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Customs surpasses February collection goal, hits P43.7 billion

The Bureau of Customs (BOC) reported on Friday, March 2, that it surpassed its revenue collection target for February, posting a surplus of P 1.965 billion as the majority of ports exceeded their revenue goal.

In its press release, Customs Commissioner Isidro Lapeña cited the initial collection report from the agency’s Financial Service, which showed that the BOC collected a total of P43.674 billion revenue in February, 41.55% higher than the P30.854 billion collection in the same period last year and 4.7% higher than the P41.709 billion collection goal set for February.

BoC said the growth to the improved collection of the majority of the BOC ports, notably by the revenues generated by the Manila International Container Port (MICP), Port of Manila (POM) and Batangas.

“Majority or 14 out of the 17 ports of the Bureau of Customs exceeded their collection target for the month and this is mainly because of the intensive campaign against corruption and smuggling,” Mr. Lapeña said in a statement.

Chinese fugitive nabbed at airport, to be deported

The Bureau of Immigration (BI) apprehended a Chinese fugitive wanted for “economic crimes” back in China and plans to deport him back to the country.

Thirty-six year old Jiang Yabo last Monday, Feb. 26, was cornered by operatives of the BI’s Fugitive Search Unit (FSU) at the Ninoy Aquino International Airport (NAIA) after sending off his parents who were leaving for China, according to a statement released by the BI.

“We will deport him for being an undesirable and undocumented alien”, BI Commissioner Jaime Morente said in the statement. He added Mr. Yabo’s passport was already cancelled by the Chinese government. — Dane Angelo M. Enerio

NAIA rehab, upgrade bid heats up

THE GROUP behind the ongoing upgrade of the Mactan-Cebu International Airport will go head-to-head against a consortium made up of some of the country’s biggest conglomerates in the bid to rehabilitate and upgrade Ninoy Aquino International Airport (NAIA), the country’s premier gateway.

Megawide Construction Corp. and India-based GMR Infrastructure Ltd. said in a joint press release on Thursday that they submitted a proposal to rehabilitate NAIA for $3 billion.

“As an experienced private operator, we have a deep understanding of the problem experienced by NAIA and we would like to offer our take on the solution,” the statement quoted Manuel Louie B. Ferrer, corporate information officer of Megawide, as saying.

The engineering-infrastructure company’s share price edged up by 0.71% to close P21.30 apiece on Thursday.

EXPERIENCED
GMR has been operating New Delhi Airport since 2006 as well as Istanbul Atatürk Airport.

Both firms formed a consortium that won the 25-year contract in April 2014 for the P17.52-billion Mactan-Cebu International Airport Passenger Terminal Building project — 83.34% completed as of end-2017 according to the Web site of the Public-Private Partnership Center — and are now undertaking this through GMR-Megawide Cebu Airport Corp.

Their plan challenges the P350-billion unsolicited proposal for the rehabilitation, operation and maintenance of NAIA that was submitted to the Department of Transportation on Feb. 12 by a consortium composed of Aboitiz Equity Ventures, Inc.s’ Aboitiz InfraCapital, Inc.; Ayala Corp.’s AC Infrastructure Holdings Corp.; Filinvest Development Corp.; JG Summit Holdings, Inc.; Alliance Global Group, Inc.; Metro Pacific Investments Corp. and Asia’s Emerging Dragon Corp.

That consortium has tapped airport operator Changi Airports International Pte Ltd as technical partner for rehabilitation work.

The GMR-Megawide proposal seeks to increase airfield capacity to 950-1,000 aircraft movements a day, a 30-37% hike from about 730 currently.

Proposed concession period will run for 18 years, about half the first group’s proposed 35 years.

The planned investment of $3 billion covers all airside, terminal and landside improvements, Megawide-GMR said, explaining that the first phase (for up to two years) will improve NAIA airside capacity and improve the existing terminal, the second phase (third to fourth year) will introduce “key performance measures” while the fifth to sixth year will build “future capacity.”

Immediately upon takeover- GMR-Megawide will improve capacity of airside infrastructure by building full-length parallel taxiways for both runways, constructing additional rapid-exit taxiways for the primary runway, extending the secondary runway and providing “the maximum number of aircraft stands”.

Within 24 months of taking over operations, GMR-Megawide plans to rehabilitate and expand existing terminals, doubling space to over 700,000 square meters.

Once completed, both airside facilities and terminals should be able to handle a total annual throughput of 72 million passengers compared to last year’s 42 million people and the designed capacity of 30.5 million.

Over the 18-year concession period, GMR-Megawide also plans to pay annual concession fees consisting of revenue share with a guaranteed minimum component; will not require any subsidy, equity or guarantee from the government and will hand over all assets to the government free of cost at the end of the concession term.

GMR-Megawide has also chosen US-based The MITRE Corp. as technical partner, especially for research and development in maximizing NAIA’s existing airside facilities.

“This is a technically responsive proposal,” Megawide’s Mr. Ferrer said in the statement.

“We have evaluated multiple options to enhance NAIA’s capacity and efficiency while reducing airside and landside congestion,” he added.

The same statement quoted Andrew Harrison, another authorized representative of the consortium, as saying: “Our detailed master plan takes into account all possible constraints in transforming a fully operational brownfield airport.”

Feb. growth of PHL factory activity slowest in 5 months

BUSINESS for factories in the Philippines bared “marginal” improvement in February, according to the latest monthly monitoring by IHS Markit for Nikkei, Inc. that showed manufacturing growth easing for the third straight month by the second-slowest pace since the country survey began in January 2016.

The seasonally adjusted Nikkei Philippines Manufacturing Purchasing Managers’ Index (PMI) slipped to 50.8 in February from January’s 51.7, “signalling only a marginal improvement in the health of the sector.”

A PMI reading above 50 suggests improvement in business conditions compared to the previous month, while a score below that signals deterioration.

The manufacturing PMI — a composite index designed to provide a snapshot of the health of the manufacturing sector each month — is composed of five sub-indices, with new orders having the biggest weight of 30%, followed by output (25%), employment (20%), suppliers’ delivery times (15%) and stocks of purchases (10%).

“The latest reading was the joint second-lowest in the survey history,” read the report.

February’s level matched that of September last year and was also the slowest in five consecutive months.

The latest data, collected on Feb. 12-21, showed faster increases in output and new orders that were offset by “the first drop in staffing levels since September 2017.”

“Filipino manufacturing firms recorded a further rise in output during February. The rate of expansion picked up from January, but remained modest overall,” the report said of output, adding that new orders’ “pace of growth was solid, up from the previous month.”

Foreign demand remained subdued, with export sales falling for a second straight month. The report said exports’ “degree of contraction was slightly quicker than recorded in January,” with those surveyed blaming a strong dollar and low overseas demand.

In February, moreover, “the rate of job losses was the fastest in the survey history.”

The report said that managers surveyed referred generally to workers who resigned, “though some mentioned layoffs as part of efforts to cut costs.”

The increase of prices of production inputs “surged to the greatest in the survey history,” read the report that was e-mailed to journalists on Thursday — a day after the central bank said it expected the overall hike in prices of widely used goods and services to have clocked 4-4.8% in February, potentially the fastest clip in more than three years or since October 2014’s 4.3%.

“Companies mainly blamed new excise taxes, higher commodity prices, such as oil, plastics and paper, supply shortages and a weak peso for increased input costs,” the report noted, even as “February data showed tentative signs of recovery in demand after new excise taxes” — under the first of up to five tax reform packages enacted into law in December last year as Republic Act No. 10963 and which took effect on Jan. 1 — “reportedly restricted order book growth at the start of the year.”

“Survey data suggested that the effects of the new excise taxes continued to be felt on the price front. Inflationary pressures intensified during February… The combination of higher prices for raw materials (such as oil, plastics and paper), a weaker exchange rate and new excise taxes were the main drivers for sharp cost increases.”

The report also noted that while “business confidence remained elevated” in the face of higher sales forecasts, it “dipped to the lowest in the survey history.”

“Growth in the Philippines manufacturing economy lost further momentum in February, according to the Nikkei PMI data, setting the sector on course for the weakest quarter in the survey history,” the report quoted Bernard Aw, IHS Markit’s principal economist, as saying.

“…[w]hat’s particularly concerning was the tighter squeeze on profit margins as inflationary pressures built rapidly to survey-record rates,” he noted.

“While the influence of tax reforms is expected to fade in coming months, price pressures could still become more entrenched on rising imported inflation, which will add to calls for the Bangko Sentral ng Pilipinas to raise interest rates.”

Sought for comment, Trade Secretary Ramon M. Lopez cited seasonal factors for the latest Philippine PMI reading.

“At the macro level, manufacturing growth continues to stay relatively strong,” Mr. Lopez said in a mobile phone message, describing February’s PMI dip as “minimal movement” and the reading itself as “still a healthy number”.

“It is also partly seasonal — normally lower in the first quarter — after the ramp-up in manufacturing volume during the fourth quarter [in time for the Christmas holidays] and with inventories spilling over in the first quarter.”

Mr. Lopez also said that February’s dip “can be partly due to the adjustment process taking place as consumers and manufacturers assess their consumption and production patterns given the recent change in our taxation system.”

“This is expected to be temporary.” — with inputs from Janina C. Lim

Mart asks about Fed’s Powell: Is he hawk, dove?

WASHINGTON — Financial markets barely batted an eye on Tuesday when Jerome Powell’s first public statement as Federal Reserve chief saw daylight, interpreting it as a steady-handed commitment to the US central bank’s policy of gradual interest rate increases.

The calm evaporated about a couple of hours later, at 10:42 a.m. EST (1542 GMT), when Mr. Powell, testifying before a US House of Representatives committee, struck a bullish, and personal, tone on the strength of the economy.

US bond yields jumped as investors raised their bets for four rate increases this year, rather than the three that Fed policy makers projected in late December, and began asking one key question: Is a hawk or a dove now running the Fed?

“The message coming from the written portion of the testimony did not signal any change,” analysts from Barclays wrote on Tuesday, drawing a contrast with Mr. Powell’s live remarks that “point to a risk of a steeper policy rate path.”

Fed policy makers consider their public statements an important tool in shaping public perceptions and, in doing so, making monetary policy more effective.

Fed chiefs try to avoid off-the-cuff remarks that cause impromptu repricing, preferring to hew close to their job of representing the views of the Fed’s rate-setting committee and avoiding disclosing much about their personal opinions.

Veteran Fed analysts were split over whether Mr. Powell had broken that unwritten rule in his remarks, which came just weeks after he took over from Janet Yellen.

“The tone of the testimony was definitely NOT hawkish,” said Cornerstone Macro economist and former Fed staffer Roberto Perli, who emphasized that Mr. Powell’s written comments might be read as a willingness to allow the economy to run hot in order to boost inflation to the Fed’s two percent target on a sustained basis.

“Mr. Powell more confident on growth, putting 2018 dots in play,” is how JP Morgan’s Michael Feroli summed up the day, referring to the quarterly “dot plot” of projected interest rates that Fed policy makers submit.

Mr. Feroli argued that Mr. Powell’s “modestly hawkish” appearance in Congress strengthened the chance that policy makers’ rate outlook would rise when the central bank issues its next set of economic projections next month.

Traders in short-term interest rate futures were shading to the hawkish interpretation on Wednesday, betting squarely on rises in borrowing costs at the Fed’s policy meetings in March, June and September, and putting a high likelihood of a fourth increase sometime in 2018.

The greenback strengthened to a five-week high on the prospect of tighter monetary policy.

Before Mr. Powell’s testimony, investors had seen the Fed as likely to wait until December before raising rates a third time, if indeed it chose to do so at all.

The market moves, however, were hardly dramatic or unprecedented.

Former Fed chief Ben Bernanke famously set off a global bond rout — the “taper tantrum” — in 2013 when he indicated the central bank was about to scale down the bond buying program it began to fight the 2007-2009 financial crisis.

In 2014, at her first press conference as Fed chief, Ms. Yellen jostled markets when she said the central bank could raise interest rates around six months after ending its bond-buying program.

The Fed’s first post-crisis rate increase came in December 2015, more than a year after it ended the bond-buying.

Mr. Powell’s comments on his personal outlook “was basically like him saying, ‘my dot is going up,’” said Tim Duy, an economics professor at the University of Oregon, in contrast to Mr. Bernanke and Ms. Yellen who felt they should never reveal their own “dots.”

The current Fed chief will have a chance to clarify his views when he goes before a Senate panel on Thursday. Mr. Powell may try to stick closer to the script set out in his testimony in which he pledged to gradually raise rates while preventing the economy from overheating. — Reuters

SM Prime hikes capex

By Arra B. Francia, Reporter

SM PRIME Holdings, Inc. (SM Prime) is accelerating its spending program in the next two years to support the continued expansion of its shopping mall and residential projects into the provinces.

In a presentation to investors posted on its Web site, SM Prime said it plans to spend an average of P80 billion over the next two years. This is 60% higher than the P50-55 billion capital expenditure program it disclosed in 2017.

SM Prime’s residential component, SM Development Corp. (SMDC), will get the largest share from the capex program at 46%. The shopping mall business follows with 42%, while commercial businesses will get 9%. The remaining 2% will be spent for hotels and convention centers.

SM Prime said it will fund the spending program through a combination of local borrowings and internal funds.

This year will see the opening of six new SM malls in the country, namely SM Center Imus, SM City Urdaneta, SM City Telabastagan, SM City Legazpi, SM Center Ormoc, and SM Dagupan-Arellano.

This will bring SM Prime’s mall count in the Philippines to 73 after ending 2017 with 67 malls covering 8.03 million square meters of gross floor area.

The company added that it has a land bank of 154.33 hectares for mall developments, which will be good for the next five years.

For shopping malls in China, the company said future expansions will focus in the Fujian province. SM Prime operates seven malls in China with a footprint of 1.3 million square meters.

Meanwhile, SMDC said it is currently constructing 13,876 units which have yet to be sold. The company also has 2,697 unsold units that are ready for occupancy.

The residential business has room to expand as SM Prime reported a land bank of 556.22 hectares for the primary homes segment alone, and another 539.10 hectares for leisure homes.

For the office business, SM Prime is set to launch by the first half of 2018 the ThreeE-ComCenter in the Mall of Asia Complex in Pasay City. The new office building has a GFA of 130,000 sq.m., which the company said is already fully leased out.

Also under construction is the FourE-ComCenter with a GFA of 191,000 sq.m., set to be completed by 2020.

SM Prime is keeping its hotel and convention centers business steady, as it now operates six hotels with more than 1,500 rooms, four SMX convention centers, and three Megatrade Halls with over 37,000 sq.m. of leasable space.

SM Prime booked a net income of P27.6 billion in 2017, 15.8% higher year on year as revenues also climbed 13.9% to P90.9 billion.

Shares in SM Prime gained 45 centavos or 1.27% to close at P35.75 each at the stock exchange on Thursday.

MPIC readies more unsolicited proposals for gov’t

By Krista A. M. Montealegre,
National Correspondent

METRO PACIFIC Investments Corp. (MPIC) is readying more unsolicited infrastructure proposals after sustaining a double-digit growth in core net profit despite continuing regulatory uncertainty.

In a briefing in Makati on Thursday, MPIC President Jose Ma. K. Lim said the local unit of Hong Kong-based First Pacific Co. Ltd. has new proposals in the works covering waste-to-energy facilities and water supply projects.

With President Rodrigo R. Duterte more welcoming of unsolicited proposals compared to the previous administration, MPIC has submitted offers covering three toll road projects cumulatively worth P140 billion, one P15-billion waste-to-energy facility, and four to five water supply deals.

Aside from these projects, MPIC is also part of a “super consortium” that has submitted a P350-billion offer to rehabilitate the Ninoy Aquino International Airport.

Likewise, the conglomerate also made an offer to upgrade the Metro Rail Transit Line-3 even as state-run lenders Development Bank of the Philippines and Land Bank of the Philippines were reportedly considering unloading their stake in the dilapidated railway.

“We’re not prepared to buy those shares unless we have the concession,” Mr. Lim said.

MPIC’s group-wide capital expenditures reached P38 billion last year on top of the P38.9 billion invested to deepen its participation in the power sector and expand into new markets including Indonesia. The company continues to look at possible opportunities for tollway projects in Thailand, Vietnam and Indonesia as well as water projects in Vietnam and Indonesia, officials said.

The hospital group is also keen on acquiring more hospitals. MPIC participated in the process of buying Ayala Land, Inc.’s stake in the hospital chain QualiMed, but indicated it was only interested in specific assets such as hospitals in Iloilo and Batangas as well as an outpatient center in the Philippine General Hospital, Metro Pacific Hospital Holdings, Inc. President Augusto P. Palisoc, Jr. said.

In the same briefing, MPIC Chief Finance Officer David Nicol said the conglomerate may push through with a bond issuance in the fourth quarter to finance requirements next year. The company has opened P30 billion in new credit lines sufficient to finance this year’s capital expenditure program.

However, Mr. Nicol said it was too early to provide a guidance on earnings and capex for the full year 2018 as both are related to continuing regulatory frustrations. Metro Pacific Tollways Corp. (MPTC) and Maynilad Water Services, Inc. have been struggling to obtain contractual tariff increases from their respective regulators.

Last month, the Philippine government unexpectedly applied to the High Court in Singapore to have the award in Maynilad’s favor vacated. The appeal process may take a maximum of six months, with MPIC having a “strong belief” of a favorable ruling.

Tariff delays and the arbitration proceedings have also contributed to the delay in MPIC’s plan to sell a portion of its stake in Maynilad to an Asian investor, Mr. Nicol said.

“We are doing our best to support the ‘Build, Build Build’ agenda of the government. However, our investors (many of whom are hardworking Filipino savers and pensioners by the way) and our creditors need confidence that our various concession and franchise agreements will be observed,” MPIC Chairman Manuel V. Pangilinan was quoted in the statement as saying.

“We are working hard to resolve these matters. It is our hope that our partners in government could come along with us in the spirit of partnership in which our various projects were conceived,” Mr. Pangilinan said.

Notwithstanding the delays in tariff hikes, MPIC reported a 17% rise in consolidated core net income to P14.1 billion last year from P12.1 billion in 2016.

MPIC’s earnings got a boost from an expanded power portfolio following further investment in Beacon Electric Asset Holdings, Inc., significant traffic growth on all roads held by MPTC and continuing growth in the hospital group.

In terms of contribution to the company’s net operating income, power accounted for 52%; toll roads contributed P3.9 billion contributed 22%; water added 21%; hospital provided 4%; and rail, logistics and systems group delivered 1%.

MPIC is one of three Philippine units of Hong Kong-based First Pacific, along with PLDT, Inc. and Philex Mining. Hastings Holdings, Inc. — a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc. — maintains interest in BusinessWorld through the Philippine Star Group, which it controls.

MPIC shares closed flat at P5.63 apiece on Thursday.

Phinma Energy consolidated income falls 75% to P347 million

PHINMA ENERGY Corp. recorded a 75% fall in consolidated net income to P347 million last year from P472 million a year earlier — when its bottom line included non-recurring income from the sale of an energy assets.

“Margins in the electricity supply business were challenged by continued low market prices due to the competitive supply environment,” the company told the stock exchange on Thursday.

The company said last year’s income figure included the P472 million non-recurring income from the sale of its 5% share in South Luzon Thermal Energy Corp. to Axia Power Holdings Philippines Corp.

It added that last year’s figure included the sale of transmission lines in Guimaras and La Union to grid operator National Grid Corporation of the Philippines, and around P830 million in non-recurring income from electricity supply and income generated from independent power producers.

Phinma Energy also said last year’s income included P81 million in financial and other income.

The company said despite the lower margins, it ended the year as the second-largest single electricity supplier with a 12.2% share of the market.

On Thursday, shares in Phinma Energy slipped 0.65% to P1.53 each. — Victor V. Saulon

What to see at the Art Fair

In an extreme example of the “I can do that/Yeah, but you didn’t” dichotomy of contemporary art, Nilo Ilarde filled one booth at the ongoing Art Fair Philippines with 24,124 diecast toy cars with a little help from Hot Wheels.

[Watch a clip of Art Fair Philippines: Scenes from the vernissage of Art Fair Philippines 2018]

Called The Art Fair is Full of Objects, More or Less Interesting; I Wish to Add 24,124 More, Mr. Ilarde’s installation riffs on a statement written by American conceptual artist Douglas Huebler: “The world is full of objects, more or less interesting. I do not wish to add any more.” Mr. Ilarde’s 24,124 toy cars do add a considerable number of objects to the many others in the art fair — now on its 6th year — which are often less interesting, and occasionally interesting enough to make the time spent at The Link car park at the Ayala Center worth it.

A new section allocated to photography, ArtFairPH/Photo, deserves a visit. Presented by Swiss private banking group Julius Baer, ArtFairPH/Photo includes an exhibition of archival photographs of Luzon’s mountain tribes taken by Eduardo Masferré organized by 1335Mabini, a harrowing exhibition on extrajudicial killings called Everyday Impunity: Ang Walang Pangalan, and a group show curated by Neal Oshima and Angel Velasco Shaw titled Provocations: Philippine Documentary Photography. The latter gathers emerging and established photographers who show a wide and wild range of images — from Nana Buxani’s prison images to Geloy Concepcion’s portraits of elderly transgender women, Jose Enrique Soriano’s scenes from a mental hospital to Kawayan de Guia’s dreamlike images of Baguio. Read High Life’s story on Neal Oshima’s exhibit: Translucent, transcendent

The images are intriguing, and demand a lingering look, time spent to ponder both subject and style, but during the vernissage on Tuesday, the crowd often just glanced at them then hurried on to the next booth.

Can’t really blame the visitors though — after all, there are 51 galleries filled with artworks arranged throughout several floors totaling 13,000 square meters of space.

That makes for an awful lot of objects.

Here are some of the galleries and their works that will catch your eye. — NFPDM and AAH

Leon Gallery

Paying homage to “110 years of the Filipino artists elsewhere,” the gallery highlights Philippine artists who made it big here and abroad including National Artist Benedicto “Bencab” Cabrera who is represented by a 1973 work called A Manila Gentleman.

Salcedo Private View

It is not surprising that one of the country’s top auction houses focuses on one of the country’s top artists, Arturo Luz. What is surprising is that it chose to show a series of large-scale drawings by the master done in the 1960s, rather than the paintings that he is best known for (those are found at the Crucible Gallery’s booth). Filled with erasures and often featuring lines so deeply etched into the butcher paper that it is torn, the drawings seem like the early versions of later works done with paint on canvas.

Avellana Art Gallery

Among the various examples of works by the artists that the gallery represents are those of Ryan Rubio — deceptively tough stone sculptures that are in their way oddly delicate like his Stone and metal Family Tree (below).

Art Lab

The entire Syjuco family — six members — turned their corner of the car park into an album of their own works. The Syjucos’ Art Lab is full to bursting with installations by father Cesare, and pretty paintings of fallen angels in pastel colors by daughter Maxine (below right). The family’s children dabble in video installation, performance art, accessory design so it is not surprising to find tucked away in an alcove a music booth lab that features music and its accompanying video by siblings Julian and Maxine (below left).

Triad

One of several ArtFairPH/Projects, this exhibition features the social realist triumvirate of Pablo Baen Santos, Renato Habulan, and Antipas Delotavo who dwell on the current state of affairs. Mr. Santos’s Estetiko ng Murahan (Aesthetic of Profanity) is a brightly colored 35-foot-long canvas laced with profanity (below right). The vulgar utterances should be familiar thanks to a president who likes to swear and make promises he cannot keep. The highlight of the exhibition is easily Mr. Delotavo’s Corpus Delecti, tomb-like installation made of law books stabbed by a giant sword-cum-scales of justice which, as is often the case in this benighted country, are rigged (below left and center).

Art Cube Gallery

Sculptor Daniel dela Cruz is always an Art Fair favorite since he guarantees to present a spectacle. This year he welcomes art lovers to his Imaginarium, where the assigned spot in the car park has been turned into a magical space reminiscent of the movie The Greatest Showman. The immersive exhibit (below) — a black and white floor, multiple mirrors, shelves and tables filled with hippopotami and rhinoceri, candelabras, supersized insects, octopus light fixtures, a giant revolving ferris wheel with mystical, almost hypnotic background music — is another example of the curious and playful imagination of this artist who has in the past presented wild takes on the Catholic Church and Alice in Wonderland.

Art Verite

Emmanuel Garibay’s Lansangan (below) plays on the Filipino word for “street,” with overstuffed paintings juxtaposing mundane street scenes with references to the EDSA Revolution.

Galerie Anna

The gallery presents Anatomies of Struggle, a curated collection of paintings and sculptures illustrating the yin and yang found in man, tackling the questions “Are we good or bad?” Among the most striking works is Gerry Joquico’s Homage to Luna: La Conclusion de Asunto, which includes an image of that epitome of human evil, Adolf Hitler (below).

Paseo Art Gallery

Giant bald men in chiaroscuro loom over viewers at Paseo Art Gallery which opted to focus on Rey Aurelio’s large format oil paintings on paper.

The touring production of Lion King gets Filipino touches

TWENTY years since it first opened on Broadway in 1997, The Lion King is finally coming to Manila for the first time, and for its production here, it will have a Filipino touch.

“We have a few local references or a few lines in the local language,” assistant director Anthony Lyn told BusinessWorld in a recent press conference about the production which is currently touring Asia.

“[A] few of the jokes will be updated with the local references. I hope the people appreciate and laugh at [them],” he said.

Asked for a sample, he declined, smiling, saying he would not want to preempt the show.

“You strike a fine balance when you mount a show like Lion King. You want to try and do, and tip your hat in the local culture, but at the same time, you want to make sure you don’t change the show so much,” he added.

Presented by Michael Cassel Group and Concertus Manila in association with Disney Theatrical Productions, The Lion King has another Filipino touch six Filipino children (three boys and three girls) who will play as the young Nala and Simba. (For a number of reasons, touring productions tend to cast the child characters in the cities where the show will be performed.)

The Lion King is not only an international production, but multinational as well, with 18 nationalities represented in the company. In keeping with the show’s spirit, 45 of the 51 members in the cast come from South Africa.

FROM SCREEN TO STAGE
This Disney movie follows the adventures of the young lion Simba, heir to the throne of his father, King Mufasa. Simba’s ambitious and wicked uncle, Scar, attempts to kill father and son in order to take the throne himself. But while Mufasa is killed in a stampede of wildebeests, the cub Simba escapes and goes into exile. The adult Simba eventually returns to redeem his heritage from Scar and take his rightful place in the Circle of Life.

Mr. Lyn said the biggest challenge in The Lion King is how to make a believable and relatable transition from screen animation to the stage as a live performance. The solution they found was the costumes. The actors do not wear animal onesies as if they were mascots, instead, the cast members wear masks, makeup, and costumes in what the production calls as the “double event.”

The “double event” aims to show the humans in the animals, a concept developed by The Lion King’s original Broadway director Julie Taymor — she is the first woman to win the Tony Award for directing a musical, and also won a Tony Award for Original Costume Design for this show.

“It’s simple but genius: the human remains visible in the costume in order to see their emotions,” said Mr. Lyn.

The characters wear masks but these stay on top of their heads. They are controllable so they can go up and down, depending on what the scene requires. For example, in a fight scene between prides, the lions’ masks will be in front of the actors’ faces.

The men playing Timon and Zazu though, have to learn how to move around as if they are puppeteers and ventriloquists.

The ensemble is responsible for manipulating the more than 200 puppets of 25 kinds of animals, birds, insects, and fish. For example, ensemble members playing the giraffes have to learn how to walk on stilts.

How will the animals dance and move? “The vocabulary of the lion movements are inspired from the Javanese dances,” said Mr. Lyn, explaining that Ms. Taymor stayed in Indonesia for four years where she had a theater company and imbibed the local culture.

As a salute to the culture of South Africa where tribal chiefs are women, Rafiki — the old and wise baboon in the animated feture — is a young woman leader, played by Ntsepa Pitjeng, in the live stage version.

“Your eyes will not come off the stage. There is something for everyone: the set design, the costumes, the props are incredible,” said South African actress Noxolo Dlamini, who plays the adult Nala.

“Just the story in itself is touching and there is so much to look out for. If you’ve seen it three times, you still wouldn’t get bored. I mean, there’s still a lot to see. Everybody can relate with what the characters go through. It’s a human story,”

So can we still be surprised? “The story is the same, but now you feel like you are in it, especially when the song begins. You feel like you are transported to Africa and all the elements, like the Balinese movements. It is the whole world, it is Africa, it is Asia. All these cultures are being put together to create this one story,” said Calvyn Grandling, who plays the adult Simba.

The Lion King will have performances at The Theatre at Solaire from March 18 to May 6. Tickets are available through TicketWorld (www.ticketworld.com.ph). — Nickky Faustine P. de Guzman

DTI warns abolition of contract labor could hurt investment

TRADE Secretary Ramon M. Lopez has reiterated his stance on the legitimacy of some contractual work arrangements, noting that a full ban on the practice will hurt investment, thereby posing bigger problems for the labor sector.

Mr. Lopez issued the statement while attending meetings for the Association of Southeast Asian Nations in Singapore during which he said the future of the country’s contractualization rules have raised concerns.

“We won’t have any permanent jobs or security of tenure if investments drop and we lose many jobs,” Mr. Lopez told reporters in a mobile message on Thursday. “The labor sector could suffer.”

“Heard that a draft EO (executive order) banning contracting is being pushed again by labor sector. We wish to pursue position that legitimate contractualization is allowed by Labor Code. That it is legal, and that an EO cannot change that,” he added.

Department of Labor and Employment estimated in 2016 that 5,150 registered contractors and subcontractors deployed more than 416,000 workers to 26,000 principals.

The rules on subcontracting and contractualization are covered by Department Order 18-A which was issued by the previous administration. Labor groups have been for the cancellation of these arrangements.

Mr. Lopez said many contract arangements are not the same as end-of-contract schemes, also known as “endo”, which has been identified by the government as an abusive practice which it intends to abolish.

“Endo” arrangements fail to provide workers a pathway to permanent employment and benefits because work is terminated short of the six-month probationary period, after which workers are entitled to be permanent employees.

The Department of Trade and Industry, has proposed instead that private firms using contractual arrangements offer those that hurdle probation many of the benefits enjoyed by regular workers and possible permanent status provided by the contractor.

Mr. Lopez said the government should focus on improving human resource development and the boosting productivity of its labor force.

“We should continue to allow legitimate contractualization and permanent status and benefits can be given either directly by employers or by the contractors.” — Janina C. Lim

Oscars’ ‘#MeToo’ dilemma

LOS ANGELES — The Academy Awards, the glitziest night in show business, takes place on Sunday, but the biggest drama may be not on the Dolby Theater stage but behind-the-scenes moves to tackle the sexual misconduct scandal that has rocked the industry.

After moving swiftly to expel Oscar-winning film producer Harvey Weinstein last October after multiple women accused him of sexual misconduct, the Academy of Motion Picture Arts and Sciences has still to take action against other people in its ranks who have been accused of impropriety.

They include actor Kevin Spacey, director Roman Polanski, and comedian Bill Cosby.

Weinstein, who has denied having non-consensual sex with anyone, was only the second person in the academy’s 90-year history to be thrown out.

His expulsion made the publicity-averse Academy, whose 8,000 members vote on the Oscars, the moral guardian in the #MeToo scandal that has led to dozens of Hollywood figures stepping down or being dropped from creative projects.

“The academy has always wanted to be the symbol of Hollywood, the glamour and excitement and creativity. But now this awful stuff is being told about Hollywood and it’s like, you’re going to be the symbol of the downside too,” said Tim Gray, awards editor of Hollywood trade publication Variety.

“This is new territory for them. I think they haven’t quite figured it out,” said Gray.

CHALLENGING, FAIR, METHODICAL
The job of policing accusations against filmmakers, agents and actors among the academy’s members has proved slow and difficult.

The academy issued its first-ever code of conduct in December and set up a task force to handle allegations on a wide range of potential violations. Chief Executive Dawn Hudson told members in a January e-mail that it was “a challenging process that will not be solved overnight.”

Hudson’s e-mail said the Academy’s goal was “not to be an investigative body but rather ensure that when a grievance is made, it will go through a fair and methodical process.”

The academy is developing an online form for submitting claims of misconduct that go beyond sexual behavior to include abuses in matters of gender, sexual orientation, race, age, and religion.

According to the guidelines, claimants must supply evidence of alleged behavior and an accused person has 10 days to respond before the academy’s membership committee reviews the matter. Only the board of governors can make a decision whether to suspend or expel a member.

“Traditionally it’s up to the employer to monitor bad behavior — in this case the studios, TV networks, and the agencies,” said Gray. “It’s a slippery slope to get into that. Where do you draw the line?”

The membership list of the invitation-only academy has never been published but the academy said that Spacey, Polanski and Cosby are still members.

Double Oscar-winner Spacey has been accused of sexual misconduct by more than 30 men. He apologized to the first accuser and has retreated from public life.

Polanski won an Oscar in 2003 despite being wanted in the United States to serve time for his 1977 admission of the rape of a minor. Cosby faces retrial in Pennsylvania in April on a charge of sexual assault and has been accused of sexual misconduct by more than 60 other women. He denies the allegations.

Director and actor Woody Allen, who won Oscars for Annie Hall and Midnight in Paris, has repeatedly denied a resurfaced 1992 accusation that he molested his stepdaughter when she was a child. Allen has never been a member of the academy, it said.

Dave Karger, special correspondent for entertainment Web site IMDB.com, says he doesn’t expect any quick action.

“My sense with the academy is that they act judiciously, carefully and deliberately. I can see them making moves to expel certain members, but I see that happening as a multistep process,” Karger said. — Reuters