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Coalition to produce manuals for managing sexual harassment

SEVEN companies committed to promoting gender equality have tied up with a womens’ organization to put together manuals and tool kits that will help prevent sexual harassment in the workplace.
The Philippine Business Coalition for Women Empowerment (PBCWE) has joined forces with Samahan ng mga Pilipina para sa Reporma at Kaunlaran (SPARK!)in producing toolkits to help private sector companies prevent and manage cases of sexual harassment.
PBCWE is a coalition Accenture, Ayala group, Convergys, Magsaysay Group of Companies, Natasha, SGV and Co., and SSI Group. The initiative is organized in cooperation with the Philippine Women’s Economic Network (PhilWEN) and the Australian Department of Foreign Affairs and Trade Investing in Women Initiative.
“Sexual harassment in the workplace creates a negative impact on efforts to increase the number of women in the work force and women leaders in business,” PBCWE Co-Chair Ma. Aurora D. Geotina-Garcia said.
SPARK! President Imelda M. Nicolas said if women feel safer in their work environment, they could learn to maximize their abilities.
“When we create a safer workplace for women, one free of possible sexual harassment, we hope to witness the release of the full potential of women in their careers and at work,” she said.
The toolkits will be produced as guides for companies and workers on appropriate measures for handling sexual harassment issues in their work place. Modules of this project will be distributed among companies partnered with PBCWE. Other companies interested in the advocacy may also tap the project’s resources.
Ms. Geotina-Garcia, who also chairs PhilWEN, said, “We talk a lot about empowering women, but we should also take the practical steps to protect them in their place of work.” — Gillian M. Cortez

Xiaomi lowers target as it kicks off Hong Kong IPO

HONG KONG — Chinese smartphone maker Xiaomi kicked off its initial public offering Thursday but the firm is likely to pull in about $6.1 billion, far less than originally expected, with investors having mixed views about its main business.
Xiaomi had hoped to raise $10 billion with the Hong Kong IPO, making it the biggest since Alibaba’s $25-billion New York debut in 2014 and valuing the company at about $100 billion.
However, the firm is offering 2.18 billion shares at HK$17-HK$22 apiece, according to Bloomberg News, which values it at about $53.9-$69.8 billion.
Xiaomi had hoped to be the first company to list shares in Hong Kong at the same time as launching new Chinese Depository Receipts (CDRs) in Shanghai under new rules announced in April by mainland authorities to open up markets in the world’s number two economy.
But on Tuesday it put off its decision on listing the CDRs until it completes its IPO in Hong Kong. The China Securities Regulatory Commission said it has canceled a listing review originally scheduled for June 19.
This delay, as well as differing market views about Xiaomi’s business model, were also among reasons for the lower valuation.
CEO Lei Jun claimed it was an Internet services company making money via online games and advertisements despite 70% of its revenues coming from selling hardware, particularly smartphones.
The firm, which mainly sells cheap but high-quality smartphones in China, is looking to push into Europe — recently opening its first flagship store in Paris — as the home market reaches saturation point.
China Mobile Ltd. and US wireless-chip giant Qualcomm are among the cornerstone investors and it is expected to list on July 9.
Chinese authorities devised the CDR program, under which homegrown companies listed abroad can simultaneously list at home, after watching technology heavyweights Alibaba and Baidu list on Wall Street.
The objectives of the plan include helping to develop China’s still relatively immature and volatile share markets while allowing domestic investors to invest in the country’s big tech champions.
Alibaba and Hong Kong-listed Tencent have expressed an interest in the plan.
Xiaomi shipped 28 million smartphones worldwide from January to March, an 88% surge year on year.
That was fourth in the world after Samsung, Apple and China’s Huawei, according to figures from the International Data Corporation. — AFP

Janet Jackson says battles with depression

NEW YORK — Janet Jackson has revealed that she suffered an “intense” battle with depression, which she linked to a childhood inferiority complex and societal racism and sexism. In an essay in the latest issue of Essence, a magazine geared toward African American women, the 52-year-old pop superstar said that she has found joy after giving birth to her first child last year. But the singer — who became a superstar in her 20s with her blending of hip-hop into pop music and her elaborately choreographed live shows — said that her 30s were “difficult years.” “The struggle was intense. I could analyze the source of my depression forever,” she said, according to excerpts released Wednesday.“Low self-esteem might be rooted in childhood feelings of inferiority. It could relate to failing to meet impossibly high standards. And of course there are always the societal issues of racism and sexism,” she said.“Put it all together and depression is a tenacious and scary condition. Thankfully, I found my way through it.” Essence announced that Jackson would headline a festival affiliated with the magazine next month in New Orleans. She is also set to play later in July at Panorama, which is staged in New York by the promoters of Coachella, the major festival in California. — AFP

What to see this week

3 films to see on the week of June 22-29, 2018

Escobar: Loving PabloEscobar: Loving Pablo

THE FILM chronicles the life of drug lord Pablo Escobar through the eyes of Virginia Vallejo, Columbia’s most famous journalist and Escobar’s one-time lover. Directed by Fernando Leon de Aranoa, it stars Penelope Cruz, Javier Bardem, Peter Sarsgaard, Giselle Da Silva, David Valencia, and Lillian Blankenship. Hollywood Reporter’s Deborah Young writes, “The clever pairing of Javier Bardem and Penelope Cruz as the vividly larger-than-life couple should give this lavish-looking English-language co-production a shot at the international box office before shifting to smaller screens.”
MTRCB Rating: R-16

GottiGotti

IT SAYS A LOT when film review aggregate site gives a movie a 0% rating — about Gotti, the critics consensus says “Fuhgeddaboudit.” The film follows the rise of John Gotti (played by John Travolta) of the Gambino Crime Family in New York City. Told by his son John Jr. (Spencer Rocco Lofranco), the film spans 30 years of Gotti’s tumultuous family life which included tragedy and multiple prison sentences. Directed by Kevin Connolly, it also stars Kelly Preston and Stacy Keach. Peter Travers of the Rolling Stone writes: “Starring in this mobster biopic that deserves to get whacked is an offer Travolta should have refused. Insane testimonials from Gotti supporters at the end are as close as this shitshow will ever get to good reviews.”
MTRCB Rating: R-16

Cry No FearCry No Fear

THE SUSPENSE-THRILLER centers on Kaycee and Wendy, half-sisters who hate each other, who are trapped inside a house with intruders intending to kill them. Directed by Richard Somes, it stars Ella Cruz and Donnalyne Bartolome.
MTRCB Rating: R-16

Let the magic begin

They are some of the biggest success stories today: Tony Tan Caktiong, the poor boy from China whose small ice cream franchise turned into Jollibee, the world’s fast-rising fastfood superstar; Injap Sia II, self-made billionaire before he turned 40, courtesy of a fastfood chicken barbecue chain called Mang Inasal; and Dennis Uy, another young tycoon from Davao City who is building a vast empire out of Phoenix Petroleum and a diverse range of shipping, logistics, and real estate ventures.
They are not just your typical Cinderella stories — they are successful entrepreneurs who are hailed as agents of change, drivers of innovation, and nation builders. And for a good reason. Here are some of the reasons entrepreneurs are important in transforming developing economies:
1. They spawn a winning cycle of job and income creation. An entrepreneur is one less job seeker in an economy, and he provides employment for multiple other job seekers. When led by the right kind of people, these businesses grow and create more jobs, more products and services, and more income. The pooled capital and resources mobilize wealth creation, which is among the basic imperatives of economic development.
2. They uplift standards of living by delivering innovation — from providing customers the same goods at lower prices to adopting digital automation to reduce operational cost and rev up productivity.
3. They set off a tidal wave of social change. Businesses ease poverty and struggle at the grassroots level, not just by extending access to products and services to them, but by getting the poor and marginalized involved. Reese Fernandez-Ruiz is a perfect example. In 2007, she co-founded Rags2Riches to offer opportunities for women living in the Payatas dump site in Quezon City to craft scrap fabric into marketable fashion items such as handbags, wine bottles, and eyeglass cases. Rags2Riches has managed a 100% annual growth rate in its first five years while training and empowering more than 900 community artisans.
4. Entrepreneurs advance the fight against climate change through providing clean water, harnessing affordable off-grid power, and adopting smart, energy-efficient agricultural and manufacturing methods. For the Philippines, which ranks high among countries most vulnerable to extreme weather conditions, entrepreneurship has massive impact. Take the case of 44-year-old Illac Diaz. From the Philippines to Peru, his Liter of Light has already lit up more than a million homes in impoverished areas all over the world just by converting recycled plastic bottles into a clever lighting concept.
5. Entrepreneurs transform communities. Businesses become true game changers by helping members of the communities acquire skills and education via academic institutions, technical training, and internship opportunities.
Entrepreneurship is driven by passion. To nurture this passion, the government has a crucial role to play — from giving micro, small and medium enterprises access to credit, supporting startups and early-stage business development, to ensuring an enabling environment, and prohibiting unfair market practices, corruption, and even criminal activity, among others.
There are many examples around the world where government has played a catalytic role in creating a spark for entrepreneurs to thrive, such as Tel Aviv and Singapore. Such stories often get lost in the common perception that government just bungles things when it interferes with the private sector. More importantly, the government must have a good understanding of what entrepreneurial ecosystems are, how they are formed, and when the right comes for it to step back and just let entrepreneurs do their magic.
The opinions expressed herein are the views of the writer and do not necessarily reflect the views and opinions of FINEX. The author may be emailed at marivic.espano@ph.gt.com.
Marivic Españo is the President of the Financial Executives’ Institute of the Philippines (FINEX) and the Chairperson and CEO of Punongbayan & Araullo Grant Thornton, one of the leading Audit, Tax Advisory and Outsourcing firms in the Philippines.

Riding the rails

By Alexander O. Cuaycong and Anthony L. Cuaycong
TYCOON GAMES aren’t for everyone, but it isn’t hard to understand why they have a loyal following. They’re flashy, and they’re capable of producing a surprising amount of fun and complexity. From Sim City to Zoo Tycoon to Roller Coaster Tycoon, the process of building something from scratch and seeing it thrive and prosper brings about catharsis. And, by the same token, Kalypso Media delivers.
In Railway Empire, players are thrust into the 1830s and tasked with managing and running a budding corporation. You aim to build networks of train tracks that span the length of the countryside, working your way from mission to mission, researching new technologies, purchasing and creating new trains, and beating other corporations who’ll try to hustle in on your profits.
In terms of looks, Railway Empire appears lacking when compared to more recent games. What its graphics lack in flair, however, it more than makes up for with its polish and unique art style. The simple presentation of the countrysides and towns mix well with the music, and the game is able to build its atmosphere from the ground up, offering vibrancy if not detail.
That said, Railway Empire’s main selling point is its gameplay, and it thankfully gives great bang for the buck in this regard. It proves extremely engrossing once you get into it and dig deep past the opening tutorials. The story mode tasks you with linking towns and cities to each other to make money. And you are given the freedom to operate your growing system as you see fit, placing foundations of train tracks where you please and working deals with local merchants to find profitable routes between cities.
Railway Empire gives you a large degree of autonomy on how you can approach your goals. Tracks can go through mountains and rivers to reach towns at your discretion. At the same time, cargo is automatically optimized depending on what provides the biggest revenues, cutting down on the tediousness. In consonance, the game is streamlined for maximum ease; such otherwise-repetitive activities as managing personnel, fixing logistics, laying down tracks, and researching and upgrading equipment are all done at the touch of a button. Nothing is presented as overly complicated and intimidating.
Parenthetically, Railway Empire might present little challenge. On purpose, it is structured to allow even newcomers to the series to enjoy it from the outset. The tutorials are straightforward, the instructions easy to follow, and the controls not overly complicated. Still, the overall campaign serves as a fitting test to your skills, slowly ramping up the difficulty between missions while still faithful to the tone of the time period.
And when you really get down to it, certain aspects of Railway Empire just stand out. Little touches, like being able to see the towns slowly grow over time, and even being able to ride the trains themselves, add to the immersive experience. Granted, it has its limitations; if you’re looking for something more in-depth in terms of management, you’ll be disappointed with the streamlined presentation. And if you’re new to the genre, the slow and steady development might not keep you interested long enough to appreciate the fruit of your effort.
Nonetheless, Railway Empire does a lot of things right. It’s a polished entry to a niche genre and worth a try, especially if you have a soft spot for tycoon games. And who knows? You might just find out you really like trains.


Video Game Review

Railway Empire
PlayStation 4
THE GOOD

• A streamlined but still competent tycoon game

• Immersive atmosphere that strongly adheres to the tone of the time period

• Extremely engaging

THE BAD

• Graphics lack flair

• The nature of tycoon games naturally lends itself to the tedious

• AI/Rival corporations ignore most of the game mechanics and just do as they please (which can be immersion-breaking)

RATING: 8/10

The greatest show and (tell) on earth

By Michelle Anne P. Soliman
Reporter

Event
Manila Mini Maker Faire
June 23 to 24
The Mind Museum,
J.Y. Campos Park, 3rd Ave., BGC, Taguig City

A SYNTHESIZER made from assorted metal objects, comic character figurines made with a 3-D printer, and children’s toys made from recycled materials — these are just some of the creations that will come alive at The Mind Museum this weekend in an effort to promote science and innovation.
The 2017 3M State of Science Index, a survey conducted to explore peoples’ attitudes and perceptions about science, reported that 87% of people in 14 countries found science fascinating; and 63% said that science is important to society in general. However, 42% believe that their country is falling behind in scientific advancements.
To strengthen appreciation and support for innovation, The Mind Museum, Make Magazine, and co-presenter 3M Philippines, will hold the second Manila Mini Maker Faire (MMMF), dubbed as “the greatest show and (tell) on earth,” on June 23 to 24. It will feature over 70 makers from around the country and showcase various innovative creations.
The Maker Faire was founded in San Mateo, California in 2006 and has since branched out to various cities globally. Twenty-three large scale and over 120 community-driven Maker Faires are currently produced around the world.
“The Mind Museum continues to push for the Filipino public to be part not just of the conversations in science and engineering around the world but also in making and doing,” said Maria Isabel Garcia, curator of The Mind Museum, in a press release. “This second MMMF in a row that The Mind Museum is hosting is a salute to the makers in our local community who not only affirm but persist, despite the odds, to breed and raise the bar of creativity in the way technology can be at the service of human lives.”
Ms. Garcia also said that in the Maker Faire, “actual things are being done” and just mounting exhibits and holding lectures.
THE MAKERS
Fun and sustainability come together in this year’s exhibits. The participating maker groups include RepRap PH, Musika Imbento, and The UP Space.
RepRap PH is based on the international organization of the same name in England which promotes the use of 3-D printers for creating objects that may be used for normal use. The process of 3-D printing begins with the creation of a three dimensional image of the object on a computer. Then the object is printed, layer by layer, using raw materials which can range from plastic to metal.
Meanwhile, the sound artists of Musica Imbento assemble metal and steel objects ranging from kitchen utensils to guitar strings to design synthesizers. The members said that performing music with the synthesizers creates avenue for more improvisation compared to traditional instruments. The artists aim to pave the way for creating a new genre of music.
UP Space, a university-wide organization of makers in UP, Diliman, also joins this year’s fair. Their exhibit features 3D-printed objects and characters, as well as mock weapons and toys made from recycled materials. The members aim to promote the value of innovation among students at the university.
Aside from the maker exhibits, there will be workshops on paper engineering, clay and pottery-making, and 3-D design at the event.
Admission to the fair at The Mind Museum is free. For details visit http://manila.makerfaire.com/.

The untold story behind ‘endo’ hiring

We’d like to hire more contractual workers to help us in our business operations. But we’re still weighing some things given the government’s crackdown against “endo” employment. Please help us make an intelligent decision. — Doubting Thomas.
A 26-year-old alumnus met his old economics professor when he was visiting the university. They talked about the good old times, including the professor’s written examinations. When shown some test papers, the alumnus exclaimed: “Professor, I remember those are the same questions you asked when I was in your class, six years ago!”
“Yes, I’m happy that you can still remember them,” replied the professor, “I ask the same questions every year.” The alumnus said: “But surely, you know that your students would normally pass those questions from one year to the next.”
The grinning professor said: “Of course! But in economics, we always change the answers. And that’s where the ultimate challenge lies for them.”
It’s the same thing happening for managers looking at “endo” workers as the ultimate strategy. They don’t bother to “change the answers.” Why not? Because it boils down to economics. It’s easier, cheaper, and faster to hire contractual workers.
It’s easier because manpower service providers will always be racing to provide you with their “best” (or recycled) job candidates plucked from somewhere. You don’t have to undergo the administrative nightmare of advertising a vacancy, sourcing candidates, processing applicants, and onboarding them.
It’s cheaper, because you don’t have to pay contractual workers above-average pay and perks available to the regular work force. Also, “endo” workers are not eligible to join trade unions, which can make things difficult for management.
It’s faster, because if something goes wrong – either due to poor performance or discipline issues, you can readily ask the manpower agency to replace them almost instantly. Whatever labor issues crop up, the principal employer is “normally” shielded by the agency, except that they may face indictment as part of the legal process.
When choosing between hiring a contractual and a regular worker, management almost without thinking may end up choosing the former. But now that the government is serious in cracking down against the hiring of contractual workers, management should think of “new answers.”
Suppose you’re planning to buy a new car. You need a minivan to support your lifestyle as a family man. You read many things about Toyota Innova and know all about its advantages for a three-child household. Then you see an ad for a high-end Korean luxury car on social media, and it comes with an offer of free oil changes, including free maintenance checks, and a lot more for five years.
How could you refuse such an offer? In this case, the “free maintenance” sweetener may sway your decision to buy that Korean car.
So, you buy the Korean car — and the “free maintenance offer.” In its third year, it breaks down for no apparent reason and a critical component worth at least P100,000 must be replaced. Even if you agree to pay for it, you need to wait for two months for the part to arrive.
If you’re driving an average of 10,000 kilometers a year and the oil needs to be changed every 10,000 kilometers, the oil change and other maintenance costs are only be P7,000 per change, or P21,000 over three years. How much is that amount compared to the price tag of the Korean car?
You’ll find out it’s almost nothing, and yet that was the main reason why you bought the car in the first place. By all accounts, it’s not a good reason for you to buy that car.
What I’m saying is this — would it be economical in the long-term to hire and maintain contractual workers? The answer depends on many factors. Let’s explore them one by one:
One, the average size the work force. This is best answered by calculating the percentage of “endo” workers compared to the regulars. If your temps are scandalously bigger in numbers than regulars, then wait until you hear from labor inspectors, if not the trade unions, given the current direction of the government. Is it worth it?
Two, the quality of the work force. How many are college graduates compared to those with high school education? If your business is labor-intensive, this question may be irrelevant, but not necessarily when we talk about employee empowerment and engagement, which is best suited to graduates who are serious about industrial democracy.
Three, the nature of the company’s business. The key phrase is “necessary and desirable” in the conduct of one’s business. This means that a brick-and mortar grocery store cannot outsource the task of a cashier because such job is “necessary and desirable.” Unless one is operating an online store, then you can’t simply hire contractual cashiers.
Last, the sophistication of human resources strategy. You’ll be surprised to hear that some organizations have no manpower planning, performance appraisal systems, employee career development, succession planning, among others. And their HR managers don’t have the experience to do such important job, but to coordinate only with manpower service providers.
This list is not complete. But what I’m telling you is that our previous model of hiring “endo” workers must be carefully examined. Looking at the matter objectively, I can understand the problems of management, but not when they deliberately violate the law, as I experienced firsthand during the 1970s, when I was one of the first “endo” hires as a working student.
ELBONOMICS: A corporate vision manned by contractual workers is immaterial.
 
Connect with Rey Elbo at reyelbo.consulting

Entertainment (06/22/18)

Westworld S2 ends Monday

THE final episode of Westworld season 2 airs on Monday.

THE 2nd season of the critically acclaimed HBO drama series Westworld will culminate with Episode 10, titled “The Passenger,” streaming same time as the US on June 25 at 9 a.m. on HBO GO and premiering on HBO with a same day prime time encore at 10 p.m. The season finale will boast the longest runtime for the series, clocking in a one-and-a-half-hour feature-length episode. The show is set in a futuristic fantasy park known as Westworld where a group of android “hosts” deviate from their programmers’ carefully planned scripts in a disturbing pattern of aberrant behavior that culminates in a violent wholesale rebellion by the end of Season 1. In Season 2, the fruits of that uprising, and a series of questions about many of the hosts and humans who co-exist and clash in Westworld and beyond, will be revealed.

Sony Fit Fest

SONY CHANNEL will be hosting its first ever workout party. Called Sony Fit Fest, it will showcase how an active and healthy lifestyle is fun. It will be held at SMX Aura Convention Center on July 7, from 1 to 8 p.m. The event will feature glow-in-the-dark yoga, Zumba, Mixed Martial Arts, and Brazilian Jiu-Jitsu classes, alternating with a series of surprise exercise challenges. There will also be a circuit space for those who want to do strength training. DJ McCoy, DJ Funky Avy, and DJ Mia Ayesa will be providing the beats to work out to with MC Rico Robles. Admission is free. For details on the event, visit bit.ly/SonyFitFest.

Elephants get help

AN episode of DODO Heroes focusing on an elephant sanctuary will air on Monday.

ANIMAL PLANET’s new series DODO Heroes features inspiring stories of animals in need from around the world, and the compassionate humans who go to unimaginable lengths to give them hope. Among them is Katherine Conner who, along with her five childrens runs and lives within a one-of-a-kind elephant sanctuary, Boon Lott Elephant Sanctuary, which rescues and rehabilitates elephants from Thailand’s tourism and logging industries. Her latest project is to rescue an elephant who has spent her life logging and in chains. The episode will air on July 8, 9 p.m., on Animal Planet.

Music at Vu’s Sky Bar

MARCO POLO Ortigas Manila’s Vu’s Sky Bar and Lounge — one of Ortigas’ signature attractions thanks to an unobstructed 180-degree view of Manila — offers quality entertainment throughout the week. Monday nights feature the Red Picasso Band while Tuesdays and Wednesdays are made more fun by Mulatto and Hi-Way 54. It is The Real Groove for Thursdays and SILK on Fridays, while guests are invited to unwind with the tunes of Judith Banal and Powerplay on Saturdays. Cap off the weekend with soothing melodies for Slowdown Sundays. Vu’s Sky Bar and Lounge also has a vast selection of spirits to pair with curated line-up of dishes from the Philippines, Spain, and other Mediterranean favorites. Dine a la carte from Monday to Wednesday, and enjoy the buffet from Thursday to Saturday, 5 to 8 p.m. This June, enjoy a second round of Red Sangria or Sparkling Sangria on the house. Vu’s Sky Bar and Lounge is located at the level 44 of Marco Polo Ortigas Manila. For details visit www.marcopolohotels.com.

Solar-powered hydropanel technology to be used by 8 electric cooperatives in PHL

By Victor V. Saulon, Sub-Editor
THE Asian Development Bank (ADB) has backed a new technology that produces drinking water from sunlight and air, after first testing it on its headquarters’ rooftop ahead of preparing its application in eight electric cooperatives in remote areas of the Philippines.
“We gave grant money,” Yongping Zhai, ADB’s energy sector chief said during the launch of the technology in the Philippines on Thursday.
“This grant is $2,000 multipled by 40,” he said, referring to the cost of putting up each unit of that technology under a brand called “Source Hydropanel” and the number to be installed in the coming months.
Source Hydropanel is an off-grid, solar-powered technology that extracts water vapor from the air into a proprietary absorbent material. The water flows into a reservoir where it is mineralized with calcium and magnesium. The last process is meant to ensure the water meets health and taste considerations.
The technology was developed by US-based Zero Mass Water, Inc. (ZMW) and brought to the country in collaboration with its local partner Green Heat Corp.
The two companies installed four of the hydropanels on the rooftop of ADB’s headquarters in Mandaluyong City in 2017. Each hydropanel is capable of producing up to 5 liters of potable water per day.
“The Philippines’ fragmented geography adds extra barriers for reliance on traditional water infrastructure, yet makes it ideal for our technology to provide families, communities and businesses with drinking water,” said Cody Friesen, founder and chief executive officer of ZMW.
Apart from the ADB hydropanels, Mr. Friesen said eight units had been installed at the National Electrification Administration (NEA) headquarters in Quezon City.
Mr. Zhai said the 40 hydropanels would be installed in electric cooperatives in eight Philippine provinces, namely: Pangasinan, Bukidnon, Agusan del Sur, Davao del Sur, Bohol, Samar, Davao del Norte and Misamis Occidental.
“Once this is installed, money will be disbursed,” he said.
Glenn O. Tong, director at Green Heat, said solar hydropanel is perfect for the Philippines because it is a self-sufficient, low-maintenance technology and combines well with other solar photovoltaic systems.
“We have experienced many drinking water shortages here in the Philippines, which is why we need to look into renewable solutions that won’t add strain to our already overburdened grid,” he said.
Aside from producing drinking water, the hydropanels can also help reduce the amount of plastic waste generated in the country.
Based on estimates from ZMW, each hydropanel can displace up to 5,000 standard water bottles and provides “high-quality, delicious drinking water.”
Mr. Friesen said the application of the technology could be far-reaching in the Philippines and could include hotels, resorts, schools and villages in rural areas with no access to potable water.
Green Heat is the distributor of Source technology in the country. It is looking at its partnership with ZMW to scale up the application of the hydropanels. It has previously set up the solar energy systems of a number of entities in the Philippines, including ADB, Asia Brewery, Inc., Manuel L. Quezon University, St. Scholastica’s Academy of Marikina and Manila Electric Co.’s solar photovoltaic center.

Your Weekend Guide (June 22, 2018)

Rak of Aegis returns

PETA’s popular musical, Rak of Aegis, is on its 6th rerun until September.

PETA brings Rak of Aegis back for a 6th run until Sept. 2 at the PETA Theater Center. The musical featuring the music of the jukebox favorite, the band Aegis, tells the tale of a perpetually flooded barangay and how its inhabitants adapt to their circumstances. New cast members Shaira Opsimar and Princess Vire will play the role of Aileen, Kent Pontiverda as Tolits, Adrian Lindayag as Jewel, and Remus Villanueva as Kenny. The PETA Theater Center is at No. 5 Eymard Drive, New Manila, Quezon City. For tickets and schedules, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Julia Fordham live

BRITISH pop-jazz singer Julia Fordham returns to Manila for a one-night concert — part of the Reminiscing Concert series — on June 22, 8 p.m. at the Newport Performing Arts Theater, Resorts World Manila. Special guests Colin Ryan and Neocolours will join her onstage. For tickets, visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Comedy Nights

COMEDY MANILA presents Funny Fridays: Endless Laughter at 8:30 p.m., on June 22 at the Teatrino at Promenade, Greenhills, San Juan. For tickets (P500), visit TicketWorld (www.ticketworld.com.ph, 891-9999).

Best Begins Now series

THE bottled water brand Aquafina launches its #BestBeginsNow series with talks tackling beauty, hosting, and content creation on June 22, 3:30 p.m., at the Glorietta Activity Center in Makati. Guests beauty queen Pia Wurtzbach, volleyball player Michelle Gumabao, make-up artist Albert Kurniawan, “the beauty queen maker” Jonas Gaffud, and couturier Francis Libiran will demonstrate how one can be more confident in their own skin to exude confidence through a makeup and styling demonstration. Radio hosts Sam YG and Suzy Gamboa of Magic 89.9 will give tips on radio hosting, and bring in their Junior Jock auditions on site. Chefs Nicco Santos and Chichi Tullao will share tips on cooking and food styling; social media personality Martine Cajucom will discuss how she curates her instagram feed; and Youtube vlogger Janina Vela will share how she gets inspiration for daily content.

One-man show

THE Performance Art Initiative presents Breathless by Ronnie Lazaro on July 21, 6 p.m., at the 6/F De La Salle-College of Saint Benilde, School of Design and Arts, Pablo Ocampo Ave., Malate, Manila. Rooted in the artist’s belief that death is everywhere engulfing us, Lazaro incarnates death in this unique one-hour performance. Admission is free. For details, call 0920-299-2573 or visit www.facebook.com/BACCPerformanceArt.

Trade performance of major items