Home Blog Page 8379

Netflix and UN Women create women-curated playlist for Women’s Day

IN CELEBRATION of International Women’s Day, streaming service Netflix and UN Women (United Nations Entity for Gender Equality and the Empowerment of Women) has created a special playlist of 55 titles curated by women “behind and in front of the camera” including Sophia Loren, Janet Mock, Salma Hayek, Yalitza Aparicio, Millie Bobby Brown, Laurie Nunn, Lana Condor, Petra Costa, and Ava DuVernay.

“This collaboration is about taking on the challenge of telling women’s stories and showing women in all their diversity. It’s about making visible the invisible, and proving that only by fully representing and including women on screen, behind-the-camera and in our narratives overall, society will truly flourish,” said Anita Bhatia, UN Women Deputy Executive Director, in a press statement.

International Women’s Day 2020 was on March 8 though the Philippines celebrates March as National Women’s Month.

The playlist, called “Because She Watched,” includes series, films, and documentaries like Unbelievable, Luna Nera and Followers, Orange is the New Black, Lionheart, and Sex Education. These titles, Netflix said in the statement, have “have started important, often hard, conversations that have helped to challenge the way we see the world.”

The collection is available on Netflix by searching “Because She Watched” on Netflix. Each title in the collection will indicate who chose the said title.

“TV and film have the power to reflect and shape popular culture, which is why we believe it’s so important that more people see their lives reflected in storytelling”, said Dr. Stacy L. Smith, Founder of the USC Annenberg Inclusion Initiative, in the Netflix statement.

“Our research has shown that inclusion behind the camera leads to greater inclusion on screen. We’re encouraged that last year, 20% of the directors of Netflix original films were women and we are excited to celebrate these female creators on International Women’s Day. There’s still more to do to reach equality, but by recognizing female talent from around the world, we hope more women will feel encouraged to tell their stories, pushing that number even higher,” she added.

The collection is available for the entire year.

“We hope that it will spread the message that realizing women’s rights means putting women front and center to achieve gender equality,” Netflix said in the statement. — ZBC

Antique rural bank ordered closed by Monetary Board

ANOTHER RURAL BANK has been shut by the Bangko Sentral ng Pilipinas (BSP), with the Philippine Deposit Insurance Corp. (PDIC) set to take over the institution.

In a statement on Monday, PDIC said that the Monetary Board (MB) has prohibited the Rural Bank of Tibiao (Antique), Inc. from continuing its operation through MB Resolution No. 344A dated Mar. 5.

With the MB directing PDIC to start the process of the takeover and liquidation of the said bank, PDIC took over the lender on Mar. 6.

Latest data from the BSP showed the Rural Bank of Tibiao has 969 deposit accounts with deposit liabilities totaling P30.35 million as of end-2019. Of these, P30.16 million or 99.3% are insured with the PDIC.

“PDIC assured depositors that all valid deposits and claims shall be paid up to the maximum deposit insurance coverage of P500,000,” the statement said.

For those with accounts of deposits less than P100,000, filing deposit insurance claims will not be needed provided that they have no outstanding debts or have not acted as co-makers of obligations with the lender.

“These individual depositors must ensure that they have complete and updated addresses with the bank,” PDIC said.

The schedule for filing of claims by business entities and other depositors will be announced in the bank premises, public places, as well as the PDIC website and Facebook account, it added.

Likewise, PDIC said borrowers should continue to pay their loan obligations with the closed bank and to transact only with authorized PDIC representatives at the bank premises.

The lender is a single-unit rural bank with office at Poblacion, Tibiao, Antique.

Last month, the MB also ordered the closure of Cagayan-based Providence Rural Bank, Inc. which had deposits worth P33.4 million as off end-2019. — LWTN

Robinsons Retail plans P2-B share buyback program

ROBINSONS Retail Holdings, Inc. (RRHI) is planning to buy back P2-billion worth of shares to improve shareholder value.

The Gokongwei-led firm told the stock exchange yesterday its board of directors had approved creating and implementing a share buyback program through open market trading.

“The objectives of the share buyback program are to enhance shareholder value and to manifest confidence in the company’s value and prospects through the repurchase of the common shares…and through the return of a portion of the company’s capital to its shareholders,” it said.

It did not disclose further details on the timeline for the program, but it noted this will not affect the company’s prospective and existing projects and investments.

“Subject to appropriate disclosures to the Philippine Stock Exchange and the Securities and Exchange Commission, the share buyback program shall commence upon approval by the Board of Directors of the company and shall end upon utilization of the above-mentioned amount, or as may otherwise be determined by the Board of Directors,” RRHI said.

Shares in the company at the stock exchange lost P4.50 or 7.32% to P57 each on Monday.

Other listed firms have also announced share buyback programs in recent weeks. Last Wednesday, Megawide Construction Corp. added P3 billion to its share buyback program to raise it to P5 billion.

Metro Pacific Investments Corp. (MPIC) also announced last month its plan to conduct a three-month share buyback program of up to P5 billion.

Ayala Land, Inc. (ALI) is likewise increasing its current share buyback program to P26.1 billion from P25 billion.

Share buyback programs are commonly done by public firms to preserve share price when it thinks its shares are undervalued.

Shares in Megawide closed flat at P11.80 each on Monday, shares in MPIC trimmed 14 centavos or 3.87% to P3.48 each, and shares in ALI fell P1.85 or 4.67% to P37.75 each. — Denise A. Valdez

Property award nominations now open

THE PropertyGuru Philippines Property Awards is now accepting nominations for the best developers and projects in the country until April 24.

Categories for this year’s competition include Best Condo Development (Metro Manila), Best Condo Development (Greater Manila), Best Condo Development (Cebu), Best Condo Development (Davao), Best Township Development, Best Co-Working Space, Best BPO Office Development, and Best Green Development.

Nominations can be submitted online via: https://www.asiapropertyawards.com/nominations/.

A black-tie gala dinner and awards presentation is scheduled on June 26.

“Awards like this not only honor those who are deserving but also uplifts the standard of excellence in property development in this country,” Christophe Vicic, country head of JLL Philippines and returning chairperson of the PropertyGuru Philippines Property Awards, said in a statement.

15th Israeli film festival to show 4 movies

THE Israeli Embassy, in partnership with the Film Development Council of the Philippines, will be showing four Israeli films in the two-day Israeli Film Festival, to be held on March 13 and 14 at the Bonifacio High Street Cinemas in Taguig City. This is the 15th year of the film festival.

The first film, Abulele (2015) by Jonathan Geva, tells the story of a boy who befriends a huge, friendly, invisible ancient monster named Abulele. After Abulele is captured by the government’s special forces unit, the boy takes it upon himself to rescue and return Abulele to its family. Abulele screens on March 13 at 4 p.m. The movie is Rated PG.

Manpower (2014) by Noam Kaplan is about a decorated, yet destitute, police officer who is assigned to deport African migrant workers from Israel, an experience that taught him that foreigners aren’t the only ones who have no future in his country. Other stories intertwine with his including that of an Israeli-Filipino boy fighting for recognition, a taxi driver whose children are migrating to a distant country, and a veteran migrant worker who is forced to decide whether to leave or to hide until trouble passes. Manpower screens on March 13 at 7 p.m. It is Rated G.

The second day of the festival opens with Saving Neta (2016) by Nir Bergman. Saving Neta is an anthology drama about four women with nothing in common — one is a police officer, the others are a lesbian cellist, a struggling mother, and a businesswoman — who each find their lives altered by an encounter with a mysterious drifter struggling with his own personal crisis. Saving Neta screens on March 14, 4 p.m. It is Rated G.

The last film to be screened is Laces (2018) by Jacob Goldwasser. This family drama is about the complicated relationship between an aging father and his special-needs son who he abandoned. The father’s kidneys are failing and his 35-year-old son wants to donate one of his to save his father’s life, but he is not allowed to do so by the transplant committee and thus starts the son’s fight to make a meaningful sacrifice, not only for his father, but also for himself. Laces screens on Match 14, 7 p.m. It is Rated G.

The films are all in Hebrew with English subtitles. Tickets are priced at P150 via sureseats.com or at the BHS cinema ticket booth. For more information, visit the Israeli Embassy’s official Facebook page. — ZBC

PNB’s net earnings inch up 2.08% in 2019

PHILIPPINE NATIONAL Bank’s (PNB) net profit inched up marginally in 2019, supported by the growth in its net interest income and gains from fees, commissions and trading.

In a statement on Monday, the Tan-led lender said its net income in 2019 rose by 2.08% to P9.8 billion coming from the P9.6 billion booked in 2018.

The bank attributed the earnings expansion to strong growth in net interest income, fees and commissions, as well as trading gains.

PNB’s net interest income jumped 20% year-on-year to P32.4 billion in 2019, buoyed by improved earnings from loans to corporate, commercial and small and medium enterprises, as well as in other interest-earning assets.

“I am pleased with the improvements in our core income for 2019. Excluding the impact of non-recurring gains from the sale of foreclosed assets, the bank’s core net income grew by 57% year-on-year,” PNB President and CEO Jose Arnulfo A. Veloso said in a statement

Likewise, the bank’s net service fees and commission income stretched by 20%, supported by “enhanced cross selling efforts resulting in improvements in underwriting fees from capital market transactions as well as loan, deposit and credit card-related fees.”

PNB’s net trading and foreign exchange gains skyrocketed by 97%, bolstered mainly by “favorable opportunities in the market.”

On the other hand, net gains from sale of acquired assets dropped P690 million in 2019 coming from P5.9 billion in 2019.

Despite this, PNB’s total operating income saw a 6% improvement on the back of growth in core revenues. Excluding net gains from sales of foreclosed asset sales, total operating income increased by 22% year-on-year.

Operating expenses, excluding provisions for impairment and credit losses, inched up by 9% last year.

The lender added that loan receivables climbed by 12% to P657.9 billion in 2019. Likewise, deposit liabilities grew 13% to hit P826 billion.

PNB’s asset quality remained strong with a nonperforming loan (NPL) ratio of 0.68% net of valuation reserves and 1.99% at gross. Its NPL coverage on the other hand stood at 118.92%.

The bank’s consolidated risk-based capital adequacy ratio stood at 14.18%, while its common equity Tier 1 ratio was at 14.1% as of end-2019, both beyond the regulatory minimum.

At the end of 2019, the bank’s total consolidated resources climbed 16% to P1.14 trillion.

“The year’s financial results reflect the strength of PNB’s franchise in its wholesale and retail businesses,” Mr. Veloso said.

“We expect to sustain the improvement in the quality of earnings of the bank as we enhance the safe and aggressive growth strategy with added focus on profitability moving forward,” he added.

PNB’s shares ended trading at P26.90 apiece on Monday, shedding P1.10 or 3.93% from its previous close. — Luz Wendy T. Noble

Fruitas buying food delivery firm CocoDelivery

Food and beverage kiosk operator says the acquisition is a “response to changes in consumers’ purchasing patterns.”

FRUITAS Holdings, Inc. is buying the assets of a food delivery service company to support the expansion of its delivery channels to cover all of its products.

In a disclosure to the stock exchange yesterday, the food and beverage kiosk operator said it is acquiring 100% of CocoDelivery, Inc. as a “response to changes in consumers’ purchasing patterns.”

This is equivalent to buying 375,000 outstanding shares in CocoDelivery at the price of P3 each, or P1.13 million for the whole transaction, which was funded using internal cash.

“Under Fruitas’ ownership, CocoDelivery’s hotline — #8COCO (Dial #82626) — will expand to be the single delivery hotline of Fruitas’ full product range. This will include Fruitas fresh fruit juices, Buko Loco 100% pure coconut water, Soy & Bean soy products, De Original Jamaican patties, Sabroso Lechon, and more,” it said.

CocoDelivery was launched in October 2018 and currently delivers fresh coconut water products of Fruitas subsidiary Fruitasgroup, Inc.

Fruitas said its move to tap the firm for delivery of all its products is its way to adjust to the “quickly adopting on-demand food delivery services.”

“The objective of this acquisition is to deliver products which will nourish our customers’ overall wellness at the convenience of their own homes, place of work or any desired location,” Fruitas President and Chief Executive Officer Lester C. Yu said in a statement.

Fruitas’ line of products currently include food and beverage concepts distributed under brands such as Fruitas Fresh from Babot’s Farm, Buko Loco, Buko ni Fruitas, De Original Jamaican Pattie, Johnn Lemon, Juice Avenue, Black Pearl, Friends Fries, The Mango Farm, 7,107 Halo Halo Islands, Kuxina, Shou La Mien Hand Pulled Noodles and Sabroso Lechon.

The company also recently announced it is venturing into the soy product and grilled chicken business.

Aside from CocoDelivery, Fruitas will be maintaining its partnership with Grab and the own delivery service of Sabroso Lechon. It said delivery channels account for a high single digit percentage of the company’s total sales, hence the added investment to improve the service.

“Fruitas expects to immediately realize synergies from this acquisition, maximizing the utilization of the combined motorcycle fleet of Fruitas and CocoDelivery and consolidating the marketing of Fruitas’ delivery service,” it said.

The delivery hotline of CocoDelivery will initially be available in Metro Manila only from 9 a.m. to 7 p.m.

Shares in Fruitas at the stock exchange fell 36 centavos or 21.69% to P1.30 each on Monday. — Denise A. Valdez

Bria Homes expands in central, northern Luzon

MASS housing developer Bria Homes is continuing to expand its projects in Central and North Luzon, as business hubs start sprouting up in these regions.

“The expansion of the world-class Clark International Airport, the Subic-Clark cargo railway, and the building of the NLEx-SLEx connector road, for instance, are spurring demand for industrial, commercial, and residential space,” Bria Homes said in a statement.

Bria Homes has communities in Alaminos, Pangasinan; Urdaneta, Pangasinan, Paniqui, Tarlac; Magalang, Pampanga; San Fernando, Pampanga; Mariveles, Bataan; and Hermosa, Bataan, among others.

The housing developer is planning more projects in other towns and cities in North and Central Luzon.

Bria Homes, a subsidiary of Golden Bria Holdings, Inc., offers flexible payment schemes such as bank-financing and Pag-IBIG funding.

SXSW cancels festival over coronavirus risks

ORGANIZERS of South by Southwest canceled this year’s arts, music and technology festival in Austin, Texas, citing concerns from city officials about the continuing spread of the coronavirus.

The gathering attracts hundreds of thousands of people to the city each year to catch a glimpse of some of the world’s biggest bands, filmmakers, politicians, and business executives. The event, which was scheduled to begin in a week, is a substantial force in the local economy.

“It’s really unfortunate to be canceling South by Southwest; it’s a really important event to our city in a lot of ways,” Mayor Steve Adler told reporters Friday. “I’m proud that we’re making decisions that are data-driven and based on the evidence.”

The conference — which was to run from March 13 to 22 this year — brings the city invaluable media attention that’s helped Austin raise its profile globally over the decades as a technology and cultural hot spot. It has even helped transform the town into a mini Silicon Valley. Dozens of startups and tech titans including Alphabet Inc., Apple Inc. and Facebook Inc. have opened offices there in recent years. In the past week, many of those companies had canceled their appearances at the conference as the virus spread in the US.

More than 100,000 people have tested positive for the coronavirus worldwide, and more than 3,000 have died. US President Donald Trump signed a $7.8 billion emergency coronavirus spending bill on Friday, and several state and city governments are seeking to tap emergency funds for treatment and prevention.

Around the world, high-profile musical acts, including Green Day, Mariah Carey, and Wolf Parade, called off concerts or entire tours, and the release of the newest James Bond movie was delayed from April to November.

Some of the largest conventions in the technology industry and beyond have been canceled or postponed to prevent the spread of the deadly virus. Among them: the Mobile World Congress in Barcelona, the Game Developers Conference in San Francisco, Facebook’s F8 developer conference in San Jose, California, and the TED conference in Vancouver.

Several event organizers said they will offer online content in place of a physical gathering. South by Southwest said it’s exploring options to provide web programming and hold the show at a different date. The event injects hundreds of millions of dollars into the Austin regional economy each year — by far the most profitable event for the city annually.

South by Southwest has branched out over the years from a film-and-music festival to a multitiered conference offering classes, video game competitions, technology panels, and political interviews. All those components drew more than 400,000 participants last year and contributed $356 million to the local economy, according to data from the conference.

The financial impact will be felt by restaurants, bars and the municipal government, in addition to the conference, its participants and performers. Many event contracts don’t account for cancellations due to an uncontrollable occurrence like a virus outbreak, said Lauren Spahn, an entertainment law partner at Shackelford, Bowen, McKinley & Norton in Nashville who was scheduled to attend South by Southwest. “This is such a widespread issue,” she said. “Everyone is losing.Bloomberg

‘Sharia fintech’: Start-ups race to tap Indonesia by aligning with Islam rules

JAKARTA — Like millions of other Indonesians, Gandi Iswara had for years carried a wad of currency notes for dropping into donation boxes after prayers at mosques in suburban Jakarta.

From late last year, though, the 35-year-old engineer switched to a more convenient option: whipping out his mobile phone, firing up a digital payment app from Google-backed GoPay and tapping the QR code stickers that are now affixed to the boxes.

His digital conversion took some time, as Mr. Iswara initially held the view that all rewards and discounts offered by e-wallets conflicted with Islam.

“At first, I thought e-wallets resulted in usury, which is forbidden by Islam. But after a while I found them convenient in daily life,” he said.

Winning over conservative Muslims like Iswara in the world’s most populous Muslim-majority country is both a challenge and multibillion-dollar opportunity for fintech firms that are riding its mobile internet boom and aim to sell financial services.

Of Indonesia’s 270 million population, half lacks bank accounts but most now have mobile phones.

Questions about compliance with Islamic law are a significant hurdle for the adoption of digital payments and other fintech services, industry executives say.

Known as Sharia, the law strictly prohibits charging interest, or “riba,” and clerics in Indonesia disagree on whether the popular cashback rebates and discounts given by digital wallets qualify. Social media videos in Indonesia on whether e-wallets are “haram” — prohibited by Islam — or incorporate “riba” rack up hundreds of thousands of views.

Indonesia’s top Muslim clerical body has even issued an edict deeming virtual money acceptable, as long it met specific conditions.

To showcase the compliance of their services with Islam, fintech firms are organizing forums with Islamic scholars and sponsoring religious festivals. Newer startups are tailoring services for Indonesia’s growing body of “born-again” Muslims, known as the “hijrah” movement at home.

GoPay, which is part of ride-hailing firm Gojek, has partnered with the Indonesian Mosque Council since November to enable digital donations, including “zakat,” or compulsory alms giving, in its 800,000 mosques, CEO Aldi Haryopratomo said. “Zakat” alone amounts to over $500 million annually in Indonesia.

“It has made it much easier for people to pay alms,” said Budi, chief administrator of Jakarta’s Istiqlal mosque, the largest in Southeast Asia, referring to digital payments services.

Rival LinkAja, which was formed by a consortium of Indonesia’s top state-owned firms, has launched similar donation efforts. It is now readying LinkAja Sharia, which will offer a range of financial services specifically targeted at conservative Muslims and only accept money from Islamic banks.

Backed by companies including telco Telkomsel and Bank Mandiri, LinkAja is currently seeking to raise $200 million in outside financing, sources told Reuters. The company declined to comment on its funding.

BROADENING APPEAL
The scale of ‘sharia-fintech’ in Indonesia is small, so far, with Islamic fintech start-ups disbursing about 1 trillion rupiah ($73.15 million) in sharia-compliant loans in 2019, a four-fold increase from 2018, according to the Indonesia Sharia Fintech Association.

But with all forms of Islamic banking accounting for only 6% of Indonesia’s $580 billion in banking assets, there is room for growth.

The sector is also getting a policy push. The country’s vice-president, cleric Ma’ruf Amin, took over Indonesia’s National Islamic Finance Committee in January and has cited the growth of Islamic fintech as a key national priority.

Some of the startups say they are finding their appeal extends beyond Muslims.

One of them is peer-to-peer lender ALAMI, created by three ex-bankers, which has disbursed over $7.5 million in sharia-compliant financing to small and medium enterprises since May, and plans to become a digital bank.

CEO Dima Djani said that although conservative Muslims are its main target, others also are choosing it as an ethical banking option.

“They see the fact we are focused on sharia principles as a sign of integrity,” he told Reuters.

Muhamad Fajrin Rasyid, president of Bukalapak, one of Indonesia’s top e-commerce companies which offers a sharia-compliant investing service, concurs.

“Many of our customers are from other religions,” he said. “Some people tell us that sharia is not only for Muslims, it represents ethical financing.” — Reuters

ICTSI says US court reduces damage award to $19 million

Manila International Container Port (MICP)
ICTSI “pleased the court affirmed the jury’s findings.” — BW FILE PHOTO

INTERNATIONAL Container Terminal Services, Inc. (ICTSI) on Monday said a court in the United States had reduced to $19 million from $93.6 million the award in damages that International Longshore and Warehouse Union (ILWU) was supposed to pay the company.

“We are pleased the court affirmed the jury’s findings that the ILWU engaged in illegal actions for five years and that these actions directly caused ICTSI Oregon, Inc.’s damages,” ICTSI Oregon, Inc.’s President and Chief Executive Officer Elvis Ganda was quoted as saying in a disclosure to the stock exchange on Monday.

He added: “However, we are disappointed in the court’s opinion that ICTSI Oregon, Inc. only suffered $19 million in damages rather than the $93.6 million the jury awarded after hearing all the evidence during the two week trial.”

He said the company was considering “all options” in its continuing efforts “to hold the ILWU accountable and obtain justice.”

ICTSI announced in November last year that a court in Oregon, United States had awarded $93.6 million to ICTSI Oregon, Inc. after it ruled in favor of the company in a case it filed against ILWU and ILWU Local 8 “for unlawful labor practices.”

ICTSI Oregon and Port of Portland inked a lease agreement in 2010 to run the container facility at Terminal 6.

However, disputes with the ILWU had brought operations at Terminal 6 to a standstill for more than a year.

The company’s problems began in June 2012 when the ILWU leaders wanted their members to be assigned the jobs involving handling of refrigerated containers, which have been done by Port electricians since 1974.

This led to both parties filing court cases, while ILWU members began work stoppages and slowdowns at Terminal 6.

Hanjin Shipping withdrew its service from Portland in March 2015, with other carriers following suit. — Arjay L. Balinbin

Hospital game in the time of COVID-19

Two Point Hospital
Nintendo Switch
Monster Boy and the Cursed Kingdom
PC via Steam

WHEN Two Point Hospital first made waves on the personal computer two years ago, it became known as the spiritual successor of Theme Hospital, and rightfully so. It carries the genetic imprint and soul of its 1997 progenitor, a business simulation game which has become an enduring hit in the video game industry. To date, Theme Hospital has sold over four million copies worldwide, a feat that Two Point Hospital hopes to equal, if not surpass, as it ports over to the Nintendo Switch. Developer Two Point Studios does have the pedigree; producer Mark Webley was also the project leader, as well as programmer and developer, of Theme Hospital for Bullfrog Productions. Today, with designer/artist Gary Carr and programmer Ben Hymers, former Bullfrog colleagues, they’re meeting the challenge head-on. Given its presence in six platforms all told, Two Point Hospital has become the second most downloaded game in terms of sales in much of the world.

If you remember playing with Theme Hospital, and remember, that was 23 years ago, you’ll definitely find Two Point Hospital a familiar and comforting presence to have in 2020. It looks familiar, sounds familiar, plays almost the same BUT. The BUT is that, in 2020, Two Point Hospital is Theme Hospital on steroids, making the experience better, with fun, three dimensional graphics, seamless camera transitions, and better storytelling overall.

In Two Point Hospital, much like Theme Hospital, the player acts as an administrator and decides which patient needs are best met by the hospital of a specific area at a specific point in time. The hospital comes as an single empty shell, and the player is tasked with filling it with clinics for diagnosis and treatment, as well as the hiring, firing, and training of its employees, from doctors to nurses to assistants to even janitors. There are options for buying extra lots and erecting new buildings, as well as adding new clinics to address the area’s patients. There are plenty of ways to customize the hospital, with extra features and elements that can be unlocked through progress in game levels and areas.

While the bare bones of both Theme Hospital and Two Point Hospital are the same, upgrades have been introduced to completely change the way the latter meets the challenges of this new era. For one, changes in the way characters behave, function, and work within the model hospital make this homage a better version of the original. Traditional gender roles no longer apply; both men and women can be doctors, nurses, assistants, and janitors — and, as such, emphasis is placed on qualifications and training rather than gender.

In Two Point Hospital, training is available for all personnel, thereby allowing the player’s chosen medical professionals to specialize. This enables diagnosis and treatment to go much faster and with less failure. Assistants are no longer mere receptionists; they are a vital cog in the hospital manpower wheel as they perform check-in, basic triage, and even marketing. Janitors no longer just clean, maintain, and upgrade machines; they can also train others as they accumulate skill in other areas.

There are various levels to pass, and each level requires at least a one-star rating for the next one to open up. Three stars make one a superstar in that level’s hospital and VIPs flock to avail of services. As the hospital’s designated CEO and Board of Trustees in one, money decisions are left to the player, and if the player listens to the needs of the populace, decisions on cure, personnel, and material not only earn the hospital a good reputation but also a lot of money to do more things. There are awards to compete for, leading to extra credit for unlockable items. Fortunately, proceedings can be interrupted anytime; the player can choose to go back to previous levels without penalty in his/her last level. Features unlocked in the most current level carry over to the earlier ones so there is always room to improve the hospital, feature and strategy-wise.

As a port from the 18-month-old PC game, Two Point Hospital on the Switch does take a little getting used to, particularly when it comes to Joy-Con controls. It doesn’t feel intuitive from the get-go. That said, it takes only one or two passes and practice runs on the levels to get the hang of things. There might be a couple of tweaks needed to make the menus easier to handle, but all in all, they don’t take away from the beauty of the game. Frame rate drops can and do occur, especially when the screen gets busy, but, for casual gamers, it isn’t really a dealbreaker. In truth, it’s hardly noticeable.

There’s a lot of humor and hilarity in Two Point Hospital, the same way it was in Theme Hospital, and it’s best appreciated in the ingenious way sickness is named, approached, and treated. “Jest infections” never grow old, for one. But it’s also sobering to note that while laughter and enjoyment can be derived from the game, it also reminds us that what passes off as a game may emulate true life and death situations. And as in real life in the time of COVID-19, hospitals that are better equipped, better managed, and better staffed are able to save more people.

THE GOOD:

• Fun, funny, and, punny

• Faithful homage, but improved experience

• Engrossing

THE BAD:

• Can be repetitive

• Cartoon visuals an acquired taste

• Occasional frame drops

• Difficult at first

RATING: 8.5/10

MONSTER BOY AND THE CURSED KINGDOM

Based solely on how Monster Boy and the Cursed Kingdom looks and feels, Game Atelier clearly put a lot of heart into its creation. From its stylistic art design to its tight, metroidvania gameplay, it presents itself with aplomb — no small feat considering its history. Having descended from the lauded Wonder Boy franchise that used to grace arcade machines and Sega consoles alike, it had huge shoes to fill upon its release.

In Monster Boy and the Cursed Kingdom, players control Jin, a young boy who journeys out to stop Nabu, his uncle, from causing havoc across the land. Nabu had been turning people into animals, and by standing up to his uncle, Jin put himself in danger, and soon finds himself turned into an animal as well. In order to undo this animal curse, he must find and make use of five special animal orbs scattered throughout the land. Only by harnessing their power can he hope to right the wrongs that his uncle had made, and undo the spell that keeps them bound as they are.

Monster Boy and the Cursed Kingdom has a simple a premise as can be expected from the series, and it unfolds pleasantly. From the moment the game starts, its art style simply pops off the screen with its bright visual design and old-style anime aesthetics. Monster designs are particularly nice to look at, and serve as simple but effective callbacks to a much simpler time, when games weren’t rendered three-dimensionally, but were instead two-dimensional art assets made with much care and love.

Just as well-crafted as the aesthetics are the stages themselves. While Monster Boy and the Cursed Kingdom’s gameplay is standard metroidvania, it boasts of levels that rise above the usual dregs of the genre. For the most part, they manage to be just right, both in terms of presentation and length. They never outstay their welcome, and are often presented with various twists in their design that force the player to make use of many animal forms to progress. While some of these levels require back-tracking, they never really feels like busywork. Every new obstacle surpassed feels like an actual accomplishment, and in many ways, the endeavor encourages and rewards players to explore the environment and to not be afraid to take their time.

This does, however, open up some core issues in the game itself. While exploring Monster Boy and the Cursed Kingdom’s levels can be fun and entertaining, engaging in combat is anything but. Its controls are responsive, but the general lack of weight of battles feels quite strange. It never kills the enjoyment, but it does leave encounters with enemies feeling less satisfying than they normally should be, as these tend to lack impact and feel more like minor obstacles than challenges of strength.

Monster Boy and the Cursed Kingdom’s puddle design is another cause for concern. It varies wildly from straight-forward and fun, to rather cryptic and confusing. While it’s not usually a problem, it can really dampen gamers’ enjoyment and sense of accomplishment, especially when parts of the game can drag along purely because of the puzzle’s existence.

All in all, though, Monster Boy and the Cursed Kingdom is a worthy purchase for any fan of side-scrolling metroidvania. Minor issues do exist, but gamers can easily breeze past these and tear into its plentiful content without too much of a fuss. Highly recommended.

THE GOOD:

• Tight, responsive controls, with very fluid and intuitive gameplay

• Great art and aesthetic design

• Plenty of hours of well-designed side-scrolling content available

THE BAD:

• Some cryptic puzzles can kill pacing

• Combat tends to lack impact for the most part

RATING: 8.5/10

THE LAST WORD: Heritage Auctions put up the Nintendo Play Station for auction last week, and the endeavor netted it a whopping $360,000. The bidding was won by Los Angeles, California-based entrepreneur Greg McLemore, whose dot-com investments have enabled him to pursue his passion for collecting videogame memorabilia. He plans to build, in his words, a “permanent museum” to house his assets. Meanwhile, he’s engaging others to showcase them, including at the University of Southern California Pacific Asia Museum next year.