Home Blog Page 11311

Solar energy solutions eyed for small buildings

By Victor V. Saulon, Sub-Editor

A NONPROFIT organization has teamed up with a Dutch solar company and a German development institution to promote access to solar energy solutions for small buildings in the Philippines.

Karthik Subburaman, regional director of Asia Society for Social Improvement and Sustainable Transformation (ASSIST), said his organization’s partnership with Deutsche Investitions-und Entwicklungsgesellschaft, or KfW, and SolarNRG Netherlands seeks to pilot projects in Metro Manila, which could be replicated elsewhere in the Philippines.

“Our interest is to drive and promote sustainable development in the region. So we are committed to several sectors,” he said. “Renewable energy is one of them.”

The partnership, called accessRE, targets small and medium-sized buildings by helping them adopt sustainable power systems, such as solar panel installations. Its objective is two-pronged: provide solar installations to relevant small institutions, and develop skills for future solar energy technicians.

KfW, the other partner, is co-financing the project. The German development institution provides grants for projects with “good concepts,” Mr. Subburaman said.

“What ASSIST did was to conceptualize the idea. Along with the private partner, SolarNRG, [we] submitted a proposal to KfW and KfW decided to fund it,” he said. “So the project is partly funded by KfW [and] partly funded by SolarNRG.”

The project’s target installation within its 18-month duration is a maximum of 100 kilowatts. It estimates small-scale solar power solutions, with capacities ranging from 1 kilowatt-peak (kWp) to 5 kWp, to save about P1,500 to P7,500 a month.

These systems’ return on investment is expected within four to six years, while having an average lifespan of 25 years, making them cost-efficient and effective in mitigating losses from the limited availability of energy.

“They also start to reduce their impact on the environment in terms of greenhouse gas emissions,” he said.

Mr. Subburaman said his team would screen applicants for the project, although schools and universities have an advantage.

“The criteria is, number one, it has to be a small enterprise. So it cannot be a large enterprise,” he said, adding that these entities should have a requirement of no more than 50 kW or a consumption of about P50,000-100,000 of electricity a month.

“The second is, what is the relevance of the institution to the public or the community. In that sense, if it’s a small company that provides employment to the people of the community, if it’s a hospital, if it’s a school, they get preference,” he said.

Aside from the solar installations, the project aims to develop a customized training module for electricians, Mr. Subburaman said.

“They get skilled as a solar technician, so they will be able to do solar panel installations as well as maintenance,” he said.

“By doing this training module, making it available in one or two public schools [and] vocational schools, it becomes accessible to anyone. We will not charge them for the training during the project duration,” he said.

Mr. Subburaman said there is a “high chance” that the project will be replicated outside Metro Manila.

“It’s a matter of how soon, that’s the question. It’s not about whether it will happen. It’s about how fast we will be able to replicate it,” he said.

“If it’s the same donor, we have to finish this project before we can get another grant to do it. If we are working with other donors, then it’s possible that we can start earlier,” he added.

How Singapore-based Grab vanquished Uber in SE Asia

AS UBER TECHNOLOGIES, Inc. looked to conquer ride-sharing around the world, Grab was focused on serving the 620 million people that share its home in Southeast Asia.

Helped by the deep pockets of SoftBank Group Corp., Grab emerged the winner on Monday when Uber agreed to swap its business in the region for a 27.5% stake. The deal is a vindication for cofounder Anthony Tan’s strategy of tailoring services to local needs and working with incumbent taxi operators instead of against them.

With $4 billion raised from investors led by SoftBank, Tan has turned Grab into a ride-hailing juggernaut since it was born in a tiny Kuala Lumpur storage room about six years ago. Rich funding has helped him lure top talent and survive through the losses generated by a fierce battle with Uber to win over customers. Now the 36-year-old Harvard grad, who spurned the family’s automotive empire in Malaysia to strike out on his own, has emerged stronger as he turns to his other significant competitor in the region, Indonesia’s Go-Jek.

“Anthony is a great leader, someone that I’ve learned a lot from,” said Jeremy Kranz, head of the technology investment group at GIC Pte, Singapore’s sovereign wealth fund.

The deeply religious Tan, who still attends Bible study classes, started Grab in his native Malaysia. With Harvard classmate Tan Hooi Ling, he kicked off operations for what was then known as MyTeksi in Kuala Lumpur, allowing users to book cabs.

Grab later relocated to Singapore and now provides a host of services from Indonesia to Vietnam and the Philippines. The company is valued at $6 billion by CB Insights, making it the most valuable start-up in Southeast Asia.

Along the way Grab has been picking up talent, from engineers to product developers, as its funding helped woo them from household names in the technology world.

“In Southeast Asia, one of the most difficult things to build is tech talent,” Tan said at the Money 20/20 conference this month. “We’ve been able to build tech talent from Google, Facebook, Twitter, Microsoft. We’ve been very blessed. With that, we could build great products.”

That includes Ming Maa, a former executive at Goldman Sachs Group, Inc. and SoftBank, who was hired as group president in 2016 and oversees Grab’s fund-raising, mergers and acquisitions and other strategic issues.

Still, it’s not a clean victory. Go-Jek remains a potent rival, particularly in Indonesia as it moves beyond just ride-sharing to real-world service such as food delivery and hairdressers on demand. Also, the US company is getting a bigger slice of Grab than it did when it sold out in China. Uber got less than 18% of Didi Chuxing in that deal, although it did get 36.6% of Yandex when it retreated from Russia.

To some, Grab’s victory may also have been the result of pressure from SoftBank to consolidate a global ride-hailing empire and whittle down billions of dollars in losses.

“After investing $700 million in the region, we will hold a stake worth several billion dollars and strategic ownership in what we believe will be the winner in an important global region,” Uber CEO Dara Khosrowshahi said in a message posted on its website.

While Tan is the rare CEO to credit his success as part of God’s plan, others see more terrestrial reasons behind his rise.

“A lot of guys have the ability to succeed, but it’s people like Anthony who end up winning,” said Amit Anand, managing partner of Jungle Ventures in Singapore. “He comes from the ground up, and he never forgot what got him there, versus people who never had to hustle.”

As the company expanded, it tailored services for new markets. For Indonesia, it operates GrabBike in a country where many are comfortable traveling on a two-wheeler. In the Philippines, where Uber got into fights with regulators, Grab adopted a more cooperative approach.

“In online businesses, we would have expected big global players to dominate due to their scale of operations,” said Lawrence Loh, associate professor at National University of Singapore. “Uber’s sell-out suggests that the pendulum has swung towards the importance of business localization.”

Grab has also been effective at keeping its customers. Its reward program lets riders accumulate points that can be redeemed for everything from KrisFlyer miles, the frequent flier program of Singapore Airlines, as well as free rides to a Big Mac. In Indonesia, customers can cash them in for durian, the stinky fruit that’s popular in the region.

“Grab has done a great job building those proprietary linkages that make consumer experience more sticky, more consumer-centric,” Anand said. “Today, every great company has access to technology, people and capital. What keeps you ahead of the game is building those linkages that are difficult for other people to replicate.” — Bloomberg

A day of books and roses

THE ORGANIZERS of the annual Día del Libro — the International Book Day — once again invite bookworms to a day of fun, culture, and art-filled activities.

In Spain, Día del Libro is celebrated on St. George’s Day (April 23), with men and women exchanging books and roses. It also commemorates the demise of two of the world’s greatest writers: Spain’s Miguel de Cervantes and England’s William Shakespeare, who both died on April 23, 1616.

So on April 21, a Saturday, at the Ayala Triangle in Makati City, Instituto Cervantes, which is the Embassy of Spain’s cultural arm, will mark the day with free books and roses.

Other book purveyors who are participating in the celebration will be offering a wide range of books at a discount of 20% — and each purchase will come with a free rose.

The Instituto Cervantes first introduced the celebration to Manila in 2006.

Besides the free books and roses, there will be free Spanish classes, book presentations, poetry recitals, street art commemorating the 200 years of Madrid’s Prado Museum, games, and opportunities to meet authors.

Visitors are also invited — and challenged — to join a quixotic attempt of copying the classic novel, Don Quixote de la Mancha, by hand. The final hand-written book will be deposited in the Library of Instituto Cervantes. Participants in the handwriting chain will receive a rose, of course.

Meanwhile, the Embassy of Chile will present an exhibit on Chilean writer Nicanor Parra (1914-2018), a renowned Latin American poet of the 20th century.

The month of April is a celebration of world literature, as UNESCO declared April 23 “World Book and Copyright Day” to instill the love of reading printed materials while promoting respect for authors and their literary output. Since April is also the birth month of Filipino poet Francisco Balagtas, it is also celebrated as the country’s National Literature Month.

Among the goals of the celebration is to reinvigorate and re-establish the importance of the printed word and the library in society.

Thanks to the public’s positive reception in 2016 and 2018 to the nonprofit Pop-up Library designed by WTA Architecture & Design Studio, it will come back to the park for Dia del Libro. The library allows anyone to borrow books for free and exchange them for others.

It is not just a day of books though.

At 5:30 in the afternoon, visitors will be serenaded by the Manila Symphony Orchestra which will hold a free concert called Concierto en el parque, featuring classical pieces from the Spanish and Filipino repertoire.

La Liga, the Spanish Football League, will invite visitors to score a goal in its “Chuta-Gol,” a game where they can win prizes.

Before the celebration ends, there will also be a Silent Disco for everyone.

Spanish food will be available throughout the day.

Admission to all Día del Libro activities is free on a first-come first-served basis. For more information, call 526-1482, visit http://manila.cervantes.es or www.facebook.com/InstitutoCervantesManila.

Instituto Cervantes de Manila is at Ayala Tower One & Philippine Stock Exchange Tower Plaza, Ground Floor, Ayala Triangle, Ayala Ave., Makati City.

Street art makes splash in HK

HONG KONG — From murals made famous by Instagram to painting battles, Hong Kong’s once largely underground street art scene has exploded in recent years, and is now blossoming across the city’s walls and alleyways.

The commercial high end of the art world is at the fore in March, with gallerists, collectors and celebrities descending on Hong Kong for the annual Art Basel fair.

But English mural artist Dan Kitchener, drawn to the city’s unique geography and energy, made his third visit to Hong Kong this month to depict atmospheric urban scenes with spray paint in its narrow and steep streets.

“Hong Kong’s got that feel to me — the epic scale and the skyscrapers, and then it’s got these little tiny alleyways,” Kitchener told AFP while balancing on bamboo scaffolding as he painted on the outside wall of a city bar.

Trained for many years in watercolor and acrylic painting, 43-year-old Kitchener is particularly fond of portraying neon lights, reflections and rain — sights that first captivated him in Tokyo.

He had just finished a detailed mural of a street market in the bustling Wan Chai district, before moving on to paint outside a watering hole in downtown Central.

Just opposite the bar is a mural by graffiti artist Alex Croft said to be the city’s most photographed wall, featuring rows of old townhouses on a bright blue background.

Hong Kong lacks a world-class art museum and marquee exhibitions rarely make a stop in the southern Chinese city, where it can be difficult to secure permission for public shows.

But street art has enjoyed a boost from growing demand in Asia and an increasing number of exhibitions in recent years, giving it a higher profile and more commercial spin in the city.

In 2015, a mosaic of 1970s American cartoon character Hong Kong Phooey by French artist Invader sold at auction in Hong Kong for HK$2 million ($258,000).

The popular piece of street art had been destroyed by the city’s authorities, infuriating residents, and was later recreated for sale. — AFP

Two artists look at the effects of the ‘Build, Build, Build’ program

WHILE A beauty pageant contestant unabashedly admits she knows nothing about the government’s “Build, Build, Build” program, two Filipino artists look at its ideations and reimagine the sociopolitical effects of the policy.

On view until April 3 at the National Commission for Culture and the Arts (NCCA) Gallery, artists Ritchie C. Yee and Marvin Angelo Rafols Oloris present …As We, Constructs.

Amidst the ideals of industrialization, modernization, development, and change, the two artists created altered environments through the overlaying of plastic paints, ink, and found materials.

Despite sharing similar techniques, Oloris and Yee have made two distinct bodies of art, but with one goal: to critique the Precarity of society amidst the notion of stability and progress.

“Precarity,” a term used by sociologists, means the instability of having a livable life (i.e. unstable job, marginalization, abandonment of welfare, etc.)

Yee is focused on the tenacity and decomposition of the things we’ve always seen, made, and built but taken for granted, while Oloris’s works are fragile visions of what has yet to be built.

The two artists’ works look into the destruction of the “Build, Build, Build” dictum that plague society: martial law in Mindanao, the war on drugs, the killings, and the rise of poverty and criminality.

Through their art, these two men essay to round out a variety of social truths, no matter how base, stolid, or distressing they may seem to be, and in the process evolve into active critics of their contemporary milieus.

…As We, Constructs is on view until April 3. Viewing is from Monday to Sunday including holidays, 8 a.m.-6 p.m., at the NCCA office at 633 General Luna St., Intramuros, Manila. Appointments for viewing can be done by sending a message to the NCCA Gallery at nccagallery09@gmail.com. — Nickky Faustine P. de Guzman

An oasis of calm in shattered region, Dubai steps out as an art hub

DUBAI — As traditional centers of modern Arab art in Damascus and Baghdad have imploded amid disastrous wars, the sheeny city-state of Dubai in the United Arab Emirates has stepped into the vacuum as a major hub for art sales.

But at the annual Art Dubai fair last week, some Mideast artists among the scores of worldwide participants channeled in paint the chaos swirling around this bubble of calm luxury.

Tucked among the mostly apolitical photography, sculpture and installation art adorning the vast open-plan space, black-and-white paintings of war scenes in the Gaza Strip — devoid of people and any sharp detail — stand out.

“It’s like a monster, isn’t it?” says Palestinian artist Aissa Deebi, holding his arms menacingly above his head in the rough shape of a fireball from an Israeli war plan he painted exploding on top of building.

“I turned images from the TV into oil on canvas, which has its history in this tradition going back to Goya and Picasso,” he added, alluding to the latter’s iconic image of chaos brought on by a bloody air raid on the Spanish town of Guernica.

Myrna Ayad, Art Dubai’s director, said the event featuring artists from 48 countries did not seek to dwell on the region’s miseries, but noted that as Dubai’s star has risen in the art world the art on offer cannot flinch from harsh realities.

“The sad reality is that as Baghdad, Beirut, Damascus and even Cairo have suffered due to political and economic strife, the UAE is in a position to build on its openness and multicultural aspect to lead in the art scene.”

“Conflict and problems aren’t all there is to art in the Middle East and our exhibition celebrates modernists and visionaries from here and all over the world … artists do make incredible historians and documentarians, though,” Ayad added.

While she declined to name precise target for sales in the three-day event, she noted that works were on offer for between a few hundred and a few hundred thousand dollars: “There’s something for every pocket!”

Ead Samawi knows that well. A partner from the Ayyam Gallery, he has sold most of their handful of war-themed canvases for between $30,000 and $50,000 each to clients ranging from the United States to Lebanon, and insists profit and painful subjects can go together.

Arranged in a tense jumble of colorful shapes and splotches forming the rough shape of buildings and people, the work of Syrian artist Tammam Azzam evokes the broken cityscapes and refugee throngs from his homeland.

“It’s not commodifying, this is human life: there’s war and migration that happens all over. Artists have always had their distinct, creative way of presenting it that people have been attracted to,” Samawi said. — Reuters

Spamalot and Sa Wakas return to the stage

THANKS TO popular demand, two musicals — one a hilarious riot of a show based on a British comedy troupe’s movie, the other a bittersweet musical ode to the songs of the local band, Sugarfree — will have reruns in April.

Running from April 13 to 22 at the BGC Arts Center in Taguig City is the repeat performance of the Tony/Grammy/Drama Desk Award-winning show, Monty Phyton’s Spamalot.

Dubbed as the best-reviewed musical comedy in 2017, Spamalot once again showcases its cast’s comedic timing and great acting and singing.

The Broadway musical import is a spoof on the story of King Arthur and his quest for the Holy Grail.

Co-directed by Joel Trinidad and Nicky Triviño, Monty Python’s Spamalot features singers and actors Rachel Alejandro, Lorenz Martinez, Carla Guevara-Laforteza, Noel Rayos, Roxy Aldiosa, Reb Atadero, Rachel Coates, Domi Espejo, Rhenwyn Gabalonzo, Bibo Reyes, Dean Rosen, George Schulze, and Chino Veguillas.

Couturier Francis Libiran provides the cast member’s gowns, the Martinez sisters choreographed the show, and Onyl Torres handles the musical direction.

IN THE END
Meanwhile, the hugot musical Sa Wakas will have its third — and final — rerun from April 7 to May 26 at the PowerMac Center Spotlight in Circuit, Makati City.

The critically acclaimed Pinoy rock musical starts at the end of a relationship — a format which may bring to mind the Broadway musical The Last Five Years.

First shown in 2013 and again in 2017, Sa Wakas features the joys of a love story and the bitterness of a failed relationship.

Sa Wakas features the songs of the popular rock band, Sugarfree — the musical shares the same name of the band’s debut album released 16 years ago.

The successful Pinoy musical is co-written by Andrei Nikolai Pamintuan and Mariane Abuan, with music arranged by Ejay Yatco. Miguel Panganiban does the lighting design while Julian Vincent Cayabyab designs the set.

For tickets to the two shows, check www.ticketworld.com.phNFPDG

BSP requires banks to set up e-payment channels

By Melissa Luz T. Lopez
Senior Reporter

BANKS and other financial firms are required to offer electronic payment channels for all clients and should be able to put up systems that will allow fund transfers in a matter of seconds, the central bank said.

The Bangko Sentral ng Pilipinas (BSP) spelled out specific guidelines for the National Retail Payment System (NRPS) covering banks, non-banks and e-money issuers, in line with an industry-wide push towards digital transactions.

The central bank targets to shift cash-heavy transactions to digital avenues via the NRPS, which they expect to help broaden access to financial services and spur increased economic activity.

The rules spring from Circular 980 issued in November, which endorses the creation of automated clearing houses (ACHs) which would process payment and transfer instructions given through digital channels, which include online and mobile banking.

BSP Memorandum 2018-012 requires all BSP-supervised financial institutions (BSFIs) to have electronic platforms ready for public use so that they can participate in the NRPS scheme.

“The regulatory requirement is that electronic payment facilities, such as those enabled via the BSFI’s participation in ACHs, shall be available to the clients,” the rules read, as signed by Deputy Governor Chuchi G. Fonacier.

“For this purpose, non-availability of electronic payment in a delivery channel requires written justification from the BSFI addressed to their respective offsite units…”

The same rules also prohibit players to do bilateral payment arrangements, with all fund movements required to pass through the respective clearing houses. This is to preserve “free and fair competition” and maintain system-wide efficiency, the regulator said.

All BSFIs must likewise comply with “immediate credit” after electronic fund transfers (EFT) are cleared.

“The time frame of immediate credit to the payee’s account for near real-time transactions is within 2 to 3 seconds from receipt of clearing advice by the receiving institution,” the BSP said.

A two-hour window for crediting funds is provided for batched transactions, referring to the Philippine EFT System and Operations Network (PESONet) launched late last year.

The PESONet is the industry’s first attempt at rapid interbank transfers, which leapfrogs from the Philippine Clearing House Corp.’s system for bank checks to now include e-wallets.

The BSP also reminded all players that they can only impose fees and charges on money senders — if at all, with all recipients to receive amounts in full.

The central bank has set an ambitious goal to bring the share of e-payments to 20% of all financial transactions by 2020, coming from a measly one percent share back in 2013.

Yuchengco holds part 2 of Rediscovering Binondo lecture series

THE Yuchengco Museum will hold part two of “Rediscovering Binondo,” a talk on the old Manila district’s history from 1850 to 1900, particularly the arrival of the Chinese, their lifestyles; and the legacies of the Luna and Rizal families, conducted by Martin “Sonny” Tinio, Jr.

This is the second of a three-part “Tea with Tinio” series at the Yuchengco Museum.

The lecture will be held on April 7, from 9:30 a.m. to 11:30 a.m.

Mr. Tinio has written books and monographs about Philippine social history, architecture, and landscaping, among others, and co-authored Philippine Ancestral Houses, the first book on Philippine colonial architecture, and the largest-selling local coffee table book to date.

A former museum curator of the Intramuros Administration and of Malacañan Palace, he designed Casa Manila in Intramuros and has restored several period houses in Kawit, Cavite and Taal, Batangas. Most recently he served as a consultant for the San Ignacio Reconstruction Project in Intramuros.

Tickets to the lecture are P300. For reservations, call or e-mail at 889-1234 and info@yuchengcomuseum.org.

The museum is located inside RCBC Plaza, corner Ayala and Senator Gil J. Puyat Aves., Makati City.

Basic Energy raises investment in 2 Thai firms

BASIC ENERGY Corp. on Tuesday said its board of directors gave the go-signal to increase the company’s equity investment in two Thai companies to 15%.

“The equity investment will enhance the project portfolio of [Basic Energy] as a renewable energy and power company,” the listed firm told the stock exchange on Tuesday.

The company is increasing its holdings of the total capital of Vintage EPC Co. Ltd. (Thailand) (VEPC), and VTE International Construction Co. Ltd. (Thailand) (Vinter). The move was approved by its board on March 21.

Basic Energy placed the value of its investment at 106.185 million Thai baht or around P178 million. The amount is broken down as 75 million baht for VEPC, and 31.185 million baht for Vinter. It will increase their working capital and will lessen the need for advances from stakeholders or bank financing.

“The investment is expected to provide a continuing stream of revenues in the short and midterms,” Basic Energy said.

The increase is a follow through of the investment term sheet signed by the company on Nov. 9, 2017 with Vintage Engineering Public Co. Ltd. for a possible equity investment in its two Thai subsidiaries up to 12.5%, with an option to increase up to 20% of their total equity.

The companies that Basic Energy bought into are the primary engineering, procurement and construction (EPC) contractors of the 220-megawatt (MW) solar power plant located in Minbu District, Magway region, Myanmar.

The deal is subject to the compliance with certain precedent conditions resulting from the due diligence work on the investee companies and the approvals of their board of directors.

It is also subject to the mutual agreement of the parties on the provisions of the share purchase agreement and shareholders agreement to include directorship positions and minority rights provisions, among others. The agreements also rest on the final board approvals by Basic Energy and the investee companies.

The share purchase agreement is targeted to be executed within April, while the shareholders agreement is expected to be completed in April or May.

Basic Energy described VEPC as the supplier of the materials and equipment for the construction of the Myanmar solar power project, while Vinter handles the construction services required to build and complete the power plant.

“The development of the project commenced in 2016 and the power plant will be constructed in four phases, Phase 1 of which is targeted to be completed by end of 2018. Completion of all 4 phases of the project is targeted on or before 2021,” the company said. — Victor V. Saulon

Details out on Ateneo’s Purita Kalaw-Ledesma Art Criticism competition

THE Ateneo Art Gallery (AAG) and the Kalaw-Ledesma Foundation, Inc. (KLFI) have announced the exhibitions to be reviewed by writers interested in submitting entries for the Purita Kalaw-Ledesma Prizes in Art Criticism. These exhibitions are:

CULTURAL CENTER OF THE PHILIPPINES
The Ordinary Man: A One Man Exhibition by Josemaria Paolo Icasas which ran from Nov. 29, 2017 to Feb. 4, 2018

Pasilyo Vicente Manansala (2F Hallway)

Waterways: Caroline Ongpin Exhibition, Jan. 24 to Feb. 4

Walking Still: Rene Aquitania Exhibition, Jan. 25 to March 4

Garapata for Pasinaya, Feb. 3 to March 4

Saturday Group 50th Anniversary, March 3 to May 6

PAEA 50th Anniversary, March 20 to April 29

Marion Contreras Solo Exhibition, March 22 to May 13

Peek-A-Book — with Intertextual, March 24 to May 6

Association of Pinoyprintmakers 50th Anniversary, May 24 to July 15

UP VARGAS MUSEUM
Place of Region in the Contemporary: The initial project of the Philippine Contemporary Art Network (PCAN), Dec. 8, 2017 to Jan. 27, 2018

Living Architecture at the Vargas Museum: With special projects by Junyee and Indy Paredes, Feb. 3- March 31

Beyond Myself: Filipino Migrants’ Investments in Philippine Futures, Feb. 15 to March 24

Nona Garcia Solo Exhibition, April 7 to May 5

2018 Vargas Museum Art History Series Exhibition, April 7 to May 5

Elmer Borlongan Solo Exhibition, May 12 to June 9

AYALA MUSEUM
Curated by Federico de Vera Nov. 7, 2017 to Jan. 28, 2018

Urban Labyrinth: Rodel Tapaya New Works, Feb. 19 to April 1

Alfonso Ossorio Exhibition, Feb. 26 to June 17

MUSEUM OF CONTEMPORARY ART AND DESIGN
Flatlands, Dec. 7, 2017 to March 4, 2018

Pacita Abad Exhibition, April 12 to July 1

METROPOLITAN MUSEUM OF MANILA
Elmer Borlongan: An Extraordinary Eye for the Ordinary, Jan. 22 to March 28

Participants must write in the style of an art critique with no more than 1,000 words and submit a Writer’s Profile.

The Purita Kalaw-Ledesma Prizes in Art Criticism honors the memory of Purita Kalaw-Ledesma, art patron and founder of the Art Association of the Philippines (AAP). Ledesma was instrumental in the development of Philippine art of the post war period through the establishment of the AAP and her patronage of both established and emerging artists.

For details, call the Ateneo Art Gallery at 426-6001 ext. 4160 or 426-6488.

Fed faces pro-diversity uproar on nod for Williams

THE FEDERAL RESERVE is facing a backlash over its lack of diversity in key positions after it emerged this weekend that John Williams, the current president of the San Francisco regional branch, is a front-runner to succeed William Dudley as head of the powerful New York Fed.

It’s one of the most important roles in global central banking. The Fed’s New York branch oversees Wall Street and holds a permanent vote on monetary policy. The bank’s own search committee emphasized a diverse process to fill it, hiring a search firm that specializes in identifying minority and women candidates.

Yet New York Fed directors have identified Williams, 55, a respected macro-economist who is also white, as one of the front runners for the job, said a source speaking on the condition of anonymity.

The Wall Street Journal on Saturday reported Williams was the leading candidate, though a final decision on whom to select has not yet been made. Spokesmen for the New York Fed, San Francisco Fed and Fed Board in Washington all declined to comment on the Journal’s report.

Many observers see that choice as a disappointing end to a process that has passed over several well-credentialed candidates including Peter Blair Henry, dean emeritus of New York University’s Leonard N. Stern School of Business, who is black, and women including former US Treasury official Mary J. Miller. The news also comes at a time when Donald Trump’s administration has reportedly settled on Richard Clarida, another white male, as the front-runner to fill the open vice-chairman role on the White House-nominated Fed Board.

“The pick seems to reinforce the status quo that a woman has to be absolutely perfectly qualified to get top positions while a man can have significant shortfalls in his resume and still come out ahead,” Julia Coronado, founder of MacroPolicy Perspectives and a member of the New York Fed’s economic advisory panel, said in an e-mail. She pointed out that Williams has shown little interest in market functioning.

Williams is a top monetary economist and a career central banker who succeeded Janet Yellen to head the San Francisco Fed — the largest regional branch after New York. He’s popular within his bank, well-known for his research and is seen as a thought leader on the Federal Open Market Committee.

But Williams often says he looks past day-to-day market moves and points out that he does not have a Bloomberg terminal on his desk. That makes sense for a long-run-oriented economist, but makes him something of an odd pick for the New York job, which has historically required a careful eye on markets and banks.

The choice “would mean the search committee and the chair (who must sign off on the New York Fed president selection) would in effect have chosen to prioritize monetary policy expertise over first-hand experience of financial markets and diversity considerations pushed by some,” Krishna Guha, vice chairman at Evercore ISI, wrote in a note to clients.

To be sure, Williams could delegate market-related responsibilities. The New York Fed’s markets group is led by Simon Potter, who successfully managed the liftoff from zero interest rates in December 2015 and a smooth start to gradually shrinking the Fed’s balance sheet.

POLICY CONTINUITY
While Williams’ appointment would continue the bank’s history of white, male leadership, it could also mark another type of continuity: even-keel monetary policy.

Williams, a policy centrist and a 2018 voter, has recently said he favors three to four rate increases this year. At the same time, he’s pushing the Fed to rethink its longer-run framework to create more policy firepower in an era of low neutral rates.

Clarida was on the Pimco research team when it was focused on a so-called “new normal” of low interest rates, Guha wrote, and a leadership trio of Williams, Clarida and Chairman Jerome Powell could view the long-run neutral rate as lower, though they’d still lift rates into restrictive territory to prevent overheating.

Still, criticism over lack of diversity could pose a real problem.

“We are dismayed by the prospective failure to appoint someone who reflects the diversity of the district and the opaque process by which he was selected,” said Jordan Haedtler, campaign manager for Fed Up, an advocacy group that has pushed for greater Fed diversity.

The New York Fed search committee did lay out its process for selecting a new chair after Dudley announced his impending retirement in November 2017. It consulted widely and met with a number of prospective candidates. But as the shortlist narrowed, visibility of the process waned. Push-back over a Williams’ pick could bring renewed scrutiny.

Better Markets, a Washington-based non-profit group founded after the financial crisis to promote support Wall Street reform, said if Williams was selected it would show “the Fed continues to be a black box, keeping the public in the dark about what it does and why.”

The regional banks, including New York, operate as quasi-private institutions in which non-banking directors select leaders. The process happens outside of the public eye. Legislation introduced in the Senate sought to make the New York Fed chief a Senate-confirmed presidential nominee, which is how fully public Board of Governors members are selected. It never made it into US law.

Fed Up has been calling for a more public process for regional president selection, and said it would renew its push for reform.

Lawmakers are already focused on the selection process, as shown by a Bloomberg View article published Monday by Senator Cory Booker, a Democrat from New Jersey.

“The New York Fed has never had a woman or a person of color at its helm, and the Federal Reserve Bank only just last year added its first black regional bank president,” Booker writes in the piece. “If we’re serious about creating an inclusive and sustainable economy, no one should be left on the sidelines.”

Senator Elizabeth Warren, a Democrat from Massachusetts, said in a statement later Monday that if Williams is selected, he and the co-chairs of the New York Fed’s search committee should “testify before the Senate Banking Committee about his qualifications and the process that led to his selection.” — Bloomberg