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Police team leader in shooting surfaces at NCRPO

THE TEAM leader of the Mandaluyong City police personnel who figured in the shooting that killed two persons and wounded two others on Dec. 28 surfaced at the National Capital Region Police Office (NCRPO) in Taguig City on Wednesday. Senior Inspector Maria Cristina Vasquez had been declared absent without official leave since Dec. 30. She and nine other police officers involved in the incident will be placed under restrictive custody while the case is being investigated. — PNA/interaksyon.com

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Imports Brownlee, Balkman stamp class for Alab Pilipinas

BACK-TO-BACK PBA champion Justin Brownlee and his fellow import Renaldo Balkman didn’t have much problem stamping their class with new team Alab Pilipinas in the ASEAN Basketball League.

Mr. Brownlee, back in action after steering the Barangay Ginebra Gin Kings to their second straight Governors’ Cup triumph, knocked in 29 points to lead the way for Alab Pilipinas.

His partner, Mr. Balkman, who is out to redeem himself from a forgettable stint last time he reinforced the old San Miguel Beer franchise then known as Petron, had a double-double performance of 17 points and 11 rebounds.

Head coach Jimmy Alapag could only heaped praise on the two imports who barely had difficulty fitting quickly to the team’s system despite the short period of time.

“It’s been tough for us the last one and a half week. I have to commend these two imports. They just arrived Wednesday morning but played well along with the locals,” said Mr. Alapag.

Both Messrs. Brownlee and Balkman are familiar fixtures in Philippine basketball, but are remembered in contrasting ways.

Mr. Brownlee became endeared to PBA fans when his buzzer-beating three-pointer sent the Barangay Ginebra Gin Kings to their first championship under Tim Cone in 2016 against ironically Meralco, a team where Mr. Alapag last played for.

Last year, Mr. Brownlee came back and fulfilled his mission of leading the Gin Kings to back-to-back crowns.

Mr. Balkman, on the other hand, a dark past, which he wants to erase.

He was banned from playing in the PBA after choking his own teammate, Arwind Santos, during Petron’s elimination round game.

Now given a second chance to put everything behind him, Mr. Balkman wants to reconnect to Filipino fans and Wednesday night’s 90-79 win over the Westport Dragons could be the start of something promising.

“I was surprised. It felt great. I know I did a lot of things in the past. But past is past. I just lost my head. Today is a great day to start,” he added. — Rey Joble

Migrant worker evictions tear at Beijing’s backbone

THEY FUELED their nation’s dramatic economic rise, toiling in jobs far from home, but China’s migrant workers are now finding themselves increasingly unwelcome as authorities try to cap the population explosions in key cities.

Lin Huiqing moved to Beijing to look for work when his children were still in diapers.

For the last 18 years, he has seen his family just once a year, the rest spent doing the hard labor most Beijingers would prefer to avoid.

The 50-year-old is one of hundreds of millions of migrants who moved from the countryside to the cities, a colossal demographic shift that made China’s ascent possible.

But last month Lin was evicted from the village where he lived on the capital’s outskirts, another victim of a city-wide demolition plan to limit Beijing’s population to 23 million by 2020 — a target that could come at the cost of its economy.

“If I go home, I have no way to support my wife and kids,” Lin lamented.

According to the Communist Party mouthpiece People’s Daily, the city plans to demolish 40 million square metres of “illegal” structures.

Many are the homes and shops of low-income migrants like Lin.

When he first arrived in Beijing, Lin and his friends pooled their money and took out loans to purchase delivery trucks.

He made a living hauling the wares of small-scale shopkeepers and traders, but the moving business has taken a hit as the city condemns buildings en masse, evicting tens of thousands into the winter cold.

“Our customers are commoners like us,” he said. “With their small businesses shut down, there’s no stock for us to move. We’re basically unemployed now.”

Authorities say the campaign, which kicked into high gear after a fire in an illegal structure killed 19 in November, is needed to clean the city up once and for all.

But it is also removing vibrant chunks of Beijing’s economy, such as retail and small scale manufacturing, and throwing into chaos other sectors like delivery, the bedrock of the booming e-commerce trade.

Relegated to the periphery, migrants have kept China’s economy humming, handling the difficult, dirty and sometimes dangerous work that the city’s permanent residents won’t do.

Urban industries like construction, domestic work and sanitation are almost completely staffed by migrants.

Eli Friedman, associate professor of international and comparative labor at Cornell University, said China’s biggest cities “simply cannot function without migrant workers.”

“If every non-local were to actually be removed from cities like Beijing, Shanghai, and Guangzhou, these economic engines for the whole country would completely collapse,” he told AFP.

But that is exactly what is happening, said Li Ning, one of the 60,000 delivery drivers who criss-cross Beijing’s streets.

Li was recently evicted from a village on the city’s outskirts, forcing him into an apartment where the rent quadrupled.

Then authorities came for his delivery company’s warehouse, forcing staff to sort packages on the sidewalk and sending his income plummeting.

“In Beijing all the migrants are leaving. We can’t make it here anymore,” he said, adding he plans to leave for good during the upcoming spring festival.

Another delivery franchise owner surnamed Wang said she will “give up” if authorities knock down her current warehouse, which they marked in black paint with the character “chai” — (demolish) — in mid-December.

She had just moved in Dec. 1, after she had to close two other delivery hubs this year, forcing her to cut her work force from 240 couriers to 60.

“There’s no stability. I don’t know what I’ll be facing tomorrow,” she said, tears welling in her eyes.

The demolitions have also hit Beijing’s retail sector, decimating once affordable mom and pop shops and pushing consumers online or into high-end malls.

Two years ago, Ge Guoxiang moved with his wife from their home province of Jiangsu to take over his brother’s textiles stall.

It had thrived for over 20 years in Beijing’s Tuanjiehu Tianyu market. But three months ago, they received notice that authorities will shutter the market.

Dozens of small-scale community markets have been forced to shut down this year — including the iconic Beijing Zoo market, where hundreds of merchants organized rare street protests against the evictions.

Officials said they have designated certain areas in the neighboring Hebei province where merchants can move their businesses to.

But Ge is unconvinced.

“It takes years for businesses like ours to build up clientele. Now we have to start over,” he said.

“Our clients are mostly older people who don’t know how to shop online. Where will they go?” — AFP

5-year driver’s license out

THE Land Transportation Office (LTO)-7 has rolled out driver’s license cards with five-year validity. In Cebu yesterday, Presidential Assistant for the Visayas Michael Lloyd Dino was among the first to avail of the license. “This is part of the strong commitment of President Rodrigo Duterte to help decongest LTO from long queuing. It only took me at least 15 minutes to get my plastic driver’s license,” Mr. Dino said. — The Freeman

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Music sales soar in US, as streaming takes over

NEW YORK — Music sales grew at a robust pace for a third straight year in the United States in 2017 as listeners kept flocking to streaming outlets, an industry monitor said Wednesday.

Analytical firm BuzzAngle Music said that consumption in the world’s largest music market jumped 12.8% in 2017, well outpacing the 4.2% growth seen a year earlier.

On-demand streaming services led by Spotify are quickly replacing downloads on platforms such as iTunes, which shook up the music business a generation ago.

BuzzAngle Music found that nearly three times as many songs were streamed on an average 2017 day in the United States — 1.67 billion — than the 563.7 million tracks that were downloaded over the entire year.

Audio streaming grew overall by more than 50% in 2017 from the previous year.

In more good news for the industry, BuzzAngle Music said that 80% of audio streams came through subscription sites, as the music business encourages listeners to pay monthly rates rather than seek out songs for free online.

The growth reflects a reversal of the long rut in music sales following the rise of the Internet.

But not everyone is cheering, with many artists complaining that they are seeing little of the profit.

Wixen Music Publishing, which owns rights to songs by artists such as Neil Young and The Doors, last week filed a $1.6-billion suit against Spotify, arguing that the Swedish company failed to seek proper licenses in its rush to build its catalog of 30 million songs.

And in a recent Twitter thread that drew wide attention among artists, Geoff Barrow of English trip-hop group Portishead said it was “almost impossible to make a living” through Spotify for musicians who do not figure out how to “work the system well.”

Spotify counters that it has provided a rare source of growth and helped bring new audiences to artists, who increasingly make their living off concerts rather than recordings.

Spotify faces a growing number of rivals including the streaming services of tech giants Apple and Amazon, as well as Paris-based Deezer and rapper Jay-Z’s Tidal.

VINYL BOOMS, WITH DIFFERENT MARKET
While sales of full albums kept dropping in 2017, there was one big exception — vinyl.

Album sales on vinyl grew by 20%, keeping up the revival of the classic format that has been embraced anew by hardcore fans and collectors.

Vinyl buyers disproportionately bought rock and older titles.

The top-selling vinyl title of the year was a soundtrack to the superhero film Guardians of the Galaxy, which was first released in 2014 and featured songs by music legends such as David Bowie and Marvin Gaye.

The taste of vinyl lovers was sharply different from mainstream choices. Pop superstar Taylor Swift’s Reputation was by far the top-selling album of 2017, selling nearly 1.9 million copies, according to BuzzAngle Music.

Swift maximized sales by keeping Reputation off streaming services for its first three weeks — an increasingly unusual commercial strategy that only stars with a dedicated fan base can pull off.

Sales of cassettes — which have also found a renewed following, in part for their kitsch appeal — more than doubled in 2017, but at fewer than 100,000 copies, the format remains miniscule in the overall market.

The US sales are in line with global trends. The International Federation of the Phonographic Industry will release worldwide figures in the coming months. — AFP

Philab partners with Italian company IMA

PHILAB HOLDINGS Corp. said on Thursday its subsidiary has partnered with Italy-based Industria Macchine Automatiche S.p.A (IMA) to distribute automated machineries for the processing and packaging of pharmaceutical products in the Philippines.

In a statement, the listed health care company said Philab Industries Inc. is now the exclusive distributor of IMA pharma machines in the country. It has already sold several units to Pascual Labs and Amherst Laboratories Inc. (UNILAB) since its partnership began.

“It is important for our big pharma companies to use high technology equipment in producing large quantity of quality and consistent tablets and capsules to offer the Philippine market. This is where the expertise of IMA comes in with more than 50 years of reputation in the global pharma industry. Philab pursued this partnership to successfully satisfy the rising demands of the pharma industry,” Paolo Cagalingan, executive vice president of sales and business development, said in a statement.

Maurizio Ferretti, managing director of IMA Pacific Co. Ltd., said the company picked Philab as the sole distributor of its equipment due to its strong performance and reputation.

“We are hopeful that Philab would effectively capture the needs of the Philippine market,” Mr. Ferretti said.

For the first nine months of 2017, Philab narrowed its net loss attributable to the parent to P107 million versus a loss of P860 million from year-ago levels. Revenues were recorded at P155 million for the period.

Blizzard pounds US Northeast as snow sweeps across South

CHARLESTON, S.C./BOSTON — Heavy snow and high winds pounded the US East Coast along a front stretching from Maine as far south as North Carolina early on Thursday, knocking out power, icing over roadways and closing hundreds of schools.

The storm, the product of a rapid and rare sharp drop in barometric pressure known as bombogenesis that on Wednesday dumped snow on Florida’s capital Tallahassee for the first time in 30 years, was expected to last through the day.

States of emergencies were in effect in Florida, Georgia, North Carolina and Virginia and blizzard warnings from the Canadian border as far south as Virginia.

Much of the eastern US is in the grip of a sustained cold spell that has frozen part of Niagara Falls, played havoc with public works and impeded firefighting in places where temperatures barely broke 20 degrees Fahrenheit (minus 6 centigrade).

Areas around Boston were forecast to see about one foot (30 cm) of snow on Thursday, and the National Weather Service predicted a similar amount and wind gusts of up to 55 mph (90 kph) in New York City.

Schools were ordered to close in both cities.

“This could bring some very dangerous conditions,” New York Mayor Bill de Blasio said late on Wednesday.

“Both rush hours will be affected,” Boston Mayor Marty Walsh earlier told a news conference. “Be patient. With the amount of snow we’re getting here, we could be plowing your street and a half hour later it could look like we haven’t been there.”

SOUTHERN SNOW
Private forecaster Accuweather said snow would fall quickly during the day, at a rate of several inches per hour, with the storm intensified by the bombogenesis effect.

Also known as a bomb cyclone, the phenomenon occurs when a storm’s barometric pressure drops by 24 millibars in 24 hours.

The rare type of storm struck the US Southeast on Wednesday, also dumping snow in parts of South Carolina and eastern Georgia, said meteorologist Patrick Burke of the federal Weather Prediction Center.

More than 35,000 customers were without power in Georgia, North Carolina and Virginia early on Thursday, utilities reported online.

A part of US-13 at the Chesapeake Bay Bridge-Tunnel in Virginia was closed due to high winds early on Thursday while state transportation departments throughout the region reported dozens of delays due to deteriorating roads conditions.

Late on Wednesday night, a baggage car and two sleeper cars on an Amtrak train traveling from Miami to New York, with 311 passengers aboard, derailed in as it was slowly backing into a station in Savannah, Georgia. No one was injured, an Amtrak spokesman said.

The cold has been blamed for at least nine deaths over the past few days, including two homeless people in Houston. — Reuters

DoE to propose up to 3-year FiT extension for biomass, river hydro

THE Department of Energy (DoE) has drafted a circular that will call for the extension of the feed-in-tariff (FiT) for biomass and run-of-river projects, giving developers a chance to finish their stalled plant construction and avail of the guaranteed rate for their energy output for 20 years.

“We’re looking at three years or until the capacity limit is reached for run-of-river hydro or biomass,” Energy Undersecretary Felix Wiliam B. Fuentebella told reporters, without giving details on when the proposal will come into force.

“There is a draft circular for the extension for three years [for both technologies], whichever comes first — capacity or date,” he added.

Mr. Fuentebella was referring to the installation target of 250 megawatts (MW) for both biomass or small hydro, which was set by the previous administration but was not fully subscribed by the end-2017 deadline.

This time, he said the extension’s deadline would be the full subscription of the installation target or three years, whichever comes first.

Based on the latest DoE data, only five run-of-river hydro projects with a total capacity of 34.60 MW were awarded by the department certificates of endorsement to the Energy Regulatory Commission (ERC) for FiT eligibility as of November, leaving a balance of 215.4 MW out of the 250-MW target.

The DoE has no update on the five potential projects with a capacity of 82.7 MW that it expected to make it by the Dec. 2017 deadline.

The ERC set a FiT rate of P5.90 per kWh for run-of-river hydro. All five projects qualified for that rate. The rate has been degressed in 2017 to P5.8705 per kWh as called for by the FiT rules.

For biomass projects, 19 projects with a total capacity of 138.61 MW were awarded certificates of eligibility as of November, or a balance of 111.39 MW from the 250-MW target. Only one more project with a capacity of 2.6 MW was expected to receive the certificate by end-2017.

Of the 19 projects endorsed to the ERC, 15 qualified for the P6.63 per kWh rate for the first round, while four qualified for the P6.5969-degressed rate for 2017.

The FiT system offers a fixed rate for the electricity produced by developers of solar, wind, biomass, ocean energy and run-of-river hydro power plants to encourage investments in emerging renewable energy technologies. The first projects to be completed under a prescribed power installation target are awarded the guaranteed FiT for 20 years.

Consumers who are supplied with power through the distribution or transmission network share in the cost of the FiT scheme in part through a uniform charge per kilowatt-hour that appears in their monthly electricity bill as “FiT-allowance.”

National Renewable Energy Board (NREB), which advises the DoE about the direction for renewables, earlier recommended a FiT extension for biomass and run-of-river hydro. Both solar and wind have been fully subscribed. Ocean energy remains a nascent technology. — Victor V. Saulon

Nishikori out of Australian Open, Djokovic unsure

MELBOURNE — Injured Japanese star Kei Nishikori pulled out of the Australian Open Thursday, while Novak Djokovic says he will test his problem elbow at an exhibition before deciding whether to play.

Asian number one Nishikori has not played competitively since last August after suffering a torn tendon in his right wrist during a practice session at Cincinnati.

Nishikori is not the only leading player struggling with injury, with a who’s who of the top names in the game battling to be fit for Melbourne Park.

Former world number one Djokovic hasn’t played since a right elbow issue forced him to quit Wimbledon in the quarterfinals in July.

He has already canceled scheduled appearances at an exhibition in Abu Dhabi and the Qatar Open, and said he will test the injury next week at the Kooyong Classic in Melbourne. — AFP

Truth telling in Duterte land

Almost every government official has the same message whenever the birth or death anniversaries of the country’s heroes are marked: it is to remember what they did for the country, and to emulate their patriotism and devotion to the welfare and betterment of the nation.

On the 121st death anniversary of Dr. Jose Rizal, for example, President Rodrigo Duterte told Filipinos to remember the national hero’s “ultimate sacrifice for the sake of our country,” and to “reflect on his patriotism as we strive to continue his work of building a more united, peaceful and prosperous Philippines.”

Many will take exception to that statement’s presumption that the country is at peace, united, and prosperous today, and that the Duterte regime is adding to those already existing qualities, more than a century after the Spanish colonial government executed Rizal by musketry in Bagumbayan on Dec. 30, 1896. The truth is that the realization of those aspirations has continued to elude the people of these isles after nearly 50 years of US occupation, two world wars, and a succession of supposedly independent administrations.

The Marcos terror regime still leads in brutality and destruction the pack of predators that it has been this country’s misfortune to have for so-called leaders. But that distinction is rapidly being contested by its successors including the present one, whose antipathy to a sustainable peace and the authentic reforms the country desperately needs has divided Filipinos more than at any other time since 1946.

In the furtherance of its regressive and unpatriotic policies, the Duterte regime has used state violence and violated human rights on a scale that has become a global scandal. But it is also threatening to place the country under open authoritarian rule: to do even worse than the extrajudicial killing of some 14,000 supposed addicts and petty drug pushers at the hands of an already abusive police force it has empowered to kill with unprecedented impunity.

The imposition of martial rule nationwide — or of a false and deceptive “revolutionary” government — will mean, among others, the silencing of those dissenters, human rights defenders, social and political activists, regime critics, and independent media practitioners committed to the imperative of truth telling in these times of national peril.

The campaign against them is already ongoing in the form of their constant demonization and harassment, and the dissemination of false and misleading “information” through the government media system, its online trolls, and its bought-and-paid-for hacks in print and broadcasting. It is at work as well through the harassment, arrest, and assassination of those community, worker, farmer, Muslim and Lumad leaders who have risked everything to disseminate the truth to a woefully uninformed public.

Mr. Duterte already had harsh words against the press and media even before he came to power. He and some of his officials have accused journalists of corruption, bias, and inaccuracy, and insulted and abused them publicly. He has also threatened media organizations for doing their job of reporting and commenting on what his administration is doing.

The latest regime salvo against truth-tellers is Mr. Duterte’s claim that some journalists are “with the Left,” or are even “cadres,” presumably of the New People’s Army (NPA) or the Communist Party of the Philippines (CPP). While he did not provide any details on their alleged left-wing links, that statement, made two weeks ago during a radio interview, was made in the context of the continuing killing of journalists in the Philippines, the impunity of the perpetrators, and his declaration that both the CPP and the NPA are “terrorist” organizations. The police and military could interpret the Duterte statement as a declaration of open season on the harassment and even elimination of those journalists they want to silence.

The National Union of Journalists of the Philippines (NUJP) has accurately described Mr. Duterte’s allegation as “a potential death warrant against colleagues.” The union warned that “in a country that remains one of the deadliest in the world for journalists, there is cause to worry about this irresponsible claim from the highest elected official of the land.”

While it specially endangers journalists in the Cordillera region, whom Mr. Duterte singled out for abuse, NUJP said his “irresponsible claim” also casts “a chilling effect on journalists who intend to cover the communist rebels in continuing efforts to better explain the roots and directions of the close to half a century-old civil strife” between the Philippine government and the CPP-directed NPA.

“At worse,” continued NUJP, “it would embolden those, including state agents, who seek to silence us by giving them the convenient cover of counter-insurgency.”

“We fear,” the NUJP statement declared, “that it will not be long before Duterte directly targets the critical media in his government’s efforts to stamp out dissent.” The organization has therefore called on “the independent Philippine media and all Filipinos who cherish our rights and freedoms to stand together in common cause and oppose all attempts to silence us.”

Silencing dissenters and critics will almost certainly be part of open authoritarian rule to prevent everyone including independent journalists from explaining to the people the social, economic, and political roots of the ongoing civil war the regime has chosen to prolong rather than end through a peace agreement based on social, economic, and political reforms. By doing so it would bar responsible and independent practitioners from discharging the fundamental communication responsibility of truth telling.

The Marcos dictatorship silenced the Philippine press and media and prevented them from providing the information on vital issues the public needed. There is no reason to believe that any other authoritarian regime will not do the same because accurate and relevant information would challenge such a regime’s legitimacy and authority and expose the sordid realities of its rule.

These were precisely the reasons for which Jose Rizal was executed by the Spanish colonial order. He was not directly involved in the Revolution of 1896. But in the eyes of that regime, Rizal’s offense was his exposing, through his novels Noli Me Tangere and El Filibusterismo, and his essays and other writings, the horrors and brutality of colonial rule.

Some historians have disparaged Rizal for his preference for education rather than revolutionary violence as the means of addressing the Filipino predicament with Spanish colonialism. But his writings were nevertheless crucial in shedding much needed light on the true state of the Philippines and its people under colonial rule as the vital condition to the Revolution’s capacity to overthrow it.

Mr. Duterte is quite right. Filipinos must remember and appreciate Rizal’s patriotism. But he himself should realize that Rizal’s devotion to his country and people consisted of his risking liberty and life itself for the sake of the truth as a fundamental weapon in the human enterprise of interpreting the world in order to change it.

That is precisely the purpose, the reason for being, of every independent journalist, human rights defender, social reformer, and authentic revolutionary. But that reality has apparently escaped the understanding and even the awareness of the Duterte regime, the policies, statements and acts of which have been focused on the very opposite of the truth that all of human history attests will set us free.

 

Luis V. Teodoro is on Facebook and Twitter (@luisteodoro). The views expressed in Vantage Point are his own and do not represent the views of the Center for Media Freedom and Responsibility.

www.luisteodoro.com

UN chief welcomes reopened Korean hot line

UNITED NATIONS — UN Secretary-General Antonio Guterres on Wednesday welcomed the reopening of a hot line between North and South Korea, and voiced hope for more diplomatic initiatives to end the peninsula’s nuclear standoff.

North and South Korea earlier Wednesday reopened the communication channel that had been shut since 2016, following an offer from North Korean leader Kim Jong-Un to send a team to next month’s Winter Olympics in South Korea.

“It is always a positive development to have a dialogue between the Democratic People’s Republic of Korea and the Republic of Korea,” said UN spokesman Farhan Haq.

Mr. Guterres “welcomes the reopening of the inter-Korean communication channel,” he added.

UN Security Council resolutions call for the de-nuclearization of the Korean peninsula and “we hope that enhanced diplomatic initiatives will help to achieve that goal,” said Mr. Haq.

South Korea has offered to hold talks with the North on Jan. 9 to discuss “matters of mutual interest” including the North’s Olympic participation.

Mr. Guterres’ support for inter-Korean dialogue stood in contrast to remarks from US Ambassador Nikki Haley, who on Tuesday dismissed the overtures between Pyongyang and Seoul as a “Band-Aid.”

The US, backed by Japan, is pushing for sanctions and total isolation of Mr. Kim’s regime in response to a series of missile launches and nuclear tests.

Russia, and North Korea’s sole major ally China, have repeatedly called for talks to de-escalate tensions, but the US has been adamant that Pyongyang must first freeze its military programs.

Ms. Haley warned on Tuesday that if Pyongyang carries out another missile test, it would face the likelihood of even more sanctions.

The Security Council adopted a new raft of sanctions on Dec. 22 to restrict oil supplies to North Korea — the third set of measures imposed on Pyongyang in a year. — AFP

Larawan’s triumph continues with wider release, US screenings

CANDIDA and Paula’s struggle to hold on to their father’s painting (and, in turn, hold on to their ideals) as many people try to convince them to sell it to save them from destitution, closely mirrored what the creators of Ang Larawan went through just to get the film a nationwide release.

And the stuggle was ultimately fruitful for the film, which has gone on to garner prizes, a wider run, and a life after the Metro Manila Film Festival (MMFF).

“From the beginning, we wanted to do Ang Larawan because of all it stood for — it was art versus commerce. If we can get the young people of today to discuss the story, even if they disagree, we just want them to open their minds to the possibility that things aren’t always about money. And the funny thing, that’s what happened to us,” Girlie Rodis, one of the film’s executive producers, told the media on Dec. 30 at the Via Mare restaurant in Quezon City.

“At the start of the Metro Manila Film Festival, we had 53 theaters, then it went down to 26 after few days. After the awards night, we went up to 56, which is more than when we started,” she added.

The film’s official Facebook page announced on Jan. 2 that the film is currently being screened in 77 cinemas nationwide.

Ang Larawan, which was based on National Artist Nick Joaquin’s play, Portrait of an Artist as Filipino, with a libretto by fellow National Artist Rolando Tinio, was one of the big winners at this year’s MMFF, taking home the Best Picture, Best Actress (Joanna Ampil), Best Musical Score (Ryan Cayabyab), and Best Production Design (Gino Gonzales) trophies, and also garnering a posthumous Special Jury Prize for Nick Joaquin and the Gatpuno Antonio J. Villegas Cultural Award.

It was a continuous uphill climb for the team to get the film to where it currently is, from being rejected during the first round of MMFF entry selections to being pulled out of theaters the first few days of the festival, but, like the Marasigan sisters whose battle cry was “Contra Mundum (defy the world),” the film likewise did defy the odds.

Looking back, Ms. Rodis said their rejection during the MMFF script selection was a blessing in disguise as it served to publicize the film among millennials.

“It helped a lot as millennials became aware of the film,” she said, adding that many audience members from that generation watched the film multiple times in order to help the film not be pulled out of cinemas.

“A good portion of our sales are [from] repeat viewers,” said actress Rachel Alejandro, who played Paula and is also one of the film’s producers, remarked during the same press conference.

While the MMFF which will end its run on Jan. 7, the team behind Ang Larawan is determined to bring the film to as many people as possible. Ms. Alejandro said they will be touring schools including University of the Philippines Los Baños and the University of Cebu.

ABS-CBN’s The Filipino Channel (TFC) is also bringing the film to US theaters starting Jan. 12, according to a company press release.

The film’s producers are also looking at restaging the original sung-through play version, a plan originally set for 2017 but pushed back because of the film.

Ms. Rodis also revealed that they plan on adapting other Filipino musicals to film, like Jose Javier Reyes’s Katy! The Musical, about the life of the “Queen of Philippine vaudeville and jazz” Katy dela Cruz, as well as Ryan Cayabyab’s Alikabok, about a Katipunera who left her comfortable life in order to fight for her country.

“Even if it’s few and far between, we would like to make movies that are authentic and true to form,” she said. — Zsarlene B. Chua