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More Lamudi users looking to purchase property

THE property market last year was dominated by those looking to buy more than those looking to rent, online property marketplace Lamudi said.

In its Real Estate Market Review for 2019, Lamudi said 60.59% of those that went on its platform last year sought to buy property and had a budget of up to P20 million. Renters comprised the remaining 39.41% of the market, and allocated up to P1 million in their property hunt.

By budget, Lamudi said majority of the seekers in the more affordable segment allocated between P5,000 and P15,000 in their searches last year.

It also said most of the seekers, or 39.24% of the inquiries on Lamudi’s platform, were interested in condominiums, as this type of property may be used as primary residence or as a rental investment.

“With the increasing demand for condominium units in metropolitan areas, it is advisable to buy during the pre-selling period as the property value of condominiums increases near the development’s completion,” Lamudi said.

In terms of property location, the most in-demand cities are still in Metro Manila, but the interest among seekers is starting to spread across the country.

The cities with the highest demand last year are Quezon City, Makati City, Manila City, Cebu City and Taguig City. Lamudi noted that residents from Cebu City made up 87.56% of the page views from Visayas.

Citing Colliers International Philippines, Lamudi said the growth of business process outsourcing (BPO) industry in Cebu is a major driver of property growth in the region.

“The high influx of tourists coming to Cebu City has also propelled a higher demand for condominiums in the area. With the growth of BPO hubs in the city, millennials, who make up 43.98% of Visayas’ page views, are also drawn to the region for work opportunities and potential property ownership,” it added.

Other provincial cities that topped demand last year were Bacoor, Davao City, Angeles and Antipolo.

Lamudi also traced property hunters located outside the Philippines, and noted a bulk come from Dubai, Doha and Sydney. It said 30.58% of them looked for houses, of which 38.66% wanted to buy and 16.73% wanted to rent.

“One explanation for the sustained growth from Dubai, which was also the top overseas city in 2018, can be attributed to OFWs (overseas Filipino workers) wanting to buy their own property to settle in once they get back to the Philippines. Filipinos are also searching for houses or condominiums as an investment opportunity in the Philippines,” it said.

On the supply side, Lamudi said Quezon City had the most number of listings in 2019, but Parañaque City recorded the biggest jump year-on-year with a 292% growth in listings from the first quarter of 2018 to the first quarter of 2019.

Provincial cities likewise contributed to the increase in listings last year, as new developments have been recorded in areas such as Angeles City, Pampanga and Naic, Cavite.

Lamudi added the most popular type of listing last year was house-and-lot. — Denise A. Valdez

Firms’ bond issuances seen steady this year

THE BOND MARKET will continue to see an array of issuances this year on the back of strong economic growth prospects, according to a bank executive.

ING Bank NV-Manila Country Head and Managing Director Hans B. Sicat said the bond market will continue the streak it saw in 2019 as issuances will “still be healthy.”

“Last year of course was a record year for corporate and financial institutions raising money. You probably have a very similar rate of issuance given the fact that there’s gonna be a lot of growth in the economy and corporates want to participate in that kind of growth right,” he said in an interview with BusinessWorld on the sidelines of the central bank’s annual reception for the banking community held on Jan. 24.

The economy grew by 5.9% in 2019, short of the government’s minimum target of six percent. However, government officials are bullish the economy will expand to hit the 6.5-7.5% gross domestic product (GDP) growth target for 2020 following the timely passage of this year’s national budget and the administration’s infrastructure push.

Maybank Head of Global Banking in the Philippines Manuel G. Bosano III also sees “opportunity in the market.”

“We are very optimistic for 2020…we’ve seen the local banks raise several funds, RTBs (retail Treasury bonds) coming up… That can only give everyone signal that there is definitely opportunity in the market,” Mr. Bosano told reporters in a briefing last Thursday.

As of mid-December, bond listings reached P363.3 billion, surging by 41.7% from the P256.4-billion level for full-year 2018, according to data from the Philippine Dealing & Exchange Corp. (PDex).

PDEx President and Chief Operating Officer Antonino A. Nakpil said in December that they see listings reaching “the same level, at least P350 billion” in 2020.

Mr. Nakpil said the move of the Bangko Sentral ng Pilipinas (BSP) to ease reserve requirements has been “conducive” in boosting the bond market.

The central bank slashed the reserve requirement rate for local bonds issued by banks and quasi banks by 300 basis points in October 2019 from its then level of six percent.

The BSP said that the move was expected to reduce bond issuers’ intermediation cost that could be passed on to holders of such securities.

Meanwhile, ING’s Mr. Sicat noted there has been a increasing interest from banks going into sustainability bonds, although he noted that the growth this kind of issuances might be “gradual.”

“I guess that will probably be more gradual in terms of growth because not everyone has perhaps the specific use for it and I guess at this stage, you still don’t have a substantial difference in pricing but it’s a continuing access through a wider amount of funds in the market,” he added. — Luz Wendy T. Noble

SMC delays Skyway Stage 3 opening to July after fire

SAN MIGUEL Corp. (SMC) has committed to work 24/7 to open the Metro Manila Skyway Stage 3 — a portion of which had collapsed due to fire last Saturday — by July this year.

A portion of the elevated expressway project collapsed last Saturday from a fire at a nearby warehouse in Pandacan, Manila, forcing the SMC to delay the opening of the skyway project by three months to July.

“We are saddened by this unfortunate incident mainly because it will delay a vital infrastructure project that would have alleviated traffic woes of our motorists sooner. But rest assured, we will work 24/7 to endeavor to complete the entire project in five months. This is just a 3-month delay from the original opening target,” SMC President and Chief Operating Officer Ramon S. Ang was quoted as saying in a statement on Monday.

A portion of the elevated expressway project had collapsed last Saturday “from a fire at a nearby warehouse in Pandacan, Manila,” SMC said.

The company noted that the project contractor had initially estimated that it would take “eight months” for them to rebuild the damaged portion of the project.

SMC said the project was supposedly set to be opened to the public by “April 1” this year.

“Initial investigation showed that the fire was a freak accident that could have likely emanated from the DMCI construction yard that eventually spread to its nearby plastics warehouse, which at that time was in the process of being relocated out of Pandacan,” SMC said.

“The relocation is part of the company’s efforts to clear its properties in Pandacan, in consideration of Skyway and future projects. Earlier, SMC completed the removal of subsidiary Petron Corporation’s oil depot facilities in the area,” it added.

The project is an 18.30-kilometer elevated toll road that will connect Gil Puyat Ave. (formerly Buendia) in Makati City to the North Luzon Expressway (NLEx) toll plaza in Balintawak, Quezon City.

The Skyway Stage 3 will have eight access ramps: along Gil Puyat Ave. (South Super Highway, Makati City), Pres. Quirino Ave. (Malate, Manila), Plaza Dilao (Paco, Manila), Nagtahan/Aurora Boulevard (Manila), E. Rodriguez Ave. (Quezon City), Quezon Ave. (Quezon City), Sgt. Rivera St. (Quezon City), and NLEx.

Once the whole alignment is completed, it is expected to reduce travel time from Buendia to Balintawak to 15-20 minutes from the current two hours. — Arjay L. Balinbin

Imelda Staunton to be last Elizabeth in TV’s The Crown

BRITISH actress Imelda Staunton will play an older Queen Elizabeth in the final season of award-winning television series The Crown, the show’s creator said on Friday.

The Netflix series about the British royal family will end after five seasons rather than the six seasons originally envisaged, writer and executive producer Peter Morgan said.

Staunton, best known for playing the vindictive Ministry of Magic official Dolores Umbridge in the Harry Potter movies, will take over from Olivia Colman, who played the monarch in middle age in season three and the yet-to-be-released fourth season of The Crown.

Staunton said in a statement she was “genuinely honored” to be taking The Crown to its conclusion.

The Crown, whose first two seasons cost about $130 million to make, dramatizes key events in the life and reign of Queen Elizabeth, the world’s longest-serving monarch. Claire Foy, as the young queen, and Colman both won Golden Globes for their performances and the series has won multiple awards since it launched in 2016.

“At the outset I had imagined The Crown running for six seasons but now that we have begun work on the stories for season five it has become clear to me that this is the perfect time and place to stop,” Morgan said in a statement. — Reuters

RHK Land to unveil luxury condo

A JOINT venture of Robinsons Land Corp. (RLC) and Hongkong Land (HKL) is set to launch a premium condominium project, The Velaris Residences, this month.

RHK Land Corp.’s The Velaris Residences is expected to “redefine the eastern skyline with its distinctive concrete-and-glass look, metallic bronze and rose gold facade.”

The 45-storey condominium is located within Bridgetowne — RLC’s 31-hectare township that spans Pasig and Quezon City. The first of the three-tower development is targeted for completion by 2024.

“The Velaris Residences offers the best of two industry stalwarts — the solid track record and systems of Robinsons Land, and the award-winning design of Hongkong Land — to build a landmark that will redefine the C5 growth corridor. The Velaris Residences represents a window of opportunity to invest in a luxury development in one of the most dynamic geographies in Metro Manila,” Henry L. Yap, president of RHK Land, said in a statement.

The Velaris offers bi-level penthouse units, 156 square meter (sq.m.) three-bedroom and 105.5 sq.m. two-bedroom units, as well as one-bedroom units with sizes ranging from 46 to 81 sq.m.

Private lift lobbies are available for owners of two and three-bedroom units. Amenities include an onsen — a Japanese bathhouse suite of indoor and outdoor hot pools, SkyClub and SkyDeck.

“The Philippine property market is one of the most exciting markets in Asia, and we are delighted to be part of it and to bring the innovations and design excellence that Hongkong Land is known for,” said Robert Wong, chief executive of HKL.

HKL is a major listed property investment, management and development group, and a member of the Jardine Matheson Group.

Juul seeks clarity on vapor product imports

JUUL Labs, Inc. Philippines is seeking the Department of Finance’s (DoF) help to clarify if the importation of vapor products is still banned in the country, after the recently signed sin tax law “legitimizes” such goods.

In a letter addressed to the Finance chief, Mario T. Zinampan, Juul’s senior director for government affairs, said the company is seeking the department’s assistance to allow and assist the company to proceed with its importation.

Sought for comment, Finance Secretary Carlos G. Dominguez said in a Viber message “I think they should write the Executive Secretary for clarification.”

Juul has experienced delays in the importation of its vapor products after President Rodrigo R. Duterte’s remarks late last year calling for a ban on the importation of vapor products and its use in public areas, according to the letter that the DoF cited in a press release yesterday.

The department said in his letter, Mr. Zinampan sought the assistance of the department in allowing Juul to proceed with its importations, as he pointed out that Republic Act No. 11346, which took effect on Jan. 1, 2020, “legitimizes vapor products in the Philippines.”

The DoF said Juul also requested to meet with Mr. Dominguez “to clarify the issue.”

Following Mr. Duterte’s verbal order, the Bureau of Customs had instructured all ports to block imported vapor products and all related items.

In a statement last month, Juul had said that it would stop producing and selling flavored vaping products in the country following the passage of the law, which banned their production while imposing higher taxes on alcohol and electronic cigarettes.

Mr. Zinampan also committed to stop the sale of Juul pods through its Philippine e-commerce site, while committing to support the upcoming Food and Drug Administration flavor policy in the Philippines and related regulations.

Mr. Duterte signed R.A. 11467 on Jan. 22, increasing the excise taxes on alcoholic products and e-cigarettes, including vapor products, while limiting their sale to those at least 21 years old.

The measure also prohibits the manufacturing, importation, sale, distribution and advertising of flavorings in the vapor products.

Executive Secretary Salvador S. Medialdea did not immediately respond when asked to comment on the matter.

Under the law, vapor products with salt nicotine will be imposed an excise tax of P37 per milliliter this year and gradually increase until it reaches P52 in 2023. Vapor products with conventional nicotine will be taxed P45 per 10 milliliter in 2020, and increased by P5 annually until it reaches P60 in 2023.

The rates will be increased by five percent every year starting Jan. 1, 2024. — Beatrice M. Laforga

Adam Sandler to make 4 new movies for Netflix

ACTOR and comedian Adam Sandler has reached a deal with Netflix Inc to make four new movies for the global streaming service, the company said on Friday.

Sandler, a former Saturday Night Live cast member who built a career on movies such as Grownups and The Water Boy, has become one of the biggest draws on Netflix, according to the company.

Sandler’s Murder Mystery, co-starring Jennifer Aniston, was ranked the streaming service’s most popular title in the United States in 2019. It is one of six movies and a comedy special he has made for Netflix with his company, Happy Madison Productions, since 2015.

His upcoming projects for Netflix include Hubie Halloween co-starring Kevin James and Julie Bowen and an animated feature film that Sandler will write and star in as a voice actor.

Netflix is counting on original movies such as Sandler’s to help it compete with new rivals, particularly Walt Disney Co., which has been removing its films from Netflix and taking them to its own Disney+ streaming service. — Reuters

New coronavirus forces the world’s largest work-from-home experiment

THANKS to the coronavirus outbreak, working from home is no longer a privilege, it’s a necessity.

While factories, shops, hotels and restaurants are warning about plunging foot traffic that is transforming city centers into ghost towns, behind the closed doors of apartments and suburban homes, thousands of businesses are trying to figure out how to stay operational in a virtual world.

“It’s a good opportunity for us to test working from home at scale,” said Alvin Foo, managing director of Reprise Digital, a Shanghai ad agency with 400 people that’s part of Interpublic Group. “Obviously, not easy for a creative ad agency that brainstorms a lot in person.” It’s going to mean a lot of video chats and phone calls, he said.

The cohorts working from home are about to grow into armies. At the moment, most people in China are still on vacation for the Lunar New Year. But as Chinese companies begin to restart operations, it’s likely to usher in the world’s largest work-from-home experiment.

That means a lot more people trying to organize client meetings and group discussions via videochat apps, or discussing plans on productivity software platforms like WeChat Work or Bytedance’s Slack-like Lark.

The vanguards for the new model of scattered employees are the Chinese financial centers of Hong Kong and Shanghai, cities with central business districts that rely on hundreds of thousands of office workers in finance, logistics, insurance, law and other white-collar jobs.

One Hong Kong banker said he’s going to extend an overseas vacation, as he can work from anywhere with a laptop and a phone. Others say they are using the time typically spent wining and dining clients to clear their backlog of travel expenses. One said he’s shifted focus to deals in Southeast Asia.

“No one is taking meetings, my schedule is pretty empty,” said Jeffrey Broer, a venture adviser in Hong Kong. “One person emailed me: ‘Shall we meet somewhere in February?’”

One of the most unsettling factors for employees is the fast-changing impact of the virus, which is prompting daily changes in corporate directives.

Tiko Mamuchashvili, a senior event planner at the Hyatt hotel in Beijing who was supposed to return to work on Friday, was initially told her vacation would be extended until Feb. 3. Then she received a notification to work from home for two additional days. A few days later, the directive was extended until Feb. 10. She has to notify her department each morning about her whereabouts and report whether she is running a temperature.

“Usually going back to work from holidays feels a little weird, but working from home this time with such short notice feels even more unusual,” she said. With hotel event cancellations rolling in on a daily basis, “basically, all I can do is answer emails,” she said.

Some managers worry the office exodus will lower productivity, but there’s evidence the opposite may be true. A 2015 study from Stanford University in California found that productivity among call-center employees at Chinese travel agency Ctrip went up by 13% when they worked from home due to fewer breaks and more comfortable work environments.

While the virus may test that theory on a wider scale, it poses an existential threat to another new business model: co-working spaces, which multiplied around big Chinese cities in recent years as property rents skyrocketed and tech start-ups boomed.

“It will be a very tough time,” said Dave Tai, deputy director of Beeplus, a Chinese co-working space and bakery with 300 employees.

The virus delayed the opening of its Beijing location and he says it’s pretty much impossible for him and others in his industry to work from home. Without customers willing to work in close quarters at the physical space, the business will die.

“The core of work space is community, people coming together. It’s difficult to replace that interaction and connection online,” he said.

For many companies, instructing office workers to stay home only solves part of the problem. Many rely on factories, logistics companies and retail outlets that face their own disruptions.

For phone-case maker Casetify, 2020 was supposed to be the best year yet. Headcount at the Hong Kong-based company had surpassed 150 by the end of December, and it was aiming to double sales this year.

But the spread of the virus from the city of Wuhan caused the factories in China that make its products to stay shut and prompted Casetify to ask most employees to work from home. A new outlet in Hong Kong’s airport lay empty. Sales in the city tanked.

“The show must go on, somehow,” said Casetify Chief Executive Officer Wes Ng, who has been logging onto a laptop in an apartment he shares with his wife and 9-month-old son.

Casetify has 30 days of extra stock, but Ng says there’s no plan B if the factories don’t reopen soon, a plight shared by thousands of other businesses in China and around the world.

Even for those who can do business by internet and phone, the virus means there may not be much business to do.

Bankers say IPOs and deals are on hold. Transaction value in the first 30 days of 2020 was half what it was the year before, according to data compiled by Bloomberg.

“The worst is yet to come,” said Nomura analyst Ting Lu in a research note. “We reckon the coronavirus could deal a more severe blow to China’s economy in the near term, relative to SARS in 2003.”

While statistics suggest the new coronavirus isn’t as lethal as SARS, it has already infected more people, and the speed at which the disease has spread is fueling fear. A big part of the expected blow to the economy during the current outbreak is likely to come from changes in “human psychology,” according to Warwick McKibbon, professor of economics at the Australian National University in Canberra.

He said SARS cost the global economy $40 billion and predicts the hit from coronavirus will reach three or four times that amount. “Panic is what seems to be the biggest drain on the economy, rather than deaths,” he said.

With factories shuttered and office workers staying home, many in China’s services industry face a difficult time. The sector is much bigger than it was during the SARS outbreak, accounting for 53% of the economy, up from 41% in 2002. — Bloomberg

Indonesia pledges steps to shield rupiah from virus

BANK INDONESIA is taking steps to guard the nation’s currency amid concerns over the novel coronavirus from China. — REUTERS

INDONESIA’S CENTRAL BANK is taking “bold” steps to guard the nation’s currency and bonds as mounting concerns about the economic impact of the novel coronavirus epidemic trigger a sell-off by foreign investors.

Bank Indonesia is intervening in the bond, currency and non-deliverable forwards markets to protect the rupiah, Nanang Hendarsah, the central bank’s executive director for monetary management, said in a text message Monday.

He said the bank bought 1.7 trillion rupiah ($124 million) of bonds from the secondary market Monday after receiving offers worth 3.7 trillion rupiah, and would negotiate with commercial banks to buy back even more government bonds.

The rupiah fell as much as 0.5% to 13,722 to a US dollar, the lowest level since Jan. 13. The currency posted its first weekly loss in nine as foreign investors pulled out more than $560 million from the nation’s sovereign bonds in the first three days of last week.

As the virus continues to spread rapidly beyond China’s borders, prompting extraordinary travel restrictions by several countries including Indonesia, policy makers around the world are stepping up action in response to a global sell-off. China reduced rates and injected cash into the financial system Monday as markets plunged upon resumption of trade after the Lunar New Year break.

Bank Indonesia Governor Perry Warjiyo last week warned of “unprecedented fears” as the virus continued to migrate beyond China and the epicenter of the epidemic in Wuhan. Indonesia has ordered the suspension of direct flights to and from mainland China as of Feb. 5, and has already halted visas on arrival for Chinese citizens.

“The current rupiah depreciation is more due to the temporary negative sentiment from the drop of Chinese stocks and the impact of yuan depreciation on regional financial markets,” Hendarsah said. “Fundamentally, the stability of the rupiah will be supported by the narrowing current-account deficit, low inflation and rising forex reserves.”

The sell-off in Indonesian stocks and bonds continued on Monday too as investors grew edgy over the impact of the coronavirus. The Jakarta Composite Index of stocks, which capped the biggest monthly loss in almost two years in January, tumbled as much as 1.1% on Monday to 5,877.201, the lowest level since May 17. The yield on benchmark 10-year sovereign bonds rose 5 basis points to 6.727%. — Bloomberg

Real estate experts hold urban revolution in Manila

EXPERTS in construction and real estate industries are gathering in Manila this May for the 71st World Congress of the Federacion Internationale des Adminstrateurs de Biens Conceils et Immobiliers (FIABCI).

“An ‘urban revolution’ has started to take shape, globally redefining real estate in the context of today’s challenges while highlighting it as a sunrise industry with progressive demand-driven and consumer-focused property developments,” Reghis M. Romero II, chairman of the Philippine chapter of the FIABCI and the 2020 FIABCI World Real Estate Congress, said in a statement.

The FIABCI event will tackle how the real estate sector can address the challenges of climate change, global warming, rising sea levels, natural calamities, and environmental pollution.

“And as the theme of the Congress, ‘Urban Revolution’ will be aptly mounted in the Philippines to gather momentum in this part of the world where it is needed most,” said Nestor Mangio, architect and president of FIABCI-Philippines. The Philippines is prone to typhoons, rising sea levels, earthquakes, volcanic eruptions, among other natural calamities.

“Add to that the ever-increasing volume of vehicular traffic, air pollution, household and industrial wastes, urban sprawl and migration, costs of fuel and electricity, and all the support infrastructure necessities, and you end up with a perfect recipe for a social catastrophe,” Mr. Mangio said.

“Nonetheless, the industry has been coming up with various urban planning and technological solutions that can create ‘ergonomic’ cities, optimize land resource development and utilization, enhance the integrity, flexibility and energy efficiencies of physical structures, and thus improve the lives of residents,” Mr. Romero added.

The 2020 FIABCI World Congress will be held at the Marriott Convention Center on May 26–30, 2020.

Speakers include US-based National Association of Realtors president Vince Malta, Megaworld Corp. President Kevin Tan, outgoing FIABCI World president Walid Moussa, global design director Anthony Cuthbertson of Topshop London, sustainable design development advocate Daniel Watch and a representative from Foster and Partner UK.

Century Pacific buys more shares in Shakey’s

CENTURY Pacific Group, Inc. is increasing its stake in Shakey’s Pizza Asia Ventures, Inc. (SPAVI) with the acquisition of common shares from the open market.

In a letter to the Philippine Stock Exchange, Inc. (PSE) last week, which was sent to reporters Monday, SPAVI said Po-led Century Pacific had bought 8 million shares in the company priced at P9.50 each.

This increases the company’s ownership of SPAVI to 53.57% after the transaction.

“This purchase represents approximately 0.52% of the company’s total outstanding stock,” the letter read.

Century Pacific is the parent of listed Century Pacific Food, Inc. (CNPF), which manufactures canned food brands such as Century Tuna and Argentina. Century Pacific has been the majority owner of SPAVI since 2016 when it came in with the sovereign wealth fund of Singapore.

In the first nine months of 2019, SPAVI was able to record an 11% growth in net income to P594.13 million, driven by a 9% increase in system-wide sales to P7.43 billion and a 7% climb in net revenue to P5.9 billion.

Shares in SPAVI at the stock exchange gained four centavos or 0.42% to P9.50 each on Monday. — Denise A. Valdez

Adrenaline-fueled

Dragon Ball Z: Kakarot
Sony PlayStation 4/Personal Computer via Stream

DRAGON BALL has a rich, colorful history. From its humble beginnings as a fun, over-the-top anime series created by manga artist Akira Toriyama in 1984, it has evolved into a giant franchise pervading just about every book and cranny of popular culture. And even casual observers know and understand why: Its deceptively simple story of perseverance, heroism, and strength entertains and resonates among a loyal base of followers with otherwise-disparate tastes. It’s filled to the brim with good-natured humor and fun, with epic tales about godly powers and all-too-human frailties. Notwithstanding the countless competition, it has remained a favorite of both the young and young once, and with reason.

The timeless virtue is what Dragon Ball’s latest contribution to its vast videogame library realizes and brings to a brand-new audience. Developed for the personal computer and Sony PlayStation 4 by experienced developer CyberConnect2, Dragon Ball Z: Kakarot is an open-world role playing game cum brawler that seeks to translate the best parts of its source material. Providing bite-sized pieces digestible even to gamers with little to no knowledge of the intellectual property, it retells key parts of the manga’s main story arcs. And, in so doing, it succeeds in presenting an exciting, adrenaline-fueled experience. It’s more than just a tribute to its roots; even as it unabashedly pays homage to its source material, it takes more than enough liberties to keep longtime followers engaged.

In Dragon Ball Z: Kakarot, gamers are thrust into the very heart of the Dragon Ball narrative. They get to play out the most important storybeats of the manga and anime; in the process, they’re treated to a 50-hour jaunt that, pun aside, pulls no punches. Fighting is its bread and butter; lightning-fast kicks, knuckle sandwiches, ki strikes, and energy balls line encounters, with characters sparring and exchanging blows in the sky, on the ground, across environments encompassing the franchise’s stories past. Really, there’s something for everyone to take in, and, unlike other titles with similarly established canon and media, it doesn’t blitz through tales or, conversely, spoonfeed all the details.

Instead, Dragon Ball Z: Kakarot introduces plot elements and characters naturally and in keeping with the spirit of its lineage. Even for habitues who know series minutiae by heart, it comes off as surprisingly fresh. And it’s comfortable in its own skin: It isn’t afraid to cut out parts of the main story arcs that it feels aren’t necessary to its purpose, but makes sure that it nails its presentation in any case. In this regard, it’s certainly helped in no small measure by spot-on and extremely responsive fighting mechanics that underscore the efforts of CyberConnect2, hitherto noted for its work on the .hack and Naruto IPs.

Indeed, Dragon Ball Z: Kakarot draws from its manga and anime inspirations in conveying the trademark frantic energy that envelops its battles; it manages to translate with utter faithfulness all the signature touches of its source material, bells and whistles intact. Very anime-esque cut-ins and callouts are triggered after special moves, with its distinctive personality — and flair — highlighted by the way characters react to, and communicate with (okay, shout at), one another. Better still, these fights are all translated in a manner that feels so natural, no small feat given its sheer scale.

Those from the outside looking in may find all the fighting, in the air and on the surface, bordering on the ridiculous. Characters are able to fly at super speed, display super strength, and use super powers — and in over-the-top fashion to boot. Those steeped in the lore, however, will find the presentation faithful to the series. More importantly, gamers won’t have any problems with control and execution; whether on the personal computer or on the PlayStation 4 Pro, feedback is swift and free of lags, and the action presented on screen sans any frame drops. And thanks to an intuitive interface that belies the depth of its gameplay, it manages to blend all its elements together. While making use of an uncomplicated combat system, it nonetheless offers a heady and healthy mix of offense and defense via well-crafted melee and ranged options.

Admittedly, Dragon Ball Z: Kakarot is far from perfect. Given how much depth there is in terms of look, feel, and flow of the story and the fighting mechanics, the open-world RPG elements feel vastly underutilized. At times, these wind up lacking any impact at all, as if simply tacked on to prolong the gameplay and artificially add value to the title. Granted, the optional exploration segments do offer variety by way of side quests and character exposition. Still, they come off as being rather redundant and unrewarding in light of the game’s linear narrative.

On the whole, though, Dragon Ball Z: Kakarot exceeds expectations as a brilliant entry to the franchise. Make no mistake; it’s not without its quirks. For what it offers, however, it’s well worth the time and money of gamers faces with countless alternatives.

THE GOOD:

• Properly conveys the series’ over-the-top energy and frantic combat

• Tight fighting mechanics combined with responsive controls

THE BAD:

• RPG/open-world segments feel tacked on

• Sidequests come off as unrewarding

• Character progression far from seamless

RATING: 8.5/10

POSTSCRIPT: Special Reserve Games has pledged to go the extra mile by shipping orders “in a special box to protect our other special box.” The latter is, of course, the Reserve collector’s packaging, styled after those of Nintendo games of yore. The shipper’s box is made of corrugated cardboard with Sarge, SRG’s mascot, gracing the top and on the inside, but with nine “woofs” also spelled out. For Chief Executive Officer Jeff Smith, the design choices reflect the company’s commitment to keep serving customers. “It’s an honor and a privilege to be in this type of position, where we’re delivering high-quality products to great fans, and we get to have fun doing it.”

Meanwhile, Arc of Alchemist is out on digital platforms for the PS4 and Nintendo Switch. Eight add-ons providing characters with costumes, weapons, and weapon skins are currently being offered for free on the PlayStation Network and Nintendo eShop. On mobile, Disgaea 1 Complete makes its debut. The port includes new features, among them an Auto-Battle mode for normal stages and the Item World, Battle Speed Boost options, and access to the Cheat Shop, where customizations on such elements as character buffs and enemy strength are possible. NIS America has enabled cloud support for both iOS and Android versions, allowing for seamless gameplay across the two operating systems.

THE LAST WORD: Idea Factory International will be at PAX East in Boston, Massachusetts later this month. Apart from scheduling meetings with the gaming media to expound on its 2020 release lineup, it’s slated to showcase the highly anticipated three-dimensional shooter Azur Lane: Crosswave on the PS4 at the gaming culture festival.