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Harry Potter as an aswang

By Jasmine Agnes T. Cruz

HARRY POTTER captured the hearts and minds of young readers around the world. Inspired by this series but wanting to create stories that have that distinct Filipino flavor, writer and publisher Segundo Jun Matias, Jr. dreamed up the character Moymoy Lulumboy, a boy who realizes that he has powers of the aswang, a shape-shifting monster from Philippine myth. Readers have already been treated to the series’ first book Moymoy Lulumboy Ang Batang Aswang, and now the second book, Moymoy Lulumboy at Ang Nawawalang Bertud, has been released.

Far ’nuff

By Noel Vera

DVD Review
Far from the Madding Crowd
Directed by Thomas Vinterberg

Bryan Adams goes retro with Get Up album

LOS ANGELES — It has been a long time coming.

Ignored masterpiece

WHEN PEOPLE RIDE the LRT (Light Rail Transit) to Monumento station or drive along the roundabout in Grace Park in Caloocan, they often ignore a masterpiece which is right there in front of their eyes: the Bonifacio Monument, designed by National Artist Guillermo Tolentino.

Towering at a height of 45 meters, Monumento (as it is popularly known) pays tribute to the hero of the Katipunan, Andrés Bonifacio, the main figure in the sculpture. Depicting the Philippines’ resistance to Spanish rule at the end of the 19th century, this memorial was completed to celebrate Mr. Bonifacio’s 66th birth anniversary in 1929.

Bonifacio monument - Caloocan
Motorists drive past the Bonifacio Monument in Caloocan City.

The sculpture’s pedestal and shaft are covered in granite from Germany, according to the Presidential Museum and Library (http://malacanang.gov.ph/7054-the-andres-bonifacio-monument). At the top is the winged figure of Victory, inspired by the Greek sculpture the Winged Victory of Samothrace. At the lower part of the monument are human-sized Italian bronze cast figures depicting the Philippine revolution.

Only the occasional tourist or student working on a project brave the traffic at the roundabout to take a closer look at the beautifully intricate work of the master sculptor which few people today see.

At the right side of the monument are Katipuneros with their bolos (knives) out, standing among the casualties of the war. On the left are figures depicting the cruelty of the Spanish colonizers. At the back of the monument are the Gomburza — the three martyred Filipino priests Mariano Gomez, José Burgos, and Jacinto Zamora — whose execution moved Filipino hero Jose Rizal to write his novels Noli Me Tangere and El Filibusterismo, which in turn inspired Bonifacio and the other founders of the revolutionary organization Katipunan.

Front and center is Andres Bonifacio holding aloft a bolo and a revolver. With him are the Katipuneros, with one raising a flag.

Completed in three years the total cost of the monument was P125,000 — equivalent to P38.5 million in today’s money — the monument is designed to face Tondo in Manila, which is Bonifacio’s birthplace.

To find the best design for the monument, a contest was announced and 13 artists responded, submitting their work under aliases. The winner was a professor at the University of the Philippines (UP) Fine Arts whose alias was “Batang Elias” (Elias was the protagonist of Rizal’s novels) Guillermo Tolentino.

Born on July 24, 1890 in Malolos, Bulacan (seven years before Bonifacio’s murder by his erstwhile allies in the revolutionary government), Tolentino was trained in classical sculpture, earning a degree in fine arts in 1915 at the University of the Philippines (UP).

He went on to pursue further studies in the United States where he graduated from New York University with honors in 1921, and Europe, where he studied in Regge Istituto di Belle Arti in 1922, then returned to the Philippines.

Aside from creating the Bonifacio Monument, he also sculpted UP Diliman’s monument (better known as the Oblation), the bronze figure of President Quezon at the Quezon Memorial, the marble statue of Ramon Magsaysay at the GSIS (Government Service Insurance System) Building, and many others. He was proclaimed a National Artist of the Philippines for the Visual Arts in 1973.

Andres Bonifacio died at the age of 34. Guillermo Tolentino was five years older when he designed the monument honoring the hero on what would have been his 66th birthday. Eighty-six years after it was built, the monument still stands today, facing the birthplace of a hero, 118 years after he died so Filipinos in the future — those passersby who ignore his monument — would live free. — Jasmine Agnes T. Cruz

Sunscreen ingredient is toxic to coral, killing off reefs

ORLANDO, FLORIDA — A common ingredient found in sunscreen is toxic to coral and contributing to the decline of reefs around the world, according to new research published on Tuesday.

What to see this week

4 films to see on the week of Oct. 23-Oct. 30, 2015:

Depp says he mined his ‘inner evil’ to play gangster Bulger

VENICE — Johnny Depp says he did not have to dig deep to tap into his evil side for his portrayal of the Irish-American gangster James “Whitey” Bulger in the film Black Mass, which screened out of competition at last month’s Venice Film Festival.

Agatha Christie’s Poirot and Marple: The comfort of the British murder-mystery

The Binge — Jessica Zafra

MISS JANE MARPLE is a menace to society. Whenever she turns up with that handbag of hers, sniffing around in other people’s business, murder follows. Corpses turn up, poisoned, stabbed, bludgeoned, strangled, shot. Suspicions mount, terrible secrets are uncovered, threats are uttered. People are revealed at their very worst. What fun!

Keanu Reeves on stranger danger

By James Dawson

KEANU REEVES on stranger danger plays the victim of a home invasion in the psychological horror movie Knock Knock. The actor, best known as Neo from The Matrix movies, plays a successful American architect with an artist wife and two adorable children. It’s the first time he’s played a parent on the big screen.

Maoris hacked off at haka exploitation

WELLINGTON — The haka is best known to rugby fans as the spectacular pre-match challenge issued by the All Blacks — but it’s also a revered cultural tradition among New Zealand’s Maori, who resent it being mocked or exploited for profit.

The All Blacks have performed the foot-stomping, eye-rolling ritual since 1905, now firmly entrenched as part of the sporting theater that surrounds New Zealand’s matches.

It’s no novelty act for Maori, though, with New Zealand’s Maori Development Minister Te Ururoa Flavell describing it as “a part of our culture and identity.”

“We use haka to express ourselves in many different settings,” he told AFP. “That includes welcoming guests, saying goodbye to our dead, celebrating success, [and] showing our pride.”

Small wonder then, that Maori bristle when advertising executives use their esteemed custom as a punchline in commercials and marketing campaigns.

In recent years, haka parodies have been used to sell everything from British menswear to Japanese soft drinks — all without permission and without a cent being paid to the haka’s traditional owners.

“It’s a feeling of disappointment that people don’t understand what it’s about,” Kahu Ropata, a cultural adviser with the Ngati Toa iwi (tribe), told AFP.

“Using it for profit, that’s not what the haka was intended for. It should be treated respectfully.”

New Zealand's players perform the haka and Tonga's perform the Sipi Tau prior to a Pool C match of the 2015 Rugby World Cup between New Zealand and Tonga at St James' Park in Newcastle-upon-Tyne, northeast England, on October 9, 2015. - AFP

New Zealand’s players perform the haka and Tonga’s perform the Sipi Tau prior to a Pool C match of the 2015 Rugby World Cup between New Zealand and Tonga at St James’ Park in Newcastle-upon-Tyne, northeast England, on October 9, 2015. – AFP

‘NO ROOM FOR DISRESPECT’
Numerous versions of the haka exist, but the All Blacks only perform two — the traditional Ka Mate and Kapa o Pango, which was introduced in 2005 and includes a controversial throat-slitting gesture.

Ka Mate is Ngati Toa’s haka, composed by the warrior chief Te Rauparaha around 1820 to celebrate his escape from a rival tribe’s pursuing war party.

“The essence of the haka is about life [triumphing] over death, the little guy beating the big guy and punching above his weight,” Mr. Ropata said.

Over the years, Ka Mate has evolved into New Zealand’s haka, with Mr. Ropata pointing out: “It’s reverberated around the battlegrounds of Chunuk Bair and Gallipoli and El Alamein.”

Ngati Toa are still regarded as Ka Mate’s custodians, a situation Mr. Flavell said the government recognized last year when it passed a law requiring the iwi to be acknowledged when the haka was used.

The tribe also have an agreement with New Zealand Rugby about using the haka and last month hosted All Blacks players at their meeting house near Wellington before the players departed for the World Cup.

But such laws and agreements have no force beyond New Zealand, and Mr. Ropata said his people were reliant on overseas companies doing the right thing, inviting them to consult the iwi before using the haka.

“For Ngati Toa, there’s no room for disrespecting the haka,” he said.

“So the word to the marketing companies is that if they are to use it, use it appropriately.”

While commercial exploitation of the haka may rankle, Mr. Ropata said Ngati Toa took immense pride in seeking the Ka Mate haka performed on the world stage by the All Blacks.

His tribe’s Ka Mate has been the only haka performed so far at this tournament, with Kapa o Pango yet to make an appearance.

The French team have a history of confronting the Maori challenge, and Mr. Ropata was intrigued to see how they would respond to it at last weekend’s World Cup quarter-final against New Zealand in Cardiff.

“To stand there eyeball to eyeball, I think that’s the whole way of approaching it,” he said.

“It shows your opposition, in this case the All Blacks, that you’re ready to go into battle on the field.”

In 2007, the French wore red, white and blue shirts to form a giant tricolor, staring down the New Zealanders before scoring a famous 20-18 quarterfinal victory in Cardiff.

Four years later, before the 2011 final, they formed a flying-V and marched into the All Blacks’ half, falling just short of a another stunning upset before New Zealand prevailed 8-7.

“It’s saying that this is our land, our whenua (territory), our field and we’re here to play,” Mr. Ropata said.

Before Sunday’s quarterfinal, the French stood in red jerseys, arms and shoulders interlocked and their stare held as the All Blacks issued the traditional challenge. However, New Zealand thrashed them in the game that followed, winning 62-13. — AFP

Earl Grey

By Noel Vera
Movie Review
Black Mass

Sand, sun, sea, and study

By Jasmine Agnes T. Cruz

SCHOOL is for learning while the beach is for fun, right? Not necessarily.