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Go see Gifted

Movie Review
Gifted
Directed by Marc Webb

Go see Gifted

SOMETIMES YOU LOVE a movie even as you realize it’s far from perfect.

That’s what I’m here to tell ya. I loved Gifted even though I realize it’s far from perfect.

Yes, the screenplay creates a big ongoing courtroom conflict that could have been more readily resolved a half-dozen other ways.

Yes, the tear-soaked drama often crosses the line into unabashed, old-timey movie sentimentality.

And yes, any film with a lovable, one-eyed cat named Fred that winds up on death row at one point isn’t exactly being subtle about grabbing for your heart.

I wasn’t much bothered by any of that, because I cared so much about the characters and I wanted things to work out for them, and maybe you’ll feel the same way after you see Gifted.

Go see Gifted

Chris Evans is, of course, best known for playing Steve Rogers/Captain America and he’s quite capable in that role, but Evans has the opportunity to flex different sets of acting muscles as Frank Adler in Gifted, and the result is maybe the best work he’s ever done. (Evans also gets to flex his actual muscles, as the Florida coastal locale of the story and his job as a boat mechanic afford plenty of opportunity for that.)

Frank acts like a crabby old man in a young man’s shell as he keeps his head down and tries to keep his interactions with the outside world to a bare minimum, but we know from the get-go this guy’s heart is in the right place.

Frank has had custody of his seven-year-old niece Mary (McKenna Grace) ever since Mary’s mother committed suicide when the girl was an infant. Even with their modest circumstances and Frank’s make-it-up-as-you-go-along approach to guardianship, they seem to be doing just fine on their own, until the time comes for Mary to get on the school bus and start the first grade.

This is the thing about Mary. She’s a mathematical genius, a one-in-a-billion prodigy. On the first day of class, it takes about five minutes for Mary’s teacher, Bonnie (Jenny Slate), to realize this kid should NOT be wasting her time adding two plus two.

This sets in motion a chain of events that includes the school’s principal (Elizabeth Marvel) offering to place Mary in an ultra-expensive school for gifted children, and the arrival from Boston of Frank’s estranged mother, Evelyn (Lindsay Duncan), a wealthy, domineering presence who would have to warm up to have ice water in her veins.

Evelyn, a onetime math prodigy herself who was obsessed with pushing her daughter to greatness, has learned of her granddaughter’s prowess, which suddenly makes the child interesting to Evelyn. She swoops into town, meets Mary for the first time, gives Mary an Apple MacBook loaded with math texts, and announces she will be taking custody of the child. See you in court, son!

Go see Gifted

The screenplay by Tom Flynn is filled with sharp dialogue and warm, funny vignettes, but also some pretty big leaps of credibility, especially in the increasingly escalating emotions of the courtroom battle. (Evelyn has a scene on the witness stand that’s the cold-hearted mother’s version of Jack Nicholson’s self-destructive diatribe in A Few Good Men. It’s an amazing piece of acting from Lindsay Duncan, but it’s so theatrical you’ll feel as if you just walked into a Broadway play.)

Octavia Spencer supplies heart and humor as Roberta, the property manager/next-door neighbor who is always using her master key to enter Frank’s place and meddle in his life. (Frank pretends to be annoyed by this, but he is eternally grateful to have Roberta in his life — and more important, in Mary’s life.) And Jenny Slate gives a wonderfully modulated, sympathetic performance as Bonnie the schoolteacher, who tells Frank there’s no way they get involved, ahem.

In a role that requires much math talk and even more serious emoting, McKenna Grace is an irresistible force. Evans and Grace are sensational in their scenes together, whether it’s low-key bantering about the nature of her morning breakfast or waterworks-inducing separations and reunions.

Gifted isn’t the best or most sophisticated or most original film of the year so far, but it just might be my favorite. — Chicago Sun-Times/Andrews McMeel Syndication

Rating: ★★★★
MTRCB Rating: PG

What to see this week

4 films to see on the week of May 5-May 12, 2017

The Circle

WHEN MAE (Emma Watson) is hired to work for the world’s largest and most powerful tech and social media company, she sees it as an opportunity of a lifetime. As she rises through the ranks, she is encouraged by the company’s founder, Eamon Bailey (Tom Hanks), to engage in a groundbreaking experiment that pushes the boundaries of privacy, ethics and ultimately her personal freedom. Directed by James Ponsoldt, and also starring John Boyega and Patton Oswalt. The film is very unpopular with the critics on review aggregate site Rotten Tomatoes, which gave it a measly score of 16%. “As a satire, The Circle might have been worth a few giggles, but as a deadly serious drama, it’s laughable in an entirely different way,” wrote David Sims of The Atlantic.
MTRCB Rating: PG

Luck At First Sight

A VIVA FILMS rom-com, Luck At First Sight is about a gambler who believes that a girls is bringing him good luck. Then they fall in love. Directed by Dan Villegas, it stars Jericho Rosales and Bela Padilla.
MTRCB Rating: PG

Eat Local

AS BRITAIN’S vampires gather for their once-every-50-years meeting in a quiet countryside farmhouse, a detachment of Special Forces vampire killers find that they may have bitten off more than they can chew. Directed by Jason Flemyng, it stars Charlie Cox, Mackenzie Crook, and Vincent Regan. “Suffice to say that patience comes to who knows how to wait. This is certainly not the film of the century nor the break, but it is that the script, the plot, the protagonists (and their arrival to the image) are simply fabulous! It is true that this feature has airs of Assault on Precinct 13 but not that and especially, especially with a very, very British humor and actors/actresses perfectly involved in their roles,” writes Charles de Clercq of Cinecure.
MTRCB Rating: R-13

Guardians 2: ‘Not as funny’ but eyeing box office jackpot

LOS ANGELES — Three years ago, Guardians of the Galaxy arrived as a breath of fresh air, a smart corrective to the self-important pomposity of many superhero movies, and proved a box office smash.

Before the world had heard of Deadpool, James Gunn’s ironic, wisecracking contribution to the Marvel universe became the surprise critical and commercial hit of the summer of 2014, taking in $770 million.

Now his long-awaited encore, Guardians of the Galaxy Vol. 2, continues the screwball adventures of the first film’s spacefaring misfits as the jolly, B-movie vibe carries them to the outer reaches of the cosmos.

The story picks up with the squabbling Guardians fighting to keep their surrogate family together as Peter Quill (Chris Pratt) has daddy issues with a swaggering demigod who happens to be a living planet known as Ego (Kurt Russell).

Star Wars fans are unlikely to be struck by the originality of a father-son space opera, but there is plenty more family drama as Gamora (Zoe Saldana) faces down her malevolent cyborg sister Nebula (Karen Gillian).

Meanwhile, muscleman Drax (Dave Bautista) gets close to a cute little alien with emotion-reading antennae (Pom Klementieff), Bradley Cooper returns to voice the snarky raccoon Rocket, and a star-studded back-up ensemble includes Sylvester Stallone and Glenn Close.

Rocket’s CGI stablemate Baby Groot — a talking 10-inch seedling voiced by Vin Diesel — steals the show by shimmying adorably to the Electric Light Orchestra’s “Mr. Blue Sky.”

Guardians 2 is expected to enjoy one of the biggest opening weekends ever with critics agreed that its sharp one-liners make it — like its predecessor — a cut above the average superhero fare.

LESS CHARMED
“It’s definitely looking like another massive Marvel performer,” BoxOffice.com chief analyst Shawn Robbins said.

“We’ve been sitting around a $160 million domestic opening for a few months and I’m pretty confident in that so far.”

Still, the film has an underwhelming average score of 66 on MetaCritic.com, 10 points fewer than the original, a sign many critics were rather less charmed the second time around.

“It’s smarter than most films, but not as smart as the first one. It’s funnier than most films, but not as funny as the first one,” Entertainment Weekly’s Chris Nashwaty writes. “And it still probably belongs in the upper tier of Marvel movies but nowhere near as high up as the first one.”

The Hollywood Reporter’s Todd McCarthy likened the sequel to “a second ride on a roller coaster that was a real kick the first time around but feels very been-there/done-that now.”

The cast gathered for a news conference in Beverly Hills, California, last week, when Gunn acknowledged that many sequels end up as simple rehashes but said he had tried to let his characters grow into new people.

Asked if he had read the comic before filming, Stallone, 70, replied that he “wanted to go in there with a clean slate,” while Russell, 66, revealed he hadn’t even seen the first film when he was approached about the sequel.

‘OBJECTIFICATION IS GOOD’
The Escape from New York and Big Trouble in Little China star surprised many by revealing he’s “not much of a moviegoer.”

“I knew that everybody loved it, though,” he said. “And when I saw the movie, I immediately started getting it, and I immediately wanted to do it.”

In a twist on a familiar theme, the cast members were asked whether they were worried about men being objectified, given the movie’s prolonged shots of the naked torsos of Pratt, Bautista and Michael Rooker, who plays the interplanetary marauder Yondu.

“I can say objectively that objectification is good for me because when I turned my body into an object that people like, I got paid a lot of money,” joked the 37-year-old Pratt, who went to great lengths to build an action hero’s physique.

“And now my grandkids are gonna go to a great college because of the object, you know.”

However, he quickly added that the serious and “pretty horrifying past” of objectifying women in Hollywood made it an altogether more serious issue.

The Guardians will next be inserted into Marvel’s wider superhero narrative with an appearance in Avengers: Infinity War, while Gunn revealed on Facebook last week that he would be back to write and direct the “threequel.” — AFP

MTRCB Rating: PG

Chastain saves a baby elephant and delivers a glowing performance

Movie Review
The Zookeeper’s Wife
Directed by Niki Caro

THE WARSAW zookeeper, he’s a pretty good zookeeper all right.

He’s up and at ‘em early in the morning, feeding the animals and overseeing the landscaping work and getting the zoo ready for another big day. Solid stuff.

Ah, but the zookeeper’s wife, she’s something altogether amazing and magical.

She cuddles with baby lions as if they were newborn puppies. She rides about the zoo on her bicycle, greeting the hippos and the monkeys with such glee, one half-expects her to break into song as cartoon birds perch on her shoulder.

When a majestic elephant gives birth to a calf that isn’t breathing, the zookeeper’s wife climbs into the pen, calms the frantic mother and clears the path for the baby elephant to breathe — in front of a bunch of snooty, dinner party guests who moments earlier had been snickering at the simple zookeeper and his simple wife.

And all these feats take place before the Germans plunder through Poland and the zookeepers turn their bombed-out animal sanctuary into a hiding place and way station for hundreds of Jews desperate to escape the death sentence that is the Warsaw Ghetto.

So vast were the horrors of World War II, and so many were the mostly unsung heroes, it appears as if there’s no end in sight to big-screen dramatizations based on or inspired by true stories.

Good. These are stories that need telling, names that need to be remembered.

The director Niki Caro (Whale Rider) and the screenwriter Angela Workman deliver a powerful, gauzy, sentimental, almost too restrained telling of The Zookeeper’s Wife, an adaptation of Diane Ackerman’s remarkable nonfiction book about Antonina and Jan Zabinski, the proprietors of the Warsaw Zoo, who risked their own lives as they harbored hundreds of people and helped funnel them to safety.

Johan Heldenbergh is excellent playing Jan, an educated, peaceful zoologist who becomes a man of action after the bombs drop on his home. Jan figures out a way to infiltrate the Warsaw Ghetto, gain the trust of the German hierarchy and smuggle prisoners from under their very noses.

Jessica Chastain is Antonina, and this is Chastain’s movie through and through. Chastain effectively channels an Eastern European accent — this is one of those World War II movies where the characters all speak in English, but with the accents of their home countries — and constructs an authentic, empathetic performance that keeps the movie grounded, even when it veers close to being overly saccharine.

In the summer of 1939, the war literally hits home (the Zabinskis’ house is on the grounds) when bombs strike the Warsaw Zoo, sending wild animals into the city streets and creating some of the film’s most striking imagery, e.g., a tiger prowling through rubble, and Nazi gunmen taking aim at beloved, frightened, doomed creatures.

The wonderful character actor Daniel Bruhl grows ever more villainous as chief Nazi zoologist Lutz Heck, who doesn’t even bother to disguise his thirst for power (and his animalistic lust for Antonina) as he takes control of the zoo, shipping off the prize specimens to Germany for selective breeding to re-create long-extinct species. (Jeez.)

(Bruhl played the fictional Wehrmacht marksman Zoller in Inglourious Basterds, and he was seen earlier this year as the German police inspector in Alone in Berlin. I guess if you’re a steadily working actor of considerable talent raised in Germany, it’s likely you’ll find yourself playing the World War II bad guy more than once in your career.)

The Zabinskis come up with a plan to keep their home: They’ll turn the zoo into a pig farm to provide food to German soldiers. This is also the means that allow them to create an “overground” railroad of sorts. Jan makes regular runs into the Warsaw Ghetto to collect garbage that will be fed to the pigs — and he hides men, women and children under the garbage, bringing them back to the zoo, where they will hide in the basement until safe passage can be arranged.

At times The Zookeeper’s Wife provides harsh reminders of the horrors of war, as when a little girl is taken into an alley by a group of German soldiers and emerges bloody and violated, or when a woman and her elderly mother are dragged out of their dwelling and executed on sight because someone has identified them as Jewish. The battle scenes aren’t played out on a grand scale, but they’re reasonably tense and well executed.

But more scenes are bathed in warm sepia tones or exquisitely lit dark blues and grays. The children hiding downstairs chalk murals on the walls. At night, when the German soldiers aren’t around, Antonina plunks at the piano — a signal for everyone to come up and gather round for nourishment and comfort.

At times Caro goes overboard with the symbolism and the grabs for the heart, as in the sequence where she cuts back and forth between the firebombing of the Warsaw Ghetto and a Passover Seder.

No doubt the real story of the zookeeper’s wife was messier, rougher and grittier than this well-intentioned, solid film with a glowing performance from Jessica Chastain. — Chicago Sun-Times/Andrews McMeel Syndication

Rating: 3 stars
MTRCB Rating: R-13

Shell sans Ghost

RUPERT SANDERS’ remake of Mamoru Oshii’s influential 1995 anime Ghost in the Shell is disappointing, but what did they expect anyway? The earlier film’s ideas about virtual reality, machine intelligence, and the internet have been digested and absorbed and transmuted by nearly every intelligent science fiction film in the past 20 years, from the Wachowski brothers’ (now sisters) The Matrix to Spielberg’s Artificial Intelligence and Minority Report (his Dreamworks Studios helped produce this picture) to Cameron’s Avatar to Spike Jonze’s Her to Alex Garland’s Ex Machina, not to mention various episodes of Dr. Who, Legion, and Black Mirror (the latter two arguably being the most inventive science-fiction series at the moment) — and that’s only titles I can remember. Oshii’s film has been remade several times over, through various interesting and even inspired iterations; Sanders is covering ground that’s been thoroughly strip-mined, though one wonders if the subject has been well and truly exhausted (Black Mirror suggests maybe not).

Sanders is in an unenviable position — he has to live up to the standards set by a decades old-classic, negotiate the minefield of American and Japanese sensitivities (walked straight into the most obvious one by casting a Caucasian in what is usually thought of as a Japanese role), tell a complex yet stubbornly undramatic story, and still somehow make his $110 million budget back. The resulting script (officially credited to writers Jamie Moss, William Wheeler and Ehren Kruger, though at least four others are said to have contributed) pulls in several different directions at once: an action thriller, a philosophical epic, a political awakening drama — multitasking mightily like the Wachowski’s The Matrix only with less flair (not that I’m a big fan of The Matrix, which emphasized the virtual at the expense of the real).

Some of the effects seem half-hearted: the (fictional) city’s skyline is dotted with wan and unconvincing giant holograms that add nothing to the overall look, if anything make the picture look cheap (the budget may seem huge but for an SFX-heavy project it’s on the small side, and you see the lack most prominently here). The action sequences are decent if uninspired, the music score forgettable, the production design memorable only towards the latter half, when the holograms give way to desolate ruins and abandoned buildings (in effect the remake improves the closer it gets to the original’s look).

Oshii’s film was never known for its voice performances (it had bigger fish to fry), allowing the remake’s cast to shine: Juliette Binoche adds humanity to the tiny supporting role of cybernetic designer Dr. Ouelet; Takeshi Kitano plays Chief Daisuke Aramaki with understated grit and style (Confronting a trio of assassins he quips: “Never send a rabbit to kill a fox!”). As the eponymous “ghost” (the human consciousness inhabiting a technologically upgraded body) Major Mira Killian (later Motoko Kusanagi), Scarlett Johansson is suitably robotic, with just the merest whisper of an anguished soul. Her finest moment occurs in a specially added scene, where Mira attempts human contact with a prostitute (Adwoa Aboah). The wonder of the girl’s shy glance, her faintly freckled face — Johansson makes us see her through Mira’s eyes, and we marvel at her unenhanced beauty.

Perhaps the film’s most valuable function as part of the Ghost franchise (aside from the original manga there’s a sequel, a 2.0, even a TV show) is to mark the distance between itself and the original. You see the difference early on, in the opening sequence: the spurt of violence, the disrobing, the breathless leap off a building, the various twists and turns in the action — where Sanders strains to ape the moves found in the original, Oshii executes intricate action setpieces with seemingly effortless grace, as if to say “Yes, I can be a master at staging and shooting violence — but this isn’t my true style, this isn’t the real focus of my art.”

Oshii’s film didn’t come out of a vacuum: he took the question asked in Ridley Scott’s Blade Runner (“What makes a human human?”) melded it to the question asked in Stanley Kubrick’s 2001: A Space Odyssey (“What will the next step in evolution look like?”) — both questions first posed by Mary Shelley, Mother of all Science Fiction, in her novel Frankenstein, and repeated in various films and novels ever since.

Arguably the key moment in the film occurs early on, when Motoko muses over a can of San Miguel Pale Pilsen:* “There are countless ingredients that make up the human body and mind, like all the components that make up me as an individual with my own personality. Sure, I have a face and voice to distinguish myself from others — but my thoughts and memories are unique only to me, and I carry a sense of my own destiny….” It’s a litany of barely comprehensible ideas but the way Oshii presents it — Motoko’s serenely wide eyes framed full-on, the world sliding slowly, hypnotically past her — you feel the hairs on your arms and back of your neck slowly rise, as if you were listening to the pronouncement of some primeval spell, the key to unlocking the universe.

It’s this glacial yet mesmerizing pace Oshii has mastered — and Sanders apparently has no idea exists — that I submit gives the film its subliminal power. Call Motoko’s soliloquy the genre’s version of The Lord’s Prayer: tautologies expressed as simple statements, recited fervently in the hope of divine (or technological) intervention. Oshii’s Ghost comes across as a kind of scientific bible, a narrative that reveals to the cyberpunk world its articles of faith, its origins story, its ultimate destiny; Sanders’ reduces Shirow’s intricate ambitious manga to a revolutionary action flick where Mira is freed from the clutches of corporate conspiracy and returned to her real family. A worthwhile cause I’m sure, only it isn’t the same film — or rather it’s a film that isn’t working on the same level.

* Ostensibly set in the imaginary “New Port City,” Oshii decided to base the look and feel of the city on Hong Kong, down to the prominently displayed cans of San Miguel Beer, the city’s most popular beer (still is apparently) — and, incidentally, a Filipino export.

The Google Earth Movie

Movie Review
Lion
Directed by Garth Davis

They could have called this Google Earth: The Movie.

What a wonderful year this has been for movies “based on true stories” and/or “inspired by actual events,” from Sully to Hacksaw Ridge, from Queen of Katwe to Whiskey Tango Foxtrot, from Eddie the Eagle to Southside With You, from The Infiltrator to Bleed for This.

Add to that stellar roster Lion, a story sure to reduce four out of five moviegoers to tears in the final act — and those waterworks are honestly and legitimately earned.

Director Garth Davis weaves a magical tale grounded in reality, and Dev Patel delivers an intense, laser-focused performance as Saroo Brierly, who is separated from his family as a very small boy in India, adopted by an Australian couple, and a quarter-century later relies on Google Earth and undying determination to chart a course back to his family and his homeland.

It’s not as clear-cut as it might sound. Saroo was all of five years old when a chain of tragic circumstances left him alone, a thousand miles from his remote and tiny village. Even when Saroo starts remembering gauzy fragments from the distant past, he doesn’t know his real name, he doesn’t know his mother’s name, and he doesn’t know the name of the tiny outpost where he was born — in a country with a population of more than 1.2 billion.

Lion is really two distinct stories of two incredible journeys, and each half-movie is remarkable in its own way.

The first half centers on the young Saroo (Sunny Pawar, who captures your heart instantly), who pleads with his older brother, Guddu (Abhishek Bharate), to tag along on a long train ride.

Saroo falls asleep. When he wakes up at a train station, his brother is nowhere to be found. Saroo wanders around, calling his brother’s name to no avail, and eventually boards a train car, hoping it will take him home, but in fact the train is going in the opposite direction.

The little boy finds himself in the city of Calcutta, a thousand miles from home. He doesn’t speak the local language. He joins the legions of children living on the streets, barely survives some harrowing encounters, winds up in an overcrowded orphanage that’s just a slight step better than living on the streets, and is adopted by an Australian couple (Nicole Kidman and David Wenham).

It’s a semi-happy ending. Saroo is certainly more fortunate than the vast majority of the millions upon millions of lost and abandoned and unwanted Indian children who will never find a true home, but as the plane takes off and India recedes in the distance, it seems all but certain he’ll never see his brother or his mother or his birthplace again.

Flash forward two decades. Saroo (now played by Patel) is an intelligent, handsome, self-assured, “Australianized” young man with zero recollection of his childhood and almost no cultural attachment to his homeland. While Saroo’s upbringing was hardly idyllic, mostly due to the heartaches caused by his deeply troubled adopted brother, Mantosh (Divian Ladwa), he was raised in middle-class comfort and he was loved and supported by his parents. He’s good.

Except for one thing. Saroo never quite feels 100% comfortable in his own shoes, his own life. When Saroo’s powers of recall are trigged by a sense memory, he becomes obsessed with reconnecting with his biological family.

While the first half of Lion is a sprawling, often intense story of a lost little boy on the move and in search of his home, the second half is a much smaller but equally intense mystery and character study, with Saroo shutting out his parents and his supportive girlfriend (Rooney Mara, terrific as usual), losing his professional ambition and cloistering himself with his laptop and his charts and his notes, as he pushes himself to remember, remember, remember ANYTHING that can take him one step closer to home.

Nicole Kidman gives a powerful and moving performance as Saroo’s adoptive mother, who loves her son with every molecule of her being, but comes to understand his quest. It’s as good as anything she’s done in the last decade.

Lion is a beautifully told, uplifting story of courage and determination.

It’s also a pretty great advertisement for Google Earth.— Chicago Sun-Times/Universal UClick

MTRCB Rating: PG

What to see this week

4 films to see on the week of April 7-April 14, 2017

The Case for Christ

A HARD-DRIVING journalist, Lee Strobel finds that his wife Leslie’s newfound faith in Christ goes against everything he believes in as an avowed atheist. Utilizing his journalistic and legal training, Lee begins a quest to debunk the claims of Christianity in order to save his crumbling marriage and comes face-to-face with unexpected results that could change everything he knows to be true. Based on Strobel’s award-winning best-selling book. Directed by Jon Gunn, it stars Mike Vogel, Erika Christensen, Faye Dunaway, and Robert Forster.
MTRCB Rating: PG

Anguish

A NEW GIRL in a quiet town finds herself overwhelmed by hallucinations of a hit-and-run victim and starts to question her sanity. Written and directed by Sonny Mallhi, it stars Ryan Simpkins, Annika Marks, and Karina Logue. “There’s not much to be said about Sonny Mallhi’s languid psychological drama — moonlighting as a possession-centered horror film — that hasn’t already been said by the title,” writes Abby Garnett of the Village Voice.
MTRCB Rating: R-13

Bling

AN ANIMATED movie, Bling asks whether a ring or the courage to save his city from an army of evil robots win the heart of Sam’s childhood sweetheart? Directed by Kyung Ho Lee, it features the voices of James Woods, Jennette McCurdy, and Taylor Kitsch. “It’s a sweet film yet it feels underdeveloped, in the wake of the sophistication of Kung Fu Panda 3 and the charm of Zootopia,” writes Louise Keller of Urban Cinefile.
MTRCB Rating: PG

Going In Style

A REBOOT of the 1979 Martin Brest movie that featured George Burns, Art Carney, and Lee Strasberg, director Zach Braff’s comedy Going in Style has Alan Arkin, Michael Caine, and Morgan Freeman play lifelong friends who decide to rob the bank that absconded with their pensions.
MTRCB Rating: PG

American Pastoral

BASED on the Philip Roth novel, American Pastoral follows Swede, a legendary high school athlete, who grows up to marry a former beauty queen and inherits his father’s business. Swede’s seemingly perfect life shatters when his daughter rebels by becoming a revolutionary and committing a deadly act of political terrorism during the Vietnam War. It stars Ewan McGregor (who also directs), Dakota Fanning, and Jennifer Connelly. Very unpopular with the critics on review aggregate site Rotten Tomatoes, which gave it a measly 23%. “The better the book, the worse the movie is a sad-but-true rule of thumb. And first-time director Ewan McGregor’s calamitous take on Phillip Roth’s Pulitzer-winning 1997 novel is awful enough to cement the rule in stone,” writes Peter Travers of Rolling Stone.
MTRCB Rating: R-16

Retirement home for old dogs

AN AVERAGE working dog renders service for eight to 15 years, living a life dedicated to serving humans. But what happens when they are too old to work? Where do they go?

There is currently no standard policy on the retirement of Military Working Dogs (MWDs) and Contract Working Dogs (CWDs) in the Philippines. In the United States, however, there is Robby’s Law (HR 5314) which promotes the transfer and adoption of working dogs at the end of their service.

But through an initiative that started over a dinner table conversation, in 2015 cousins Maxin Arcebal and Chelsea Pecson founded Hound Haven PH, Inc., the first and only institutionalized non-profit organization that serves as a home for retired working dogs.

The 1,200-square-meter rehabilitation center in Angat, Bulacan is meant to be home not only for senior working dogs but also those deemed unfit for any type of service where the dogs will be assessed and cared for until they are adopted.

At the launch of Hound Haven K-9 Retirement and Rehabilitation Center on April 22, chief executive officer Ms. Arcebal explained to BusinessWorld that they initially wanted to build a center for strays, abandoned, abused, and neglected dogs — the K-9 rehabilitation was just a side thing.

“But after a while, we zeroed in to K-9 rehabilitation because we found out that there are a lot of organizations that [cater to those other causes] already,” she said.

At Hound Haven, the retired dogs will undergo a rehabilitation program designed by canine-training experts that will help them to adapt to human interaction (with any potential aggression addressed by their experts) and prepare them for adoption to a loving home.

Although there is a place dedicated to Army dogs in Taguig City, Ms. Arcebal said their concern was to be able to provide better care for retired working dogs who are no longer on duty. After they retire, most K-9s are kept in cages and walked by their handlers until their time comes.

Ms. Arcebal said the Army counts the dogs as part of its personal protective equipment (PPE) and for the dogs to be turned over, they have to be removed from the budget.

“So these dogs are actually equipment. For them to be able to turn the dogs to us or any other third party, they have to have it approved internally and passed on to CoA (Commission on Audit). It is a pretty long process,” she said.

She said the Army prioritizes adoptions by the dogs’ handlers. If they do not adopt their dogs, the Army then allows outside adoption.

Hound Haven works closely with the Army veterinarian who provides them with a behavioral checklist for the potential dog to be adopted.

Hound Haven’s first adopted MWD, Chika, was committed to them in August of last year and was only turned over a month ago.

“In the long run, we want to house around 20 dogs in the center. We want to keep that number because it’s important to us that we also give them quality care,” Ms. Arcebal said.

WELL-RESEARCHED, DESIGNED
Hound Haven has a kennel that can house 10 dogs — two of its 12 cages are meant for use as isolation areas for sick or newly acquired dogs. There is an inside area where the dogs can eat and sleep, and an outside area where they can urinate and defecate.

Hound Haven’s Treasurer (and the founders’ aunt) Rachelle Arcebal said the kennels were well-researched and designed to fit the dogs’ needs. “It’s well-researched. It’s not something that we just thought about. We consulted people who have expertise and experience and we owe a lot to our architects,” she said.

There is also a small clinic in front of the kennels where volunteering veterinarians visit and a pool area where the dogs can take a dip when they need to.

In addition, a space called Shyna’s Yard serves as an activities center and interaction area. Visitors who want to touch the dogs can do so there.

“We wanted to go beyond just providing a structure for these dogs. We wanted to build our center in such a way that it’s conducive for weekend getaways, family outings, team building, and even field trips kasi medyo malayo siya (since it is a bit far) — it’s not around the block. People have to be motivated to go here because they like the feel of the place,” Maxin Arcebal said.

For those interested in adopting a dog, Hound Haven does a background check and conducts home visits to make sure the environment the dog is moving to is in good condition. Maxin Arcebal said they let the adoptive family meet the dogs and can cut short the adoption process if they feel that the applicant is well-suited.

GENEROUS DONORS
Even if Hound Haven is already up and running, Rachelle Arcebal admitted that they will be needing help from people who believe in their cause.

“We want to clarify that this is not a business. It’s hard to convince people to help, especially if they don’t see you take out something from your own pocket — up to the point that it hurts a little bit,” she said.

Jerome Arcebal, corporate secretary and the founders’ uncle, agreed, saying: “It is a commitment and we want it to be the certain way we wanted. With that we thank our few very generous donors.”

In the long run, they said they are planning to open another kennel to house another 10 dogs and more projects will be starting in a few weeks.

“Ultimately, our goal was to influence public policy and establish laws to protect the rights and ensure the welfare of the country’s working dogs,” Maxin Arcebal said.

For more information, visit http://houndhavenph.org. The Hound Haven Rehabilitation Center is located at 353 Pinaglagarian St., Barangay Pulang Yantok, Angat, Bulacan.

Philippine speed law and enforcement: The good news and the bad

SETTING and enforcing national speed limits is an important step in slowing down motor vehicles and saving lives, according to the World Health Organization. The good news is that the WHO considers the country’s speed limit law “good.”

What is a good urban speed law? The WHO used the following criteria to assess legislation on speed: the speed limit set by law in urban areas is 50 kilometers per hour; local authorities have the power to modify national speed limits.

The Philippines meets both criteria. Therefore, it is considered to have a good speed law.

The bad news is that the law is poorly enforced: The Philippines gave itself a five out of 10 rating in the enforcement of speed limits across the country in the Global Status Report on Road Safety 2015. The rating came from eight road safety experts in the Philippines.

Poor enforcement of the national speed limit law has contributed to the growing number of road crashes in the country.

The WHO groups the Philippines into the low- and middle-income countries. About half of all the road crashes in these countries is due to speed, estimates the agency. — D.L.C. Dayao

Source: Data from the Philippine National Police

Want to save lives on Philippine roads? Slow down motor vehicles.

LAST FEBRUARY, 33 people were killed in a bus crash in Nueva Ecija. Almost two years ago, a man on a bicycle, Christopher Jose D. Luis, died in a crash on Macapagal Boulevard.

At first glance, the two horrific crashes have little in common. The bus plunged into a ravine; the SUV that hit Mr. Luis as he biked to work was barreling down the boulevard.

However, the two crashes do share a risk factor for road crashes that result in serious injuries and deaths. They both show how speed kills.

The bus driver was reportedly speeding on the mountain road, a crash-prone site. The crash was the sixth in the area in recent years.

There are no reports of how fast the SUV driver was traveling on the boulevard when he crashed into Mr. Luis. However, he was going fast enough for the SUV to land on the traffic island and crush the cyclist; Mr. Luis died on the spot.

Taming vehicle speeds on Philippine roads is a difficult challenge. Still, there are two bright spots in the country: Iloilo City and the Ateneo de Manila University in Quezon City. They offer lessons on how roads can be designed to effectively manage speed and to protect the people who walk and bike.

ILOILO CITY
How do you build a city that is sweet to its cyclists?

First, you put up bicycle lanes. Then you work and bike together, like the people of Iloilo City do.

Elvie Razon-Gonzalez learned to ride a bicycle as a child in Metro Manila. But when she lived in the megacity, she didn’t dare move around on two wheels.

In Metro Manila, pedal pushers don’t have their own protected space; they ride in moving traffic. However, the person on a bicycle is only flesh and bone. He or she is no match to the person in a car, who is protected by an exoskeleton of steel.

As a result, two-wheeled travel in Metro Manila can be fatal. From 2005 to 2013, 1,127 people on bicycles died in road crashes.

EVERYBODY’S SAFE ZONE
In contrast, Iloilo City is a haven for Ms. Razon-Gonzalez and people on bicycles. The Queen City of the South provides them with bicycle lanes, including a four-kilometer protected lane.

The protected bike lane is raised; plants and bollards also keep motor vehicles out of the lane. People who walk and jog use the lane, too.

The bike lanes have become everyone’s safe zone. This was something Ms. Razon-Gonzalez found out in 2014. In that year, she, a gastroenterologist, and John Paul, her surgeon husband, moved their family from Manila to Iloilo.

“I rode in the bike lanes until I found the courage to bike on the roads,” she says. “The lanes are a safe place where people who are not hardcore riders — women, students, the elderly, and children — can bike.”

The country’s longest protected bicycle lane

How do you build a city that, like Iloilo, is sweet to its cyclists? Building bike lanes, including protected lanes, is an important first step.

Iloilo City is home to “the longest dedicated… bike lane in the country along a major thoroughfare,” says Paulo Alcazaren. The landscape architect designed the four-kilometer protected bike lane on Aquino Avenue.

The maximum speed limit on the avenue is 60 kilometers per hour (kph). However, it is not enforced; cars, trucks, vans, and motorcycles all hurtle down the avenue’s 10 lanes.

On such a road, having a protected bike lane is vital to the safety of vulnerable road users. The protected lane is a buffer zone between people on foot and on bicycles and speeding vehicles.

In Iloilo, everyone works and bikes together to create a bicycle-friendly city.

David Robert De Leon teaches high school math at Central Philippine University. He bikes to the school every day. He and four co-teachers founded a cycling club that counts many students among its members. Mr. De Leon and his colleagues teach them how to safely ride their bikes.

As a result of the club’s efforts, the university has installed 18 bicycle racks on campus. Many students, teachers, and staff started biking to the school, too.

Wilfredo Sy Jr. is an architect. He has done pro bono work on the design of a “university loop.” When completed, the bike lane will connect nine schools and may benefit 58,000 students.

Jay Treñas, a city councilor, bikes to work on Fridays. He passed an ordinance requiring all buildings in the city to install bike racks. Finally, cycling groups have mushroomed in Iloilo City. For these avid cyclists, any reason is a good one to ride. They get on their bicycles to celebrate women, to honor Filipino heroes, and to sweep the bike lanes.

With every bike ride, they are building a city that is safer for Ms. Razon-Gonzalez and for many others like her who enjoy the sweet freedom of two-wheeled travel.

ATENEO DE MANILA
Walking in Metro Manila is no walk in the park. The too-few sidewalks are dirty, cracked, and narrow. There is a dearth of shady trees to shield people from the hot sun or rain and to buffer them from cars and traffic. As vendors and motor vehicles encroach upon the sidewalks, people on foot often walk on the carriageway itself and risk getting hit by motor vehicles.

As a result, walking in the megacity can be fatal. More than 57,877 persons on foot were injured or killed in Metro Manila from 2005 to 2015, says Thinking Machines. “Pedestrians made up 46.2% of Metro Manila’s 4,024 road fatalities since 2005,” reports the data science consultancy. “That’s more than the number of drivers (39.8%) or passengers (14%) that were killed.”

In the megacity, there are a few areas where people on foot can feel safe. The Ateneo de Manila University in Quezon City is one of them. Since 2010, the school’s administrators and staff have been working together to make pedestrian safety a priority on the campus. In that year, Ateneo’s campus safety and mobility office audited the facilities for walking on campus.

Then Fr. Jose Ramon T. Villarin, SJ, president of the Ateneo de Manila University, convened the Ateneo Traffic Group in 2011. “We will need sharp minds and resolute wills to design a new framework for campus mobility,” he wrote in a memo.

The group’s members reviewed the university’s policies on traffic management and identified areas for improvement. The campus safety and mobility office carried out the group’s recommendations. Here’s how the two offices turned the Ateneo campus into a paradise for people on foot.

• They reduced speed limits

Speed kills. The faster a motor vehicle is running, the greater the likelihood of a road crash and the more severe the crash.

It was a speeding van that ended the life of Ateneo student Julian Carlo Miguel C. Alcantara in 2009. The boy, nicknamed “Amiel,” was reportedly crossing the street on campus, with his nanny and a sibling, when the motor vehicle hit him.

The impact was enough for the boy to sustain severe head injuries, which led to his death. It reportedly shattered both of the nanny’s legs.

Charges of reckless imprudence resulting in homicide and serious physical injury were filed against the woman who was driving the van. The trial is ongoing.

In 2009, the speed limit on campus was 40 kph, reports Josephy Almosera. “After Amiel’s death, we lowered it to 30 kph,” says the assistant director of Ateneo’s campus safety and mobility office. This conforms to the World Health Organization’s recommended speed limit of 30 kph in school areas to keep children safe.

To reduce the speed of motor vehicles and to allow pedestrians to cross safely, the campus safety and mobility office placed speed bumps before major pedestrian lanes. In some cases, the office consolidated pedestrian lanes into a properly designed and constructed speed table. The speed table prevents motorists from going fast and keep people on foot safe.

Since speed was reduced on campus, no one has been injured or has died in a road crash, says Michael Canlas. He is the director of the campus facilities management office.

They made walking safe and fun

Mr. Almosera surveyed the school’s sidewalks in 2010. “I looked for areas that needed improvement,” he says. After walking 11 routes that covered 8.3 kilometers of sidewalks, he found plenty. In some places, the sidewalks were only about a meter wide. Some of them were unpaved; a few had protruding tree roots and rocks, which could trip the person on foot.

Worst of all, the sidewalks were not connected or continuous. “The child tended to keep crossing the street because there were unpaved paths on one side and a paved sidewalk on the other side,” he says.

Today, there is a 10-kilometer network of sidewalks on campus. The sidewalks have been widened to 2.5 meters, says Marcelino Mendoza. He heads the campus safety and mobility office.

Mr. Mendoza has seen that if you build and maintain facilities so that people can safely walk, more people will walk. “Students used to drive from one building to another,” he says. “Now they walk.”

Ateneo’s connected sidewalks have made the campus a “friendly” one, says Mr. Canlas. “Students and guests alike can walk around and appreciate the old buildings and heritage trees within the campus.”

They trained guards to manage the movement of people and vehicles

Mr. Almosera’s 2010 survey showed that there were 49 guards involve in traffic management. Only 31 of them were trained to manage the movement of people and motor vehicles on campus. So Ateneo requested the Metropolitan Manila Development Authority to train all guards in traffic management.

Today, the guards keep the children safe as they cross the streets. They also keep an eye on erring motorists; they can issue tickets for violations such as driving over the 30 kph speed limit and failure to give way to pedestrians on pedestrian lanes. Each violation carries a penalty of P3,000 pesos.

An experienced writer and editor, Dinna Louise C. Dayao is one of 10 Filipino journalists who participated in the 2016 Bloomberg Initiative-Global Road Safety Media Fellowship implemented by the World Health Organization. Her reporting on road safety is supported by a grant from the Pulitzer Center on Crisis Reporting. These stories were first posted on the Fourth United Nations Global Road Safety Week Web site (https://www.unroadsafetyweek.org/en/home).

Join the #SlowDown campaign

THE Fourth United Nations Global Road Safety Week is held from May 8 to 14. The Week focuses on speed and what can be done to address this key risk factor for road traffic injuries and deaths.

Excessive or inappropriate speed contributes to one-third of the 1.25 million road deaths that occur around the world every year, according to the WHO. Up to 50% of drivers go over posted speed limits, estimates the agency.

Visit https://www.unroadsafetyweek.org/en/get-involved for ways to be part of the #SlowDown campaign.

Wondrous Gangwon

There is more to Korea than Seoul.

It takes only an adventurous spirit and a willingness to deviate from the beaten track to discover some of the hidden gems in the Land of the Morning Calm.

I have been to Korea six times in as many years but this last trip was the first time that I explored Gangwon Province outside the famous Nami Island. A traditional hanok at the Seongyojang HouseNami, the filming location of the famous Korean drama Winter Sonata, gave a mere glimpse of what Gangwon has to offer. It was just like scratching the surface. The three-hour trip by car from Seoul opened the door to a host of wondrous sites. This mountainous province in the northeastern part of the country has a unique and quiet charm and should be included in everyone’s Korean itinerary.

When the invitation from the Korean Tourism Organization (KTO) Manila Office to visit Gangwon came last month, there were no second thoughts. After all, it will be the host of the 2018 Winter Olympics and it would be interesting to survey the place before the deluge of tourists descends.

Located at the east side of the Korean Peninsula, 82% of Gangwon is mountains and forests. As is to be expected, Gangwon is laid-back and moves at a slower pace compared to Seoul and, to some extent, Busan.

“When you want to commune with nature, Gangwon is the best place to be. We have beautiful mountains and the inviting East Sea. Korean traditions and culture are also well-preserved here. We offer a mix of the traditional and the modern,” said Kyunhee Suhl, director of the Food & Cruise Team of KTO Korea.

During the brief tour, I experienced the wonders of Gangwon. Here are my top seven things to do:

1. Climb Seorak Mountain
Seorak Mountain (or Seoraksan, as “san” means “mountain” in Korean) may well be the heart of Gangwon. During the spring, the majestic mount greets visitors in its tender green glory. During my visit, the cherry blossoms were in full bloom — a perfect place for nature lovers.

There are at least 15 hiking routes of varied distances and difficulty. As the mountain is huge, it has been divided into regions and hiking trails have been especially set up. Seoraksan can cater to different types of hikers, including the novice. The trail to the Gwongeum Fortress, for instance, is only 1.5 kilometers (one way) and can be reached within 30 minutes. The challenging 13.9-kilometer trek to the Baekdamsa Temple may take nine hours to complete, but enthusiasts are eager to reach the historic site where the renowned poet Han Yong Woon stayed. Mid-range trails such as those leading to the Yangpok and Eumpok Falls can be done in as little as three hours.

For tourists who simply want to savor the site without having to go on a rigorous hike, the best way to enjoy Seoraksan is to ride the cable car, and then follow a simple trail to one of the peaks.

As it was still spring in Korea, the trees lining the trails were mostly green and brown. Jayeon An, Gangwon Maritime Tourism Center director, said Seoraksan is even more gorgeous in autumn when the leaves turn bright yellow and orange.

“More people flock to Seoraksan during autumn. The scenery is gorgeous,” said Ms. An.

2. Say a prayer at the Shinheungsa Temple
Humongous statues never cease to amaze — be it the giant reclining Buddha of Wat Pho in Bangkok or the imposing Lord Murugan of Batu Caves in Malaysia.

Gangwon’s Shinheungsa Temple houses a magnificent nine storey-tall statue of Buddha. Established by Buddhist priest, Jajangyulsa, the temple burned in 1644 during the Joseon Dynasty but was subsequently rebuilt. The temple draws hundreds of visitors as Buddha’s bones are enshrined in a reliquary in the temple, said our tour guide, Jessie Lee, chief experience officer at Myseoultrip. Even with the influx of people, one can feel sanctity of the site, regardless of one’s religion. Offering of flowers, food, and other gifts is welcome and devotees often linger to say a prayer or two.

3. Check the Olympic attractions
As host of next year’s Winter Olympic Games, the excitement over the quadrennial meet can already be felt all over Gangwon.

While there, I enjoyed watching an ice hockey game at the Kwandong Hockey Center. It was a thrilling game between the women’s teams of Korea and Netherlands. On the ice, the ladies boasted of both brawn and wit. On the sidelines, the local spectators were busy practicing their chants, to rally the Korean team to victory.

Soohorang, a white tiger, and Bandabi, an Asiatic black bear, are the official mascots of the Games. They are found in many Gangwon landmarks, including the PyeongChang Olympic Center.

At the Center, there are sculptures of the various games. There is also a 4D theater that gives visitors the opportunity to experience featured sports such as skiing and bobsleigh virtually.

4. Enjoy a distinctive brew at the Anmok Coffee Street
The Anmok Coffee Street is a paradise for coffee drinkers. There is a long line of coffee shops facing the beach and it is not uncommon to see both locals and tourists sipping their chosen brew at the veranda of their favorite coffee shops or while strolling by the beach watching the kite flyers and their colorful creations.

Anmok is a busy street with more than two dozen coffee outlets but when I visited, there was a welcome calm brought about by a light spring breeze and the calm waters.

While there are the usual Starbucks and Korean favorites such as Café Benne and Angel In Us, I opted to try Albero Coffee and Dessert and was quite happy with its mouthwatering goguma (sweet potato) coffee.

5. Experiencing North Korean culture in Abai Village
Abai Village was established by northern refugees of the Korean War who settled in the south of the country and have never managed to return to their homes. There is an old rustic vibe in “abai” which means grandfather in Hamgyeong, the North Korean dialect.

This quaint village, which is officially named Cheongho-dong, is located in Sokcho, a district in Gangwon. As many settlers here are refugees or their descendants, this is the closest place where tourists can immerse themselves in authentic North Korean culture.

While there, I crossed the river on a gaetbae, a manually operated boat where ropes are tied from end to end and pulled to reach downtown Sokcho.

Abai was also the film site of Autumn in My Heart, another popular drama starring actress Song Hye Kyo. Our walking tour was capped with a relaxing stop at the Sokcho Beach, which is just a stone’s throw away from the village.

6. Savor the delights at the Sokcho Market
A market is a market is a market. But the sights and smells and the tastes are different depending on where you are.

Sokcho’s Tourist and Fishery Market has the familiar feel of a market in Cebu or even Zamboanga with its wide array of seafood choices — both live and dried. Special spices, exotic fruits, and a variety of dried goods are also available. Unfamiliar Korean snacks fascinate foreigners, which can be enjoyed for between 1,000 and 5,000 won (P45 and P200).

With a large population of North Korean settlers, it is not surprising that one-of-a-kind dishes from North Korea are among its specialties. Dishes such as grilled pollack, easily the runaway winner; hamheung naengmyeon, a type of cold noodle; and abai sundae, a mixture of sticky rice, sprouts, and other vegetables, with pig blood, that is similar to our longganiza (sausage), are must-tries and are readily available in nearby neighborhood restaurants or at the Sokcho food street.

7. Learn a bit of Korean history
Gangwon also gives tourists the chance to learn about Korean history with the visit to the Heo Nanseolheon Museum and the option to stay in a traditional Korean house, called the hanok, at the Seongyojang House.

Throughout its history, Korea produced a number of women intellectuals like Heo Nanseolheon, a prominent poet from the Joseon Dynasty. She is credited with some 200 poems and the literati may consider a quick trip to a museum in the Gangneung district built in her honor. The Seongyojang House, on the other hand, is an alternative accommodation. It is a well-preserved old hanok which retains the original architectural design.

The visit to Gangwon was short but sweet. Later this year, travel to this vibrant province is expected to be faster with the opening of a high-speed railway from Incheon and Seoul. There are a dozen festivals to enjoy throughout the year, sights and sounds to experience, nature tripping to enjoy to the fullest. In actor Lee Min Ho’s latest Korean drama, The Legend of the Blue Sea, the inviting beaches of Gangneung were featured. I am saving these and the hot springs — plus the temples, the grottos, spelunking, water rafting, the Demilitarized Zone observatory, the bungee jumping, and the countless colorful gardens — for the next visit.