Depp says he mined his ‘inner evil’ to play gangster Bulger
VENICE — Johnny Depp says he did not have to dig deep to tap into his evil side for his portrayal of the Irish-American gangster James “Whitey” Bulger in the film Black Mass, which screened out of competition at last month’s Venice Film Festival.
Agatha Christie’s Poirot and Marple: The comfort of the British murder-mystery
The Binge — Jessica Zafra
MISS JANE MARPLE is a menace to society. Whenever she turns up with that handbag of hers, sniffing around in other people’s business, murder follows. Corpses turn up, poisoned, stabbed, bludgeoned, strangled, shot. Suspicions mount, terrible secrets are uncovered, threats are uttered. People are revealed at their very worst. What fun!
Keanu Reeves on stranger danger
By James Dawson
KEANU REEVES on stranger danger plays the victim of a home invasion in the psychological horror movie Knock Knock. The actor, best known as Neo from The Matrix movies, plays a successful American architect with an artist wife and two adorable children. It’s the first time he’s played a parent on the big screen.
Maoris hacked off at haka exploitation
WELLINGTON — The haka is best known to rugby fans as the spectacular pre-match challenge issued by the All Blacks — but it’s also a revered cultural tradition among New Zealand’s Maori, who resent it being mocked or exploited for profit.
The All Blacks have performed the foot-stomping, eye-rolling ritual since 1905, now firmly entrenched as part of the sporting theater that surrounds New Zealand’s matches.
It’s no novelty act for Maori, though, with New Zealand’s Maori Development Minister Te Ururoa Flavell describing it as “a part of our culture and identity.”
“We use haka to express ourselves in many different settings,” he told AFP. “That includes welcoming guests, saying goodbye to our dead, celebrating success, [and] showing our pride.”
Small wonder then, that Maori bristle when advertising executives use their esteemed custom as a punchline in commercials and marketing campaigns.
In recent years, haka parodies have been used to sell everything from British menswear to Japanese soft drinks — all without permission and without a cent being paid to the haka’s traditional owners.
“It’s a feeling of disappointment that people don’t understand what it’s about,” Kahu Ropata, a cultural adviser with the Ngati Toa iwi (tribe), told AFP.
“Using it for profit, that’s not what the haka was intended for. It should be treated respectfully.”
New Zealand’s players perform the haka and Tonga’s perform the Sipi Tau prior to a Pool C match of the 2015 Rugby World Cup between New Zealand and Tonga at St James’ Park in Newcastle-upon-Tyne, northeast England, on October 9, 2015. – AFP
‘NO ROOM FOR DISRESPECT’
Numerous versions of the haka exist, but the All Blacks only perform two — the traditional Ka Mate and Kapa o Pango, which was introduced in 2005 and includes a controversial throat-slitting gesture.
Ka Mate is Ngati Toa’s haka, composed by the warrior chief Te Rauparaha around 1820 to celebrate his escape from a rival tribe’s pursuing war party.
“The essence of the haka is about life [triumphing] over death, the little guy beating the big guy and punching above his weight,” Mr. Ropata said.
Over the years, Ka Mate has evolved into New Zealand’s haka, with Mr. Ropata pointing out: “It’s reverberated around the battlegrounds of Chunuk Bair and Gallipoli and El Alamein.”
Ngati Toa are still regarded as Ka Mate’s custodians, a situation Mr. Flavell said the government recognized last year when it passed a law requiring the iwi to be acknowledged when the haka was used.
The tribe also have an agreement with New Zealand Rugby about using the haka and last month hosted All Blacks players at their meeting house near Wellington before the players departed for the World Cup.
But such laws and agreements have no force beyond New Zealand, and Mr. Ropata said his people were reliant on overseas companies doing the right thing, inviting them to consult the iwi before using the haka.
“For Ngati Toa, there’s no room for disrespecting the haka,” he said.
“So the word to the marketing companies is that if they are to use it, use it appropriately.”
While commercial exploitation of the haka may rankle, Mr. Ropata said Ngati Toa took immense pride in seeking the Ka Mate haka performed on the world stage by the All Blacks.
His tribe’s Ka Mate has been the only haka performed so far at this tournament, with Kapa o Pango yet to make an appearance.
The French team have a history of confronting the Maori challenge, and Mr. Ropata was intrigued to see how they would respond to it at last weekend’s World Cup quarter-final against New Zealand in Cardiff.
“To stand there eyeball to eyeball, I think that’s the whole way of approaching it,” he said.
“It shows your opposition, in this case the All Blacks, that you’re ready to go into battle on the field.”
In 2007, the French wore red, white and blue shirts to form a giant tricolor, staring down the New Zealanders before scoring a famous 20-18 quarterfinal victory in Cardiff.
Four years later, before the 2011 final, they formed a flying-V and marched into the All Blacks’ half, falling just short of a another stunning upset before New Zealand prevailed 8-7.
“It’s saying that this is our land, our whenua (territory), our field and we’re here to play,” Mr. Ropata said.
Before Sunday’s quarterfinal, the French stood in red jerseys, arms and shoulders interlocked and their stare held as the All Blacks issued the traditional challenge. However, New Zealand thrashed them in the game that followed, winning 62-13. — AFP
Sand, sun, sea, and study
By Jasmine Agnes T. Cruz
SCHOOL is for learning while the beach is for fun, right? Not necessarily.
Megaworld opens newest hotel brand
ON OCT. 8, the Andrew Tan-led Megaworld Corp. introduced the company’s newest hotel brand with the opening of its first property in Resorts World Manila in Pasay City.
The Belmont Hotel Manila is a 10-storey, 480-room business hotel designed with a “natural” theme in mind, as the lobby is a study in wood and marble, with green glass “shells” suspended from the ceiling.
Likewise, wood and glass and marble dominate the hallways and the rooms.
During the launch and the subsequent tour, Lorenzo Tang, the hotel’s general manager, told the press that the hotel — currently on its soft opening with a planned grand launch in November — will “probably” have a $100-$200 price point.
“Prices are changing based on seasonality… at the moment we’re still testing the market [as] we do not want to overcharge,” said Mr. Tang, before adding that due to their proximity to the country’s international airports, they are expecting that 40% of their customers will be foreign business travelers and that the average stay of each guests will be around one to two days.
The hotel is said to be in the four-star category and boasts of a rooftop pool which turns into a bar at night, an all-day dining restaurant which can seat 89 people, a fitness center (with saunas and steam rooms), function rooms, and a business center.
Hotel rooms are sized at around 25 square meters with room categories being based on the amenities provided and on location and not much on size.
“We are developing different room categories. The differentiation will not be on the size like a normal hotel but more on amenities,” he told BusinessWorld during the tour of the property.
One category will be a “tranquility room,” described by Mr. Tang as “almost a spa room” because they will be scented with lavender, located in hallways with less foot traffic, and will face the atrium or a mini-patio. Corner rooms will have two walls of floor-to-ceiling windows offering almost-unobstructed views of the streets (which isn’t really very pretty at the moment what with the construction of the Skyway).
“There won’t be suites in the traditional way — so no rooms with different areas,” he said, though they will offer a category with upgraded and branded amenities.
The hotel functions using an “internal business model like a condo-tel.”
“All the hotel rooms were sold to individual investors,” Mr. Tang said, before adding that Megaworld retained ownership of at least 10% of the rooms. Each unit is said to have cost P4 million. The same business model is expected to be followed by subsequent Belmont hotels — one in Cebu and one in Boracay — ensconced in Megaworld townships.
The Belmont Manila is the fourth hotel to rise in the mega-casino-resort complex after the Remington, Marriott and Maxims, with three more hotels to open in the near future including another local brand, Savoy Hotel — which Mr. Tang said would be “bigger at 780 rooms” and is expected to open in 2017 — aside from international chains such as the Starwood-operated Sheraton and a Hilton.
Mr. Tan, according to a press release, is planning to be “the country’s biggest hotel developer in the next five years” as Megaworld, together with its subsidiary Global-Estate Resorts, Inc., and Travellers International Hotels Group, Inc., will be completing “a total of 10,000 hotel rooms in various Megaworld townships in the country,” bringing the total of hotel rooms under Mr. Tan to 12,000.
Two hotels (one under the Richmonde brand) are planned to be constructed in Iloilo, one in Tagaytay, four hotels in Boracay (including Belmont) and five in Cebu. — Zsarlene B. Chua
Zamboanga City’s old, colorful soul
Text and photos by
Carmencita A. Carillo Correspondent
ZAMBOANGA CITY — Two years after the September 2013 siege — when Moro National Liberation Front forces forcefully took over the city, hostaged residents, and engaged the Special Operations Group of the Philippine Navy in a fire fight that lasted almost a month and took many lives — this city is once again hopeful that its tourism industry will bounce back as it celebrates the annual Hermosa Festival this month.
“Zamboanga is going to be back in the tourism map judging from the number of visitors in this year’s festival, specifically the Regatta de Zamboanga,” said Councilor Vincent Paul A. Elago, chairman of the city council committee on tourism, on the sidelines of the vinta (a form of sailboat) competition conducted along the R.T. Lim Boulevard that used to be known as Cawa-Cawa.
The one-kilometer stretch of the boulevard used to be occupied by families who were displaced during the siege, mostly people from the Badjao indigenous group. But the tents that served as temporary shelters are gone and have been replaced by a view of the traditional vintas with their colorful sails parked along the shore.
Mr. Elago estimated that the number of spectators, who stood from end to end of the boulevard to cheer during the Regatta, were at least 50,000, including foreign visitors.
The Regatta de Zamboanga, a traditional race of vintas, also had a record-breaking number of participants with 180 bangkeros (boatmen).
“The vintas are one of the most popular icons of Zamboanga, but most of the Badjaos who used the vintas for fishing have started to look for other means of livelihood in the city so we feared that the vintas would disappear,” Mr. Elago said.
He said the local government hopes to bring back the art of fishing and sailing the vintas through the holding of the Regatta de Zamboanga every year.
Hajad M. Hamid, who used to be a fisherman but now works at a state university here, and his brother Danny paddled and steered vinta No. 006 to victory, keeping their winning record from the past.
“It took me almost a month to practice whenever I have free time,” Mr. Hamid said in the dialect.
“Zamboanga’s vibrant tourism industry suffered a setback because of the siege but we have recovered and are rebuilding tourist confidence in the area,” Department of Tourism (DoT) Zamboanga Peninsula Region Director Mary June G. Bugante said.
The region’s tourist arrivals dove after the siege by almost 50% to 344,000 from 658,000 in 2012. Last year, a slight increase was recorded at 370,000, composed mostly of domestic travelers.
Ms. Bugante said the top attractions of Zamboanga remain to be its culture and beaches.
Zamboanga City was already a trading center among its Asian neighbors as far back as the 13th century, and Spain’s influence is also indelibly marked around town as well as the local Chavacano language, a form of Spanish pidgin.
Fort Pilar, built by the Spaniards in 1635 as a military fortress, was a declared national cultural shrine and currently serves as a shrine to the Catholic Mother Mary and a regional museum of the National Museum of the Philippines.
Zamboanga also has 11 islands in the east that are being pushed for development as a tourism product.
“The Eleven Islands could be our next attractions but we have to make sure they are developed sustainably,” Ms. Bugante said.
But the city’s biggest charm is its cultural heritage that tourists can soak in with a leisurely walk around town, starting at the City Hall that was built by the United States to house the American governors during World War I, including John J. Pershing who started the construction of Pasonanca Park in 1912.
A few minutes away from the City Hall is the Pettit Barracks — named after James S. Pettit, a US colonel who at one time was in charge of the city’s civil affairs — which has been declared by the National Historical Institute as a heritage zone not only for the structures but the more-than-a-century-old acacia trees that line the streets.
These trees stand witness not just to two world wars but the many other struggles, as well as the victories, of the city and the Chavacano people.
Carbon from Indonesia fires exceeds US emissions: green groups
JAKARTA — Fires raging across huge areas of Indonesia are spewing more greenhouse gases into the atmosphere every day than the US economy, according to estimates from global environment watchdogs.
Spectacular digital art lotto
ADS & ENDS
NANETTE FRANCO-DIYCO
HAS ART TOUCHED our hearts in one way or another? I remember one summer when my daughter and I seriously undertook painting lessons under some maestro in our subdivision. I learned charcoal, shadings, and all, and I was slowly being ushered into painting fruits.
I distinctly remember the bowl of fruits had a couple of pears, a big red apple, a small bunch of yellow bananas peeping from behind, and black grapes that flowed onto the table. I must confess I went straight to the supermarket that night and bought me a bigger bunch of black grapes. Delicious, I muttered to my daughter, mourning my sheer lack of perseverance in proceeding with our selected summer art.
Now, let me turn to the “greats.” I commissioned the great expert in church paintings, Roddy Ragodon, to paint the Barasaoin Church in Bulacan — a huge painting that now elegantly hangs in my living room.
For some unknown reason, I thought my parents were married there, and I specially ordered it as an anniversary present for my mom. Why is it now mine, you might ask? I learned that they were married in the Manila Cathedral. My pride could not allow me to tell her the tale of my thoughtfulness in art gone berserk!
Come to think of it, maybe I can photograph it and join the Art Lotto!
Publicis Jimenez Basic creative director Raymund Sison uses the come-on “#ArtLotto: Using art as ticket to a fortune… To a lotto with a jackpot prize of P450,000.”
This is a public service effort of Publicis JimenezBasic, E. Zobel Foundation, Inc., and the 4As Creative Guild of the Philippines in collaboration with artists and art groups. Mr. Sison simply describes it as a public service effort that aims to raise awareness and appreciation for Filipino art.
Asked about how it was born, he revealed that the idea sprang from the observation that there is actually an abundance of art in the Philippines. “You can find art everywhere in the Philippines. It’s in underpass tunnels, along highways, in coffee shops and restaurants, in offices, in schools, on streets — practically everywhere.”
A midnight brainstorm during the 4As Creative Guild of the Philippines’ annual creative awards in Boracay further declared that “most Filipinos pay no attention to art because it has no value to them. The truth is that people have more basic needs.”
Hence, the discussion flowed into the statement of the problem: How do we make them notice something they find so irrelevant? Here, the great idea was born!
“We decided to make them see its value in a way they are most familiar with, through something they really value, using a medium that Filipinos line up for every day — the lotto.”
The lotto. I smiled my giant smile. My husband had favorite numbers that he actually betted on for about a full week or two. I remember him enjoying checking the morning papers for the winning numbers. He eventually got tired of not winning but loved hearing of lotto triumphs.
I am sure he would have enjoyed — to the hilt! — joining this Art Lotto!
The simple directions for joining: Just take a photo or video of any piece of art anywhere in the Philippines — whether it’s a poem on paper or on tissue, a painting on the street, a mural along the highway, a dance in the park, a play in school or in a community theater, a film, a sculpture, a musical — any form of art.
Then, upload it on Twitter or Instagram, caption it, then hashtag #artlotto. That’s your ticket to a lotto with a grand prize of P450,000.
Mr. Sison stressed that you can send as many entries as you can. No limit. As this advocacy keeps going, the entries will keep building an online gallery.
Innards of the mechanics: When you post any form of art and hashtag it #artlotto, your entry will be part of the people-curated online gallery of Filipino art found at www.artlotto.ph. This gallery will house not just visual arts, but all forms of art — from theater to dance to literature to film to architecture to music.
Internationally-acclaimed filmmaker Brillante Mendoza said: “The best thing about Art Lotto is it makes people be more aware and more conscious of art, not just the educated ones, but people from all walks of life.”
Famous sculptor and contemporary artist Leeroy New said: “Art Lotto is a great platform to start things, to get people interested in recognizing art and design in their everyday life.”
Emmy award-winning producer Michael Carandang said, “Art Lotto is cool and quite brilliant.”
Director and actor Dennis Marasigan said, “I think art in the Philippines always needs more help than what it is getting now. So, any effort to help the arts and help our people understand and appreciate art better is greatly appreciated. Art Lotto will help the arts in a way that no other initiatives have done before.”
Visual artist and Kiko Machine vocalist JP Cuison said: “The good thing about this project is it makes people richer — [in] both their pocket and their mind.”
Mr. Sison emphasizes that it’s a more fun way of art consciousness and appreciation. It’s like rediscovering your surroundings again, this time with eyes that are more welcoming of the art around. “This advocacy aims to democratize something that seems to be very elitist and make art more inclusive instead of exclusive. And ultimately, make people be more conscious of art everywhere…”
Art Lotto won the Grand Diwa Award at the first ever E. Zobel Diwa Award at the Kidlat 2015 Creative Guild Awards Night in Boracay. The E. Zobel Diwa Award aims to gather the best ideas from the country’s top creative talents to solve any number of issues the Philippines is facing and recognize the best in Public Service advertising.
The award is named after the late businessman and philanthropist Enrique Jacobo Emilio Olgado Zobel.
#ArtLotto started on Oct. 15 and will run until Dec. 31. The #ArtLotto draw will happen on Jan. 4, 2016. It’s a random electronic draw like the lotto most Filipinos are familiar with. One winner will be announced in the grand draw.
Take a bow, Publicis JimenezBasic, E. Zobel Foundation, and the 4As Creative Guild of the Philippines. It’s creativity at its very best.
Credits. #ArtLotto Presentors: E. Zobel Foundation, Inc., 4As Creative Guild of the Philippines, Publicis JimenezBasic; #ArtLotto creative team: Raymund Sison, Ryder Aquino, Trixie Diyco, Brandie Tan; #ArtLotto accounts team: Shai Avecillo-Riofrio, Tats Cruz; #ArtLotto digital team: Jeff Mendoza, Dada Lobren, Danny Van Ommen, Alex Osias, Elie Odigie.
NANETTE FRANCO-DIYCO ended her 15th year advertising career as Vice-President of JWT, segueing into the world of academe, currently teaching communications at the Ateneo de Manila University.
nanettediyco131@gmail.com
Music and memories
By Nickky Faustine P. de Guzman
CONCERT
Harana
Featuring Lani Misalucha
Oct. 31
Las Casas Filipinas de Acuzar, Bagac, Bataan