Home Blog Page 1312

Robinsons Retail plans to boost store count over next 5 years

JGSUMMIT.COM.PH

ROBINSONS Retail Holdings, Inc. (RRHI) targets to ramp up its store openings over the next three to five years as part of its strategic growth initiatives, a company official said.

“In the next three to five years, we plan to accelerate our store openings and increase the top line,” RRHI Vice-President for Corporate Planning and Investor Relations Gina R. Dipaling said during a virtual briefing on Wednesday.

“On margins, it’s largely driven by changes in category mix, increasing the share of private label products and imported products in our stores, and also leveraging our size,” she added.

Ms. Dipaling said that RRHI is expanding its pet retail business, adding that it has seen higher sales.

“Our pet retail business is actually one of the fastest-growing businesses that we are operating right now. We’ve seen strong sales traction,” she said.

“We actually plan to further improve our pet retail business by enhancing the products that we offer, such as grooming services. We are also looking at opening more new stores in 2025,” she added.

She said RRHI is also boosting the expansion of its mini-mart store Robinsons Easymart and hard discount store O!Save Trading Philippines Corp.

“We are also accelerating the expansion of our neighborhood supermarket called Robinsons Easymart. We carry around 3,000 to 6,500 stock keeping units (SKUs) in Robinsons Easymart, so you can actually fulfill your full shopping list versus that of the hard discounters, where they only offer around 500 to 600 SKUs,” she said.

“O!Save is actually accelerating its expansion. By the end of this year, there will be 400 stores in Luzon. There’s a plan to open another 200 to 300 stores next year,” she added.

Founded in 2021, O!Save is a hard discount supermarket chain operated by HD Retail Holding Pte. Ltd., in which RRHI has a 23% stake.

Ms. Dipaling said RRHI is also pushing for lower rents to improve the operations of underperforming stores.

“On the cost side, we just have to negotiate with our vendors to lower the rents so we can turn around the business. But we are actually operating efficiently. We just have to negotiate with our vendors for nonperforming stores to have rent concessions,” she said.

As of the end of September, RRHI has 2,413 stores consisting of 758 food stores, 1,101 drugstores, 50 department stores, 225 DIY stores, and 279 specialty stores. It also has 2,163 franchised stores of The Generics Pharmacy.

RRHI shares were unchanged at P36.50 per share on Thursday. — Revin Mikhael D. Ochave

IC says only agents with regular license can sell insurance cover

BW FILE PHOTO

THE Insurance Commission (IC) has stopped issuing provisional licenses to insurance agents to protect consumers from fraud.

Only agents with regular licenses may sell policies to the public, Insurance Commissioner Reynaldo A. Regalado said in a circular on Thursday.

“Considering the procedure and evaluation period for the issuance of agents’ licenses under the Enhanced Licensing System, there is no longer a need for these provisional licenses,” he said. “The issuance of this circular letter is also part of the IC’s initiatives on consumer protection.”

Licenses of insurance agents are processed within seven working days based on the Ease of Doing Business and Efficient Government Service Delivery Act of 2018 and issuances by the Anti-Red Tape Authority.

The IC circular said life and nonlife insurers’ applications for an insurance agent’s license must be submitted with the required documents and correct licensing fees so they could be processed.

“We remind the insuring public to only transact with duly licensed insurance agents,” Mr. Regalado said, adding that payment of commissions to unlicensed agents is punishable under another IC circular.

He also urged public to report people without a license who transact or try to do business with them.

The Philippines had 261,422 life insurance and 16,274 nonlife insurance agents with active licenses as of Nov. 21, according to data posted by the commission on its website. — Aubrey Rose A. Inosante

PESONet celebrates 7 Years of revolutionizing digital payments in PHL 

PESONet, the country’s trailblazing digital payment system, marks its seventh anniversary with a renewed commitment to transforming how Filipinos send and receive money. Over the past seven years, PESONet has played a vital role in enabling secure, reliable, and efficient electronic funds transfers, making financial transactions more accessible for individuals, businesses, and institutions nationwide.

Since its inception, PESONet has simplified the lives of millions, eliminating long queues and paperwork by providing an intuitive, seamless platform for transferring funds. With the support of an extensive network of participating banks and e-money issuers, PESONet has empowered users with the ability to send money swiftly and securely from the comfort of their homes or workplaces.

Unparalleled Convenience and Efficiency

PESONet offers same-day fund transfers for transactions made before its three daily settlement cutoffs, ensuring that recipients receive their money without delay. Whether sending money to loved ones, paying for goods and services, or managing day-to-day financial transactions, PESONet delivers an unmatched level of convenience and reliability.

For businesses, PESONet streamlines payment processes, enabling effortless disbursement of salaries, supplier payments, and customer collections. By simplifying cash flow management and reducing administrative burdens, PESONet helps businesses focus on growth and operational efficiency.

Commitment to Security and Accessibility

Security is at the heart of PESONet’s operations. The system adheres to stringent industry standards, employing advanced encryption and authentication protocols to ensure users’ financial information remains protected. Filipinos can trust PESONet to safeguard their transactions, giving them peace of mind with every transfer.

PESONet is also an advocate for financial inclusion, providing a platform that bridges the gap for individuals who may not have access to traditional banking services. By doing so, it fosters greater participation in the digital economy and contributes to the development of a more inclusive financial system.

Looking Ahead: Expanding Reach and Capabilities

As PESONet celebrates this milestone, it continues to collaborate with the Bangko Sentral ng Pilipinas (BSP), the Philippine Payments Management, Inc. (PPMI), and its partner financial institutions. Together, they aim to expand PESONet’s reach, enhance its capabilities, and ensure a smooth user experience for all.

Join the Digital Payment Revolution

Explore the ease and efficiency of PESONet by visiting your bank or e-wallet provider’s website or mobile app. Experience how PESONet is reshaping digital payments for the betterment of every Filipino.

PESONet is proud to have been at the forefront of the digital payment revolution for seven years. As we look to the future, we remain steadfast in our mission to innovate and provide Filipinos with a reliable, secure, and inclusive digital payment ecosystem.

Join PESONet today and experience the future in payments.

For more information you may visit www.philpayments.org.ph or your favorite bank’s/EMI online banking platform or website.

 


Spotlight is BusinessWorld’s sponsored section that allows advertisers to amplify their brand and connect with BusinessWorld’s audience by publishing their stories on the BusinessWorld Web site. For more information, send an email to online@bworldonline.com.

Join us on Viber at https://bit.ly/3hv6bLA to get more updates and subscribe to BusinessWorld’s titles and get exclusive content through www.bworld-x.com.

Expectations for Wicked were impossibly high. It soars above them

ARIANA GRANDE and Cynthia Erivo in a scene from Wicked: Part I.

By Esther Zuckerman

Movie Review
Wicked
Directed by Jon M. Chu

MANY of us assumed a Wicked movie was never going to actually happen. There had been talk of turning the beloved Broadway musical about the Wicked Witch of the West into a movie at least as far back as 2010. Even after the project was formally announced in 2016, it’s taken nearly a decade for the film to actually hit theaters.

Almost miraculously, all that time has paid off. Despite the delays, despite the questionable choice to split the story into two parts (yes, this movie is technically Part One), Wicked is largely a triumph, a spectacle designed to appeal to longtime fans of the show and draw in new ones for huge box-office numbers.

In a crowded Thanksgiving market, which also includes Gladiator II and Moana 2, Wicked looks like it’s going to be the main attraction. This will be good news for Universal Pictures, which is riding high after becoming the highest-grossing studio of 2023, a feat capped by winning best picture for Oppenheimer. So far this year, Disney Co. has it beaten with a winning streak that includes Deadpool & Wolverine and Inside Out 2. Wicked could be the juice Universal needs to pull ahead again.

The film, directed by Jon M. Chu, is emotionally effective and sumptuous and features a revelatory performance from the pop star Ariana Grande. She glows on screen, finding comic moments wherever she can as chirpy Galinda, with a golden age of Hollywood flare for performance. Sure, sometimes the film is a little cheesy and overwrought, but that’s always been Wicked’s sweet spot.

If, for some reason, you haven’t been cornered by an eager Broadway obsessive belting out “Defying Gravity” in the past 20 years and are unaware what Wicked is about, the plot goes something like this: Elphaba, played here by the silken-voiced Cynthia Erivo, is a girl with green skin who arrives at Oz’s Shiz University (just a regular college, though this is Oz, so… everyone is magic) and is forced to be roommates with Galinda, a perky blonde queen bee. They immediately hate one another, sing about it, and then become friends. Meanwhile, the talking animals in Oz — it’s a thing, just go with it — are mysteriously losing their ability to speak and being confined to cages. Elphaba senses foul play afoot and plans to use a long-sought-after audience with the Wizard (Jeff Goldblum) to speak her mind. There’s also a love triangle involving bad boy Fiyero (Jonathan Bailey, dreamy in tight pants), who seems like the perfect match for popular Galinda but secretly has eyes for Elphaba.

But are you really here for the plot? You are not. You are here for the lavish, kinetic song and dance numbers, written by composer Stephen Schwartz.

Chu, who also directed In the Heights and has a knack for staging big musical sequences, pulls out all the stops here. As Fiyero croons his seductive “Dancing Through Life” in Shiz’s library, the ensemble performs acrobatics in a rotating bookcase. During the tune when Galinda and Elphaba belt about their loathing for one another (“What Is This Feeling?”), Chu employs a split screen that feels like something out of Bye Bye Birdie to show them hilariously warring. Later, he creates a delightful pink fantasia for Grande to bop around during “Popular,” then uses an intricate diorama while applying shadows effectively in the Wizard’s “A Sentimental Man.” (Don’t know these songs? You will — they’ll be stuck in your head for months, maybe even years, if you have children.)

The frame in the movie is often filled with dancers, who occupy the impressive fantasyland sets. Production designer Nathan Crowley takes the familiar aesthetic of Oz from the 1939 Judy Garland film and makes it a bit more florid — the buildings almost swirl with ornate patterns.

Frustratingly, Chu sometimes undercuts his own excellent work by excessively backlighting his images, leaving them undersaturated, but most of the time you can simply get swept up in the choreography.

Still, Wicked’s biggest appeal is in its individual performances. It is a marvel of casting: Erivo, a Tony winner for The Color Purple, gives Elphaba a tenderness and sorrow that seeps away as she learns to embrace her power. When she sings ballads like “The Wizard and I” or “I’m Not That Girl,” her clear tones sound deeply vulnerable. Elsewhere, Bailey makes a captivating cad with a heart of gold; Michelle Yeoh is regal as the imperious teacher Madame Morrible; and Goldblum is a mix of sweet and sleazy as the Wizard.

And yet it’s Grande who steals the show. In many ways, Wicked: Part One, which covers the first act of the musical, is a better showcase for Galinda than it is for Elphaba. (Yes, Galinda later changes her name to the more familiar Glinda.) Galinda is both the co-lead and the comic relief, and Grande plays her spoiled haughtiness with a dash of innocence. She flings her tiny body around and tosses her hair flirtatiously at Fiyero, while imbuing the melodies with hints of her own pop star vocal inflections. And while Grande nails the comedy, she also allows Galinda’s insecurities to creep into her eyes, which is what makes her performance so affecting.

It’s worth noting that Wicked does end with a “to be continued” card after Erivo performs Elphaba’s bone-shaking war cry, leaving the audience in awe. And though there is more story to come, you don’t leave feeling shortchanged. The characters are given rich arcs that should keep fans satiated until (the invariably much darker) part two drops next year. Wicked will likely never win over skeptics or those who have an allergy to earnestness, but longtime devotees of the admittedly silly but big-hearted musical will fall in love bringing newcomers into their club. It’s just the dose of magic that Hollywood needs this season.

Wicked is now showing in Philippine theaters with an MTRCB Rating of PG. Bloomberg

PSE net income jumps 53% in third quarter

PHILIPPINE STAR/EDD GUMBAN

THE Philippine Stock Exchange, Inc. (PSE) saw its third-quarter net income rise by 53% to P242.23 million from P158.14 million last year, driven by higher earnings from its investments.

The market operator’s revenue dropped by 11.1% to P320.6 million from P360.47 million a year ago, the PSE said in a recent stock exchange disclosure.

Costs and expenses rose by 15.8% to P202.33 million.

For the first nine months, the market operator grew its net income by 11.2% to P640.25 million from P575.65 million last year, led by growth in other income.

Other income rose by 90.8% to P326.17 million due to higher fair value estimates of the company’s investments in equity funds and dollar-denominated bonds.

Revenue fell by 5.2% to P1.04 billion, while total expenses rose by 11.4% to P618.47 million.

PSE President Ramon S. Monzon said the market operator is optimistic that easing inflation and interest rates will pave the way for capital raising next year.

He added that high interest rates and recent market volatility have prompted companies to opt out of their capital raising plans from the equities market in the last few months.

“Given the remaining offerings in the pipeline, the number of capital raising activities and the total amount raised in 2024 will definitely be lower year-on-year,” he said.

“We recognize the need to increase liquidity in the stock market. To this end, we are continuously working to introduce various products to attract more investors. We also urge the government to pass capital market legislative reforms, including the bill that seeks to reduce stock transaction tax,” he added.

The PSE is targeting six initial public offerings and up to P150 billion in capital raising next year.

On Thursday, PSE shares fell by 0.56% or P1 to P178.70 per share. — Revin Mikhael D. Ochave

UnionBank leads the charge in AI-driven customer experience at DigiCon 2024

Ana Delgado, UnionBank’s Senior Executive Vice President and Head of Institutional Banking

UnionBank, a leader and pioneer in digital banking, shared its expertise on transforming customer experience with AI and innovation at the 9th annual Digital Congress (DigiCon) held last October 2024 at the Newport Performing Arts Theatre in Metro Manila.

Organized by the Digital Marketing Association of the Philippines (DMAP), this year’s DigiCon, with the theme “REVOLUTION”, brought together industry leaders, digital innovators, and enthusiasts to explore the power of technology in reshaping marketing and customer experience. Ana Delgado, UnionBank’s Senior Executive Vice President and Head of Institutional Banking, took to the stage as a keynote speaker, delivering valuable insights in her talk “AI to Fly: Changing the Way We Bank in an AI-Driven World”.

Delgado emphasized UnionBank’s commitment to providing hyper-personalized banking, focused on creating experiences that align with the unique needs of its expanding customer base of over 15 million. “Our goal is to leverage technology to offer our customers meaningful interactions that enhance their experiences alongside our exceptional team,” she added.

She urged people to view AI using a different lens—not as an automated intelligence that does not require any human intervention, but instead as an assistive intelligence that can be used by people to support decision-making.  “The true value of AI doesn’t lie in what it can do, but rather in how we’re going to leverage it to deliver meaningful customer experiences, whatever industry you work in.”

The congress provided a platform for thought leaders and innovators to discuss emerging trends, share insights, and foster collaboration. Topics ranged from digital transformation strategies to the impact of AI on customer engagement, reinforcing the need for businesses to adapt to the ever-evolving digital landscape.

Union Bank of the Philippines is regulated by the Bangko Sentral ng Pilipinas https://www.bsp.gov.ph.  For more information on UnionBank, you can contact us through our Customer Service Hotline at (+632) 8841-8600 or visit the website at www.unionbankph.com, and follow for updates on Facebook, X (formerly Twitter), Instagram, or YouTube.

 


Spotlight is BusinessWorld’s sponsored section that allows advertisers to amplify their brand and connect with BusinessWorld’s audience by publishing their stories on the BusinessWorld Web site. For more information, send an email to online@bworldonline.com.

Join us on Viber at https://bit.ly/3hv6bLA to get more updates and subscribe to BusinessWorld’s titles and get exclusive content through www.bworld-x.com.

Beep payments for BGC buses launched by Mastercard, AFPI

File photo
BW FILE PHOTO

By Luisa Maria Jacinta C. Jocson, Reporter

MASTERCARD Philippines and AF Payments, Inc. (AFPI), the company that created Beep cards, have launched their tap-and-go payment option for commuters in Bonifacio Global City (BGC), Taguig City.

“We can now use Mastercard credit, debit and prepaid cards at BGC buses,” Mastercard Philippines Country Manager Simon Javier A. Calasanz told a news briefing on Thursday.

“It is the first international payment network to enable tap-and-go payment options in public transport in Metro Manila,” he added.

Mastercard cardholders can now pay for their bus fares on Bonifacio Transport Corp. buses by tapping their cards on validator machines.

This is the first phase of Mastercard and AFPI’s partnership to provide contactless payments across other transport systems, such as EDSA buses and MRT-3.

“That’s just the start,” AFPI President and Chief Executive Officer Jonathan Juan D. Moreno said. “We need to show (it’s manageable) because BGC is a self-contained entity. Then we go for a bus system as extensive as EDSA and then we’ll try rail.”

The partnership seeks to boost digital payments and promote cashless transactions in the country. “It’s really the cash that we’re trying to eliminate,” he said.

About 11 million Beep cards have been issued in the Philippines, half of which remain active.

“We feel that it still is going to be dominated by the stored value card. But we want to give the market a choice,” Mr. Moreno said.

He said there might need to be an adjustment in Beep card transaction fees as the agreement with the government to provide free services comes to a close next year.

“We, in fact, pay the government to provide the service for free,” he said. “And that ends next year. This has been a public service of the Ayala and MVP group that they’ve been providing for free.”

He said they are studying how to fairly price the services. “It has to be viable. As I said, even if this is a public good, it’s undertaken by a private entity like ourselves. We have to have a sustainable economic model to make this go on.”

Mr. Moreno said they are also looking into upgrading the chips used in Beep cards. “We’re now getting regulatory approval already.”

The new chips will be more secure and use more advanced technology but will not cost more, he added.

Ridley Scott’s Gladiator II is bigger and messier than the first

PAUL MESCAL in Gladiator II.

By Esther Zuckerman

Movie Review
Gladiator II
Directed by Ridley Scott

IN 2000, Ridley Scott’s Gladiator made perhaps the ultimate dad movie. The story of the Roman general-turned-slave Maximus Decimus Meridus, played by Russell Crowe, reduced grown men to tears with its portrayal of honor in the face of cowardice, and went on to win best picture at the Oscars the next year. Crowe also got a best actor trophy for his stoic take on a wronged man who stands up for himself.

Now, 24 years later, Scott returns with Gladiator II, the latest legacy sequel to come out of Hollywood and one that’s guaranteed to be a crowd-pleaser. These days everyone is feeling very argumentative, but the Roman Empire as imagined by Scott offers ridiculous fun for the whole extended clan (depending on your ability to stomach lots of bloodshed). Sure, the message of the movie will play differently depending on who’s watching. Is it a tale of a lone man overthrowing tyrannical madness? Or a plea for a return to old values? Or does any of that matter when you’re just there to have a good time? Are you not, as Maximus famously said, entertained?

Gladiator II is ultimately a bigger, more bombastic, and thematically messier movie than Gladiator, but it thrives on excellent performances and Scott’s knack for capturing ferocious fight sequences.

The film takes place 16 years after the events of Gladiator. Rome is ruled by brothers Geta and Caracalla (Joseph Quinn and Fred Hechinger, both terrifying and hilarious), a pair of authoritarian emperors with painted faces, who want to extend their reach as far as possible and bide their time by attending lavish parties. (Caracalla literally walks around with a monkey on his back.) The plot gets underway when these power-hungry dimwits send general Marcus Acacius (Pedro Pascal) to conquer Numidia in Northern Africa.

In what will ultimately be bad news for Rome’s ruling class, it turns out that Numidia is where Lucius lives. The first film introduces Lucius as the bright-eyed son of blond beauty Lucilla (Connie Nielsen), who moviegoers of a certain age will remember as the lover of Crowe’s Maximus and sister of Joaquin Phoenix’s Commodus, the weaselly, incest-inclined emperor who ascends to the throne after killing his father.

Now played by internet idol Paul Mescal, Commodus’ nephew is all grown up with thighs for days. Lucius’ wife is killed during the sack of Numidia, while Lucius is captured and eventually sold to Denzel Washington’s Macrinus, a charming arms dealer with a double ear piercing and, just as formidable, a stable of gladiators for hire.

Macrinus decides to use Lucius’ untamable fury at the Roman establishment to his advantage. If Lucius wins in the Colosseum, Macrinus, a former slave himself, can increase his own status — which seems even more likely as he notices the interest Lucilla takes in his champion. Complicating things further, she is now married to Acacius (the general), who’s not as bad a guy as one might expect; he’s frustrated with the current state of Rome and plotting to unseat the chaotic emperors who act purely on impulse and bloodlust. Whew! Can you see where this is going?

This twisty, busy narrative narrows into one overall question: whether Lucius, the grandson of emperor Marcus Aurelius, will accept his birthright and step up to lead Rome down a righteous path, or whether he will be too consumed by his anger to save the place from tyranny. Unsurprisingly, he makes the obvious choice. This ultimate simplicity saps the poignancy of its predecessor, but it makes it easy to graft whatever ideology you want onto it.

Mescal, known for sensitive turns in indie films such as Aftersun and All of Us Strangers, plays Lucius with wild eyes and a sturdy physicality that makes him feel impenetrable in the ring but unpredictable outside it. Lucius is less inherently noble than his predecessor Maximus — his own desire for revenge threatens to overtake his heroism, making him more compelling as eye candy, I mean as a protagonist. For most of the film, he’s acting only in his own self-interest, his mind singularly focused on destruction.

If there’s any one reason to see Gladiator II, it’s to watch what Washington does as Macrinus. Clad in gilded robes, rings adorning most of his fingers, the lauded actor tears into his dialogue like he’s biting a piece of perfectly cooked steak. He evolves into the main villain of the piece — outranking the frivolous Geta and Caracalla in evil machinations — and whenever he flashes that trademark smile or prances about, he’s even more captivating than the brutal battles that Scott stages (which are, to be clear, extremely fun).

Sure, some of the CGI animals that enter the arena don’t exactly look like they’re from nature, especially the sharks that circle underneath the ships during a sequence in which the Colosseum is filled with water for a very confined naval battle. Still, if you’re looking for ruthless and surprising hand-to-hand combat with muscles rippling and ripping, Scott has that for you in spades.

There was a recent meme about men constantly thinking about the Roman Empire, a generalization implying that dudes can’t get enough power plays in togas. In some ways, Gladiator II will prove that meme right. Though it’s all wildly inaccurate historically — Scott clearly doesn’t care — getting sucked into the melee is easy. For a moment this fall, everyone will be thinking about Rome.

The movie is opening in the Philippines on Dec. 4 with an R-16 MTRCB rating. — Bloomberg

Maynilad says P1.6-B Muntinlupa facility nears completion

NAMED the Cupang Water Reclamation Facility, this treatment plant has a design capacity to treat up to 46 million liters of wastewater per day — MAYNILAD WATER SERVICES, INC./BW FILE PHOTO

MAYNILAD Water Services, Inc. is preparing to test and commission its P1.6-billion water reclamation facility (WRF) and sewer system in Muntinlupa City, aiming for full operation by yearend, the company said on Thursday.

Once fully operational, the Cupang Water Reclamation Facility will treat up to 46 million liters of wastewater per day, the company said in a statement.

It is expected to serve 33,000 customers across Barangays Sucat, Buli, Cupang, and Bayanan in Muntinlupa.

“Wastewater management is essential to safeguarding both public health and the environment, which is why we continue to invest in projects that ensure the proper treatment and disposal of wastewater,” Maynilad President and Chief Executive Officer Ramoncito S. Fernandez said.

“The construction of this new WRF in Cupang, Muntinlupa, is part of our long-term strategy to expand sewerage services across the entire West Zone,” he added.

Maynilad also sees the near completion of the Tunasan Water Reclamation Facility, another major project in Muntinlupa.

Together, the two facilities will substantially increase the company’s sewerage coverage in the city, it said.

The company serves Manila, except portions of San Andres and Sta. Ana. It also operates in Quezon City, Makati, Caloocan, Pasay, Parañaque, Las Piñas, Muntinlupa, Valenzuela, Navotas, and Malabon.

It also supplies the cities of Cavite, Bacoor, and Imus, and the towns of Kawit, Noveleta, and Rosario, all in Cavite province.

Metro Pacific Investments Corp., which has a majority stake in Maynilad, is one of three Philippine units of Hong Kong-based First Pacific Co. Ltd., the others being Philex Mining Corp. and PLDT Inc.

Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has an interest in BusinessWorld through the Philippine Star Group, which it controls. — Sheldeen Joy Talavera

Euro zone bond yields climb before PMI figures; geopolitics in focus

UNSPLASH

EURO ZONE government bond yields edged up as market participants assessed heightened tensions between Russia and the West while waiting for purchasing manager surveys (PMI), which could affect expectations for the European Central Bank’s (ECB) policy easing path.

Russia had described a strike by US missiles, which Ukraine used to hit a target inside the country, as an escalation in the 1,000-day-old war.

Germany’s two-year yield, which is more sensitive to ECB policy rate expectations, rose one basis point (bp) to 2.13%. It hit 2.091% on Tuesday, its lowest since Oct. 24.

Markets priced in an ECB depo rate at 1.95% in July while fully discounting a 25 bps cut in December and a 20% chance of a 50 bps move.

Germany’s 10-year yield, the benchmark for the euro area, was up one bp at 2.35%.

Italy’s 10-year government bond yields, the benchmark for the euro area periphery, rose 2 bps to 3.59%.

The yield spread between Italian and German yields — a gauge of the premium investors demand to hold Italy’s debt — was at 123 bps after reaching 115.90 on Tuesday, its tightest level since mid-March 2024. Analysts expect a possible upgrade by Moody’s on Friday.

The gap between French and German yields was at 75 bps after hitting 70.9, its tightest since Oct. 31. — Reuters

Stuff to Do (11/22/24)


Lauchengco marks 40 years

SINGER Raymond Lauchengco will be holding a major concert celebrating his 40 years in showbiz titled Just Got Lucky on Nov. 23, 8 p.m., at The Theater at Solaire. Joining him onstage will be his guest star Bituin Escalante. The show will be directed by Waya Gallardo, with musical direction by Marvin Querido. Tickets are available at TicketWorld.


Women’s films in focus

FOR the first time in its history, the French Film Festival will feature Feminist cinema in a cross-cultural perspective between France and the Philippines, with a selection of films by the new generation of both French and Filipina women directors. The Embassy of France, in partnership with SM Supermalls and SM Cinema, is staging the 27th edition of the French Film Festival from Nov. 22 to 29, with a selection of 14 French feature films showing at the SM Aura Premier in Taguig City and SM City North EDSA in Quezon City. Special screenings will also be held at the Alliance Française de Manille, University of the Philippines Film Institute, and De La Salle College of Saint Benilde. This year, the festival’s “godmother” will be Filipina director Sigrid Bernardo, who will open the event with a roundtable discussion on the status of women through cinema at SM Aura on Nov. 22. A special screening of her short film, May at Nila, a love story between two Filipino women during the Japanese Occupation, will be held prior to the roundtable discussion. A special guest – French director Noémie Lefort – will also present her movie, My Heroin, about a young girl who dreams of directing a film in Hollywood. She will take part in a roundtable discussion on the place of women in cinema at SM North on Nov. 26. She will also give a masterclass on film directing to film students. For the full schedule of screenings, visit French Film Festival’s social media pages.


Dokyumentado film fest screens student works

STUDENT filmmakers focus on childhood experiences, both good and bad, in the documentaries lined up for Dokyumentado, the inaugural documentary film festival of the Film Development Council of the Philippines (FDCP), which runs from Nov. 23 to Dec. 7 in FDCP cinematheques nationwide. In a statement, FDCP Chair and Chief Executive Officer Jose Javier Reyes stressed the importance of documentary filmmaking, “most especially at a time of information overload and alternative truths.” The significance of this genre especially among the young is “to bring about a generation rich with thought, courage and dedication to the value of truth,” he said. The festival includes acclaimed student documentaries: Nanay Tatay was awarded Special Jury Mention while Remnants of the Lost Childhood bagged the Special Jury Prize and Best Cinematography award in two different editions of the TAM DokyuFest, the student documentary festival of the Far Eastern University (FEU) Department of Communication. Meanwhile, Mariposa, directed by Melanie Faye of De La Salle-College of Saint Benilde, won Best Screenplay at the Las Vegas Filipino Short Film Festival and was a short film finalist of the recent Cinemalaya Philippine Independent Film Festival. These student shorts, among other full-length documentaries, will be shown in FDCP Cinematheque Centers in Manila, Negros, Nabunturan, and Davao from Nov. 23 to Dec. 7. Documentaries will also stream at JuanFlix: The FDCP Channel.


National Sardines Month celebrated

MEGA SARDINES will hold an event marking National Sardines Month on Nov. 24, 2 p.m., at the Market! Market!, Activity Center in BGC, Taguig City. There will be carnival booths, with celebrities and food influencers in attendance. These include Judy Ann Santos Agoncillo, Ninong Ry, and Cong TV, whom the public can interact with as they try food at the various booths.


Guitar concert canceled

THE Instituto Cervantes has announced that due to unforeseen circumstances, the two concerts featuring acclaimed Spanish guitarist Miguel Trápaga this November have been canceled. The concerts, The guitar in the time of Manuel de Falla, were originally meant to take place on Nov. 25 at the University of the Philippines Diliman and Nov. 28 at the Intramuros branch of Instituto Cervantes. The performances will instead be rescheduled for February 2025.


ShippingCart helps with Black Friday deals

NO NEED to hop on a plane to shop international deals this Black Friday as ShippingCart, a secure, fast-growing cross-border delivery service in the Philippines, is helping unlock the best international Black Friday deals and delivering them straight to your doorstep. First one must create an account on the ShippingCart app or website (for free) and instantly receive a US shipping address. Browse the best Black Friday deals from international stores and hundreds of other retailers, and ship them to your ShippingCart address. Once the items reach the ShippingCart warehouse, the user can simply check out and pay for ShippingCart to forward them straight to the Philippines. Shipping fees are all-inclusive, so there is no need to worry about any additional custom fees including shipping, duties, and taxes that are already covered. The customer can choose their preferred shipping method, whether by air or sea cargo. They can stay updated every step of the way with real-time tracking via ShippingCart App.  ShippingCart can be downloaded from the App Store, Google Play, and the ShippingCart website: www.shippingcart.com. With additional warehouses in the US, UK, Australia, Japan, and Korea, customers can access an even wider selection of international stores.

Productive knowledge workers are fueled by curiosity

RAWPIXEL.COM

THE GREAT MANAGEMENT guru Peter Drucker believed that the biggest management challenge of the 21st century is improving the productivity of knowledge workers. “Workers by brain” are relentlessly replacing “workers by hand” as the dynamos of the modern economy, he argued. Thus, the most valuable companies (Google, Microsoft, and the rest) are almost all knowledge- rather than resource-intensive. Yet we have little idea about how to make them happy and productive.

The average rate of productivity growth is significantly lower in post-industrial societies than it was in industrial societies. The bloated public sector employs ever more paper-shufflers. And productivity seems to be falling in the most important parts of the knowledge economy. Research productivity has declined sharply in software, agriculture, and medicine, the average age of Nobel Prize-winners has risen steadily, and the size of the teams involved in science has increased.

How can we improve this dismal record? This question was at the heart of the 16th annual Peter Drucker conference which took place in Vienna (Drucker’s hometown) Nov. 14-15. The Drucker conference is now a fixture of the management-business calendar, and this one dealt with a particularly timely subject. The audience was surprisingly pessimistic about the status quo given that so many of them were middle-managers or above — and surprisingly enthusiastic about embracing radical solutions to our current malaise. Here are my (inevitably biased) conclusions from two days of discussion.

We need to start by slaying zombie ideas: the intellectual ghouls that stalk the halls of private and public sector organizations. The most dangerous zombie idea is F. W. Taylor’s theory of scientific management: namely, that managers should replace rule-of-thumb work methods with rules based on the objective study of work; divide work into discrete tasks; provide “detailed instruction and supervision of each worker in the performance of that worker’s discrete task”; measure the worker according to his ability to comply with this ideal; make liberal use of punishments and rewards. This theory is a child of the machine age when managers were the only educated people around, but it survives in a post-industrial age when motivation is a much more important tool than measurement — and may well be revitalized by the AI revolution.

Michele Zanini, the co-founder of the Management Lab, pointed out that this approach suffers from three mortal problems: It rests on the false assumption that managers know more about the job in hand than workers; it demotivates people who are used to managing themselves; and it creates lots of unnecessary levels of management.

Amy Edmondson, of Harvard Business School, argued that scientific management aims to squeeze errors out of the system whereas errors are a necessary part of creative work. Knowledge workers should focus on “failing well” (learning from their mistakes) rather than avoiding all failure. Gianpiero Petriglieri, of INSEAD business school, argued that the most successful knowledge organizations are “homes” rather than industrial machines. They treat their workers as volunteers motivated by the love of what they are doing rather than conscripts who need to be monitored and measured. Everybody in the room seemed to agree that managers are too wont to trespass on knowledge workers’ most important resources — time and attention — with endless meetings and box-ticking exercises.

This sometimes sounded too good to be true. What’s not to like about being “empowered” to do your own thing or skiving off meetings or being “liberated” from intrusive measurements? But what happens if “doing your own thing” means twiddling your thumbs? Or if removing “intrusive measurements” means that organizations slide into bankruptcy? I read Modern History at Oxford University in the late 1970s, before its current regime of micro-management was in place and, though my best tutors were wonderful, the worst were scandalously bad, and could have done, at the very least, with a good kick up the backside.

So “soft” management of knowledge workers can only work if it is coupled with a bit of “hard” management.

Organizations need to devote more energy to hiring the right people, particularly those with the raw ability to thrive in a variety of circumstances. Jeff Bezos liked to ascribe Amazon’s success to its high “hiring bar,” including having one person in the room whose job was to give reasons for not hiring the candidate. They need to create a rigorously meritocratic internal system — promoting high potentials while easing out also-rans. The critics of scientific management are right that nothing is more futile than measuring the wrong things such as the number of e-mails you send or the number of meetings you attend — “mere busyness,” as it were — but there is still a case for measuring the right things such as breakthrough articles or ideas.

The performance of knowledge workers is at its most worrying in the public sector. I hosted a lunch of senior public sector managers from Mitteleuropa and asked them, casually, what proportion of their workforces was surplus to requirements, expecting to hear only complacent answers. The only disagreement in the group was whether the number was one-third or two-thirds.

The public sector has grown remorselessly over recent decades regardless of performance. The British Ministry of Defense now employs more officials than there are service personnel in the Royal Navy and RAF combined. The public sector has also spawned a class of people who do mysterious jobs that didn’t exist a few years ago. High-flying civil servants would undoubtedly profit from more freedom to innovate, as we struggle to adjust the state to new demands and technologies, but reformers also need to wield a more old-fashioned management tool — obliteration.

“Obliteration” is a depressing place to end given the state of the world. So here are two more optimistic ideas that echoed through the conference.

First: Managers should learn how to speak to knowledge workers in their own language rather than in the desiccated language of management-speak. Recognize that knowledge workers are more motivated by the esteem of their peers than by “management goals.” Stroking people’s egos is much more cost-effective than monitoring their every move. And understand that nothing is so precious to a good knowledge worker than being given the time and resources to satisfy their curiosity.

Second: Learn how to harness enthusiasm on a big scale. John Kennedy galvanized the American space program (and with it a cascade of high-tech industries) with his speech at Rice University in September 1962, by setting a specific goal (putting a man on the moon before the decade was out). Too many government missions these days are too vague or open-ended to galvanize activity (improving European competitiveness before the end of days, for example). Governments need to set themselves targets that are both ambitious and concrete. And private corporations need to recognize that their knowledge workers are just that: workers who value knowledge and want to multiply it.

BLOOMBERG OPINION