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Black Friday: Only the beginning

Any regime that calls itself democratic would have erred on the side of press freedom and free expression if there were any doubts about a media organization’s non-compliance with the law, or would have allowed it to make the necessary corrections.

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Not only are there grave doubts about the Duterte regime’s claims about Rappler news site’s being foreign-owned; it wasn’t allowed to correct whatever errors it may have committed either. Instead, the Securities and Exchange Commission (SEC) rushed to stop its operations.

But the regime doesn’t even claim to be in the democratic category, although one of Mr. Duterte’s closest allies, Speaker Pantaleon Alvarez, did justify as “democratic” his denying opposition congressmen funds for their district’s infrastructure projects. Because they didn’t agree with him, he even announced that he has the right to deny their constituents the benefits the funding and realization of those projects would bring them. The same Alvarez has also threatened to withhold funds from the officials of local governments who’re not supportive of the regime call for a shift to a federal form of government. He says it was a joke. His past acts and statements show it wasn’t.

Every political science freshman knows that Alvarez’s dispensing public funds only to his fellow true believers reeks with the political patronage so characteristic of the scoundrels who infest Philippine officialdom. It also assumes that public funds are his own and not the people’s from whose taxes they’re derived.

Alvarez and company’s autocratic mind-set and claims to entitlement are only among the most recent indications of the perils to which the Philippines and its people have been made vulnerable by the current regime. The country is in fact in the gravest danger since the eve of the declaration of martial law in 1972 because Philippine governance has fallen into the hands of the most reactionary, most vicious, most power-hungry and most violent wing of the dynasties that rule this rumored democracy.

The predatory clique that looks at killing as a necessary part of public policy is focused on remaining in power and restoring a dictatorship through Constitutional amendments that will make a mockery of the Bill of Rights through, among other putrid means, the insertion of the phrase “the responsible exercise” of free expression, free speech and press freedom in Article III, Section 4 of the 1987 Constitution. It is also plotting the extension of the terms of congressmen, senators, and the president, and the suspension of elections during a protracted, 10-year transition from the unitary form of government to a federal one.

In preparation for the achievement of this assault on what little remains of Philippine democracy, these marauders are ravaging the system of government checks and balances by rushing the impeachment of the chief justice and the ombudsman. But they have also have been demonizing, threatening, and intimidating the independent press and media and those courageous journalists who dare report the truth.

As the entire country saw during the Marcos terror regime, the next step in that sordid enterprise is press suppression. Those who foresaw that probability have been proven right by the SEC cancellation of Rappler news site’s certificate of registration, following the order of Solicitor General Jose Calida to that body to investigate the media organization.

The SEC decision should alarm not only the media community but also every other organization and individual engaged in the democratic imperative of monitoring government and holding it to account. The attack on Rappler is only the beginning of the regime assault on press freedom and free expression. Because critical media and their commitment to truth-telling and monitoring government are the arch-enemies of any tyranny, under the same pretext used against Rappler that it is foreign-owned because of the Philippine Depository Receipts (PDR) it has issued to foreign investors, other media organizations that have similarly issued PDRs are likely to be gagged as well.

But the suppression of other media organizations and practitioners the present regime wants to silence is certain to follow through some other pretext. Such news organizations as independent radio and television networks, critical broadsheets, and online news sites and blogs, the community press, student newspapers, and the alternative media, with their honored tradition of combating dictatorship, are among those the regime will inevitably try to silence.

President Rodrigo Duterte’s allegation that he had nothing to do with the suppression of Rappler and its being the first step in the curtailment of press freedom and free expression is true only in a limited, literal sense. He may not have directly ordered Calida and the SEC to do it, but they certainly took their cue from him.

During his June 2017 State of the Nation Address (SONA), in one of his usual tirades Mr. Duterte threatened to have Rappler investigated for its allegedly being foreign-owned. In the wake of the SEC ruling, he has even justified the attack on Rappler for supposedly lying and spreading the “fake news” of which his overpaid and under-qualified (mis)communication hirelings are the true experts. He also said on another occasion that he would cause the non-renewal of the franchise of TV network ABS-CBN.

Together with his proven hostility to the press, and very early on, in 2016, his justifying the killing of journalists on the flawed argument that they’re all corrupt, these suggest that Mr. Duterte is punishing Rappler for discharging the fundamental journalistic responsibilities of truth-telling and holding the powerful to account. His regime will also do the same to other media organizations and practitioners he and his bully cohorts deem equally guilty of exercising their Constitutionally guaranteed right to press freedom and free expression.

Providing the context of events is among the truth-telling responsibilities of the press. Not only is the suppression of Rappler occurring in a situation in which the regime has been waging a nearly two-year campaign against independent media through the tidal wave of harassments, threats, and false information mostly sourced from the government media system and its online trolls and hired hacks in the corporate media. It is also happening during the regime’s orchestration of its by now obvious march to dictatorship via the railroading of Constitutional amendments. The conditions under which Rappler was targeted shows it to be an assault on press freedom. As the novelist Margaret Atwood declares in her The Handmaid’s Tale, context is all.

In these circumstances, only a broad alliance of media, sectoralm and people’s organizations, human rights defenders, journalists and everyone else who understands the imperatives of free expression and press freedom in the democratization and reform of Philippine society and the making of competent and honest governance can frustrate the fascist conspiracy for the return of authoritarian rule.

During the martial law period, tens of thousands of Filipinos — students, professionals, academics, artists, and journalists — together with organized farmers, workers and other progressives, met the challenge to resist and eventually dismantle the Marcos terror regime. They are once more being called upon to defend themselves and the rest of the people in this hour of extreme peril to everyone’s rights and lives.

If history is any guide, the unity media organizations demonstrated during the Black Friday (January 19th) rally for the defense of press freedom and against dictatorship will be, like the suppression of Rappler, only the beginning. Resistance in various forms and means is the tried and tested and only effective response to tyranny and repression.

 

Luis V. Teodoro is on Facebook and Twitter (@luisteodoro). The views expressed in Vantage Point are his own and do not represent the views of the Center for Media Freedom and Responsibility.

www.luisteodoro.com

RCBC ties up with eCurrency for digital money

RIZAL COMMERCIAL Banking Corp. (RCBC) is set to launch a digital money product, in partnership with eCurrency Mint Limited, within the second quarter of the year.

“RCBC digital money is a form of electronic money that is issued and equally backed up by funds in RCBC,” Margarita B. Lopez, RCBC Head of Digital Banking, told BusinessWorld in a mobile phone message.

Digital money, or electronic money, is a type of currency available in digital form and has the same legal tender status such as cash and coins.

In a statement, the Yuchengco-led lender said its digital money product, RCBC Cash, “establishes the capability to transact between existing payments platforms and will be available to hold in all e-money wallets.”

The new digital cash product is in line with the regulatory sandbox initiative introduced by the Bangko Sentral ng Pilipinas, allowing firms to test and offer technologies under its supervision.

“This launch demonstrates our commitment to bringing progressive and trusted financial services to the Philippines,” Gil A. Buenaventura, RCBC president and chief executive officer, was quoted as saying in the statement.

RCBC said its digital money will use Dublin-based eCurrency’s technology, which allows for safe and efficient digital transactions.

“The digital instrument [will use] high-security technology to ensure that the digital payment instrument cannot be counterfeited or compromised. Furthermore, the degree of transparency required by the solution’s interoperability promotes greater governance and effective regulation,” the bank said.

RCBC and eCurrency will work with the BSP to launch RCBC Cash as early as the second quarter.

In February 2016, RCBC was involved in a cyber heist after hackers used the bank to channel the $81 million stolen from the Bangladeshi central bank.

As of end-September 2017, RCBC is the tenth commercial bank in asset terms. It booked a net profit of P3.4 billion in the first nine months of 2017, 2% lower than the previous year.

Shares in RCBC rose by 2.02% or P1.10 to P55.50 apiece on Thursday. – Karl Angelo N. Vidal

Uber Philippines files petition to hike fares

UBER PHILIPPINES (Uber Systems, Inc.) has filed a petition before the Land Transportation Franchising and Regulatory Board (LTFRB) to raise fares, citing rising costs for drivers due to the higher excise tax on petroleum products.

On its Web site, the ride-sharing company said it is seeking to raise fares per kilometer by around 58% to 110%, depending on demand and time of the day.

In its application, Uber wants to raise the fare per kilometer to P9 (for off-peak hours) and P12 (for peak hours) for UberX, the basic Uber ride. Uber’s current fare per kilometer is P5.70.

The base fare is retained at P40, as well as time charge at P2 per minute.

“The costs that driver partners have to bear to maintain their vehicles is projected to increase due to several factors, including requirements under the Omnibus Franchising Guidelines (OFG) to further improve safety and quality of service, increasing fuel prices, and new excise taxes on petroleum,” Uber Philippines said.

In a message to reporters, LTFRB Board Member Aileen Lourdes A. Lizada said they have received the petition filed by Uber Philippines yesterday, Jan. 25.

Rival Grab Philippines (MyTAXI.PH, Inc.) earlier this month filed a petition to increase its P10 to P14 per kilometer charge to P11 to P15 per kilometer, and increase its P2 per minute charge to P2.10 per minute, to compensate Grab drivers for the price increases in fuel and spare parts from higher excise taxes.

Excise taxes under the new tax reform package on petroleum products are estimated to increase by P2.50 per liter for diesel, and P7 per liter for gasoline.

Last week, the LTFRB set its common base supply of transport network company (TNC) vehicles at a cap of 45,000 vehicles in Metro Manila and nearby provinces, 500 for Metro Cebu, and 200 for Pampanga. — Patrizia Paola C. Marcelo

Your Weekend Guide (January 26, 2018)

MADE 2018 exhibits

THE Metrobank Foundation, Inc. (MBFI) launches the 2018 Metrobank Art & Design Excellence (MADE) through a series of art exhibits, workshops, and lectures dubbed as Art MADE Public. This year’s exhibits will showcase diverse influences among the artists as well as various themes and styles which have emerged among their works over time. The exhibit series will run from Jan. 25 to March 21 in various cultural and academic institutions nationwide as well as in commercial spaces at the SM Supermalls. They will feature past MADE winning artworks include that of Roberto Feleo (1984 1st place winner) as well as the works of a group of artists-activists in the 1980s called Salingpusa, with members who are now renowned names in Philippine art such as Elmer Borlongan, Manny Garibay, Mark Justiniani, and Ferdinand Montemayor. The exhibits will be shown at SM Aura Premier (Jan. 25-28); SM City Bacolod (Feb. 1-3); SM Seaside Cebu (Feb. 7-10); SM Lanang Premiere, Davao City (March 1-3); SM Dasmariñas (March 8-12), and The Block SM City North EDSA (March 14-21).

Children’s educational fair

ASIA’S largest educational children’s fair, Smart Kids Asia Philippines (Smart Kids), returns for its fourth year on Jan. 27 and 28 at Halls 3 and 4 of the SMX Convention Center, SM Mall of Asia Complex, Pasay City. With the theme “Around the World in Two Days,” Smart Kids will showcase over 100 child- and family-friendly brands that promise two days filled with fun, entertainment, and activities. Interested parents can visit www.smartkidsasia.com.ph/ to pre-register.

Retire-men

THE Cultural Center of the Philippines (CCP) and Theater Company Rinkogun present Retire-men, a comedy about the trials and errors of Thai, Filipino, and Japanese people who share their countries with one another. Performances will be at the CCP Little Theater on Jan. 27, 3 p.m. and 8 p.m., and Jan. 28, 3 p.m. For tickets and schedules, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Comedy nights

IT will be a night of laughs as Teatrino and Comedy Manila present Funny Fridays: Can’t Stop Laughing on Jan. 26, 8:30 p.m., at the Teatrino, Greenhills Promenade, San Juan. Tickets are P500 and are available at TicketWorld (www.ticketworld.com.ph, 891-9999) or Teatrino (722-8310 local 116 or 721-2949).

Christian Bautista in concert

CATCH romantic balladeer Christian Bautista at Megaworld’s Southwoods Mall on Jan. 27, 5 p.m. as he performs his hits and new songs. For seats to the show, fans can buy a copy of his latest album at the venue. They can also meet the singer and have their albums signed. For more information, call Southwoods Mall Concierge at 0917-856-0140. or visit www.megaworldlifestylemalls.com.

A Comedy of Tenors

REPERTORY Philippines opens its 2018 season with A Comedy of Tenors from Jan. 26 to Feb. 18 at the Onstage Theater in Greenbelt 1, Makati City. This hilarious operatic farce is set in a hotel suite in 1930s Paris where a harassed producer, his frazzled assistant, an aging temperamental opera star and his hot-blooded wife, their daughter and her lover, an opera diva, and a singing waiter, converge before an important concert. The play is directed by Miguel Faustmann, and stars Lorenz Martinez, Shiela Valderrama-Martinez, Noel Rayos, Jeremy Domingo, Issa Litton, Arman Ferrer, and Mica Pineda. For tickets and schedules, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Fund raising for reading

TO BUILD a quiet literary respite at La Fuerza compound, Warehouse Eight and Kwago have organized a fiction-inspired fund-raising gathering — Book Bar at the Warehouse — to be held on Jan. 27 and 28 at Warehouse Eight. The event’s program is purposely intimate and is designed to let the guests experience literature using all their senses — sight, hearing, taste, smell and touch. The bar will serve cocktails and beers inspired by local and international literature, such as Dark Hours by Conchitina Cruz, Howl by Allen Ginsberg, and Para Kay B by Ricky Lee. One can also give the bartender Matthew Carpio a quote from your favorite book and he can personalize a drink for you. Food start-up Birch Five will serve dishes inspired by comics and children’s stories including red velvet cupcakes named “Poison Ivy” and a sisig meal called “Ang Unang Baboy sa Langit.” Hundred percent bootstrapped and independent, all the performers and event staff are not paid and just given books as honorarium. Highlights include an open mic Drunken Poetry Night on Jan. 27 with featured poets Crystal Claire, Franchesca Casauay, Miguel Espiritu, Obie Obias, Peep Warren, Paolo Rodriguez, Sofia Paderes, and Vyxz Vasquez among others; and Echoes at the Warehouse — Musicians as Storytellers on Jan. 28 with skymarines, Jorge Juan Bautista Wieneke V, Ian Penn, Mariah Yonic, and Small Town Press/Erick Calilan. For details, follow Bit.ly/BookbarFundraising.

Dinagyang at Robinsons malls

ROBINSONS MALLS in Iloilo celebrate the Dinagyang with a series of star-studded mall shows. Robinsons Place Jaro hosts a Hala Bira, Zumba! Party on Jan. 26 with former PBB Housemate Saicy Aguila. Another PBB alumnus, PBB Teen Marco Gallo, will perform on Jan. 27, and the regional search for Robinsons Singing Star with guest Jem Cubil of The Voice Philippines will see finalists from Roxas, Iloilo, and Antique competing to become this season’s champion. Meanwhile, Robinsons Place Iloilo will see Ruru Madrid leading the Kapuso Mall Show on Jan. 26 with Janine Gutierrez, Matt Evans, and Andre Paras. Meanwhile, the cast of ABS-CBN’s upcoming teleserye, Blood Sisters, Erich Gonzales, Enchong Dee, Ejay Falcon, and AJ Dee will take part in the Kapamilya Caravan on Jan. 27.

Japan opens museum on disputed islands

TOKYO — Japan on Thursday opened a museum in Tokyo devoted to two sets of disputed islands, a move likely to spark anger from South Korea and China, which also claim sovereignty.

The museum, run by the Japanese government, displays documents and photographs defending Japan’s claims over the islands.

Japan has a longstanding dispute with China over uninhabited islands in the East China Sea. They are administered by Japan, where they are known as “Senkaku” but also claimed by China, which calls them “Diaoyu.”

Tokyo also claims islands in the Sea of Japan that are controlled by South Korea. They are known as Dokdo in Korean and Takeshima in Japanese.

“We hope this will be a key facility that deepens understanding on the Takeshima and Senkaku islands,” said Tetsuma Esaki, minister in charge of territorial issues, as he opened the museum, according to local media.

The move comes after Japan recently spotted a Chinese nuclear-powered submarine in waters surrounding the Tokyo-administered isles in the East China Sea.

The Japanese government has long complained about China’s routine dispatch of coastguard ships to Japan’s territorial waters surrounding the islands.

Relations between Japan and China deteriorated in 2012 when Tokyo “nationalized” some of the islets.

Since then, the two top Asian economies have taken gradual steps to mend fences but relations remain tense. — AFP

Everett, Turturro in The Name of the Rose TV remake

PARIS — Hollywood stars Rupert Everett and John Turturro are to star in the first television adaptation of The Name of the Rose, its producers said Wednesday. The big-budget eight-part series drawn from Umberto Eco’s classic murder mystery set in the Middle Ages, will be screened next year, said Orange Content, the production end of the French telecommunication giant. American Turturro — best known for The Big Lebowski — will play the Franciscan monk William of Baskerville who witnesses a series of macabre murders at a remote monastery in the Italian Alps. British-born Everett, of My Best Friend’s Wedding fame, will play his old enemy, an inquisitor sent from Rome to track the Pope’s critics, who has Baskerville in his sights. The €26-million ($32-million) coproduction is being shot by the Italian team behind the Young Montalbano series. French director Jean-Jacques Annaud made a film version of the book starring Christian Slater and Sean Connery in 1986. — AFP

Mercurial post-punk voice of The Fall, 60

NEW YORK — Mark E. Smith, the curmudgeonly frontman of The Fall whose ranting vocal style was the post-punk band’s most constant element over four decades, died Wednesday, his manager said. He was 60. The Manchester native last year canceled a seven-date stretch of concerts in New York, with his manager citing “a mix of bizarre and rare” medical issues “connected to his throat, mouth/dental and respiratory system.” The manager, Pam Vander, did not reveal further details as she announced his death on Twitter but said a full statement would come later. The famously temperamental singer was the only consistent member of The Fall but even with revolving lineups the band proved highly prolific, releasing its 32nd studio album last year. While never finding — or really seeking — mainstream success, Smith’s brashness and embrace of other art forms influenced a younger generation of indie bands such as Sonic Youth and Pavement. Born to a working-class family, Smith’s vocals often resembled the shouting of a pub patron but his lyricism was complex and abstract, delighting his loyal fan base which tried to decipher his words. Memorable albums included I am Kurious Oranj, an exploration set to a ballet of Dutch king William of Orange’s ascension to the English throne in 1689. 1985’s This Nation’s Saving Grace, which brought together both the dark flashes of punk and electronic elements, was often considered to be The Fall’s greatest album. The Fall — named for Albert Camus’s novel — was once seen as a rival to Joy Division as the leading post-punk band in Manchester in the late 1970s. The Fall’s sound shifted as members fled. Even his wife, the Greek DJ Elena Poulou, left as the keyboard player before the last album. A decade earlier, the couple created an album entirely with session musicians in Los Angeles after the rest of the band ditched them on a US tour. Smith also earned a reputation for pithy quotes in his interviews. Among them, “I used to be a psychic, but I drank my way out of it.” — AFP

Volcanic eruptions and their impact on health

ON THE evening of Jan. 13, Mayon Volcano began spewing ash and lava, causing rocks to fall from its summit. The Philippine Institute of Volcanology and Seismology (Phivolcs) has raised Alert Level 4 after the volcano spewed a giant ash column. It warned that a hazardous eruption may be imminent within days. People have been strongly advised to stay away from the eight-kilometer Extended Danger Zone (EDZ), wear facemasks, and stay indoors. To date, more than 24,000 residents of communities near Mayon Volcano have been evacuated.

The Philippines’ most active volcano — which has what is considered the world’s most perfect volcanic cone — has had more than 30 recorded eruptions since 1616. Its most destructive, which buried the town of Cagsawa and killed approximately 1,200, occurred in 1841.

Volcanic eruptions can have a wide-ranging impact on health, which is arguably more varied than any other kind of natural disaster, according to “The health hazards of volcanoes and geothermal areas,” a 2006 paper published in the scientific journal Occupational and Environmental Medicine. The paper noted that volcanoes can pose health hazards between, as well as during, eruptions.

The World Health Organization (WHO) lists the following health impacts of volcanic eruptions: trauma and injuries (due to falling rocks and debris), skin burns and irritation (caused by ash and lava), gastrointestinal problems (due to ash-contaminated water and food), lung problems (due to ash and toxic gases), and eye irritation (due to ash).

The health impact is minimal in case of lava flows since the lava path is predictable and the progression is slow. This gives the people time to evacuate, according to the WHO. To mitigate the risks and minimize casualties, the Geneva-based organization stressed that early warning systems, timely and adequate inter-sectoral interventions and coordination system need to be in place.

The WHO offers the following tips to help people stay safe and protect their health during volcanic eruptions:

• Follow evacuation procedures;

• Stay indoors unless absolutely necessary;

• Avoid low-lying areas and the areas downwind from the volcano;

• For children, the elderly, and people who have respiratory problems, the use of certified N95-equivalent masks are recommended, as these block small particles of ash;

• For the general population, a simple surgical mask is adequate;

• Wear protective eye gear, such as goggles; and,

• Make sure the water and food you consume are safe and not contaminated by ash.

With the possible eruption of Mayon Volcano, affected residents are urged to stay vigilant and follow all warnings and safety procedures issued by authorities. The WHO said that volcanic eruption could have a potential lethal impact in the absence of mitigation measures.

The author is the executive director of Pharmaceutical and Healthcare Association of the Philippines (PHAP). Medicine Cabinet is a PHAP column that aims to promote awareness on public health and healthcare-related issues. PHAP and its member companies represent the research-based pharmaceutical and healthcare industry. For comments and inquiries, e-mail the author at medicinecabinet@phap.org.ph.

Amendments to RA 9003 expected to hold manufacturers responsible for plastic waste

AMENDMENTS to the Ecological Solid Waste Management Act of 2000, or Republic Act (RA) 9003, are expected to make plastic products manufacturers more accountable for waste products, a senior legislator said.

Senator Cynthia A. Villar, who chairs that chamber’s agriculture and food committee, said that amendments, expected to be signed into law this year, will help lay the groundwork for dealing with plastic waste.

“According to a University of Georgia study, the Philippines ranked third next to China and Indonesia among the 192 countries surveyed in terms of volume of plastic produced by the population that could potentially enter the seas and oceans,” she said.

Citing a United Nations Food and Agriculture Organization report, Ms. Villar said that plastic in the water will result in loss of livelihood for fishing communities and reduce the volume of marine products available for consumption.

“I am speaking to big consumer product companies that are big users of plastics to join the government effort towards environmental protection,” she added.

Ms. Villar said the Philippine market makes heavy use of sachets because they are more affordable than larger-volume containers.

Ms. Villar said manufacturers will be held responsible for managing the life cycle of plastic waste they generate via a buyback mechanism or a sustainable recycling program.

“Part of the amendment I am planning for the solid waste management law is to make those manufacturers more accountable. If these companies are responsible, the legislative reforms should not be an issue for them,” she said adding that penalties being considered include fines. — Anna Gabriela A. Mogato

3 Maute group members nabbed in Lanao del Sur town

AUTHORITIES ARRESTED on Wednesday three members of the Maute terror group in Piagapo, Lanao del Sur. The three were identified as Apao Dimacaling, Alex Braad and Kalal Berongan. They were in possession of rocket-propelled grenades, materials for improvised explosive devices and a grenade launcher when military and police personnel raided their lair in Barangay Gacap. Chief Superintendent Graciano Mijares of the Police Regional Office-Autonomous Region in Muslim Mindanao yesterday said the joint operation of the Lanao del Sur provincial police and the Army’s 103rd Brigade was assisted by local officials in Piagapo. “We also ought to express gratitude too to the vigilant Maranao religious and traditional elders there for helping locate them,” he said. Mr. Mijares and Maj. Gen. Roseller Murillo of the Army’s 1st Infantry Division both said local officials have confirmed that the three men belong to the Maute terror group that laid siege to Marawi City from May to October last year. — John Unson/philstar.com

For a few hours of distraction

By Alexander O. Cuaycong

BY WAY of background for the uninitiated: Project Shrine Maiden is a collection of manic-shooter video games published by Team Shanghai Alice. In each of the titles from the series, players must navigate their chosen character against waves upon waves of enemies to reach the final boss. The games are characterized by their intense and memorable music, as well as the way enemies shoot projectiles, often in dizzying patterns to make avoiding them more difficult. These video games, released to dovetail with the franchise’s increasing popular-culture presence via manga, soundtracks, and even novels, have cemented the Project as a strong and prolific intellectual property.

Needless to say, the Project’s main video game branch has spawned spin-offs, with varying levels of quality. Some are clear cash grabs intended to tap an intensely loyal fan base, while others are venerable entries in their own right. Touhou Kobuto V: Burst Battle, developed by Cubetype and published by NIS America, tries hard to be the latter, with uneven results.

Touhou Kobuto V is a one-on-one fighting game in which players pick one of 10 available characters from the Touhou universe to do battle in a three-dimensional arena. Players dash around and about, throwing spells and magical attacks at various speeds and degrees, in an effort to whittle their opponent’s health down to zero. The management of stamina, called the Action Gauge, and the pseudo-ammo counter called the Attack Gauge, are important gameplay features, as running out of either results in fatigue or an inability to attack. And with a variety of attacks on tap both on the ground and in the air, as well as melee attacks when opponents draw in close, there can be no questioning the game’s intent to delight. Fights invariably get intense, with characters zipping around at high speeds, dodging, weaving, and even flying past projectiles to avoid getting hit.

Unfortunately, Touhou Kobuto V’s grand design is let down by questionable camera controls. The POV emanates from the character’s shoulder, providing an awkward third-person perspective that hinders depth perception and thereby makes a number of attacks almost impossible to see and avoid. Combined with a glaring lack of an embedded tutorial on the game’s mechanics, the limitation gives it an unpolished feel. And while glimpses of its potential are provided every now and then, it inevitably falls short during fight sequences. There seems to be no discernible way to figure out how battles evolve and develop, making the exercise feel more like button mashing than anything else on the whole. The Story Mode is a letdown as well; it comes off as fairly dull, with no real character variations, and short to boot, ending too quickly for comfort.

Thankfully, Touhou Kobuto V’s music design is outstanding, and shines through despite its gameplay flaws. And while its 3-D graphics aren’t particularly eye-catching, attacks are flashy and entertaining to watch, never mind their relatively low resolution, and the drawn character sprites give credit to its source material. Amping up the fun factor is a standard Versus Mode; for those who find going up against AI dull and detaching, the option of playing against a friend is a welcome one.

In sum, Touhou Kobuto V has its roots going for it, but it’s hampered by bad camera placement, awkward controls, and the absence of a tutorial. The soundtrack and artwork are top-notch, though, and while they might not be enough to provide it with universal appeal, it’s still a good pickup for fans of the Project out for good music and a few hours of distraction.


Video Game Review

Touhou Kobuto V: Burst Battle
Nintendo Switch

THE GOOD:

• Affecting music

• Captivating artwork that pays homage to source material

• Capable of moments of brilliance, and can be compelling when played with a friend

• Runs smoothly, with no frame drops or stutters

THE BAD

• Finicky controls and POVs

• Small character roster (nine available, with one on offer as downloadable content)

• Lack of gameplay depth

RATING: 7/10

Bourse recovers to close at 2018’s 7th record high

By Arra B. Francia, Reporter

THE MAIN INDEX managed a technical rebound to close at 2018’s seventh record high on Thursday — even as it again stopped short of 9,000 — after taking a breather in the wake of the previous peak marked  last Tuesday.

The Philippine Stock Exchange index (PSEi) gained 78.94 points or 0.88% to close 8,999.17, while the all-shares index went up 39.56 points or 0.76% to 5,245.25.

RCBC Securities, Inc. noted in its Stock Market Daily Recap report that “[t]he PSEi opened higher, moved into negative territory towards noon break and upon resumption of trading in the afternoon, but steadily climbed and spiked at the close.”

“I think it’s just really a technical behavior of the market:  nothing of the fundamental reasons that’s supporting this,” Summit Securities, Inc. President Harry G. Liu said by phone yesterday.

Asked on chances PSEi will finally breach the 9,000 mark, Mr. Liu replied: “I feel strongly soon that we will be able to reach that. Tomorrow probably, there’s a very big possibility.”

Thursday’s list of the 20 most active stocks showed 12 gained, led by Bloomberry Resorts Corp. that surged 8.09% to P12.82 apiece and including LT Group, Inc. that went up by 5.78% to P23.80; Jollibee Foods Corp. that added 3.90% to P293; Robinsons Land Corp. which was up 3.85% to P21.60 and Megawide Construction Corp. that increased by 3.52% to P20.60 each.

The six stocks that sank were led by Alliance Global Group, Inc. and SM Prime Holdings, Inc. that dropped 1.25% to P15.80 apiece and by 1.03% to P38.50 each.

Many of PSEi’s counterparts elsewhere in Asia succumbed to weakness in the wake of falls by the S&P 500 (by 0.06%) and Nasdaq Composite (by 0.61%) indices.

Japan’s Nikkei 225 and Topix index, Hong Kong’s Hang Seng Index, the Shanghai Composite Index and the Straits Times Index fell by 1.13%, 0.88%, 0.92%, 0.31% and 1.01%, respectively, while the Jakarta Composite Index closed relatively flat and South Korea’s Kospi gained by 0.95%.

Locally, all sectoral indices gained, led by mining and oil that surged by 472.22 points or 3.99% to finish 12,283.04, followed by holding firms that went up by 121.33 points or 1.32% to 9,257.77; services that rose by 20.85 points or 1.24% to 1,696.34; industrials that increased by 114.40 points or 0.95% to 12,050.75; property that edged up by 14.56 points or 0.35% to 4,091.82; and financials that inched up by 1.36 points or 0.06% to 2,265.11.

Stocks that advanced outnumbered those that fell by 116 to 105, while 41 others were flat.

Volume improved, with 1.32 billion shares worth P8.88 billion changing hands compared to Wednesday’s 896.77 million shares worth P8.46 billion.

Foreigners reverted to buying mode with P119.62 million in net purchases marking a turnaround from Wednesday’s P47.28-million net sales.