transformation journey to offer customers greater accessibility and even more content choices. ABS-CBN films are well received by consumers worldwide and we are confident that these films will be hits among our customers,” said Yann Courqueux, StarHub’s vice-president of home product, in the statement. — ZBC

Digital banks urged to tap youth, small firms to boost presence

DIGITAL BANKS looking to boost their business in the country must tap underserved segments for growth. — PHOTO BY DYLAN GILLIS ON UNSPLASH.COM

VIRTUAL BANKS in the Philippines looking for growth opportunities must target the young and unbanked as well as small businesses, S&P Global Ratings said.

“Digital banks may carve a niche by catering to the non-affluent retail market and small businesses — segments long ignored by traditional banks,” the debt watcher said in a report on Thursday.

Aside from risks associated with low-income borrowers, the cost of building branches in rural areas also made big banks turn away from these segments, S&P said.

In 2019, only P579.13 billion or 7.10% of the P8.14 trillion in total loanable funds was disbursed for lending to micro-, small- and medium-sized  enterprises (MSMEs). This was short of the 10% threshold mandated by Republic Act 6977 or the Magna Carta for MSMEs.

“Large banks prefer to pay the penalty for noncompliance with the minimum MSME lending requirements rather than deal with high operating costs and credit losses,” S&P said.

Virtual lenders have an advantage in this case as their reduced need for infrastructure gives them the leeway to introduce offerings at a low cost for these underserved segments, the debt watcher said. However, they have to use data correctly to be successful in pricing risk.

“Digital banks’ lower operational costs give them room to offer higher deposit rates, which may trigger deposit price competition,” S&P said, noting virtual lenders operating in the country currently offer 3-4% rates for deposits, much higher than the 0.1% to 0.25% regular savings rates of peso deposits of brick-and-mortar banks.

However, S&P said it will take three to five years for digital banking entrants to become profitable. The debt watcher said they see no ratings effect for traditional banks in at least the next two years given these lenders’ strong market share, boosted by brand recognition and long-standing customer relationships.

For the time being, new digital bans have potential to grow amid the significant number of underserved and unbanked in the Philippines as well as the increased preference for digital transactions due to the coronavirus pandemic, S&P said.

“This contrasts with developed markets such as Australia, Hong Kong, Singapore, and Malaysia where incumbents compete fiercely for digital share, and the underserved market is small,” it added.

A central bank study showed only 29% of the 72 million adult Filipinos had access to formal bank accounts as of 2019. This was already an improvement from the 23% seen in 2017 and represents five million Filipinos gaining access to a financial account in the two-year period. — Luz Wendy T. Noble

Tiu’s Greenergy ventures into medicinal cannabis

ANTONIO L. Tiu’s Greenergy Holdings, Inc. has forayed into the production of medicinal cannabis as it built a new Australian subsidiary with a United States firm.

In a disclosure to the exchange on Thursday, Greenergy said its board of directors has approved the formation of Yakuru Group Pty. Ltd., where it will hold a 51% equity interest in.

Yakuru is a cannabidiol distributor that started in Denver, USA. Greenergy tapped the company to form Yakuru Group in Australia, Mr. Tiu told BusinessWorld.

“Yakuru started in Denver, we form a new company with Greenergy owning 51% in Australia,” he said in a text message.

Yakuru Group will be engaged in biotechnology and will focus on the development and marketing of medicinal hemp across the globe.

In a statement, Greenergy said it wants to ride on the decision of Australia’s Therapeutic Goods Administration to allow the sale of cannabidiol over the counter.

Cannabidiol, also called CBD oil, is a primary by-product of hemp, which is a variety of the cannabis plant.

In recent years, cannabidiol has been used in other countries to treat various ailments and in managing pain and anxiety. However, the use of cannabis products, whether medicinal or recreational, remains illegal in the Philippines.

But since the Dangerous Drugs Board had previously signaled its intent to consider allowing the use of cannabidiol in treating rare forms of epilepsy, Greenergy “saw great opportunity” in investing in Yakuru Group ahead of the government’s decision.

“Just the Philippines alone has a population five times bigger than Australia. We want to provide people suffering from various severe illnesses worldwide with this miracle oil to help alleviate their pain,” Mr. Tiu, Greenergy president and CEO, said in the statement.

Aside from developments in Yakuru, Greenergy’s Australian affiliate Plentex Ltd., which is engaged in agricultural processing and aquaculture, is also planning to do plantation of medicinal hemp in New South Wales and Queensland for exportation.

Greenergy posted a P10.16-million attributable net loss in the first semester, lower than P11.67 million in the same period last year. Shares in Greenergy at the stock exchange gained 17 centavos or 8.29% to P2.22 each on Thursday. — Denise A. Valdez

FDCP’s annual film conference goes online

THE FILM Development Council of the Philippines’ (FDCP) annual Film Industry Conference (FIC) will be held online this year, from Sept. 11 to 15, and will feature several discussions and masterclasses with film industry experts and stakeholders.

“FIC Online 2020 is a major part of FDCP’s efforts in supporting the continued growth of the FIlipino filmmaking community,” the council said in a statement.

“We are particularly excited about FIC Online 2020 because, despite the challenges we face in light of a global pandemic, we will nonetheless be able to push through and provide a platform for the conference speakers to share their knowledge with Filipino filmmakers and film enthusiasts. The conference, moreover, will hold discussions on topics relevant today, as the Philippine film industry continues to respond, recover, and grow in response to the impact caused by the COVID-19 pandemic,” Mary Liza B. Diño, chairperson and CEO of the FDCP, said in the release.

The fourth iteration of the industry conference will have eight free public sessions and six masterclasses that require a fee to attend. Both the public sessions and masterclasses will be held via Zoom.

The topics of the public sessions include “Getting into Online Film Labs,” “Netflix: Showcasing The Best of Filipino Content,” “Southeast Asia Co-Production Grant & Philippines’ ASEAN Co-Production Fund,” and “European Film Labs: Roundtable Discussion With Rotterdam Lab and Locarno Open Doors.” The topics are “valuable to those wishing to work and learn more about the film industry,” according to the statement.

The masterclasses, meanwhile, aim to provide “more specific and practical knowledge about working in the industry from those who have succeeded in it,” said the release. The topics range from “Editing During Quarantine,” “Filmmakers Guide to Film Distribution,” and “Financing Your Film and Getting a Co-production on Lockdown,” to “Writing During Quarantine,” “Pitching Your Project Virtually,” and “The Success of Marketing Distribution of Genre Films.” Attendance to the classes cost between P800 and P1,000 per class. There is also a P5,000 bundle for premium access to all masterclasses.

The masterclasses are recommended for film industry professionals and enthusiasts wishing to advance in their field and film industry knowledge.

To register for the conference, visit www.fdcp.ph/fic. For the full schedule, visit http://www.fdcp.ph/media/fdcp%E2%80%99s-film-industry-conference-goes-online-2020-edition. — ZBC

Banks borrow P3M from rediscount window in Aug.

LENDERS LOGGED minimal availments from the rediscount window of the Bangko Sentral ng Pilipinas (BSP) in August, showing banks are still armed with enough cash to service their clients’ needs.

“For the period Jan. 1 to Aug. 31, 2020, total availments by banks under the peso rediscount facility amounted to P20.7 billion, with minimal availments in August 2020,” the central bank said in a statement on Thursday.

The BSP said loans in August alone totaled just P3.1 million.

Banks last tapped the peso rediscount facility in March and April.

Loan availments in August were borrowings for transactions related to commercial and other credit.

The bulk (76.75%) were other credit made up of bank loans for capital asset expenditures (62.67%), permanent working capital (13.86%) and housing (0.01%).

Meanwhile, commercial credits comprised 23.46% of total rediscounting loans, which include credit for importation (14.20%) and trading (9.26%) of goods.

On the other hand, there were no availments under the Exporters’ Dollar and Yen Rediscount Facility. In January to August 2019, total loan availments from the facility hit P116.574 billion.

The BSP’s rediscount window lets lenders get hold of additional money supply by posting their collectibles from clients as collateral.

The cash — which is in peso, dollar or yen — may be used by banks to disburse more loans for corporate or retail clients and service unexpected withdrawals.

The minimal availments of peso rediscount loans in August suggest the financial system remains flush with liquidity, said Rizal Commercial Banking Corp. Chief Economist Michael L. Ricafort.

“There is still so much excess peso liquidity in the financial system even after the RTB (retail Treasury bond) issuance in August, so there is still less need for banks to tap peso funding through the BSP rediscounting facility,” Mr. Ricafort said in a text message.

The central bank slashed the reserve requirement ratio of big banks by 200 basis points (bps) to 12% in April, releasing some P200 billion into the financial system.

In July, the reserve requirements of smaller lenders were likewise trimmed by 100 bps to three percent for thrift banks and two percent for rural banks, respectively, freeing up about P10 billion in liquidity.

Aside from this, the central bank has also allowed banks to count their loans disbursed to small businesses as well as to non-conglomerate large enterprises as part of their reserve requirement compliance.

For this month, peso loans regardless of maturity will be priced at 2.75%, which is the current lending rate set by the BSP.

Meanwhile, applicable rates for dollar- and yen-denominated loans regardless of maturity will be at 2.25588% and 1.94767%, respectively. — Luz Wendy T. Noble

Taguig, more gov’t agencies partner with PayMaya for e-payment

PAYMAYA Philippines, Inc. announced Thursday its partnership with a local government and four more government agencies to offer cashless payment options to the public.

These are in addition to PayMaya’s over 50 partners in the government, PayMaya Enterprise Head for the Public Sector Marvin C. Santos said at a briefing on Thursday.

PayMaya’s new partners are the Land Transportation Office, Securities and Exchange Commission, City of Taguig, Intellectual Property Office of the Philippines, and Optical Media Board. They can now accept card and e-wallet payments for various transactions.

The existing partners of PayMaya include the Bureau of Internal Revenue, Social Security System, PAG-IBIG Fund, Bureau of Customs, Department of Foreign Affairs, Department of Trade and Industry, Professional Regulation Commission, National Home Mortgage Finance Corp., the cities of Valenzuela, Ormoc, and Parañaque, among others.

“Through PayMaya’s end-to-end digital payment platform, various government agencies and local governments can now offer more convenient payment options to Filipinos, allowing for continuous delivery of critical services to the public and heightened efficiency and transparency of its operations,” PayMaya said in a statement.

PayMaya Chief Executive Officer and Founder Orlando B. Vea said: “By going digital and offering cashless payment options, the government is helping address our two most pressing issues today: ensuring the safety of all citizens and helping in the recovery of the economy.”

“We at PayMaya are always excited to partner with agencies and local government units to offer our solutions to enable them to offer better and more transparent services to the public,” he added.

In June, PayMaya reported that the volume of e-payment transactions from the government had surged by 900%.

President Rodrigo R. Duterte had called for easier and more efficient transactions in government agencies in his fourth State of the Nation Address last year.

PayMaya is a subsidiary of Voyager Innovations, Inc., the digital innovations company of PLDT Inc. Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has a majority stake in BusinessWorld through the Philippine Star Group, which it controls. — Arjay L. Balinbin

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