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Visa sees growth in electronic payments

VISA, INC. sees growth in the adoption of electronic payments in the Philippines, although infrastructure and access continue to be challenges.
Shabab Muhaddes, Visa’s head of product for Indonesia and the Philippines, said the firm will continue to push for more electronic payment channels in the country.
“Our main goal is to drive more electronic payments, so we are working with all the right players in the market to help amplify and proliferate that,” Mr. Muhaddes told BusinessWorld on the sidelines of a Visa event in Makati City on Thursday.
He added that Visa is pushing for the contactless way of paying for goods and services, making transactions faster and more efficient.
“We’ve just recently had our contactless drive in the marketplace where you can now tap with the Visa contactless card.”
Visa brought in the Visa payWave technology to the Philippines as early as 2013, partnering with Citi Philippines.
Visa payWave can be used for small payments of up to P2,000. For purchases beyond the P2,000 limit, Visa cards will be used as regular cards which requires signature or personal identification number.
“It’s a work in progress. It’s happening, and we’re doing all of that to help drive the awareness as well as the usage of mobile payments,” he added.
Visa contactless payments are currently offered in SM Department and affiliate stores such Uniqlo, Crate and Barrel and Ace Hardware nationwide.
Mr. Muhaddes is optimistic on the growth of contactless payments in the Philippines as he sees the payment ecosystem in the Philippines comparable to that of neighboring countries in the next few years.
“When you travel to Singapore, you can use contactless cards from taxis all the way to the retail stores. We’re bringing that same value into the Philippine ecosystem and I think the journey has started.”
Despite the thrust in advancing electronic payments in the country, infrastructure and access continue to hamper growth, Mr. Muhaddes said.
“There are traditional challenges across all the Southeast Asian markets which is also relevant in the Philippines such as infrastructure and access,” he said, although he noted that the country is in the “right direction.”
“There’s a lot of room for electronic payments to grow in the Philippines, and I think it’s in the right direction. Over time, we’ll get there…”
During the 2018 Visa Security Summit held in Singapore on May 17, Visa Regional President for Asia Pacific Chris Clark said the infrastructure gap in the Philippines remains a challenge for the firm.
“You have these areas in the Philippines which are very wealthy and have better infrastructure. And when you think about the rest of the economy, more in rural areas, [these areas are] not necessarily always [have access] to mobile telephony, or even power in some cases,” he said.
Meanwhile, Mr. Muhaddes added that Visa is also working on shielding its clients from cyber-attacks amid its aggressive push to digitize payments.
“As we proliferate digitization in the market, security comes hand-in-hand,” he said. “It’s the second nature for us. We’re very strong in building and investing in our security infrastructure.”
During the May summit, Visa said it has adopted innovative technologies such as deep learning, artificial intelligence as well as “tokenization” of sensitive data to shield clients from cyber attacks. — Karl Angelo N. Vidal

The Devil in the details

By Menchu Aquino Sarmiento
ANG PANAHON ng Halimaw (Season of the Devil) is a musical, the way the pasyon (passion play) may be broadly and loosely defined as a musical. There are 33 songs, of varied forms, uneven musicality and occasionally strained rhymes, all of them written and arranged by the director Lav Diaz. The incantatory refrains are mesmerizing and primal as katutubo (indigenous persons) chants, especially as rendered by the Kwentista (Bituin Escalante as the Narrator, a sort of omniscient muse). Amazingly, these musical sequences are one-take wonders, performed without any instrumental accompaniment.
One does not go to a Lav Diaz film to be entertained. His form of slow cinema is not easy, and that is not simply due to the number of minutes that one must sit through — 234 for Halimaw. The deliberateness of each carefully framed shot is like a necessary step in a solemn religious ritual. The scenes progress in the measured meanderings of thought. It is a journey of happenstance taken through dreamtime: backwards, forwards, and even sideways. There are idyllic scenes of a young boy playing with paper airplanes in a sylvan clearing. Then a dark cowled figure with an Heironymous Bosch-like mask intrudes. The same mysterious figure appears at a burgis (bourgeoisie) cocktail party where the Kwentista sings plaintively of love and loss with her eyes closed. The guests all wear blindfolds, unable to see the monsters in their midst. Only the poet Hugo Haniway (Piolo Pascual) has his eyes wide open.
The film opens like the Book of Job, with two demoniacal tempters: the bull dyke Tenyente (Hazel Orencio) and the facially deformed Ahas (Joel Saracho) plotting the destruction and perversion of everything that good common country people hold dear. Diaz has a predilection for endowing his characters with disabilities, as seen in Mula sa Kung Ano Ang Noon (2014) where Joselina (Karenina Haniel) has severe cerebral palsy, cognitive delays, and was painfully mute. The preponderance of disabilities was especially evident in Ang Babaeng Humayo (2016) where the JLC character Hollanda is epileptic, the Magbabalut (Nonie Buencamino) is a hunchback, and even the carinderia (small eatery) owner is crippled by polio.
In Halimaw, the local warlord, Chairman Narciso (Noel Sto. Domingo) is Janus-faced. It is unclear what he is chairman of. He is otherwise nondescript but on the back of his head is the incongruously benign and placid countenance of a bespectacled professorial or intellectual type, with eyes perpetually shut. Might this symbolize the apathetic and willfully blind or sleeping intelligentsia — the career civil servants, professionals, academicians, and artists who by looking the other way, have enabled the monster to thrive? The buzz is that the “devil” referenced by the movie title is a current political potentate who will not be named. The rise of the Civilian Home Defense Forces (CHDF) is mentioned at the start of the film. The events depicted are based upon real-life terrors and depredations wreaked by the CHDF upon the defenseless and voiceless peasants in their obscure and far-flung domains. Although the setting is supposed to be 1979, the identifiable marks of contemporary EJK are evident: corpses mummified with packing tape and crude signs exhorting any witnesses not to take the victims as role models.
The Chairman spouts virulent gibberish. The cadences of his insanely nonsensical tirades are recognizable. Upon the orders of this “drugged demagogue,” as the poet Hugo Haniway calls him, his flunkies topple over an obelisk-like monument, shattering the hero it once upheld. As in other Diaz films, Halimaw is set in a mythically remote Philippine village, here known as Ginto (Gold) which could be anywhere and nowhere. Diaz’s rural folk are sympathetically portrayed with soulful authenticity.
Aling Sinta (Pinky Amador) is the archetypal mother and widow whose son and husband have both been murdered by the CHDF. Many of those bereaved and left-behind by EJKs are women. Destitute and driven mad by the loss of her menfolk, Aling Sinta is also the kwago (owl): she knows what she knows, but hers is a lonely voice incoherently crying in the wilderness. The Paham (Bart Guingona as the Sage) speaks with wisdom, and resists as best he can, but he is permanently silenced as well.
The poet Hugo Haniway himself is dismayingly distant and apathetic when his courageous and generous wife, Lorena (Shaina Magdayao), a selfless doctor, hies off to Ginto to serve the poor. Her name, “Lorena,” might be a nod towards Lorena Barros, an iconic early martyr of Marcos martial law. Hugo doesn’t help his wife to get settled in Ginto. He does give her a formal typewritten note warning her of the danger she might be getting herself into. Neither does he visit her though she poignantly writes him that she misses him and longs for him.
When Lorena stops writing, Hugo does not spring into action to find out what has become of her. Instead, he falls into a deep drunkenly destructive depression. A real poet who was in the audience during the Philippine premiere was disturbed by what he considered an unjust cinematic portrayal of a poet. After all, Jose Ma. Sison, the founder of the CCP, the longest-running communist insurgency, was himself a poet. Hugo even has time to have another love affair with Angel Aquino before he finally goes to Ginto to look for Lorena. It is too-late the hero in more ways than one. Another audience member asked during the Q&A whether the Tenyente’s mocking Hugo’s poetry as irrelevant because the Filipino masses are too ignorant (bobo) to ever appreciate this, was a valid critique. What happens when the poet gets a gun? That is the question that Halimaw leaves us with.

Indicators of a failed hiring strategy

I’m the boss of a newly hired employee who has resigned after only seven months in office. Is it reasonable to assume that the human resources (HR) department has failed in its job? Please let me know your thoughts on this issue. — Accusing Finger
A first grader went on her first day to a newly integrated school at the height of a rainy day and an unexpected flashing thunderstorm. After school, an anxious mother met her at the door to inquire: “How did everything go, Honey?”
The little girl replied: “Oh, Mother! You know what? A little black girl sat next to me.”
In fear and trepidation, the mother expected trauma, but tried to ask calmly: “And what happened?” The girl replied: “We were both so scared at the thunderstorm that we held hands all day.”
Let me tell you this. Instead of blaming HR, you should hold hands with it to ensure mutual accomplishment for the good of the organization. You should also discover and admit your fault as you have managed the new employee closer on the ground and longer than anyone else in the organization. HR may have done its job in screening the new hire, but it’s still you — who has the ultimate decision to accept or reject any candidate in the shortlist.
It’s not a good idea to start a blaming game with HR as there are many factors to consider. For one, it could be you as the boss who may have mismanaged the worker resulting in his resignation. But of course, I’m only guessing.
But first things first. You should not worry much about this one single resignation. Unless, there’s a clear trend showing a bad hiring process being done by HR as reflected in a good number of resignations of new employees from different departments by different line executives, then you’re probably right in your conclusion.
WHEN TO BLAME HR
Change is difficult for so many people, including HR. Even though some HR managers tend to be adventurous, many of them, to a large degree are creatures of old school and their comfort zones. Consequently, any sort of change in their working lives can sometimes be unsettling. This is particularly true when HR doesn’t know the problem, in the first place.
• When HR takes its own sweet time to hire new workers. The rule of thumb is not more than one month for ordinary workers. And six to seven weeks for line supervisors or managers. But why is speed important? Simple, it’s a clear manifestation of management efficiency. If HR is inefficient, then most likely, it’s also ineffective.
• When HR keeps “secrets” away from new hires. Sometimes, in HR’s desire to hire people right away, it refuses to give correct answers to some of the job applicants’ questions like: “What’s the reason for the vacancy? Why can’t you promote someone from within? What’s the management style of my prospective boss? What’s the corporate culture? How’s the turnover rate of the company?”
• When HR reacts to job vacancies with nothing. This happens when HR does not have an active database of job applicants that can be relied upon as soon as a vacancy arises. The best approach is to clean and maintain a reliable supply from different sources, including campus hiring, online sourcing, employee referrals and many more.
• When HR fails to reap the benefits of internal sourcing. This is in connection with the policy of “promotion from within” which should be upheld all the time, above all others. External hiring must be done only as a last resort and for this matter, HR must convince all line departments to train their people for future challenges.
WHEN TO BLAME LINE MANAGERS
No matter how careful or how efficient is HR doing its job, line department managers are part of an important equation on whether to hire new workers or not. Perhaps the greatest challenge in the area of management is to achieve the right balance of “people orientation” and “production orientation.”
Looking over people’s shoulders or alternatively neglecting them completely, can cause irreparable work issues. Therefore, both the individual worker and his manager have to consider how much or how little follow-up is needed. Normally, it is the fault of line executives if the following circumstances are present:
• When line managers exercise excessive control. It depends much on every situation. There are times, some workers prefer to be directed closely rather than perform their tasks with greater freedom. On the other hand, a great number of workers would like to be treated reasonably as human beings who can work independently and much ease.
• When line managers are not helpful to their workers. The job of every manager is to see to it that his workers can do the job easy with the help of company resources. Therefore, the “manager’s role is not to check people’s work, but rather to liberally spend time seeing how people can do their work faster, more easily, and more accurately,” according to Takehiko Harada, former president of Toyota Taiwan.
• When line managers don’t share vital information. What happens when managers withhold information to people? It’s a trust issue that creates anxiety. Employees would think they’re not being trusted much by their bosses. Sometimes, they think that silence means the situation may have gone down too bad. If that happens, there would be uncertainty that some workers may be prodded to pack their bags.
• When line managers don’t recognize employee contribution. Everyone likes to be rewarded even if with zero-cash awards. In fact, they’re much more valuable and lasts longer than cash. “Managers need to communicate with their people to find out what makes them feel good (for some, it’s a raise; for others, it’s public recognition) and then to reward them for a job well done,” says Travis Bradberry, president of TalentSmart.
But once again, let me reiterate that people management is not a blame game. Line executives must work hand-in-hand with HR to come out with the best possible hiring and retention strategies. It’s a lot easier to do rather than resort to blamestorming which could only increase the stress level of everyone in the organization.
ELBONOMICS: When you’re blaming others, you’re avoiding the truth about yourself.

***

Rey Elbo is facilitating a public workshop titled “A Manager’s Blitz Guide to Improving Labor Productivity” on July 18 at Dusit Thani Hotel. Contact Ricky Mendoza at (02) 846-8951 or 0915-406-3039 or e-mail operations@kairos.com.ph for details.
elbonomics@gmail.com

DMCI Mining sees flat nickel sales in Q1

DMCI Mining Corp. reported its nickel shipments stood at 156,000 wet metric tons (WMT) during the first quarter, flat compared to the same period a year ago.
In a statement, the Consunji-led miner said the average selling price per metric ton of nickel was also flat at $38.
The bulk or 106,000 WMT of nickel ore were from an old stockpile of Berong Nickel Corp. (BNC), with the rest from the inventory of Zambales Diversified Metals Corp. (ZDMC).
DMCI Mining said the average grade of the nickel sold during the first quarter was 1.70%, a 12% improvement the previous year.
However, average cash cost went up 5% to $23 from $22.
“Shipping higher grade nickel ore and lower depreciation expenses allowed us to sustain our operations and grow our earnings,” DMCI Mining President Cesar F. Simbulan was quoted as saying.
DMCI Mining earlier reported its profit surged 347% to P68 million during the first three months of the year, from P15 million a year ago. Revenues also increased to P308 million from P299 million.
“We remain optimistic that the suspension and closure orders on BNC and ZDMC will be lifted within the year. Both have shown proof of their compliance to Philippine mining rules and regulations,” Mr. Simbulan added.
Amid the crackdown on mining firms last year, the Department of Environment and Natural Resources issued an order of closure against ZDMC, and an order of suspension against BNC. DMCI Mining is currently appealing the Office of the President to reopen the cases against ZDMC and BNC.

What to see this week

4 films to see on the week of June 1-8, 2018

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OLD-SCHOOL COP Officer Mike Chandler takes a civilian passenger for a ride-along. Unexpectedly, they find themselves caught up in a bank heist in progress. Directed by York Alec Shackleton, it stars Nicolas Cage, Cory Hardrict, Michael Rainey, Jr., Ori Pfeffer, Weston Cage, and Alexandra Dinu.
MTRCB Rating: R-13

Book Club


FOUR LIFELONG FRIENDS tackle E.L. James’ Fifty Shades of Grey in their book club. As they work out the perils of life and love in their mid-60s, they aspire to make the best chapter of their lives. Directed by Bill Holderman, it stars Diane Keaton, Jane Fonda, Candice Bergen, Mary Steenburgen, Craig T. Nelson, and Alicia Silverstone. “Great as it is to see Jane Fonda, Diane Keaton, Mary Steenburgen, and Candice Bergen on the big scree, too bad they’re floundering about in this undercooked, silly and often downright inexplicable romantic comedy that plays like lesser Nora Ephron,” writes Richard Roeper of the Chicago Sun-Times
Rating: 2 stars
MTRCB Rating: PG

Ang Misyon: A Marawi Siege Story


THE SOCIOPOLITICAL DRAMA commemorates the heroism of those who sacrificed their lives for the freedom of Marawi City. Registered nurse Sajid Tumawil’s life is in jeopardy when the military discover that he is a member of the Maute Islamiyah extremist group. Directed by Ceasar Soriano, it stars Martin Escudero, Rez Cortez, Lou Veloso, Jordan Castillo, Tanya Gomez, and Juan Miguel Soriano.
MTRCB Rating: R-13

Sid and Aya: Not a Love Story


SID, an arrogant and medication-dependent insomniac, meets and hires Aya to spend nights with him. Aya slowly becomes attached to Sid despite his being in another relationship. Directed by Irene Emma Villamor, it stars Dingdong Dantes, Anne Curtis, Gabby Eigenmann, Joey Marquez, Cholo Barretto, Bubbles Paraiso, Josef Elizarde, Gab Lagman, Johnny Revilla, Pio Balbuena, and Jobelle Salvador.
MTRCB Rating: PG

Securing businesses in the digital age

Discussions about disruptive technology and digital transformation have lately been dominating the conversations inside corporate boardrooms and among the C-suites in private companies, spilling over to some government agencies and non-government organizations.
But one of the biggest challenges in this digital age is cybersecurity, and recent high-profile breaches have shown that businesses face financial and reputational risks as well as damage to customer satisfaction.
Hans Bayaborda, Managing Director of Microsoft Philippines, said: “As companies embrace the opportunities presented by cloud and mobile computing to connect with customers and optimize operations, take on new risks. With traditional IT boundaries disappearing, the adversaries now have many new targets to attack.”
In a study conducted by global research organization Frost & Sullivan, the potential economic loss due to cybersecurity attacks in the Philippines could reach $3.5 billion or 1.1% of the country’s gross domestic product of $305 billion.
This was part of a regional survey titled “Understanding the Cybersecurity Threat Landscape in Asia Pacific” involving 1,300 business and IT decision makers in Australia, China, Hong Kong, Indonesia, India, Japan, Malaysia, New Zealand, Philippines, Singapore, South Korea, Taiwan, and Thailand.
More than half of the Filipino organizations in the study had either experience a data breach or were not sure if they had one since they have not performed the proper forensics or data breach assessment.
Large organizations with more than 500 employees can potentially incur a financial loss of $7.5 million, over 200 times higher than the average economic loss of $35,000 for a mid-sized firm with a workforce of 250 to 500. The study also revealed that cybersecurity attacks resulted in job losses across different functions in 72% of those that experienced an incident in the last 12 months.
To calculate the cost of cybercrime, Frost & Sullivan has created an economic loss model based on macroeconomic data and insights shared by the survey respondents. This model factors in three kinds of losses that could be incurred during a cyber attack — direct, indirect, and induced.
Edison Yu, Frost & Sullivan Vice President and Asia Pacific Head of Enterprise, said: “Although the direct losses from cybersecurity breaches are most visible, they are but just the tip of the iceberg. There are many hidden losses that we have to consider from both the indirect and induced perspectives, and the economic loss for organizations suffering from cybersecurity attacks can be often underestimated.”
Aside from financial losses, these incidents have undermined the ability to capture future opportunities in the digital economy, with 57% of Philippine organizations putting off digital transformation efforts because of their fear of cyber risks.
Artificial intelligence (AI) is becoming a potent weapon against cyber attacks in a world where cyber threats are constantly evolving and the attack surface is rapidly expanding. This is attributed to AI’s ability to detect and act on threat vectors based on data insights, making it indispensable in rapidly analyzing and responding to unprecedented quantities of data.
According to the survey findings, 79% of respondent organizations from the Philippines have either adopted an AI approach or are looking to adopt it toward boosting cybersecurity.
With security capabilities in short supply, businesses need to use automation to increase the capacity of their cybersecurity operations. Current advancements in AI have shown much promise, not just in raising detection levels that would otherwise be missed, but also in reasoning over how the various data signals should be interpreted with recommended actions.
An AI-driven architecture will be more intelligent as it is equipped with predictive abilities and can accomplish tasks faster than any human could. Ultimately, leveraging AI and automation can free up a company’s cybersecurity talents to focus on higher-level activities, allowing businesses to strengthen their security posture before problems emerge.
J. Albert Gamboa is CFO of the Asian Center for Legal Excellence and Chairman of the FINEX Media Affairs Committee’s Golden Jubilee Book Project.

Cinematic and polished

By Alexander O. Cuaycong
and Anthony L. Cuaycong
FAR CRY 5 will not come as a shock to those who have been following the series since its inception in 2004. Characterized by open-world gameplay and satisfying gunplay, each of its releases has consistently strived to be bigger and badder than the previous one. And while its iterations don’t stray too far from its tried-and-tested formula, every new addition brings good things worthy of praise, Far Cry 5 included.
In Far Cry 5, players take on the role of a deputy sheriff sent with a task force to arrest an influential preacher in the fictional county of Hope County, Montana. Said preacher is named Joseph Seed, a charismatic and dangerous man who leads a doomsday cult of rabid followers that turns on members of the task force and hold them hostage. Cut off from outside help and on a rescue mission, the lead character must engage in guerilla warfare against Seed’s followers and ultimately take down the radical.
Right off the bat, Far Cry 5 doesn’t hold back. From its cinematic intro sequence to the heart-pounding chase scene right after, it presents its premise with polish. And the gameplay proves extremely engaging; the graphics are lush and beautiful, and players will be hard-pressed not to stop and admire the foliage nearby even as their character sprints through jungles and highways. It runs smoothly at a constant framerate while still remaining detailed and gorgeous, and even when dozens of enemies spawn or explosions and fire effects happen, the game engine doesn’t so much as register a hiccup; it remains buttery smooth for the duration of the lengthy campaign.
Creditably, Far Cry 5 manages to snag the best elements of its immediate-past predecessor while still retaining its own identity, doing away with minor nuisances and showing significant improvements in quality. The tone and pace might still be the same, but story progression feels much more rewarding, emphasizing choice above everything else. Instead of going through a linear set of activities as in previous titles, players now are now free to do any number of side-quests in one of three regions. Each successful mission rallies resistance against the cultists, and adds in friendly safezones and shops that players can peruse. After a certain number of missions, players will eventually meet the regions’ “boss” characters, doing away with them in dramatic set-piece fights.
Contrived? Perhaps. All the same, Far Cry 5’s campaign is given a more dynamic touch by well-crafted scenarios that serve to advance the plot. Some players might prefer bombing cultist shrines and granaries, while others may want to go for a stealthy approach and intercept convoys instead. Refreshingly, the game never forces players’ hands; gone are most of the required action sequences, and there’s never a wrong way to approach any given situation.
Meanwhile, Far Cry 5’s upgrade system has been revised, making it more approachable and less punishing. Players are likewise given the option of hiring AI companions ranging from generic gunmen to a pyromaniac with a flamethrower to a killer bear by the name of Cheeseburger. Combined, they produce a wonderful, if leisurely, experience. Admittedly, they also lead to imbalance; the story brings about a sense of urgency, but the game itself takes time to develop. Even as the cutscenes are top-notch, even as Seed and his accomplices are charismatic, easy-to-hate villains, and even as the sheer variety of options is stunning, the singular lack of urgency is, if nothing else, jarring.
That said, Far Cry 5 is an outstanding title that packages freedom of choice with a compelling narrative, loads of eye candy, and considerable action on demand. While not perfect, it’s far and away the most polished game in the series to date, an easy pickup for both newcomers to and veterans of Ubisoft’s franchise.

The Americans, Soviet spy thriller and Trump era hit, heads for finale

WASHINGTON — Tensions between Washington and Moscow are at an all-time high. US intelligence sees Russian spies around every corner, disrupting government, and stealing secrets.
The hit TV series The Americans began its run five years ago, but found new relevance in the era of Donald Trump, with the various investigations into Moscow’s interference in the 2016 election and spy chiefs constantly evoking the Russian threat.
Set at the height of the Cold War in the 1980s, it sees a pair of KGB agents deep undercover as a couple living the suburban American dream.
After six seasons, The Americans wraps up an award-winning run with its final episode Wednesday.
The show’s protagonists — Elizabeth and Philip Jennings — are on the run and caught up in a plot by their own agency to destroy the looming historic summit between president Ronald Reagan and Soviet reformer Mikhail Gorbachev that could lead to the end of the Cold War.
What happens — will Stan, the FBI counterintelligence agent who is the Jennings’ neighbor, finally expose them? Will they escape? — is a secret kept by broadcaster FX as tightly as the White House nuclear codes.
But after it ends, the show’s deeper theme, of the havoc wreaked by the competition between Moscow and Washington, will linger in a US capital consumed fears that Russian intelligence manipulated Trump’s election and possibly even coopted the White House.
LAUDED FOR REALISM
The show’s premise was simple: how the Jennings — actors Keri Russell and Matthew Rhys — live under deep cover in a suburban Washington home, raising two children in American schools, keeping the house clean and the pantry stocked, while taking orders from KGB bosses to steal top government secrets, eliminate rivals, and remain hidden from US spy chasers.
Torn between allegiances as simultaneously hard-bitten Russian operatives and comfortable, middle class American parents, they have to navigate a marriage forced on them by their KGB bosses, deal with angsty teen children, and parry factionalism back in the home office in Moscow.
In the final year they are caught up in the split between old-school communist and the reformers represented by Gorbachev, which leads to murder and mayhem in the last episodes.
While Hollywood is replete with spy shows and movies on the subject — the often over-the-top Homeland another recent hit — Washington intelligence officials laud The Americans for its realism.
That comes, in part, from deep cooperation between FX and real spies. Series creator and executive producer Joe Weisberg spent three years with the CIA before turning his hand to writing.
His idea got the go-ahead not long after the 2010 arrest of a dozen Russian deep-cover operatives in the United States. A number of former US spies are advisors.
‘THE WAY WE DID IT’
Much of Washington, where the intelligence community is an elite like billionaire financiers on Wall Street and tech czars in Silicon Valley, is enamored with The Americans. Even new CIA director Gina Haspel, a three-decade veteran of covert services, is a fan.
The Americans gets the tradecraft and the technology of the 1980s generally right,” said Jonna Hiestand Mendez, who was a married, undercover CIA operative in Europe for years before becoming the chief of disguise at the agency.
“The script is littered with dead drops and communication protocols, disguises and cyanide pills, secret writing and signals that were used for impersonal communication with your agent or your team. It is all properly executed; it is done the way we did it.”
In a recent Washington Post column, she called the sex and violence of the show “over the top and gratuitous,” noting that, though trained to shoot a variety of guns, even from moving cars, in three decades she never carried one.
At the same time, she said, The Americans captured the mundane stresses of the life, “a thoughtful exploration of the necessity to manage the daily deception that is part of the job of a spy.”
Not all in Washington are fans. Former FBI director James Comey, who oversaw his share of counterintelligence investigations, including the Russia election meddling probe, told PBS last month he avoids the show, as well as Homeland.
“Why do I need that stress,” he asked. “It’s like, ‘I’m gonna die.’ Why do I need that? I get that all day long.” — AFP

Your Weekend Guide (June 1, 2018)

Air Supply Live

ENJOY classic love songs such as “Here I Am (Just When I Thought I Was Over You),” “All Out of Love,” “Sweet Dreams,” “The One That You Love,” and “Lost in Love” as Air Supply performs live at the Newport Performing Arts Theater on June 1, 8 p.m., on the Philippine leg of their Over Asia 2018 tour. For tickets, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Manila Symphony Orchestra in concert

THE MANILA Symphony Orchestra (MSO) presents The Color of Music at The Theater at Solaire on June 3, 8 p.m. Conducted by Arturo Molina, the concert repertoire includes by Dvorak’s cello concerto, Wagner’s Tristan and Isolde: Prelude and Liebestode, and a solo performance by German cellist Claus Kanngiesser. For tickets and schedules, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Pay it Forward at 55

THE Cultural Center of the Philippines (CCP) presents a concert called The Philippine Madrigal Singers PF (Paying it Forward at 55) on June 2, 8 p.m. and June 3, 5 p.m., at the CCP Main Theater. The guest performances will be by Madz alumni Enrico Lagasca (bass-baritone) and Victor Asuncion (Steinway Artist), the Mini-Madz: Madz Music Studio Summer Children’s Choir & Resound Philippines, the Sing Philippines Youth Choir Batch 3, and the Philippine Montessori Center Instrumental Ensemble. For tickets and schedules, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Maratabat: Mga Kwento ng Kagitingan sa Marawi

TO MARK the first anniversary of the Marawi siege, International Alert Philippines, with support from the Government of Australia-Department of Foreign Affairs and Trade, presents Maratabat: Mga Kuwento ng Kagitingan sa Marawi, an exhibit of photos by renowned Mindanao-based photojournalists and by Marawi residents. The exhibit will be on view until June 6 at Yuchengco Museum’s Dragon Gallery. Entrance fee is at P100 (adults), and P50 (students/senior citizens/PWDs with ID). The museum is open from Monday to Saturday, 10 a.m. to 6 p.m.

Jurassic World exhibit at SM

THE JURASSIC World exhibit will be touring select SM malls.

SM CINEMA launched its Reel-to-Real Experience by unveiling the Jurassic World: Fallen Kingdom interactive exhibit in SM City North EDSA The Block Atrium. The interactive exhibit features dinosaur displays and the nest of Owen’s lead raptor Blue. With the Reel-to-Real Experience, moviegoers can enjoy films beyond the big screen through life-like interactive exhibits and engaging activities. The Jurassic World exhibit is ongoing at the SM City North EDSA The Block Atrium until June 10, then move to SM City Fairview, June 14-21; SM City BF Parañaque, June 28–July 8; and SM City Clark, July 12-22. Jurassic World: Fallen Kingdom opens at IMAX, Director’s Club and SM Cinema branches nationwide starting June 6.

Solons step up support for national cancer care bill

IN A PREVIOUS COLUMN, we highlighted the efforts of the Cancer Coalition Philippines (CCPh) in urging Congress to pass a bill that will ensure quality health care for all Filipino children and adults with cancer. A national alliance of patient groups, health care providers, and advocates, CCPh is pushing for the enactment of a National Integrated Cancer Control Act, which increases investments for the prevention, early and accurate detection, and optimal treatment for all forms of cancer. The law also mandates the adoption of an integrated, multi-disciplinary, and patient/family-centered approach to cancer management.
Thanks to two recent moves by both Houses of Congress, the enactment of this important bill is now one step closer to becoming reality. Following the House of Representatives Committee on Health’s endorsement of a substitute bill for review, the Senate Committee on Health and Demography and the Senate Committee on Finance convened a Technical Working Group (TWG) to work on the proposed National Integrated Cancer Control Act. During a recent Senate hearing, TWG members Senators JV Ejercito, Nancy Binay, and Risa Hontiveros announced that their starting point would be Senate Bills No. 1545 (authored by Mr. Ejercito) and 1570 (authored by Senator Sonny Angara). Both bills seek to institutionalize national integrated cancer control in the country.
CCPh members, including former Secretary of Health Dr. Carmencita Reodica, attended the Senate hearing to support the passage of the cancer control bill as well as to present sobering facts and figures about cancer, the third leading cause of sickness and death in the country. According to the CCPh, lack of money is the major cause of treatment failure, i.e. failure to seek treatment, among Filipino cancer patients. Seven out of 10 discontinue treatment; eight out of 10 are unable to comply with treatment requirements and schedules; and more than half refuse or do not seek treatment. Among others, there is an urgent need to provide financial protection for patients and their families.
Cancer Coalition Philippines (CCPh) logo
The CCPh warned that cancer poses a great threat to the country’s economic growth and development. Dr. Reodica appealed for immediate action from all concerned stakeholders in order to enact the National Integrated Cancer Control Act, and urged the Department of Health to make the law a flagship program.
Both Houses of Congress deserve credit for supporting the passage of the National Integrated Cancer Control Act. Aside from Senators Ejercito and Angara, other legislators who have sponsored cancer-related bills are representatives Alfred Vargas, Alexei B. Nograles, Jericho Nograles, Bernadette Herrera-Dy, Chiqui Roa-Puno, and Health Committee Chair Angelina Tan.
We hope that our legislators’ solidarity galvanizes the commitment of other stakeholders involved in the country’s fight against cancer. Let us all work together to enact the National Integrated Cancer Control Act. Filipino cancer patients, survivors, and their families are counting on us.
 
Teodoro B. Padilla is the executive director of Pharmaceutical and Healthcare Association of the Philippines (PHAP). Medicine Cabinet is a weekly PHAP column that aims to promote awareness on public health and health care-related issues. PHAP and its member companies represent the research-based pharmaceutical and health care industry.
medicinecabinet@phap.org.ph.

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