Home Blog Page 990

Australia regional airline Rex gets $53 mln government lifeline to keep flying

Source: https://www.rex.com.au/

 – The Australian government said on Tuesday it would provide up to A$80 million ($52.6 million) to airline Regional Express Holdings to keep its regional routes running during an extended voluntary administration process.

Terms of the financing package were not disclosed.

Transport Minister Catherine King said the funding was “another demonstration of our commitment to maintaining regional aviation access, recognizing the important role that Rex plays in regional communities right across Australia.”

Rex in July entered voluntary administration, Australia’s closest equivalent to Chapter 11 bankruptcy, cut hundreds of jobs and closed its subsidiary that operated Boeing flights between Australia’s major cities.

Traditionally focused on servicing Australia’s regional areas with small planes, Rex in 2021 began larger jet flights on the big city routes dominated by Qantas Airways and Virgin Australia but failed to dent their market share.

The company has continued using its fleet of ageing Saab 340 turboprop aircraft for regional flights after calling in administrators.

Administrators at Ernst & Young Australia said in a statement that they intended to apply to the court for an extension of the voluntary administration to June 30.

Employees of the regional business who were made redundant will be paid their entitlements.

The government aid and an extension of voluntary administration would help the airline increase operational aircraft, Ernst & Young said.

Rex’s exit from the lucrative “golden triangle” among Sydney, Brisbane and Melbourne pushed up average airfares on those routes by more than 13% and reduced passengers’ choices, the competition regulator said on Tuesday.

This may have significant longer-term impacts on the domestic aviation sector, the competition commission said.

Currently, there is no domestic route serviced by more than two major airlines, with Qantas and Virgin Australia handling 98% of domestic passengers, it said. – Reuters

Grab boosts service reliability, accessibility amid holiday demand growth

Grab Philippines Country Head Ronald Roda, together with Director for Mobility EJ Dela Vega and Director for Deliveries Greg Camacho, shares the strategy of the leading superapp to offer a better experience for app users amid the holiday demand growth.

Grab Philippines is gearing up to surpass its holiday performance from last year, according to Country Head Ronald Roda. The leading superapp has been developing a comprehensive strategy to enhance reliability, accessibility, and safety as demand skyrockets in the final two months of the year.

Historical data shows that Grab Philippines experiences at least a 19% increase in daily transacting users for its ride-hailing services every last quarter of the year, with the number of ride bookings growing by up to 45% in the second and third weeks of December. For its deliveries business, demand rises by 20% on key holiday dates, with a recent survey by the brand revealing that 44% of Grab Philippines users rely on the app for their festive meal deliveries. 

Grab Philippines Country Head Ronald Roda shares, “Our data and studies all lead to a singular insight: Filipinos just wish to be present this Christmas — fully engaged with families and friends as they celebrate the most beloved holiday. Grab aims to bring our kababayans much closer to their loved ones, and help them create special moments this holiday season.” The yearning to be together every holiday is underpinned in Grab’s Holiday Trends study, indicating that Filipinos attend an average of four gatherings in celebration of Christmas and New Year.

The brand emphasizes that being a reliable and accessible platform is no easy task. “For some, the holiday season lasts two or three months. For Grab, it is a journey that spans over 10 months when you consider all the preparations done leading up to the season. We have been preparing since January of this year — working with our regulators towards a more balanced demand and supply, and launching a series of technologies to provide our consumers with a better holiday experience,” Mr. Roda adds. 

Strengthening partnerships to meet demand

While demand during peak times may inevitably outstrip current supply, the leading superapp remains optimistic that its service reliability this year will be much improved in comparison to the previous holidays. 

Mr. Roda expresses the platform’s gratitude to the Land Transportation Franchising and Regulatory Board (LTFRB) for its continued openness and supportive efforts. With the release of new TNVS slots in August, Grab has been onboarding new driver-partners — a process that can take up to three to five months.

Besides the challenge of demand-and-supply imbalance, Grab is also looking after the potential impact of holiday-induced traffic congestion on the earnings and productivity of driver-partners. Historical data of the platform show that drivers, on the average, will need to spend 14% more time for the same trip distance for most of the December holiday rush.

“While we continue to prioritize the accessibility of our services, we are also closely monitoring the fairness of our fares to ensure that our driver-partners can earn sustainably and viably this holiday season. By ensuring this, we hope to encourage more drivers to continue serving our passengers in spite of the traffic situation, helping maintain service reliability on our platform,” Mr. Roda notes. “The holidays are also crucial for our driver-partners, and we are committed to helping them capitalize on the increased demand to attain sufficient, if not above-par earnings, for themselves and their families.”

Grab assures users that fares will stay fair, in line with the regulatory matrix implemented by the LTFRB. To aid in maintaining the accessibility of its ride-hailing services, Grab has also expanded the coverage of its GrabUnlimited subscription service, which now includes an everyday 8% discount on GrabCar rides. Furthermore, as part of its affordability commitment, Grab has launched GrabCar Saver — an affordable mobility solution that is cheaper than a standard GrabCar ride.

The leading superapp has also recently launched its Group Rides feature, which not only maximizes the utilization of its fleet through the carpooling model, but also efficiently lowers down fares by allowing groups of four to share their ride’s base fare.

Harnessing Technology for an Elevated Holiday Grab Experience

Leading to the holidays, Grab has also introduced several new features that improve access to rides and food deliveries for Filipino consumers.

This lineup of new technologies includes Advance Booking, which guarantees on-time rides to the airport that can be booked up to seven days in advance — a perfect solution for holiday travelers.

In line with its commitment to affordability, Grab has also introduced a number of new features. The GrabFood Group Order feature facilitates collective meal orders for families and friends, offering escalating discounts that can go as high as 15% as the number of participants increases. 

GrabFood Saver helps users save on delivery fees, while the Large Orders option allows for ordering larger quantities of food and essentials for group celebrations, complete with special deals. These features are designed to effectively manage the expected growth in delivery demand during the Christmas season.

“Many of our kababayans are looking forward to spending the Holidays with their loved ones, and we are aware of their expectations of us during this season. With that, we have devoted our time, effort, and expertise to elevate their Grab experience — allowing every Filipino to be more present this yuletide season,”  Mr. Roda said.

 


Spotlight is BusinessWorld’s sponsored section that allows advertisers to amplify their brand and connect with BusinessWorld’s audience by publishing their stories on the BusinessWorld Web site. For more information, send an email to online@bworldonline.com.

Join us on Viber at https://bit.ly/3hv6bLA to get more updates and subscribe to BusinessWorld’s titles and get exclusive content through www.bworld-x.com.

FDI net inflows decline in August

The Philippine flag is being raised at the Rizal Park in Manila, June 12, 2024. — PHILIPPINE STAR/KRIZ JOHN ROSALES

By Luisa Maria Jacinta C. Jocson, Reporter

NET INFLOWS of foreign direct investment (FDI) into the Philippines slid in August mainly due to a sharp decline in investments in debt instruments, data from the central bank showed.

Net inflows dropped by 14.5% to $813 million in August from $951 million a year ago, the Bangko Sentral ng Pilipinas (BSP) reported on Monday.

Month on month, inflows dipped by 0.9% from $820 million in July.

Net Foreign Direct Investment“The decline in FDI net inflows during the month was due mainly to the 21.6% contraction in nonresidents’ net investments in debt instruments,” the BSP said in a statement.

Net investments in debt instruments slumped by 21.6% to $529 million in August from $675 million in the same month a year ago.

These consisted mainly of intercompany borrowing or lending between foreign direct investors and their subsidiaries or affiliates in the Philippines, the central bank said.

“The remaining portion of net investments in debt instruments are investments made by nonresident subsidiaries/associates in their resident direct investors, i.e., reverse investment,” it added.

BSP data also showed a 9.4% decline in nonresidents’ reinvestment of earnings to $217 million from $240 million a year earlier.

On the other hand, investments in equity and investment fund shares inched up by 2.8% year on year to $284 million in August from $276 million.

Net investments in equity capital other than the reinvestment of earnings surged (83.6%) to $66 million in August from $36 million in the previous year.

Equity capital placements plunged by 52.5% to $103 million, while withdrawals slid by 79.8% to $36 million.

By source, the bulk of equity capital placements were from Japan (72%), followed by the United States (17%).

These were invested mainly in manufacturing (63%); real estate (20%); electricity, gas, steam and air-conditioning supply (9%).

EIGHT-MONTH PERIOD
In the first eight months, FDI net inflows rose by 3.9% to $6.07 billion from $5.84 billion in the year-ago period.

Investments in equity and investment fund shares jumped by 26% to $2.2 billion from $1.75 billion.

Net foreign investments in equity capital surged by 59.4% to $1.34 billion in the January-August period.

Placements climbed by 38.8% to $1.7 billion and withdrawals slipped by 6.6% to $356 million.

These placements mainly came from the United Kingdom (45%), followed by Japan (36%) and the United States (8%).

Investments were mostly poured into manufacturing (75%), real estate (11%) and wholesale and retail trade (4%) industries.

Meanwhile, net investments in debt instruments went down by 5.5% to $3.86 billion from $4.09 billion. Reinvestment of earnings likewise decreased by 4.8% to $866 million.

Rizal Commercial Banking Corp. Chief Economist Michael L. Ricafort said the decline in FDIs can be attributed to the high interest rates, as the central bank only began its easing cycle in mid-August.

The Monetary Board cut rates for the first time in nearly four years at its Aug. 15 meeting, delivering a 25-basis-point (bp) rate cut. Since then, it has reduced borrowing costs by a total of 50 bps, bringing the key rate to 6%.

John Paolo R. Rivera, a senior research fellow at the Philippine Institute for Development Studies (PIDS), said global investors are more cautious amid uncertainty in the United States and European countries.

“High global interest rates and inflation concerns are also causing investors to take a conservative approach, reallocating capital toward safer, less volatile markets,” he added.

Mr. Rivera said the Philippines also continues to face structural challenges that make it difficult for investments to enter, such as “regulatory complexities, high operating and power costs, and persistence of infrastructure bottlenecks.”

“The relatively lower FDI could be brought about by a wait-and-see stance by some foreign investors while waiting for the CREATE MORE to be passed into law,” Mr. Ricafort said.

On Monday, President Ferdinand R. Marcos, Jr. signed into law the Corporate Recovery and Tax Incentives for Enterprises to Maximize Opportunities for Reinvigorating the Economy (CREATE MORE) Act. The law expands fiscal incentives and further cuts corporate income taxes.

“For the coming months, the CREATE MORE law would now make international investors more decisive to locate in the country with better incentives that could compete better with other Asian countries,” Mr. Ricafort said.

“Thus, there will be more FDIs into the country for the coming months due to CREATE more and also due to the expected further rate cuts by the Fed that could be matched by the BSP,” he added.

The Monetary Board is set to have its final policy meeting of the year on Dec. 19. BSP Governor Eli M. Remolona, Jr. has signaled the possibility of another 25-bp cut.

Meanwhile, Mr. Ricafort noted risk factors such as more protectionist policies by a Trump presidency starting in 2025 “would discourage some US companies from investing and creating more jobs outside the US.”

“However, offsetting risk factors for future FDI data would be possible more protectionist by a Trump presidency stating in 2025 that would discourage some US companies from investing and creating more jobs outside the US,” Mr. Ricafort added.

US President-elect Donald J. Trump is set to return to office in January. One of Mr. Trump’s main policy proposals are his stricter trade restrictions, including plans to slap a universal tariff as well as tariffs on Chinese goods.

The central bank expects to end this year with $10 billion in FDI net inflows.

Marcos signs CREATE MORE into law to lure more investments

President Ferdinand R. Marcos Jr. signs the Corporate Recovery and Tax Incentives for Enterprises to Maximize Opportunities for Reinvigorating the Economy (CREATE MORE) Act into law during a ceremony at Malacañan Palace, Nov. 11, 2024. — NOEL B. PABALATE/PPA POOL

By Kyle Aristophere T. Atienza, Reporter

THE PHILIPPINE government expects to forego P5.9 billion in tax revenue in the next four years from a new law that expands fiscal incentives and lowers corporate income tax (CIT) on certain foreign enterprises.

But these losses under the Corporate Recovery and Tax Incentives for Enterprises to Maximize Opportunities for Reinvigorating the Economy (CREATE MORE) Act could be offset by an increase in foreign direct investments (FDI) and new taxes,  government officials said.

President Ferdinand R. Marcos, Jr. on Monday signed into law the CREATE MORE Act, which further reduces the CIT to 20%  from 25% for registered business enterprises (RBE).

“This law will surely be useful in attracting investment because we’re reducing income tax rates and then reducing the cost of doing business by reducing duties, especially for exporters,” Finance Secretary Ralph G. Recto told BusinessWorld on the sidelines of a signing ceremony on Monday.

The Philippines has been a laggard in the region in attracting foreign direct investments, with economists citing inadequate infrastructure, high power costs, unstable policies, red tape and foreign ownership limits.

In 2023, net inflows of FDI into the Philippines fell by 6.6% to $8.9 billion.

A Palace handout showed the bulk  or P4.06 billion of the revenue losses from CREATE MORE in the next four years are due to the reduction in CIT for RBEs.

An estimated P926.82 billion in revenue losses are due to the law’s provision which doubled the RBEs’ additional power expense deduction to 100%.

The law also allows an additional 50% deduction for expenses related to trade fairs and tourism reinvestments until 2034, which will result in revenue losses of P601.89 billion.

Under the new law, application of the net operating loss carryover may be carried out as a deduction from gross income within the next five years immediately following the last year of the project’s income tax holiday. This provision will result in P290.57 billion in revenue losses in 2028.

Asked how the government could offset the projected revenue losses, Mr. Recto said these are just “paper losses… estimates.”

“We have other revenue measures which we’re pursuing. I just discussed also with the Speaker and the Senate President some financial taxes that we are reconsidering,” he added.

Mr. Recto said the government faces a “tough balancing act between giving incentives and raising revenue.”

“You want more volume of investments, and we need those investments. Jobs will be created,” he explained. “There will be withholding taxes. So, I don’t think it will erode the tax base.”

Asked whether or not the law could affect the country’s fiscal plan and budgetary requirements, Mr. Recto said: “We just plan accordingly. If there’s a revenue loss here, then we look for another bill that will gain the revenue.”

House Ways and Means Chair Jose Maria Clemente S. Salceda, speaking on the sidelines of the signing ceremony, said the new law’s impact on government revenues will be felt “probably in the first phase” and will be “short term.”

“But we expect the velocity of the economy to offset the reduction in rates basically through new investments,” he added.

“If they don’t invest, there’s nothing to erode,” he said when asked to react to earlier remarks that the measure could erode the government’s revenue base. “In other words, in fact, it gives us a chance to come in.”

Mr. Marcos, in his speech at the signing ceremony, said the law was “hard-fought and hard-won.”

It’s the government’s “resounding testament of our commitment to make the Philippines the destination of choice for investments,” he added.

Under CREATE MORE, RBEs will have the option to avail either of the special CIT of 5% or the enhanced deduction regime, which were both extended from the initial maximum 10-year period to a maximum duration of 10 to 27 years, immediately at the start of commercial operations.

The law entitles labor-intensive projects to an extension of five to 10 years.

Under the new law, export-oriented enterprises’ local purchases are zero-rated while importations are exempted from value-added tax (VAT).

This would “address the cash flow issues of direct exporters as they no longer have to tie up funds in VAT payments that would otherwise be refunded later,” the Department of Finance said in a statement.

The Action for Economic Reforms (AER), which was among the supporters of the CREATE Act of 2021, said the new law “carries with it a number of issues sure to worsen the country’s fiscal state.”

“For one, the law massively broadens the scope and coverage of incentives offered to investors in an attempt to drive investment inflow. Contrary to its proponents’ claims, however, this race to the bottom approach will not necessarily bring in additional investments and will instead result in the shrinkage of much-needed revenue for development,” it said in a statement.

Among the major concerns of AER is the transfer of most of the Fiscal Incentives Review Board’s (FIRB) functions to investment promotion agencies (IPAs), which the board is meant to oversee.

The law also allows the President to grant incentives without the recommendation of the FIRB, whose board is chaired by the Department of Finance.

This opens “more doors for abuse and corruption,” AER said, adding that giving the President the power to grant incentives “solely upon discretion” runs “contrary to the principles of good fiscal governance.”

“Such changes to our fiscal incentives system defeat the purpose of the original CREATE Act passed in 2021, which is to ensure that the incentive regime is time-bound, targeted, and performance-based,” AER said.

CREATE MORE fails to address “real hurdles” inhibiting investment in the country, including fiscal stability, sound governance, policy certainty, and reliable infrastructure, it added.

The Joint Foreign Chambers said the new law solidifies the Philippines’ “position as a competitive destination for investments and business expansion.”

“This legislation addresses the urgent need to review and revise the country’s investment incentive policies, ensuring they remain aligned with international standards,” it said in a statement.

George T. Barcelon, chairman of the  Philippine Chamber of Commerce and Industry, said CREATE MORE will heavily benefit local manufacturers as it incentivizes exporters patronizing local products.

Secretary Frederick D. Go of the Office of the Special Assistant to the President for Investment and Economic Affairs said the new law has triggered “a lot of interest from foreign direct investors, especially the big ones,” including those involved in shipyard building as well as the electronics and renewable sectors. 

Mr. Go said these investors are from South Korea, Japan, China, Australia, the United Kingdom, and the United States.

“The passage of CREATE MORE has triggered so much interest from foreign and domestic direct investors, especially the large scale ones. This is our main tool to make the Philippines an attractive investment destination,” Mr. Go said in a statement.

CREATE MORE also institutionalizes flexible work arrangements for RBEs operating within economic zones and freeports, without compromising their tax incentives.

Pre-CREATE registered business enterprises will continue to enjoy the national and local incentives previously granted to them until Dec. 31, 2034, according to the law.

In a statement, the Bureau of Internal Revenue said it will conduct a public information campaign on tax incentives granted by the new law “for the purpose of promoting the Philippines as a prime investment destination.”

Meanwhile, the Philippine Economic Zone Authority (PEZA) said domestic market enterprises will also benefit from the new incentive regime.

“This should stimulate domestic production by local manufacturers, including foreign investors going into import-substitution activities to cater to our growing domestic market,” it said in a statement.

The German-Philippine Chamber of Commerce and Industry, Inc. (GPCCI) also welcomed the signing of the law, whose key reforms include extension of tax incentives for up to 27 years and streamlining of tax refund processes.

“We share the goal of creating a more favorable business landscape to foster growth and job opportunities,”  GPCCI President Marie Antoniette Mariano said. — with Justine Irish D. Tabile

Recto: No more global bond issuances this year

FINANCE SECRETARY RALPH G. RECTO — DEPARTMENT OF FINANCE FACEBOOK PAGE

By Aubrey Rose A. Inosante, Reporter

THE NATIONAL GOVERNMENT (NG) is unlikely to offer more offshore bonds this year, Finance Secretary Ralph G. Recto said.

This as the NG has only raised $4.5 billion out of its $5-billion plan to borrow from the international debt market this year.

Asked if the NG plans to borrow the remaining $500 million from the offshore market this year, Mr. Recto replied: “I don’t think so.”

He said the government may opt to tap the domestic debt market for the remainder of the year.

So far this year, the government has issued US dollar-denominated global bonds, raising $2 billion in May, and another $2.5 billion in August.

At the same time, Mr. Recto said that the government has yet to finalize its plans for global bond offerings in 2025.

However, he said the NG aims to continue lowering the share of external borrowings in its borrowing program.

“We want to reduce the foreign debt stock to 10% at a particular point in time,” he told BusinessWorld on the sidelines of a budget hearing at the Senate last week.

This year, the government set a 75:25 borrowing mix, in favor of domestic sources.

For 2025 to 2027, the NG plans to source at least 80% of its borrowing program from domestic sources, and 20% from foreign lenders, according to the 2025 Budget of Expenditures and Sources of Financing.

For next year, the NG plans to borrow P2.55 trillion, 0.97% lower than P2.57 trillion this year. Of this, domestic borrowings are set at P2.04 trillion, while external borrowings are pegged at P507.41 billion.

Meanwhile, Donald J. Trump’s return to the US presidency will impact Treasury bond yields and result in a stronger dollar, analysts said.

“Government may have to weigh the cost of borrowing USD-based debt due to higher cost and peso volatility and maybe consider alternative offshore sources and more of local,” First Metro Investment Corp. Head of Research Cristina S. Ulang told BusinessWorld in a Viber Message.

Philippine Institute for Development Studies Senior Research Fellow John Paolo R. Rivera said that if the US Federal Reserve keeps rates high in 2025, the cost of offshore debt for the Philippines will increase.

“With Trump winning the elections, it could signal shifts in US trade and monetary policies, potentially influencing global capital flows and emerging-market conditions,” Mr. Rivera said.

“Frontloading debt issuance in early 2025 could offer the Philippines a window to lock in rates before any further Fed rate hikes or policy shifts under Trump administration.”

Institute for Development and Econometric Analysis, Inc. President Alexander C. Escucha said “frontloading any borrowing makes sense when rates are low, and you expect interest rates to go down.

However, this does not seem to be the “likely scenario” in the present, he said.

“In the last 2-3 months the Fed and Bangko Sentral ng Pilipinas (BSP) cuts were premised on inflation getting under control and further rate cuts even expected,” Mr. Escucha said. “But that short-term scenario may be on hold in the meantime, as the market absorbs the implications of the Trump victory.”

Since beginning its easing cycle in August, the Monetary Board has cut rates by 50 basis points (bps), bringing the central bank’s key rate to 6%.

BSP Governor Eli M. Remolona, Jr. has signaled a possible 25-bp rate cut in December, which would bring the benchmark rate to 5.75% by the end of 2024.

BMI cuts PHL growth forecast

SHOPPERS check out various Christmas decorations in Divisoria, Manila, Nov. 3, 2024. — PHILIPPINE STAR/RYAN BALDEMOR

FITCH SOLUTIONS’ unit BMI lowered its gross domestic product (GDP) growth forecast for the Philippines this year as weak external demand remains a drag.

In a report, BMI said it now expects the country’s GDP to grow by 5.8% this year, lower than its earlier projection of 6%.

This would fall short of the government’s 6-7% full-year forecast.

“The economy must expand by 6.3% in the final quarter just to hit our original forecast. But we think that it is a tad too optimistic,” it added.

The Philippine economy slowed to 5.2% in the third quarter from 6.4% in the second quarter, the weakest growth in five quarters.

For the first nine months, GDP growth averaged 5.8%. To hit the low end of the government’s full-year target, GDP must expand by at least 6.5% in the fourth quarter.

BMI said the Philippine economy is “not as weak as the numbers suggest,” and that “an acceleration is on the cards.

However, BMI flagged the weakness in external demand, which is seen to remain a “main drag.”

In the third quarter, exports of goods and services contracted by 1%, a reversal from the 2.5% expansion a year ago.

BMI said that the external sector is the “largest pain-point for the economy.”

“And we think that it will offer little relief over the coming quarters. With several of its major trading partners facing domestic economic headwinds of their own, a meaningful turnaround seems increasingly unlikely,” it said.

The services sector is also seen to undergo weakness, BMI said, noting that the Philippines is a “significant player” in the business process outsourcing industry.

The industry accounts for 15% of the global market share and 7.5% of the Philippine economy, BMI estimates showed.

“The country is particularly susceptible to fluctuations in the macroeconomic environment. Our team thinks that global growth will stagnate at 2.5% next year which will limit the performance in services exports,” it added.

On the other hand, BMI said that domestic demand will remain resilient and continue to prop up growth.

“That said, the pickup in domestic activity should more than make up for any weakness in external demand.”

It noted that household spending will continue to be robust amid easing inflation.

“A renewed acceleration in private consumption will also be sustained. For one, inflation retreated from a recent peak of 4.4% in July to 2.3% in October which will support real household incomes.”

Household consumption grew by 5.1% year on year in the third quarter from 4.7% in the second quarter. It accounts for over 70% of the economy.

“Given that around a quarter of Philippine imports are for consumer goods, we can use import volumes as proxy for household spending. Indeed, the recent surge in import volumes coincides with the uptick in private consumption and suggests that its recovery could be well underway,” BMI added.

Imports of goods and services rose by 6.4% in the third quarter, a turnaround from the 1.6% decline a year ago.

BMI said that further monetary loosening will also spur investment growth. It expects the central bank to deliver up to 200 basis points (bps) worth of cuts in its current easing cycle.

The Bangko Sentral ng Pilipinas has so far reduced borrowing costs by 50 bps this year, bringing the key rate to 6%.

TRUMP PRESIDENCY
However, BMI flagged downside risks to this outlook due to the policy signals of the US President-elect Donald J. Trump.

Mr. Trump has been bent on implementing stricter trade policies during his term, floating the idea of a universal tariffs of up to 20%.

“As one of the Philippines’ largest trading partners, it will not be able to shy away from the impact of these protectionist policies. Higher tariffs will make Philippine goods more expensive and less competitive in the US market, reducing demand for these exports,” BMI said.

It also noted the possibility of Mr. Trump’s trade policies stoking inflation, which could have implications on monetary policy.

“Additionally, Trump’s policies could lead to inflationary pressures in the US, prompting the Fed to slow the pace of its loosening cycle. And the BSP might have to follow suit in response.” — Luisa Maria Jacinta C. Jocson

Career Program by SM Offices and National University bridges academia and industry

IBPAP Academe Linkages & Talent Attraction Lead Zoe Diaz de Rivera discusses the evolving IT/BPM sector and the crucial skill sets needed.

SM Prime’s SM Offices Business Unit recently held the Bridges to Success Career Program in partnership with the National University (NU) on Oct. 16 and 18 at the NU Fairview and NU Baliwag campuses, respectively.

This pilot collaboration is a key initiative of SM Offices to support their tenant-partners’ growth by connecting hundreds of NU alumni and students with top-tier employers from various industries, including IT and business process management (IT/BPM), hospitality, and real estate.

“Distinct from a typical career fair, the Bridges to Success Career Program is a dedicated platform that allows NU students to seamlessly transition from academic life to their first job,” shared SM Prime Holdings Vice-President and SM Offices Head Alexis Ortiga.

Inspired by how US-based universities arrange their career programs, the fair allowed students to gain insights from industry leaders through panel discussions and engage in career workshops, while providing employers with the opportunity to network, interview, and even hire students on the spot.

NU Alumni and Students connect with SM Offices tenant-partners.

The keynote address was delivered by IT & Business Process Association of the Philippines Academe Linkages & Talent Attraction Lead Zoe Diaz de Rivera. Her talk, titled “Insights on the IT/BPM Industry,” provided a comprehensive overview of the growing IT/BPM landscape, emphasizing the critical skills and competencies students need to thrive in this competitive sector.

Afni, Concentrix, Emerson, iQor, Teleperformance, and other SM Offices’ tenant-partners were present at the fair to meet potential recruits and offer internships and full-time career opportunities. Also in the event were SM Supermalls, SMDC, SM Hotels and Conventions, Tagaytay Highlands, Hamilo Coast, and Park Inn by Radisson.

The job fair offered companies a cost-effective recruitment solution, granting access to a pre-vetted talent pool of onboarding-ready candidates who can enhance productivity. Additionally, it provided increased brand recognition among students and faculty, as well as opportunities for long-term talent development by mentoring future leaders aligned with their organizational culture.

For SM Offices’ tenant-partners, the Bridges to Success program is a direct line to ensure a robust talent pipeline to support their growing businesses. “This program is a win-win for everyone involved,” Mr. Ortiga said. “NU can proudly offer a program designed to secure internships and jobs for students even before they set foot on an NU campus; while SM Offices tenant-partners now have a steady annual pool of highly capable graduates equipped to contribute immediately to their organizations.”

 


Spotlight is BusinessWorld’s sponsored section that allows advertisers to amplify their brand and connect with BusinessWorld’s audience by publishing their stories on the BusinessWorld Web site. For more information, send an email to online@bworldonline.com.

Join us on Viber at https://bit.ly/3hv6bLA to get more updates and subscribe to BusinessWorld’s titles and get exclusive content through www.bworld-x.com.

Disney’s most streamed movie has a sequel coming to theaters

A SCENE from Moana 2

WALT DISNEY CO.’S most streamed movie of all time has nothing to do with Star Wars, The Avengers or the singing sisters of Frozen. It’s Moana, an eight-year-old animated feature about a Pacific island girl trying to find her place in the world.

Since the Disney+ streaming service launched in late 2019, Moana has been among the four most-watched films on any streaming service every year, according to Nielsen data. Fans have watched nearly 80 billion minutes of Moana, the equivalent of seeing the picture 748 million times. It’s also been in the streaming top 10 almost all of this year.

All that bodes well for the next chapter in the franchise, Moana 2, which hits theaters on Nov. 27. Disney has historically released some of its biggest animated hits over the Thanksgiving holiday weekend, although some recent pictures, Strange World and Wish, disappointed.

Moana 2 should also help accelerate the comeback of Disney’s film studio, which has released a number of hits this year including Deadpool & Wolverine from Marvel Studios and Alien: Romulus. Disney is expected to post a $306 million quarterly profit in the division that includes those theatrical releases when it reports results on Nov. 14, according to the average of analyst estimates compiled by Bloomberg.

Fandango, the largest online movie ticketing service, said that Moana 2 has set the best first-day ticket presales of any animated film this year, including Inside Out 2 from Disney’s Pixar Animation Studios, which has grossed close to $1.7 billion at the box office since its release in June.

“Some people in the know are telling me that they think Moana 2 could eclipse and outshine even the success of Inside Out 2,” Adam Aron, the chief executive officer of AMC Entertainment Holdings Inc., the world’s largest cinema chain, said on a Nov. 6 call with investors.

Moana 2 is on track to generate as much as $135 million in US and Canada ticket sales in its five-day opening weekend, according to some estimates. That would put it ahead of the original film which took in $82 million over the long holiday weekend in 2016.

That picture went on to reap $643 million in global ticket sales, a big number, but not even enough to land it in the top 30 highest grossing animated films of all time. It was nominated for two Academy Awards: best animated feature and best original song, but didn’t win either.

What really gave Moana momentum was streaming, and specifically its online appearance at the start of the COVID-19 pandemic. The film, with its shots of the ocean and island life, proved to be escapist for parents and children coping with the shutdown, according to Andrea Coppola, a New Jersey resident whose preschool son Leo became a big Moana fan.

The original score by Hamilton creator Lin-Manuel Miranda, including power ballads such as “How Far I’ll Go,” also resonated. The album has sold 5.6 million copies, according to Luminate Data, more than Coco and Encanto, two other recent Disney musicals, combined.

“We know all the words,” Coppola said.

On Reddit threads, parents debated whether Moana was the best Disney movie ever, with one mom describing her toddler pecking Cheerios off the floor to imitate Heihei, Moana’s rooster sidekick.

The film relied on a “updated feminist formula” of a Disney princess embarking on an adventure, Kirsten Thompson, chair of the film and media department at Seattle University, said in an interview. The animation — including tattoos, tribal clothing, and bioluminescent water — added to the appeal.

“All of that makes for a stunning visual feast,” said Ms. Thompson, whose middle name coincidentally is Moana, which loosely translates to deep or shining waters.

Disney originally planned Moana 2 as a TV series for its Disney+ streaming service. When a movie slated for Thanksgiving release fell through, Chief Executive Officer Bob Iger asked film division chief Alan Bergman if he had any suggestions for what they could replace it with. Mr. Bergman suggested that the Moana series storyline could be cut down to the length of film and include more cinematic visuals to make it suitable for a theatrical release. Mr. Iger said he thought the result was terrific.

“I’ve seen it six times,” Mr. Iger said at a fundraiser for the Los Angeles County Museum of Art earlier this month.

Moana 2 will premiere in Hawaii before being distributed to the rest of the world’s theaters. (It will open in the Philippines on Nov. 27. — Ed.)

Unlike the first picture, it doesn’t feature new music from Mr. Miranda. It does have Auli’i Cravalho back as the title character, and Dwayne Johnson reprising his role as Maui, a shapeshifting demigod. The plot involves Moana and her unlikely crew going on a new sailing adventure.

Seattle University’s Ms. Thompson said that the sequel shouldn’t simply attempt to “repackage the magic of the first one — it’s going to have to have its own very good score and tell a new story of some kind, maybe with the character going to a different island or deeper underwater.”

Disney also has a live-action version planned for next year, suggesting parents will have plenty of Moana to stream for years to come. — Bloomberg

Metro Pacific Tollways invests P80B in Jakarta toll road

MPTC.COM.PH

METRO PACIFIC Tollways Corp. (MPTC), through its unit PT Margautama Nusantara (MUN), is allocating P80 billion to construct a 21-kilometer elevated toll road in the Jakarta Outer Ring Road (JORR), the company’s top executive said.

“It is a ring road. We are building 21 kilometers. It is the most congested area,” PT Nusantara Chief Operating Officer Joko Santoso told reporters on Monday.

JORR is a 65-kilometer toll ring road in Jakarta, Indonesia divided into sections, Mr. Santoso said, adding that the full stretch of the ring road reaches 560,000 daily traffic.

This new project being developed by MPTC’s unit in Indonesia will be known as the JORR Elevated Toll Road and will extend from Jatiasih in East Jakarta to Ulujami in South Jakarta.

“If things run smoothly, we anticipate breaking ground by the second half of next year,” he said.

The infrastructure project is now at an early stage, with the construction expected to commence next year and will take three to four years to complete, Mr. Santoso said, adding that the company is finalizing the project’s technical preparation.

“Well, actually, we submitted the basic design and with that actually, we already have some indication of the number of the total contract and cost and investment,” he said.

The company said it is also cautiously crafting the project’s detailed engineering design to ensure minimal disruption to the traffic flow considering the area is highly congested.

“We are working on detailed engineering designs that minimize the impact on existing contractors and ensure traffic safety,” Mr. Santoso said.

The elevated tollway project is expected to provide relief to the current traffic situation within JORR, which is part of the Trans-Java toll road.

To recall, MPTC, together with its subsidiaries and Singapore’s GIC Pte. Ltd., a global institutional investor, have finalized their investment cooperation valued at $1 billion for the acquisition of a 35% stake in PT Jasamarga Transjawa Tol (JTT), a major toll road operator in Indonesia.

PT Nusantara Infrastructure owns infrastructure concessions in both the western and the eastern portions of Indonesia. It operates businesses in transportation, toll roads, communication, and distribution networks.

MPTC is the tollway unit of Metro Pacific Investments Corp., one of three key Philippine units of Hong Kong-based First Pacific Co. Ltd., the others being Philex Mining Corp. and PLDT, Inc.

Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has a majority stake in BusinessWorld through the Philippine Star Group, which it controls. Ashley Erika O. Jose

Succession

A SCENE from the 2024 film Conclave.

Movie Review
Conclave
Directed by Edward Berger

EDWARD BERGER’S Conclave is more fun than the process of choosing a world leader has any right to be.

Adapted from the novel by Robert Harris, it outlines the death of a pope, and the power struggles involved in electing the next one, and as one watches the proceedings and the skullduggery, several thoughts arise:

1.) This is the most blatant (and blatantly beautiful) advertisement of the pomp and pageantry of the Roman Catholic Church since well The Exorcist back in 1973. Oh we’ve had dramas about priests — mostly sexual abuse scandals and lurid exorcisms — and there’s Meirelles’ The Two Popes which is more earnest biographical drama than anything actually entertaining. But Berger manages to fashion a smooth ticking mechanism, the jeweled gears and precision movements of a handmade mystery thriller set against the splendor of the Sistine Chapel’s ceiling (expertly reproduced in the soundstages of Cinecitta), or along the hallways and stairways of the Domus Sanctae Marthae (designers admit to rejiggering the humdrum original into something more like an ultramodern penitentiary; perfect setting, I thought, for a Dario Argento giallo). In this severe environment the cardinals — often dressed in what looks like a collaboration between David Cronenberg and Margaret Atwood — sit and scribble names on their paper ballots, fold said paper, walk up to a silver urn, intone a solemn prayer declaring they are voting for whom God would want them to vote for (Testor Christum Dominum, qui me iudicaturus est, me eum eligere, quem secundum Deum iudico eligi debere), drop their votes in the hole.

When they dine they dine simply, but the food — soups, pastas, a three-tiered tower of superb looking fruit — is of high quality. Wine is served, an apparently inexhaustible amount; likely not expensive but knowing Italian wines (and knowing priests), also very good. Cigarettes – I’ve seen more smoking here than in any half-dozen recent films; even spotted the occasional cigar (Cuban?). Life sequestered in this conclave looks simple but comfortable, and you have the Vatican Guard posted outside to guarantee your peace and quiet. No wifi — a serious drawback — but you are allowed pen and paper (admittedly I have not written anything of length by this method in decades). All things considered I could get used to this kind of life.

2.) Most of the drama consists of old white men huddled and debating who to pick. I know I know, in an age where even MI6’s double-O section and The Avengers have been compelled to allow member of varying races and sexual orientations into their ranks, the Catholic Church remains stubbornly antediluvian — but you begin to see the point when you listen to these folks, their bickering and politicking and prejudices, and you think: maybe the problem isn’t the field of candidates to pick from, the problem is this college of corrupt wizened mandarins tasked to pick a candidate.

That all said, if we’re going to cast old white men for the leads we could do a lot worse than Ralph Fiennes, Stanley Tucci, John Lithgow, and Sergio Castellitto, plus Isabella Rossellini on standby in her best Bells of St. Mary habit, ready to chime in at the crucial moment. With Harris’ crackerjack plot to play with, with witty lines fashioned by Harris and screenwriter Peter Straughan, with Berger and his production team (including cinematographer Stephane Fontaine’s sombre Gothic color palette and Suzie Davies’ minimalist sets and Lisy Christi’s richly textured costumes) ready to raise up a hushed cloistered world around them, who could resist the offer to deliver a memorable performance?

3.) The plot is stuffed with unlikely coincidences and climaxes with an explosion as perfectly timed as a punchline (you can’t help but laugh in response); plus you could spot the finalist coming from literally miles away. Which matters less than you might think — Berger keeps the plot humming, and it’s engaging enough and plausible enough and deadpan funny enough that you’re entertained anyway.

Each of the primary candidates have their privileged moment, and I especially appreciate that of Lucian Msamati as Cardinal Adeyemi of Nigeria, who never looked more magnificent than when he is being humbled; Ralph Fiennes as Cardinal Lawrence plays ringmaster to these confessions and revelations like he’s both eyewitness and impresario (at one point when Lawrence is accused of the sin of ambition — an accusation made more than once — the priest blinks, as if not sure which persona should respond). Poor Castellitto may not have been as well served by his privileged moment, when after the bombing attack he stands up to declare the church must fight back; the xenophobic overtones are a tad too obvious and the response, though well-delivered in a soft-spoken manner, is almost just as blatant.

4.) I mentioned predictability but the twist near the end of the picture is genuinely startling, and perversely entertaining. Each candidate’s major flaw (they’re human, it’s part of the package) is picked apart and used against them; one flaw does manage to stand out as a reflection of both the candidate’s character and the church’s — what said flaw has to do with the candidate’s actual qualifications versus the church’s ideas of what those qualifications should be.

5.) The bomb serves to remind the cardinals — and us — of the world outside of the conclave, that everything the cardinals argue feverishly over — tradition vs reform, corruption, sexuality, loyalty, betrayal — all involve issues within a 2,000+ year old institution that is struggling to find its relevance in this digitally demented world. So, the church may (or may not) have chosen its new Holy Father, fine; what’s next? That’s when the real story begins.

Conclave opens in Philippine theaters on Nov. 20 with an MTRCB rating of PG.

Globe says 2025 capex may fall below $1 billion

FOR THE THIRD QUARTER, Globe’s attributable net income climbed by 21.1% to P6.02 billion from P4.97 billion in the same period a year ago, driven by higher revenues during the period. — BW FILE PHOTO

AYALA-LED Globe Telecom, Inc. may further reduce its capital expenditure (capex) next year, signaling a shift in its investment strategy.

This year’s capex stands at $1 billion, but the company may lower this figure to below $1 billion for the next fiscal year, Globe Chief Financial Officer, Treasurer, and Chief Risk Officer Juan Carlo C. Puno said during a virtual briefing on Monday.

“In terms of capex, we are still finalizing plans. We have gone to the market the past few quarters with the signal of dropping cash capex to below $1 billion,” he said.

He said next year’s capex budget will be mainly funded by internally generated funds and debt.

For this year, Globe cut its capex by 22%, bringing it down to P55 billion from P70.6 billion in 2023, as part of its strategy to achieve positive cash flow by 2025.

“One thing to consider is we still have P11 billion of proceeds from the tower sale that we have yet to collect. Assuming we are able to get that, it will complement the fundraising for 2025,” Mr. Puno said.

To recall, Globe said in July that it had generated P85.2 billion from its tower sales after fully transferring some of its tower assets to Frontier Tower Associates Philippines, Inc. (Frontier Towers).

Globe also has other ongoing tower sales. In October, the company completed the sale of 25 telecommunications towers to Unity Digital Infrastructure, Inc. for P300 million.

This development marks the latest transaction of Globe’s tower sales to Unity, representing 68.7%, or 307 of the 447 towers to be acquired by Unity for a total of P5.4 billion.

Further, Mr. Puno said the company is confident it will hit its revenue growth target of mid-single-digit growth by the end of the year.

For the third quarter, Globe’s attributable net income climbed by 21.1% to P6.02 billion from P4.97 billion in the same period a year ago, driven by higher revenues during the period.

The company’s August-to-September revenue rose to P45.12 billion, marking a 1.9% increase from last year’s P44.27 billion, its financial statement showed.

For the nine-month period, Globe’s attributable net income went up to P20.58 billion, higher by 6.7% from the P19.29 billion earnings in the comparable period last year.

Gross revenues for the January-to-September period were flat, increasing by 0.7% to P134.74 billion from P133.79 billion in the same period last year.

At the local bourse on Monday, shares in the company closed P46, or 2.11%, lower to end at P2,134 apiece. — Ashley Erika O. Jose

QCinema 2024 Pocket Reviews: What an international film festival offers to a Filipino market

By Brontë H. Lacsamana, Reporter

BOTH LOCAL and foreign films make up the weighty lineup of this year’s QCinema International Film Festival. In celebrating a coming-of-age in its 12th edition, the festival has expanded — initially catering to avid Pinoy cinephiles whose calendars (and wallets) are prepped for this time of year — to serving as an industry platform to connect Southeast Asian filmmakers and producers through the QCinema Project Market (QPM).

Modeling itself after the likes of Busan, Venice, and Toronto is no easy feat. Led by the city’s Film Commission, the QPM, running from Nov. 14 to 16, is awarding grants to 20 films across the region and holding forums to tackle topics on cultural intersections and financing strategies.

Welcoming Southeast Asian filmmakers to collaborate and screen their works is a healthy sign of a growing film market, and this manifests in the festival’s lineup as well. At QCinema, a solid 77 films offer a wide range of cinematic narratives and experiences that Filipinos and international guests can enjoy.

QCinema runs until Nov. 17 at the cinemas of Gateway Mall 2, Trinoma, Shangri-la Plaza, and the Power Plant Mall. Regular tickets cost P300.

Here are reviews of a few films that BusinessWorld was able to watch:

DIRECTORS’ FACTORY: PHILIPPINES
A local edition of Cannes Directors’ Fortnight, an initiative that pairs four filmmakers from the home country (in this case, the Philippines) and four from its regional neighbors, has resulted in an omnibus film of four striking short works. All filmed in Dapitan, they capture themes of exile and alienation while steeped in the natural mise-en-scène of the location.

Cold Cut by Don Eblahan of the Philippines and Tan Siyou of Singapore kicks it off with a moving dance performance, starring a 19-year-old girl at a talent show. A push and pull is seen between her and a butcher, whom she chases after amid auditions where girls like her line up in hopes of a better future.

Silig by Arvin Belarmino of the Philippines and Lomorpich Rithy of Cambodia is more accessible, tackling queer displacement with heart. It follows a dying woman (played by Sylvia Sanchez) returning to a hometown that shunned her for her identity and reconnecting with an old flame (played by Angel Aquino).

Nightbirds by Maria Estela Paiso of the Philippines and Ashok Vish of India, while not baked to its full potential, puts a fun, surreal spin on the local mythology of the Tigmamanukan, or bird god, through the story of a disillusioned woman (played by Pokwang) becoming a chosen one of sorts.

Finally, Walay Balay by Eve Baswel of the Philippines and Gogularaajan Rajendran of Malaysia depicts a mother and daughter (played by Ruby Ruiz and Shaina Magdayao) longing for their war-torn home of Marawi. It concludes the set powerfully by using sound to evoke memory and trauma.

MISTRESS DISPELLER
Directed by Elizabeth Lo

The logline of the documentary Mistress Dispeller reads like it would delve into family and relationship drama, with the central figure of Teacher Wang being a “mistress dispeller,” an emerging career in China where one is hired to break up extramarital affairs. It does, of course, have drama in it given the nature of the subject, but the way it was filmed allows for nuance.

Here, we see the progression of one of her cases, where a wife heartbreakingly relays how she discovered her loving husband’s secret affair and seeks to end it to save the marriage. The ensuing operation is fascinating, with Teacher Wang endearing herself to the couple through a tennis club, later to the husband as he opens up about his insecurities over dinner, and finally to the mistress whose perspective reflects her choices in life.

While it is easy to condemn both the husband and the mistress for their sins, the film is not interested in that. It views everything through the lens of romance becoming an industry in contemporary China, where people no longer organically let relationships start and run their course. In the same way a matchmaker orchestrates love, the titular subject initiates a strange form of therapy and manipulation, working to fix a marriage through conversations that coax out the truth from the involved parties.

For audiences, more details on the cultural ubiquity and relevance of the mistress-dispelling industry in China may be welcome, but the picture Ms. Lo paints is equally enthralling, told in a way that gets one to question just how necessary such services should be in contemporary society.

ALL WE IMAGINE AS LIGHT
Directed by Payal Kapadia

This film is a soulful look into the lives of women musing on the pitfalls of city life. It is clear why it won the Cannes Grand Prix this year — moving performances by the three leads anchor Mumbai as a place where people grapple with an endless pursuit of desires.

All We Imagine As Light has beautiful cinematography, with natural light, sounds, and colors informing the personal histories of the responsible nurse Prabha (played by Kani Kusruti), the naive and romantic nurse Anu (played by Divya Prabha), and the increasingly displaced yet headstrong elder nurse Parvaty (played by Chhaya Kadam). Their rich inner lives endear the characters to the audience, with tender direction peeling back the layers of dreams and insecurities born in the harsh setting they find themselves in.

Its sense of melodrama is not exactly new, especially in the world cinema landscape. It can even be described as the quintessential “international film festival darling,” but its heartfelt touch cannot be denied. All We Imagine As Light conveys a magic that makes naturalistic, humanist drama an arresting category, especially towards the end where it blends subtly into the mystical.

There are many gems to catch in this year’s Screen International section, and this film is undoubtedly one of them.

ROOM IN A CROWD
Directed by John Torres

The structure of Room in a Crowd is anything but straightforward. It is made of a barrage of images and sounds culled from behind-the-scenes of an upcoming science fiction film and the day-to-day conversations of the filmmaker (John Torres) over the course of shooting.

Inevitably, no straight description can do this experimental behemoth justice. Mr. Torres makes something out of everything, be it recordings of his daughter speaking in gibberish, a Zoom call with film students reading a script, or a phone conversation with a close friend expressing their anxieties under militaristic threat. The cinematic medium is pushed beyond its limits, the audience challenged to follow the wide net cast across life on the margins of the making of a film, and even beyond it.

Mr. Torres’ live spoken word performance, backed by the entrancing electronic score by Itos Ledesma, concludes the film in an extended epilogue that feels less like a regular final act and more like a spiritual rave in the church of cinema. It’s a rare experience that Filipino art, music, and film lovers should catch, especially in the optimally communal movie theater.

Of all the special screenings in QCinema, Room in a Crowd is the one to watch for those who want to see just how much more the boundaries of film can be pushed.

Brontë H. Lacsamana is one of the six emerging critics participating in the QCinema Critics Lab this year.