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Tax amnesty could be a double-edged sword — Fitch

By Melissa Luz T. Lopez
Senior Reporter
THE PLANNED general tax amnesty could yield additional revenues that will help fund development projects, but the government should make sure it does not embolden more people and businesses to cheat the state of its rightful levies, Fitch Ratings said.
Stephen Schwartz, head of sovereign ratings for Asia Pacific at Fitch, said bigger tax collections would bode well for the Philippines’ credit rating, but cautioned that the planned general amnesty could undermine efforts to instill discipline among Filipinos when it comes to paying the right taxes.
“If the tax amnesty is successful in raising revenues, it could contribute to the overall improvement in the fiscal outlook,” Mr. Schwartz said in an e-mail when asked for comment on the government’s plan.
“However, the gains from the tax amnesty could prove to be temporary if the tax payment culture is undermined by expectations of more tax amnesties in the future, and if accompanying measures are not implemented to improve tax compliance.”
House Bill No. 7105 now pending in Congress looks to grant qualified amnesty applicants immunity from charges, but will require them to pay a rate of eight percent of their net worth as of taxable year 2017.
The measure also carries a provision that will relax deposit secrecy restrictions to enable the Bureau of Internal Revenue (BIR) to look into applicants’ bank accounts and check the accuracy of their declarations during the amnesty period.
The Finance department has estimated that a general tax amnesty could add P26 billion to state coffers, which — according to BIR data — would be bigger than collections under each of the 18 previous programs since 1972.
The last time the Philippines introduced a tax amnesty program was in 2008. Back then, foreign credit analysts doubted whether such a measure will be effective given the state’s poor track record in bringing more tax cheats into the fold.
Finance Secretary Carlos G. Dominguez III said last week that the government is looking to offer a general tax amnesty in April 2019 to coincide with the annual filing of income tax returns, noting that this means it will have to hurdle Congress by next quarter.
He has repeatedly stressed that the amnesty will be a “one-time” offer so as not to encourage tax evasion.
Mr. Schwartz, however, acknowledged that any additional tax collections would be welcome.
“Low government revenues have been a long-standing weakness in the Philippines’ fiscal profile in Fitch’s view,” the credit analyst said.
“The tax reforms are likely to contribute to the maintenance of fiscal stability during the implementation of the government’s ambitious public investment program.”
Fitch in December upgraded the Philippines to a “BBB” rating — one notch above minimum investment grade status — with a “stable” outlook shortly after the enactment of Republic Act No. 10963, or the Tax Reform for Acceleration and Inclusion Act.
Mr. Schwartz said strong revenue performance would be a “positive” rating driver for the Philippine economy, as he anticipates succeeding tax reform packages to be implemented over the coming years.
Fitch expects the Philippine economy to grow by 6.8% this year, faster than 2017’s 6.7% although short of the state’s 7-8% goal. Philippine GDP expanded by 6.8% during the first quarter.
The government’s tax think tank separately cited advantages and disadvantages of various methods of calculating tax amnesty payments.
“It is pointed out that in designing an effective tax amnesty program, there must be a credible threat to the taxpayers that the tax amnesty is their last chance to come forward and start with a clean slate, otherwise they will be prosecuted to the full extent of the law,” the National Tax Research Center (NTRC) said in the latest issue of its monthly Tax Research Journal.
“There must be a sense of urgency on the part of taxpayers, and their procrastination and reluctance to avail is risky on their part as their delinquency will be sooner detected or discovered.”
NTRC also said that while using net worth as basis for amnesty fee calculations may be “equitable,” the scheme may be manipulated by taxpayers who may underdeclare assets in order to pay a lower amount. “This will therefore pose a challenge to the tax authority in verifying the accuracy of the base of tax amnesty payment,” the journal read.
At the same time, use of total assets as a basis may prevent bloating of liabilities in order to reduce net worth, but this scheme may not reflect the actual financial capacity of the applicant.
However, total assets would be “simpler and easier to determine… resulting in better compliance and tax administration.”
The use of incremental increase in net worth from previously filed statement of assets, liabilities and net worth (SALN), meanwhile, is expected to be “inconvenient” for amnesty applicants since they will have to look for old records that may no longer be available.
NTRC also said that using a basic tax delinquency amount could be “productive” and would “facilitate the administration of tax amnesty,” but possible unavailability of needed data would be a “problem”.
Moreover, tax amnesty payment determined by value of undeclared assets “is reasonable,” as they are “the ones that escaped taxation in the past.”
Moreover, the NTRC also noted that the amnesty could be better implemented by granting a preferential rate or a bigger discount for early payment, similar to Indonesia’s program in 2016.
The tax amnesty bill now pending in Congress proposed that SALNs be considered true and correct only after one to two years from the amnesty offer period in order to give enough time to verify accuracy, but the NTRC said such a “longer period will hold the availers hostage under threat of prosecution for perjury, or other appurtenant civil, criminal, or administrative liabilities.”
“This may also serve as a deterrent in the availment of the amnesty,” the NTRC said. — with Elijah Joseph C. Tubayan

April remittances post fastest growth in over a year

OVERSEAS Filipino workers (OFWs) sent more money home in April, clocking the fastest growth in over a year on the back of a weaker peso, the central bank reported on Monday.
Cash remittances reached $2.347 billion that month, up 12.7% from the $2.083-billion inflows recorded in April 2017 to post the biggest increase since an 18.5% growth seen in November 2016, according to the Bangko Sentral ng Pilipinas (BSP).
The amount, however, was still smaller than the $2.36 billion wired by OFWs in March.
The year-on-year growth compares to a 5.9% annual decline in remittances that marked April last year.
Remittance
In a statement, the BSP attributed the increase to a 15.1% jump to $1.8 billion in bank transfers from land-based OFWs. Those working at sea wired home $500 million, picking up by 4.8% year-on-year.
Filipinos working in the United States, Canada and Singapore accounted for bulk of funds sent home that month, the central bank added.
April’s figure brought year-to-date remittances to $9.353 billion, 3.5% more than the $9.036-billion inflows received in the same period in 2017.
The biggest sources of remittances year-to-date have been OFWs in the US ($3.167 billion), Saudi Arabia ($745.771 million), United Arab Emirates ($733.906 million), Singapore ($581.005 million), Japan ($510.665 million) and the United Kingdom ($468.996 million).
MORE CASH TO SPEND
Remittances give Filipino households more cash to spend, in turn fueling overall economic growth.
“It seems that there is a correlation between the peso weakness and remittances,” said Ruben Carlo O. Asuncion, chief economist at Union Bank of the Philippines, Inc.
“The probability that more remittances will flow into the economic system is high when more peso is exchanged for foreign currency, particularly the US dollar.”
The peso averaged P52.0986 to greenback in April, compared to P49.8626 in April 2017.
“I did expect remittances inflows to be stronger this Q2,” Mr. Asuncion said. “This higher April data… can impact a stronger Q2 growth that may be higher than Q1, which is within our forecast.”
The Philippine economy expanded by 6.8% in January-March as household spending — which has historically accounted for more than 60% of gross domestic product — contributed 3.9 percentage points to growth. — Melissa Luz T. Lopez

Overseas Filipinos’ cash remittances

OVERSEAS Filipino workers (OFWs) sent more money home in April, clocking the fastest growth in over a year on the back of a weaker peso, the central bank reported on Monday. Read the full story.

MPIC logistics unit to build warehouses in Cavite

THE logistics unit of Metro Pacific Investments Corp. (MPIC) will be setting aside P8 billion for the development of warehouses in Cavite, as it aims to become a leading player in the logistics space.
In a disclosure to the stock exchange on Monday, MPIC said its wholly-owned subsidiary Metropac Movers, Inc. (MMI) has signed the deal with Property Company of Friends (ProFriends) to buy 202,000 square meters (sq.m.) of land worth P1.2 billion in General Trias.
ProFriends is one of the property firms under tycoon George S.K. Ty’s conglomerate, GT Capital Holdings, Inc., which in turn is the second largest shareholder of MPIC.
MMI has allocated P8 billion “to develop the property into 141,000 square meters of covered warehouse space and purchase the equipment to service its clients.”
“The property… will be used by MMI to develop and manage distribution centers for its existing and potential clients in the fast moving consumer goods, consumer durables, automotive and e-commerce spaces,” MPIC said.
In addition, MMI plans to purchase another 300,000 sq.m. of land in Bulacan.
MPIC said the completion of the warehouses can provide employment to around 7,000 residents of Cavite and Bulacan. To-date, MMI employs about 2,400 people under its existing warehouses and owned trucks.
The company currently has 207,000 sq.m. of leased warehouse space across the country.
These warehouses will complement the 522 new trucks acquired by MMI in the fourth quarter of 2017.
“These resources…will be utilized by MMI to build the leading logistics firm in the Country, the first choice of existing and future clients for their logistics needs — “the ONE logistics company”. It will fulfill a much needed function in today’s fragmented logistics market where resources to efficiently track and deliver goods to all parts of the Philippine Archipelago are still lacking,” MPIC said.
The listed conglomerate has been ramping up its investments in the logistics industry, announcing earlier this year that it is on the look out for two to three logistics firms this year. It is currently in the closing stages of acquiring transport and logistics solutions provider Air21.
MPIC grew its core profit by 16% to P3.6 billion during the first quarter of 2018, following a 68% jump in gross revenues to P19.4 billion.
MPIC is one of three key Philippine units of First Pacific, the others being Philex Mining Corp. and PLDT, Inc. Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has a majority stake in BusinessWorld through the Philippine Star Group, which it controls.
Shares in MPIC shed 17 centavos or 3.41% to close at P4.82 each at the Philippine Stock Exchange on Monday. — Arra B. Francia

Manga films highlighted in the Eigasai film fest’s 21st year


FOR ITS 21st year, the EIGASAI Japanese Film Festival announces a lineup of 15 films including the third installment of the film adaptation of Yuki Suegetsu’s manga, Chihayafuru.
The films, directed by Norihiro Koizumi, revolve around three childhood friends whose passion for playing karuta (traditional Japanese playing cards) bind them as they compete in the national karuta championships. The third film is the final movie of the trilogy after the first one was released in 2016.
Aside from the third Chihayafuru, the festival — which runs from July 4 to Aug. 26 — will also screen the first two films in the trilogy while its director will give a talk on July 6 at the Ateneo de Manila University.
A karuta card game demonstration will also be held on July 4 and 5 at the Ateneo an hour prior the screenings of the first two films.
CULTURAL EXCHANGE
“Film is a fascinating and powerful medium that journeys across borders and inspires all walks of life,” noted Hiroaki Uesugi, Director of the Japan Foundation Manila, which organizes the festival, in a statement.
“Celebrating the Philippine-Japan Friendship Month, and as part of the Japan Foundation Manila’s commitment to promote art and cultural exchange… we are pleased to showcase once again the best of contemporary and classic Japanese films. We hope Filipinos enjoy accessing and experiencing Japanese culture through films, and also expand understanding through several talks organized in collaboration with the Japan Foundation’s theater, exhibition and dialogue projects,” he was quoted as saying.
Last year’s festival drew more than 26,000 viewers, according to the statement, making it “one of the largest international film festivals in the Philippines.”
LGBTQ FILM
The festival will also screen an independent documentary film, Of Love and Law (2017) by Hikaru Toda, about a couple who operates Japan’s first openly gay law firm.
The film won the Best Film Award at the 30th Tokyo International Film Festival’s Independent Japanese Cinema category.
Ms. Toda will attend the film’s Philippine premiere on Aug. 4 at the Cultural Center of the Philippines (CCP) during the Cinemalaya Independent Film Festival.
A special screening and panel discussion on LGBTQ minorities and the importance of inclusion will be held on Aug. 5 at the Cinemateque Centre Manila
Japanese classics such as Akira Kurosawa’s Seven Samurai (1954) will be screened at the UP Film Institute — Cine Adarna leg of the festival in August. The screening coincides with The Spirit of Budo: The History of Japan’s Martial Arts exhibit at the National Museum which will run from July 21 to Sept. 26.
MANILA NOTES-TOKYO NOTES
Aside from films, the festival also organized a talk by Japanese playwright-director Oriza Hirata. The talk will introduce the Manila Notes project: the Philippine version of the award-winning play Tokyo Notes which premiered in 1994 and has since been translated into 15 different languages.
The Manila version will be Tanghalang Pilipino’s third play for its 32nd season which opens on Nov. 30.
The talk will be held along with a screening of When the Curtain Rises, a 2015 drama film by Katsuyuki Motohiro which is an adaptation of Mr. Hirata’s novel of the same name and tells the story of a high school drama club in a provincial town.
CHEERLEADERS AND MORE
Other films included in the festival lineup are: Let’s Go, JETS! From Small Town Girls to US Champions?! (2017), a comedy by Hayato Kawai which was based on the true story of Fukui Commercial High School cheerleading team’s victory at the USA Cheerdance Championship in 2009; and Rudolf the Black Cat (2016), an animated film by Kunihiko Yuyama and Motonori Sakakibara. The film follows the eponymous black cat as tries to survive as a street cat after being separated from his master.
Survival Family (2017) by Shinobu Yaguchi, meanwhile is a story of a family trying to survive in a world without electricity, while Honnouji Hotel (2017) by Masayuki Suzuki is about a girl who travels back in time and encounters Japanese general Nobunaga Oda before he is killed in the 1582 Honnouji Temple incident.
Memoirs of a Murderer (2017) by Yu Irie is the Japanese adaptation of Korea’s Confession of a Murderer (2012) by Byeong-Gil Jeong where a man writes a book about the murders he committed and announces it after the statute of limitations have expired.
In Tora-san of Goto (2016), director Masaru Oura shows the life of a family of udon noodle makers on the Goto archipelago in Nagasaki Prefecture. The documentary features 22 years of the family doing what they do best — creating udon. The film was awarded the Magnolia Award for Best Documentary in the 22nd Shanghai TV Festival.
Tori Girl (2017) by Tsutomu Hanabusa tells the story of university students who stake everything on a flight contest held once every year on Biwa Lake in Shiga Prefecture.
Rounding up the festival’s lineup are two manga adaptations: RELife (2017) by Takeshi Furusawa, about a 27-year-old who joins the titular social reintegration program and manages to once again live as a high school student for a year; and Daytime Shooting Star (2017) by Takehiko Shinjo, about a love triangle between a quirky country girl, her homeroom teacher, and an aloof classmate.
SCREENINGS
The EIGASAI Japanese Film Festival will run from July 4 to Aug. 26.
The films will be screened in Manila, Cebu, Davao, Bacolod, and Naga, specifically at Greenbelt 1 Cinema 2, Makati City (July 4-8), Ateneo de Manila University, Quezon City (July 4-6), CCP Complex, Pasay City (Aug. 4 and 5 during Cinemalaya and Aug. 17), Cinematheque Centre Manila, Ermita, Manila (Aug. 5), UP Film Institute-Cine Adarna, UP Diliman, QC (Aug. 15-18), SM City Davao Cinema, Davao City (July 12-15), SM City Naga Cinema, Naga City (July 27-29), SM City Bacolod Cinema, Bacolod City (Aug. 9-12), and Ayala Center Cebu Cinema, Cebu City (Aug. 23-26).
Admission is free on a first-come, first-served basis, except for the screenings at Greenbelt 1 where tickets cost P100 per screening and are available online at https://www.sureseats.com or at the cinema ticket booth starting June 27.
For the complete screening schedule, visit the official EIGASAI Facebook page. — Zsarlene B. Chua

Wilcon to open 9 stores this year

WILCON Depot expects its profit to grow by mid-teens in 2018. — BW FILE PHOTO

By Arra B. Francia, Reporter
WILCON Depot, Inc. is accelerating its five-year expansion plan by targeting nine-store opening this year, allowing it to hit its goal of 65 stores one year ahead of schedule.
“We have many funds sitting in the bank, and all the sites are ready. The economy is really moving up quite good, so we’re capitalizing on that. And also its to stay ahead of competition,” Wilcon Founder and Chairman Emeritus William T. Belo said in a briefing after the company’s annual shareholders’ meeting in Ortigas Center on Monday.
The listed home improvement and construction supply retailer announced in 2017 its plan to open 29 new stores by 2021. Of this, 16 will be located in Luzon, five in Visayas, and eight in Mindanao.
So far, Wilcon has already opened five stores last year and another two during the first half of 2018. Starting this June, the company will be opening a new store every month to reach nine by the end of the year.
Wilcon has scheduled seven store openings in 2019, and another eight by 2020, for a total of 65 stores in the next two years.
Each store will cost about P180 million, and up to P250 million, including inventory. The company has P4 billion worth of funds left for its store expansion, taken from the proceeds of its P7-billion initial public offering last year.
Amid the aggressive store expansion, Wilcon also looks to add high-margin products to its portfolio to improve its profits.
“This will add on our product lines that will give us better margins like lighting fixtures… And we are still getting into appliances, and the PPR (polypropylene random) pipings. These are the three major product categories that we want to focus in the next three years,” Mr. Belo said.
These new offerings are expected to lift gross profit margins to 31% this year, versus 29.7% in 2017.
This year, Wilcon expects its net income to grow by mid-teens, helped by a top-line growth of mid- to high-teens. This will be supported by a 5% projected growth in same store sales. For the first quarter alone, Wilcon has already recorded a 5.2% same-store sales growth.
“So there’s quite a possibility that we might exceed the 5% given that we’ve already hit the 5.2% despite the first quarter being a weak quarter,” Wilcon Investor Relations Officer Mary Jean G. Alger said during the briefing.
Asked how the company will be affected by the weakening peso, Mr. Belo noted no immediate effects since most imports have been in their inventory for six to seven months.
“The price increase that we have been doing for the year doesn’t really increase significantly. That’s the beauty of having more inventory. The increase gradually comes, we spread it out with the ones that we have so we do average it,” Mr. Belo said.
Meanwhile, the company said it will be launching an e-commerce platform by the end of the year. The online store is set to complement Wilcon’s brick and mortar business, with its initial phase to be made available to Metro Manila customers only.
“We expect the e-commerce platform to contribute to enhancing sales of our stores… We want to drive customers to get to know Wilcon, those that go online. Because we’ll be able to provide a ‘pay online, pick up service’, so we want to be able to drive customers into our stores and see what we have to offer,” Wilcon President and Chief Executive Officer Lorraine Belo-Cincochan said during the briefing.
Wilcon will offer DIY (do-it-yourself) products and electrical items typically needed in houses or condo units, among others, on its online platform.
Shares in Wilcon went down by 3.18% or 38 centavos to close at P11.56 apiece at the stock exchange on Monday.

Beyonce and Jay-Z celebrate marriage and blackness in surprise album

NEW YORK — Music’s most famous couple Beyonce and Jay-Z pulled a surprise by releasing a joint album, a long-rumored collaboration that celebrates their marital passion and black identity.
The pop diva and hip-hop superstar announced the album, Everything is Love, from the stage in London as they wrapped up the British leg that opened a global tour.
The album came out late Saturday exclusively on Jay-Z’s fledgling Tidal streaming service and is not available on Spotify — a far larger platform, which Beyonce disses on the album in a string of F-bombs.
The couple also put out an elaborately choreographed video that takes place inside the Louvre museum in Paris for a song off the album, “Apeshit.”
The video opens with the couple standing regally in front of the Mona Lisa — Jay-Z in a light green double-breasted suit, Beyonce in a lavender pantsuit — and features a squad of scantily clad dancers moving sensually in front of Jacques Louis David’s The Coronation of Napoleon.
Driven by warm, sultry soul with a largely hip-hop cadence, Everything is Love marries the styles of the two artists but is more consistent with the recent direction of Jay-Z.
The album shatters any lingering innocence from the early days of Beyonce, with the singer of “Say My Name” and “Single Ladies (Put a Ring On It)” generous in the details of her sex life with Jay-Z.
AN EVEN MORE PUBLIC MARRIAGE
The two stars have recorded together previously, notably on the Beyonce-led single “Drunk in Love,” but the album comes after an especially public window into their marriage.
Beyonce on her last solo album Lemonade in 2016 revealed infidelity on the part of Jay-Z, who a year later asked forgiveness on his own album 4:44.
This year, as the title of Everything is Love implies, their relationship is apparently swell. On her very first lyrics, Beyonce beckons to her husband, “Let’s make love in the summertime.”
On the final track, the joyously brassy “Lovehappy,” the two acknowledge past pain but also their efforts to reconcile.
“We’re flawed / But we’re still perfect for each other,” Beyonce sings.
As two of the most prominent African Americans in pop culture Jay-Z and Beyonce have played increasingly visible political roles, from campaigning for former president Barack Obama to championing the Black Lives Matter movement.
Everything is Love offers a paean to African American identity in “Black Effect,” which opens in Beyonce fashion with a monologue about self-love before a haunting soul sample.
Jay-Z on the song name-checks Trayvon Martin, the 17-year-old African American shot dead in 2012 by a neighborhood watchman in a Florida gated community, and raps, in a twist on performers’ rote calls for crowd gesticulation, “Get your hands up high like a false arrest.”
SAYING NO TO SUPER BOWL
Elsewhere on the album Jay-Z appears to confirm a report that he turned down an offer by the National Football League to perform at this year’s Super Bowl, the most-watched event on US television, with Justin Timberlake ultimately playing American football’s title match.
Jay-Z is an outspoken supporter of Colin Kaepernick, the now-unemployed quarterback whose kneeling protest against racial injustice during the national anthem has triggered angry denunciations by President Donald Trump.
“I said no to the Super Bowl / You need me, I don’t need you,” Jay-Z raps.
“Every night we in the end zone / Tell the NFL we in stadiums, too,” he raps, likely referring to the racial dynamics in American football where almost entirely white owners employ mostly African American players.
The rapper, also known by the nickname Hov, takes aim more directly at Trump on “Salud!,” a song with Beyonce that inexplicably did not make the nine-track album but was released simultaneously.
Making no apologies for his success, Jay-Z raps, “Your president tweeting about Hov like he knows us / My road to the top was to take what you owe us.” — AFP

New features added to Sakay.ph mobile application

SAKAY.PH APP

By Denise A. Valdez
SAKAY.PH is launching its redesigned mobile application to include the latest transportation developments and new features designed to make it easier for commuters to travel within Metro Manila.
“We sort of see, especially in Metro Manila, that the way forward for transport is a multi-modal path. Meaning to say we have to work with not just jeepneys, but trains, buses, P2P (point-to-point), even ride-sharing services like Grab and the new ones that are coming out, to get people from point A to B,” Sakay.ph cofounder and product development head Philip A. Cheang told BusinessWorld in an interview.
When the app was first launched in 2013, Mr. Cheang said it included step-by-step commuting directions in Metro Manila but only for jeepneys, buses and trains.
With the new version, he said the app includes UV Expresses, point-to-point (P2P) buses, the Pasig River Ferry, and some e-jeepneys.
Mr. Cheang said the company is in talks with ride-hailing companies to integrate their services in the Sakay.ph app. It also hopes to allow users to get rides from these companies through their app, before the end of the year.
The company also aims to expand its coverage to include the provinces, which means integrating the routes of provincial buses in its system. As of now, Sakay.ph only shows commute routes in Metro Manila and some parts of Laguna, Bulacan, Cavite and Rizal.
Mr. Cheang noted the app now has over a million users since Sakay.ph started, and is now close to doubling the figure with the redesign of the app. Sakay.ph available for iOS, Android and Web.
“The redesign is not only about adding new goals. It’s also about hitting the old goals that we wanted,” Kenneth G. Yu, cofounder of Sakay.ph and head of business development, told BusinessWorld.
In redesigning the app, the company sought to improve the users’ experience. For instance, one of the app’s features is allowing users to pick their priority modes of transportation. This feature is now ”front and center” in the redesigned app.
Another feature is setting the time when a user intends to travel, so the operating hours of the transportation alternatives are considered in the route suggestions.
The company is currently working on its own mapping engine for the app.
“We’ve been making efforts to build upon our own map imagery… If we build a really good product, I think there will be an opportunity for us to provide this platform to other people,” Mr. Cheang said.
So far, he said their own map imagery is only available on the Web version of Sakay.ph, as its mobile application still uses Google Maps. The company is targeting to make this available on the mobile version by next month.
The company is also looking into integrating advertisements in the app to generate revenues, but is still finding a way to do so without putting pop-ups and banners which may be distraction to those using Sakay.ph.
Sakay.ph is the winner of the government’s Philippine Transit App Challenge in 2013. It was created by software development company By Implication, Inc.

Century Properties to launch P2.8-billion Batangas project

By Arra B. Francia
Reporter
CENTURY Properties Group, Inc. (CPG) is set to launch its second affordable housing project, where it expects to generate P2.8 billion in sales over the next three to five years.
The Antonio-led property developer said it will unveil Phirst Park Homes Lipa in Batangas by the second half of this year. The 20-hectare property offering around 1,800 units will be developed in three phases, with the first phase to include about half of the total housing units.
CPG is targeting first home buyers for the project, specifically those with a household income of around P30,000 to P60,000 monthly.
Eighty percent of the total housing units will be townhouses, in order to cater to the more affordable segment. Amortization can go for as low as P9,000 monthly for a 40-square meter townhouse.
Amenities will include a village clubhouse, swimming pools for adults and children, an open-air cinema, and playgrounds. The playground will feature spaces for traditional Filipino games such as piko, patintero, taguan, tumbang preso, and holen. This is in keeping with CPG’s concept of a home-in-a-park experience for Phirst Park Homes Lipa.
The community will also have an outdoor gym, basketball court, bike lane, hiking area, and jogging path.
So far, the company has already built a welcome pavilion for residents. CPG President for the Affordable Housing Segment Ricky M. Celis said the company is now bidding out the land development contract for the project.
“Within the year we expect to have substantial land development already. By first quarter of next year is when we’ll see house construction to start,” Mr. Celis told reporters on the sidelines of the project’s launch in Batangas .
For the house construction, Mr. Celis said the company is looking at tapping listed engineering firm Megawide Construction Corp.
The Lipa development is CPG’s second affordable housing project to-date, following Phirst Park Homes Tanza in Tanza Cavite. Mr. Celis said they have so far seen strong demand for the product.
“(Sales are) very good. As of May actually we already sold out phase one. Now we’re going 20% into phase two. So that’s actually two years ahead of schedule,” he said.
CPG’s entry into the affordable housing segment is part of its plan to have a diversified source of income in the following years. To further grow the unit, the company is partnering with Japan’s Mitsubishi Corp. for the incorporation of Phirst Park Homes, Inc. (PPHI).
PPHI is set to have an authorized capital stock of P5 billion. Under the 60-40 joint venture, CPG and Mitsubishi will be spending P10 billion over the next five years for the launch of 15 projects. These projects are slated to bring in P57 billion in sales for PPHI.
The joint venture company’s incorporation is now pending approval from the Philippine Competition Commission (PCC).
“If it goes according to PCC’s timeline, we expect approval by August na,” Mr. Celis said.
Once CPG and Mitsubishi secure clearance for the joint venture, Mr. Celis said the Phirst Park Homes brand will now be owned by the partners.

What we learned from Everything is Love

NEW YORK — Jay-Z and Beyonce late Saturday released Everything is Love, a surprise album after years of speculation that they were working on a joint project.
The album — which came two years after Beyonce revealed Jay-Z’s infidelity through lyrics — again offers plenty of tidbits into the lives of music’s most famous couple.
Here are some highlights:
No love child — Jay-Z shot down rumors that he has an illegitimate child. Aspiring rapper Rymir Satterthwaite has alleged for years that he is the superstar’s son due to his mother’s purported fling with the then little-known Shawn Carter in 1992.
“Billie Jean in his prime / For the thousandth time / The kid ain’t mine,” Jay-Z raps on “Heard About Us,” referencing Michael Jackson’s classic song about a paternity case.
Jay-Z and Beyonce’s six-year-old daughter Blue Ivy separately makes an appearance on the album and says “hello” to her twin siblings Rumi and Sir, who turned one on Thursday.
Recovered from infidelityEverything is Love, as the title implies, speaks much about the strength of their marriage after highly public troubles.
Beyonce on her 2016 album Lemonade revealed infidelity by Jay-Z, who apologized a year later on his own album 4:44.
On the joint album’s boisterous closer “Lovehappy,” the two say that they have patched up.
“You did some things to me / You do some things to me,” Beyonce sings with brass in her voice. “But love is deeper than your pain and I believe you can change.”
Angry at legal action — Jay-Z vents frustration several times on the album about legal action against him. Most recently the Securities and Exchange Commission ordered the rapper to testify as part of an investigation into his sale of his Rocawear clothing line.
On “Nice,” Jay-Z denounces the subpoena and suggests he is being targeted because he is a successful African American, wondering why he did not face such scrutiny in his earlier life as a Brooklyn drug dealer.
“Time to remind me I’m black again, huh? / All this talking back. I’m too arrogant, huh?”
Later on the album he professes his innocence in disputes with authorities — so often known by their agencies’ acronyms — as he raps: “I pass the alphabet boys like an eye test.”
No to Super Bowl — Jay-Z appeared to confirm a report that he turned down an offer from the National Football League to perform at this year’s Super Bowl, the most watched event on US television.
Jay-Z is an outspoken supporter of Colin Kaepernick, the now-unemployed quarterback who stirred a nationwide discussion by kneeling during the national anthem to protest racial injustice.
He alludes to the racial imbalance in American football, where team owners are almost entirely white and players mostly African American.
“I said no to the Super Bowl / You need me, I don’t need you,” Jay-Z raps.
“Every night we in the end zone / Tell the NFL we in stadiums, too.” — AFP

Work on LRT-1 Cavite extension to start in Oct.

THE average daily ridership at the Light Rail Transit Line 1 has gone up by an annual 3% to 459,400 passengers per day during the first quarter of 2018. — LIGHT RAIL MANILA CORP.

LIGHT RAIL Transit Line 1 (LRT-1) operator Light Rail Manila Corp. (LRMC) said it expects to begin the construction of the first phase of the Cavite extension project by October.
“The first package, konti na lang ang natitira [very little is left]. So we can start on October. Kasi binigay na yung right of way nila eh [Because the right of way has already been given],” LRMC Operations Director Rodrigo P. Bulario told reporters on Monday.
Mr. Bulario said less than 5% of the right of way for the first phase needs to be obtained.
As part of its concession agreement with the Department of Transportation (DoTr), LRMC will extend LRT-1 from Baclaran station to Bacoor, Cavite. Eight stations will be built as part of the extension: Redemptorist, NAIA Avenue, Asia World, Ninoy Aquino, Dr. Santos, Las Piñas, Zapote and Niog.
The construction of the 11.7-kilometer railway is divided into three packages, the first one covering the first five stations from Redemptorist to Dr. Santos in Sucat.
LRMC President and Chief Executive Officer Juan F. Alfonso told reporters in May that the construction of the Cavite extension will take four years.
HACKATREN
At the same time, LRMC launched a crowdsourcing program to encourage information technology (IT) specialists to propose ways to improve the customer experience at the LRT-1.
In a press conference in Taguig, LRMC head of Information Management and Technology Randy S. Sac bared the details of the hacking marathon called “Hackatren,” organized in partnership with the Hub of Innovation for Inclusion (HiFi) of the De La Salle-College of St. Benilde (DLS-CSB).
IT students and professionals are invited to form teams of three to four members, who will pitch a digital solution to make the commuting experience of passengers “more enjoyable and efficient.”
Mr. Sac said LRMC will work with the top three winners to put their proposals into reality, with the help of HiFi.
Aside from this, the three winning teams will also win a cash prize of P100,000, P50,000 and P25,000 each.
Mr. Sac noted the goal of the initiative is to find out what passengers experience during their commute and find solutions that they may adopt to improve the train system.
Interested participants may sign up for the competition until June 30, which is also the “Pre-Hack Day” of Hackatren. The top 15 teams will be invited to the actual Hackatren event on July 14 and 15, on which the winners will also be announced.
LRMC is the consortium of Ayala Corp., Metro Pacific Light Rail Corp., of Metro Pacific Investments Corp. and Macquarie Infrastructure Holdings (Philippines) Pte. Ltd.
Metro Pacific Investment Corp. is one of three Philippine subsidiaries of Hong Kong’s First Pacific Co. Ltd., the others being PLDT, Inc. and Philex Mining Corp. Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., maintains an interest in BusinessWorld through the Philippine Star Group. — Denise A. Valdez

Incredibles 2 shatters records with heroic $180-M US opening

LOS ANGELES — The opening weekend of Incredibles 2 was, well, incredible.
The Disney-Pixar movie flew to a record-breaking launch of $180 million in 4,410 North American locations, easily landing the superhero sequel the best debut of all time for an animated film. That title was previously held by fellow Pixar sequel Finding Dory, which bowed with $135 million in 2016.
Incredibles 2 also landed the eighth-biggest domestic opening of all time, and surpassed 2017’s Beauty and the Beast ($174.6 million) for the best debut for a PG-rated film.
Overseas, where it has opened in 26% of the international market, Pixar’s 20th film collected $51.5 million, bringing its global total to $231.5 million.
With 14 years since the original film, 2004’s The Incredibles, enthusiasm has been strong for the follow-up, and it seems that audiences and critics alike were not disappointed. The film boasts a coveted A+ CinemaScore, as well as a 94% fresh rating on Rotten Tomatoes.
“The film shows the drawing power of the superhero genre, whether in the live action or animated realm,” box office analyst Paul Dergarbedian said. “The combination of the Pixar brand and Disney’s perfectly executed marketing and distribution strategy made the film an instant classic and a box office juggernaut.”
Disney’s head of distribution, Cathleen Taff, attributes the massive opening to pent up demand for another Incredibles film, along with positive word of mouth. It also helps that it’s been a while since a family film has hit multiplexes, she added.
“We’re so thrilled,” Taff said. “Brad and team put together a great film that delivers something for everybody. It was the perfect storm.”
Incredibles 2 picks up directly following the events of the original film with the Parr family members attempting to balance having a normal life with their superpowers. Holly Hunter, Craig T. Nelson, Sarah Vowell, and Samuel L. Jackson reprise their voice roles, while Bob Odenkirk, Catherine Keener, and Sophia Bush voice new characters. Brad Bird returned to write and direct the sequel.
Incredibles 2 should set Disney back on track after Solo: A Star Wars Story disappointed earlier this summer. The expensive Star Wars film has had difficulty gaining traction at the box office since launching with $103 million over a four day weekend. Though every previous Disney-released Star Wars adventure has managed to fly past the $1 billion mark, Solo is struggling to cross $400 million.
Disney doesn’t exactly need to break a sweat, however. Incredibles 2 scored the third biggest opening of 2018, meaning the three best debuts of 2018 all belong to the Magic Kingdom. Disney-Marvel titles Black Panther ($257.7 million) and Avengers: Infinity War ($202 million) secured the No. 1 and 2 spots.
Also opening this weekend was Warner Bros. and New Line’s Tag, which targeted a debut of $14.6 million in 3,382 theaters. The R-rated comedy — starring Ed Helms, Jake Johnson, Jon Hamm, and Jeremy Renner — is based on a Wall Street Journal profile about a group of grown men who play a longstanding game of tag.
Attendees seem satisfied, giving the film a B+ CinemaScore and 74% audience score on Rotten Tomatoes.
New Line’s latest title, Game Night, opened earlier this year with $17 million — a solid start given the film’s $16 million price tag. As of this week, the Jason Bateman/Rachel McAdams dark comedy has pocketed $117 million globally, including $69 million domestically.
The final wide release, Superfly, got a head start by opening on Wednesday. Sony’s remake of 1972 blaxploitation classic Super Fly pocketed $8.4 million in 2,220 locations during the five-day period. Well-known music video helmer Director X took the reigns on the $16 million project, which only began production in January and finished in time for its June release.
The film features all new songs written by rapper Future, who co-produced along with Joel Silver. Superfly stars Trevor Jackson, Jason Mitchell, Michael Kenneth Williams, Lex Scott Davis, and Jennifer Morrison.
The original 1972 Super Fly, starring Ron O’Neal and directed by Gordon Parks, was hugely profitable at the box office with a $30 million gross from a $500,000 budget. While the film became a cult hit, its soundtrack composed by R&B legend Curtis Mayfield became even more popular and ultimately outgrossed Super Fly’s box office earnings.
Ocean’s 8 managed to steal the No. 2 spot in its sophomore frame, picking up another $19.5 million in 4,145 locations. The female-fronted heist spin-off had a series-best opening last weekend with $41.5 million. Its domestic tally currently sits at $79 million.
In fourth is Solo: A Star Wars Story with $9.3 million. In four weeks, the tentpole has made $193 million at the domestic box office.
Rounding out the top five is another superhero sequel, Deadpool 2, which scored $8.6 million in its fifth outing. To date, 21st Century Fox’s blockbuster starring Ryan Reynolds has amassed $294.5 million domestically. — Reuters