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AC Energy clears venture with German solar firm’s affiliate

THE management of Ayala-led AC Energy Corp. has given the greenlight for the firm to enter into a joint venture with an affiliate of German solar firm ib vogt GmbH to develop solar projects in the country with an initial 300 megawatts of direct current (MWdc).

“At its meeting held today (Aug. 25), the company’s executive committee (execom) approved the following: … The entry into a joint venture with ib vogt Singapore Pte Ltd. for the development of solar projects in the Philippines with an initial target of 300 MWdc of generating capacity,” AC Energy told the local bourse in a regulatory filing on Thursday.

ib vogt Singapore Pte Ltd. is an affiliate of ib vogt GmbH, a German company which specializes in developing and delivering large-scale turnkey photovoltaic plants.

AC Energy also disclosed that its execom had approved the respective capital expenditure (capex) budgets of the firm’s planned solar project of around 288 MW in Buguey and Lal-lo, Cagayan; and its proposed 275-MW expansion of its Gigasol Palauig solar project in Zambales.

The company provided no further details on the capex figures.

AC Energy, which also has a presence in India, previously announced that it had switched on two of its maiden solar farms with an aggregate capacity of 210 megawatts peak (MWp) in the country.

The two facilities are the 140-MWp Sitara Solar plant in the Jodhpur district of the Rajasthan state, and the 70-MWp Paryapt Solar project in the Amreli district of the Gujarat state.

AC Energy, the Ayala group’s listed energy platform, has about 2,600 MW of attributable capacity in the Philippines, India, Vietnam, Indonesia, and Australia.

The company aspires to become the largest listed renewables platform in Southeast Asia, as it hopes to reach 5,000 MW of renewables capacity by 2025.

Shares in AC Energy at the local bourse inched down 1.18% or 11 centavos to finish at P9.20 apiece on Thursday. — Angelica Y. Yang

Film festival focuses on cultural values

A STILL from the film Salog ning Diklom, directed by Jordan Jose Dela Cruz

LOVE of the self, life and purpose, resilience, happiness, and social values such as good governance, love of country, honesty and integrity are highlighted in the first Sine Halaga Film Festival.

The National Commission for Culture and the Arts (NCCA), in partnership with the Negros Cultural Foundation (NCF), launched the Sine Halaga Film Festival on Aug. 25 to showcase 12 Filipino films highlighting cultural values. The films can be viewed for free at Sine Halaga’s Vimeo on Demand channel (https://vimeo.com/sinehalaga) and the NCCA Learning Resources website.

The film festival will tackle 19 values identified from research spanning two years conducted by the NCCA on what Filipinos value at present.

The 12 films are Bakit Ako Sinusundan ng Buwan, directed by Richard Legaspi; Black Rainbow, directed by Zig Madamba Dulay; Dandansoy, directed by Rod Arden Condez; Hadlok, directed by Ralston Jover; Looking for Rafflesias and other Fleeting Things, directed by James Allen Fajardo; Lorna, directed by Noel Escondo; Masalimuut Ya Tiyagew Ed Dayat, directed by Jan Carlo Natividad; Mina’s Family History, directed by Christopher Gozum; Sa Balay ni Papang, directed by Kurt Steven Soberano; Salog ning Diklom, directed by Jordan Jose Dela Cruz; Ugbos ka Bayabas, directed by Manie Magbanua, Jr.; and 13 Feet, directed by Carlo Obispo.

More than a hundred entries were screened by the Sine Halaga jury during the selection process.

The jury includes Rolando Tolentino, NCCA Committee on Cinema chairperson; film critic and educator Tito Valiente; award-winning Filipino filmmakers Jeffrey Jeturian, Roy Iglesias, and Sari Dalena; the author and lead researcher of the National Study on Filipino Values, Arvin Villalon and his co-author Jose Soliman, Jr.

Dapat makita ng mga guro at mag-aaral yung values sa loob ng pelikula (The teachers and students need to see the values within the film) without the film talking directly about it,” said Mr. Valiente of the selection process, during an online press conference via Zoom on Aug. 24.

“’Yung successful na cinema yung nakakapagbigay ng mensahe na nakatago pa rin sa sining, (Successful films are those that deliver a message hidden within the art form).” Mr. Valiente said.

Sine Halaga also comes with an educational component wherein the films will be used for classroom education. “It’s what makes Sine Halaga unique from other film fests — the films [are] used as a tool to teach Filipino values,” festival director Elvert Bañares said in a statement. “We are organizing a series of webinars and preparing study guides to aid our teachers in discussing the films [with] their students. With the help of our teachers, we can articulate effectively the values that each film conveys.”

The education component involves 12 film discussions with educators, professors, and film critics which will be held every weekend starting September.

“We will see how it will work, and upon evaluation of the effectivity of this tool, it is from there that we will move into the next level of maybe producing a second series,” NCCA Deputy Executive Director Marichu Telano said.

For updates and more information on Sine Halaga, follow @SineHalaga on Facebook, Instagram, YouTube, and Vimeo or send an e-mail to sinehalaga@gmail.com. — Michelle Anne P. Soliman

Toshiba Water bags sewage treatment contract in Rizal

TOSHIBA Water Solutions Private Ltd. (TWS) has secured a contract for the establishment of a sewage treatment plant in Rizal, the India-based company said on Thursday.

In a statement, TWS said that its consortium with Philippine construction firm Frey-Fil Corp. concluded a contract with Manila Water Co., Inc. for the construction of the Hinulugang Taktak Sewage Treatment Plant in Rizal province.

According to TWS, the treatment plant is expected to be finished by 2023 and will have a sewage treatment capacity of 16 million liters per day (MLD).

“TWS will be responsible for design, supply, installation, testing and commissioning of process and electro-mechanical equipment as well as one-year operation & maintenance of the plant,” it said.

The company said the project will comply with wastewater regulations introduced by the Philippines in 2016, which include requirements for biological nutrient removal such as the removal of nitrogen and phosphorus from wastewater.

“This project includes the construction of an advanced treatment plant compliant with these regulations in order to contribute to the improvement of the water environment in Metro Manila led by Manila Water. The process technology of the new plant is ‘Moving Bed Bio-film Reactor (MBBR),’ which has an advantage in space efficiency,” TWS said.

“This contract award is a testimony to Toshiba’s commitment to develop India as an export base for supplying products and services from India to the world,” it added.

TWS, a wholly owned subsidiary of Toshiba Infrastructure Systems & Solutions Corp., has business interests in the provision of turnkey services in water and wastewater collection, treatment, and disposal.

Manila Water provides water and wastewater services in the eastern part of Metro Manila, which includes Marikina, Pasig, Taguig, Makati, San Juan, Mandaluyong, portions of Quezon City and Manila, and Rizal province. — Revin Mikhael D. Ochave

Nirvana album cover baby sues for ‘sexual exploitation’

A MAN who appeared as a naked baby on the cover of Nirvana’s 1991 Nevermind album has filed a lawsuit against the surviving members of the influential band, alleging the image was child sexual exploitation.

In a lawsuit filed in federal court in California, Spencer Elden alleged he has suffered lifelong damage from the image used on the album’s cover, which depicted him swimming naked toward a dollar bill pierced with a fish hook.

Nevermind is one of the best-selling albums of all time, having sold over 30 million copies worldwide.

“Defendants intentionally commercially marketed Spencer’s child pornography and leveraged the shocking nature of his image to promote themselves and their music at his expense,” he alleged in the lawsuit, which was filed on Tuesday.

Mr. Elden, now 30, is asking for $150,000 in compensation from each of several defendants, including Universal Music Group, photographer Kirk Weddle, Nirvana drummer and rock legend Dave Grohl, Nirvana bassist Krist Novoselic and Courtney Love, the widow of Nirvana’s lead singer Kurt Cobain, who died in 1994.

Universal Music Group, Mr. Weddle and a publicist for Ms. Love did not immediately respond to requests for comment.

According to the lawsuit, Mr. Elden’s parents never received any compensation for the image shot by Mr. Weddle, who was a friend of Mr. Elden’s father. The lawsuit alleged Mr. Cobain initially agreed to have a sticker censor Mr. Elden’s genitals on the album cover, but no stickers were used.

Mr. Elden recreated the image as an adult in 2016, and has “Nevermind” tattooed on his chest.

Mr. Weddle told the Guardian in 2019 that he was still in contact with Mr. Elden. Weddle told the publication: “I used to think, ‘Man, when that kid is 16 he’s gonna hate my guts!’ He doesn’t, but he’s conflicted about the picture. He feels that everybody made money off it and he didn’t. I think he deserves something. But it’s always the record labels that make the money.” — Reuters

DPWH road projects still interrupting internet services despite appeals, says Globe

GLOBE Telecom, Inc. on Thursday said road constructions continue to interrupt internet services despite appeals to the Department of Public Works and Highways (DPWH) and its contractors to “exercise diligence.”

“Multiple times, we find people from construction companies assigned by the DPWH who will use a backhoe wantonly and dig up our fiber,” Globe President and Chief Executive Officer Ernest L. Cu said in an e-mailed statement.

“This disrupts the services of thousands, even hundreds of thousands of people. As we aim to serve our customers better, we must take steps to avoid this as much as possible,” he added.

Globe Telecom reiterated its appeal to the department and its contractors to act “responsibly and recognize this recurring issue,” noting that fiber cuts can also affect the delivery of government services, including emergency response.

Other telecommunications companies experience the same problem, which has been raised to the DPWH several times, Globe noted.

“We’ve been lobbying the government for some support in terms of getting these construction companies to be a bit more diligent in looking at build plans, given the fact that the Internet is so important these days and any outage is found to attract a lot of attention from the public given their dependence on connectivity,” Mr. Cu said.

DPWH-Build, Build, Build Committee Chairperson Anna Mae Y. Lamentillo had yet to respond to a request for comment at deadline time. — Arjay L. Balinbin

Despite the pandemic, the cultural show must go on

Dayaw through the years

WHILE the coronavirus disease 2019 (COVID-19) pandemic may have shrunk many people’s world’s down to the walls of their homes, the award-winning documentary series Dayaw continues to work on expanding its viewers appreciation of the Philippines with its 11th season on ANC, the ABS-CBN News Channel.

The ongoing season delves on Filipino games, martial arts, feats of strength, and dance. Previously aired shows can be seen on the ANC Facebook page.

A production of ANC and the National Commission for Culture and the Arts (NCCA), the show has been documenting the lifeways, traditions, practices, and culture of the different Indigenous Peoples groups since 2015.

Dayaw goes beyond documentation. It revives culture. It protects and conserves our tangible and intangible and we provide government assistance from the various programs of culture-based livelihood,” said program host Loren Legarda at an online press conference on Aug. 25 via Zoom. Ms. Legarda, who is also the House deputy speaker and Antique representative, conceptualized the program.

“We see that [the show] is actually appreciated by many of the young, because these are segments of our culture that perhaps they did not grow up with, or they’re only seeing now,” Ms. Legarda added.

The season’s first episode focused on traditional Filipino children’s games such as patintero, sipa, and luksong tinik. The second and third tackled the Punnuk, a show of physical strength that ends the Ifugao harvest season. Filipino martial arts such as arnis, silat, and eskrima are covered in its next two episodes. The season will wrap on Sept. 3 with “Sayawang Pinoy,” an episode highlighting how the grace and fluidity of movements of dance express energy, discipline, and joy.

Work on Dayaw was able to continue despite the pandemic, and season 12 is already in the works. Themed “Kaka-ibang Sigla: Our Vital Energy Part 2,” season 12 will explore love, courtship, marriage, and the cycles of life featuring the Gaddang, Tboli, and Sama Dilaut.

“We are fortunate to have shot a treasure trove of material before the pandemic began. This has enabled us to go on with our mission of telling the stories of our indigenous peoples so that future generations may still be able to appreciate and continue their legacy,” said Nadia Trinidad, ANC chief operating officer, in a statement.

Dayaw Season 11 airs every Thursday at 6 p.m. on ANC on cable and the ANC Facebook page. — MAPS

SEC greenlights D&L’s P5-billion bond offering

THE Securities and Exchange Commission (SEC) has greenlighted D&L Industries, Inc.’s maiden P5-billion, fixed-rate bond offering, subject to remaining requirements.

D&L’s offer consists of P3-billion Series A bonds due in 2024 and Series B bonds due in 2026, with an oversubscription option of up to P2 billion.

According to the company’s latest SEC submission, the bonds are scheduled to be offered on Sept. 1 to 6 and will be listed and traded on the Philippine Dealing & Exchange Corp. by Sept. 10.

The company expects to net up to P4.93 billion from the offer should the oversubscription option be exercised. It plans to use the proceeds to fund the expansion of its Batangas plant and for the partial repayment of bridge loans.

Earlier this month, D&L said the earliest start of commercial operations (SCO) of its Batangas plant was moved to May 2022 after a subsidiary was granted an extension by the Philippine Economic Zone Authority (PEZA).

The plant will be used for the company’s growing export business in the food and oleochemicals segment.

D&L subsidiary D&L Premium Foods Corp. was supposed to start operations by October this year but was granted an SCO extension to January 2023. D&L’s Natura Aeropack Corp. will start operating by May next year and will be the first to operate in the company’s Batangas plant.

The company has spent P4.5 billion for the project so far, with around P3.5 billion remaining in capital expenditures (capex) to be spent for this year and the next. The remaining capex will be funded by the bond offering.

D&L assigned China Bank Capital Corp. as the sole issue manager, lead underwriter, and sole bookrunner for to offer.

On Thursday, D&L shares at the stock market went down by 0.48% or four centavos to close at P8.25 each. — Keren Concepcion G. Valmonte

Korean webtoon on military duty now a Netflix series

A YOUNG army private is assigned to track down military deserters in the Netflix original series D.P. which premieres today.

D.P. follows the story of army private Joon-ho (played by Jung Hae-In), who is called to become a member of the Deserter Pursuit unit to uncover the whereabouts of soldiers that have gone absent without official leave and encounters the realities of confused young soldiers.

With its realistic portrayal of brutality and human rights violations, the webtoon by Kim Bo-Tong, on which the series is based, garnered over 10 million views.

During an online press conference on Aug. 25 held via Zoom, series director Han Jun-Hee said that D.P. is a story that he wanted to tell.

“These young people in their early 20s, they all go serve in the military. I think people could really resonate with them and put themselves in the shoes of these young lads. This could give us some social issues to talk about,” Mr. Han said in statements translated into English from Korean.

Unlike in the webtoon where Joon-Ho is a corporal, the series portrays him as a young enlistee.

“It starts from when he was just enlisted in the Army so you can see how he progresses in his military rank,” actor Jung Hae-In said.

“When I thought of this series, I wanted to make sure that people wanted to resonate with Joon-Ho and the character. So, I wanted [him] to be someone that everyone could think of as a friend who just started in the military. So, I wanted to portray the history of Joon-Ho, first enlisting in the army and how he progresses onwards,” Mr. Han, the director, said.

The series is told from the perspective of the soldiers catching soldiers and sheds light on the mental torment and growth of young people.

“There were some social issues that were incorporated into the series. The webtoon, it’s a little more dark and somewhat deep and in terms of stories, so we wanted to make sure that this was scalable, so it could be brought on to screen,” Mr. Han said of his focus for the series.

“I wanted to make sure that this was a humanistic drama. And I thought a lot about how we could portray writer Kim’s mind and his perspective on screen,” he said.  — Michelle Anne P. Soliman

Cap on digital bank licenses to benefit traditional lenders

THE CENTRAL BANK’S decision to cap new digital banking licenses at seven will prevent “destructive competition” and benefit traditional lenders in the country, Fitch Ratings said.

The debt watcher said while these online lenders are unlikely to have a material rating impact on its covered banks in the country, the Bangko Sentral ng Pilipinas’ (BSP) limit on digital bank entrants will allow traditional lenders to catch up on digitalization.

“Closing the door to new applicants helps to insulate conventional banks from more formidable competitors bearing these characteristics — at least until BSP’s moratorium on applicants is lifted. This also gives banks additional time to put forth digital propositions that are at least as compelling as those of the entrants,” Fitch said in a note sent to reporters late Wednesday.

BSP Governor Benjamin E. Diokno last week said the Monetary Board has capped digital bank licenses at seven, up from five previously, and will close the window for applications for new players and those seeking to convert their licenses on Aug. 31.

Mr. Diokno said the central bank will likely close applications for three years to monitor the development of the digital banking industry and ensure healthy competition among these new players.

The BSP has granted five licenses so far. One was given to the Overseas Filipino Bank, which is a subsidiary of state-owned Land Bank of the Philippines. UnionBank of the Philippines, Inc. also got a permit to operate an online lender which it said will be called Union Digital Bank and is expected to launch by the second quarter of 2022.

The three other licenses were given to Tonik Digital Bank, Inc. (Philippines), UNOBank, and a partnership between the Gokongwei Group and Singapore-headquartered Tyme called GOTyme.

Fitch said the BSP decision to cap its grant of licenses was likely driven by the regulator’s goal to promote financial inclusion “without introducing destructive competition into the sector.”

It noted that the country’s current cap on licenses is comparable to those of neighboring countries such as Singapore, which granted four licenses, while Malaysia said it would approve up to five licenses until the first quarter of 2022.

“Two of the five current licensees are bank-owned digital subsidiaries and we believe that while they may accelerate the groups’ digitalization efforts, they do not materially intensify competition beyond that already posed by their parents,” Fitch said.

“We maintain that the major rated Philippine banks have well-entrenched banking franchises and adequate resources to adapt to the potentially disruptive entry of neobanks,” it added.

Fitch believes the Philippines’ digital banking sector, like Indonesia’s and Vietnam’s, offers various opportunities due to the country’s unbanked population and its huge lending market. It cited findings from the World Bank, which showed just over one-third of Filipino adults are banked and less than 10% have accessed to formal credit, while over 41% has borrowed from family or friends, “indicating significant unfulfilled demand for credit.”

The debt watcher said new digital banking players will likely succeed if they are backed by a corporate sponsor that will help them gain access to a large existing user base and trim customer acquisition costs.

Digital banks should also closely integrate their offerings with other commercial platforms and consumer lifestyle services to boost user adoption and retention, Fitch said. They would also benefit from having backers that can fund heavy capital investments during their breakeven period, it added. — L.W.T. Noble

Filipinos buy more China-brand smartphones

SMARTPHONE brands from the People’s Republic of China remain the most popular among Filipino consumers, International Data Corp.’s (IDC) second-quarter report showed.

“The Philippines’ smartphone market grew 22.6% year-on-year” in the second quarter, said the global provider of market intelligence in a statement on Thursday.

IDC said Chinese smartphone brands realme, vivo, and Xiaomi accounted for 24.4%, 18.2%, and 14% of the total market, respectively.

Samsung, a South Korean brand, accounted for 13% of the total, followed by OPPO, a Chinese brand, at 12.5%.

“Despite supply concerns, vendors are now in a better position of managing their supplies a year after the pandemic began. The market sustained its growth due to the rising need among consumers for mobile devices, especially during these times,” said Angela Jenny V. Medez, client devices market analyst at IDC Philippines.

“5G shipments accounted for more than 10% of total shipments, growing by 56.1% compared to the previous quarter, as prices declined by 41.5% quarterly to $470 due to the aggressive pricing among Chinese vendors. Feature phone and 3G smartphone shipments continued to dwindle, reflecting the willingness of Filipinos to spend more for better functionality as well as the successful 4G LTE campaigns by telcos,” she added.

She also said vendors brought in more entry-level smartphones and cut down on prices as more consumers are buying cheaper phones amid the coronavirus pandemic that is worsened by a more contagious Delta variant.

Entry-level smartphone prices went down to $186 from $199 in the previous quarter.

“As uncertainty around the [coronavirus] looms, we are anticipating smartphone vendors to bring in more models in the ultra-low-end (less than $100) segment to keep prices affordable despite rising component prices in order to push sales as consumers cut back on spending,” Ms. Medez added. — Arjay L. Balinbin

Joni Mitchell to be honored by music world

PHOTO FROM JONIMITCHELL.COM/

LOS ANGELES —  Singer-songwriter Joni Mitchell will be honored by the music world ahead of the annual Grammy Awards in Los Angeles as the MusiCares person of the year.

MusiCares, the charitable arm of the Recording Academy, said on Wednesday that artists would pay tribute to Ms. Mitchell at an event on Jan. 29.

Ms. Mitchell, 77, who has kept a low profile since suffering a brain aneurysm in 2015, said in a statement that she was honored to be chosen. “I look forward to being part of this gala,” she said.

Organizers did not say which artists would perform for Mitchell at the event, which acts as a fundraiser to help musicians struggling with health and other issues.

“She is being honored not only for her iconic music and lyrics, but for her trailblazing spirit and the inspiration she’s brought to so many artists,” Laura Segura, executive director of MusiCares, said in a statement.

The Canadian-born “A Case of You” musician is regarded as one of the most influential singer-songwriters of the 1970s, inspiring artists ranging from Prince to Brandi Carlile. — Reuters

BSP to keep rates low as long as inflation stays stable

BW FILE PHOTO

THE CENTRAL BANK will keep its policy stance supportive of the economy as long as inflation remains stable, Bangko Sentral ng Pilipinas (BSP) Governor Benjamin E. Diokno said.

“The BSP will remain vigilant of the current inflation dynamics to ensure that the monetary policy stance will support economic recovery to the extent that the inflation outlook will allow,” Mr. Diokno said at a Thursday hearing to deliberate the 2022 budget of the Development Budget Coordination Committee at the House of Representatives.

“It will carefully scan the operating environment with a forward-looking perspective to move in a preemptive fashion to address any risks to our price stability mandate,” he added.

This, as he noted potential risks to prices due to a recovery in global demand for commodities.

“Potential further uptick on international commodity prices due to improving global demand amid lingering supply chain bottlenecks will pose upside risks to inflation,” Mr. Diokno said.

The Monetary Board kept benchmark interest rates at record lows at its Aug. 12 meeting, citing the need for an accommodative policy stance due to the risks posed by the reimposition of strict lockdown measures to the ongoing economic recovery.

At that meeting, the BSP hiked its inflation forecast for the year to 4.1% from 4% previously, above the 2-4% target. It also raised its estimates for 2022 and 2023 to 3.1% from 3% previously.

Inflation stood at 4% in July, marking the first time it fell within the government’s target range since December 2020.

However, year to date, inflation averaged at 4.4%, still above the goal.

The Monetary Board will have its next policy review on Sept. 23.

“The BSP reaffirms its commitment to sustaining monetary policy support until the recovery fully gets underway,” Mr. Diokno said.

“We will remain watchful of domestic and global developments and stand ready to adjust its policy setting as needed to ensure price and financial stability conducive to a sustainable economic recovery,” he added.

The central bank chief said advanced and emerging economies will see diverging recovery paths, which will likely be determined by vaccination efforts and the effectiveness of policy support.

Still, despite the downside risks caused by new coronavirus variants, Mr. Diokno said the increase in the country’s vaccination pace in the past weeks could boost the country’s recovery prospects.

“There is optimism over the macroeconomic prospects given the acceleration of vaccine inoculation in the country, continued policy support and improved global economic outlook. We must keep this momentum ongoing and keep our guard against emerging risks,” he said.

“Economic recovery is highly contingent on the pace of vaccination program and the expanding capacity of the country’s healthcare system to allow us to safely reopen the economy and resume economic activity,” Mr. Diokno added.

The Philippines has fully vaccinated 12.21% or 1.197 million of its population, based on data from the Johns Hopkins University. The government targets to inoculate 70 million Filipinos with their first dose by November. — LWTN