Home Blog Page 10094

Workspace providers urged to partner with shopping malls, hotels

FLEXIBLE workspace operators should consider expansion in shopping malls, as well as partnerships with hotel operators and worker dormitories to address the growing demand, according to Colliers International.
In its report “Let’s Get Flexible,” Colliers said flexible working space operators are mostly in Fort Bonifacio, Ortigas, and Makati central business districts (CBD) mainly due to accessibility.
The report showed Fort Bonifacio has the highest ratio of total leasable space to flexible workspace with 123,000 sq.m., followed by Ortigas CBD with 51,000 sq.m. and Makati CBD with 39,000 sq.m.
Monthly leasing rates at flexible workspaces range from P10,000 per seat to P23,000 per seat, depending on the location.
“As flexible workspace operators compete with traditional office tenants for available space in the CBDs, flexible workspace providers have started to take up space along the fringes of the more established CBDs,” Colliers said.
But future flexible workspaces will still be located in Makati, Ortigas and Fort Bonifacio, as Colliers noted that these areas are scheduled to account for a combined 51% of the new office space in the next two to three years.
PARTNERSHIPS
To keep up with rising demand, Colliers said flexible workspace operators should look at leasing spaces in malls like Ayala Land, Inc.’s (ALI) Arca South mall at Taguig City; Aseana Mall (a joint venture of ALI and D.M. Wenceslao and Associate, Inc. (DMWAI); and the expansion of SM Mall of Asia (MoA).
“Flexible workspace and mall operators should partner and provide discounted rates to in-mall retail shops,” it said.
The Manila Bay Area, where Aseana Mall and MoA are located, is poised to become a major flexible workspace hub within the next two years, “given the tight office vacancy and continuous absorption from outsourcing and traditional office occupiers; as well as the aggressive completion of new condominium units,” Colliers said.
Flexible workspace operators are also urged to team up with hotels and worker dormitories to provide temporary workspaces for travellers and dorm residents.
For instance, Savoy Hotel and Lubd currently offer co-working spaces for guests.
“We encourage flexible workspace operators to tie up with developers of worker dormitories as this kind of service will likely be appealing to millennials that require temporary workspaces from their offices, especially those that can work from home,” Colliers said.
Also, Colliers noted major property developers should allocate space for flexible workspace operators in their developments, following the example of Rockwell Land Corp.
“Rockwell Land’s decision to accommodate Common Ground in the penthouse of its 8 Rockwell building indicates strong demand for flexible workspaces in an integrated community such as Rockwell Center. This is also an opportunity for Rockwell to house multinational firms and other high-profile tenants looking for flexible workspace in the fringes of Makati CBD,” it said.
Common Ground, Malaysia’s largest co-working operator, is set to open its facility in Rockwell by the end of January.
Flexible workspace providers should also to work with local governments of second-tier cities like Cebu, Bacolod, Iloilo, Clark, Pampanga, Laguna, and Davao, Colliers said.
“The project teams of outsourcing firms could start operating in co-working facilities in these cities where they could train college students that the BPOs could tap in the future,” it noted. — V.M.P. Galang
Footprint of flexible workspaces in major CBDs and overall lease rate per seat per month

Lower headline inflation seen to cause decline in market interest rates this year

By Melissa Luz T. Lopez, Senior Reporter
LOWER INFLATION will trigger a similar decline in bond yields this year, analysts at First Metro Investment Corp. (FMIC) said, together with expected rate cuts from the central bank.
Analysts from the Manila-based investment firm said market interest rates will likely mirror a downtrend in consumer prices for 2019, as expected by authorities and market watchers.
“Slower global economic growth, a likely pause in [Federal Reserve] policy rate hikes in 2019, low crude oil prices and quickly decelerating domestic inflation should provide a good basis to be optimistic for the bond markets in 2019,” analysts at FMIC said in a recent report.
“We think that the PH yield curve will likely go down in parallel fashion in tandem with domestic inflation and a likely cut in BSP (Bangko Sentral ng Pilipinas) policy rate looms for H2-2019.”
From a nine-year high of 6.7% in September and October, headline inflation eased significantly to six percent in November and to 5.1% in December, according to the Philippine Statistics Authority.
The lower readings for the last two months put 2018 headline inflation at an average of 5.2%, matching the full-year estimate of the central bank, but was higher than the 2.9% rate logged in 2017.
Economic managers of President Rodrigo R. Duterte said the worst is over for commodity prices, with inflation broadly expected to return to the 2-4% target range this year.
FMIC shared this view, noting that this will also pull down market yields as investors become more at ease.
Expected cuts in bank reserves by the BSP — which FMIC sees happening between January-March — should also help boost market liquidity, the analysts said. This will be followed by a reduction in the key policy rate, with the current 4.75% the highest in nearly a decade.
“In short, the focus for Philippine bonds would then be on domestic inflation and borrowing requirements of the national government and banks,” the report noted.
Increased borrowing requirements by the state will be supported by “additional domestic savings” drawn from a fast-growing economy, while corporates will be encouraged to float retail bonds at a time of dwindling inflation, FMIC added.
The state plans to borrow P1.189 trillion in 2019 to fund its spending plan, largely to support its higher infrastructure targets. Of the amount, 75% will be sourced domestically while the remainder will be from foreign creditors.

Bohemian Rhapsody, Green Book win Globes on night of upsets

LOS ANGELES — The Golden Globes gave Queen musical Bohemian Rhapsody its top prize on Sunday in an unexpected victory over romance A Star is Born, and named 1960s segregation-era roadtrip Green Book the best comedy or musical film.
In a night of upsets, Rami Malek won best drama actor for his role as late Queen frontman Freddie Mercury in Bohemian Rhapsody, and Glenn Close won for The Wife over presumed favorite Lady Gaga in A Star is Born.
Lady Gaga, whose role in the movie was her first lead part after a successful music career, won best original song for “Shallow.”
British actors Olivia Coleman (The Favourite) and Christian Bale (Vice) took home the lead comedy movie acting awards.
Mexico’s Alfonso Cuaron won the Golden Globe for best director and, as expected, his lovingly shot semi-autobiographical movie Roma was named best foreign language movie.
The Golden Globes, organized by the Hollywood Foreign Press Association, are the first major showbusiness awards in the countdown to the Oscars in February.
Vice, a scathing political comedy about the rise to power of former US Vice-President Dick Cheney, went into Sunday’s ceremony with a leading six nominations. But the film has proved divisive among audiences and critics and went home with just one for actor Mr. Bale.
In television, the big winners were Cold War spy thriller The Americans, new comedy The Kominsky Method, and limited series The Assassination of Gianni Versace.
SPECIAL AWARDS
Special awards were also given honoring beloved American comedian Carol Burnett and actor Jeff Bridges.
Ms. Burnett was presented on Sunday with the first-ever Golden Globe recognizing a lifetime career in television, an award that was named after her.
The Carol Burnett award, to be presented every year, was established this year to celebrate the new golden age of television marked by high profile shows attracting Oscar-winning actors and directors.
Ms. Burnett, 85, the Emmy-winning star of the 1960s and 1970s TV sketch series The Carol Burnett Show, is regarded as a pioneer for women in comedy and one of the most decorated women in TV.
Ms. Burnett dedicated her award “to all those who made my dreams come true and to all those out there who share the love I have for television.”
The Carol Burnett Show won 23 Emmy Awards and Ms. Burnett went on to receive the Presidential Medal of Freedom, the Mark Twain Prize for American Humor, and become a Kennedy Center honoree.
Mr. Bridges, the rascally dude of cult classic The Big Lebowski and star of Crazy Heart, was awarded the annual Golden Globe for lifetime achievement after a 60-year career on film and TV.
Mr. Bridges, 69, got his start as a child star appearing alongside his parents Lloyd and Dorothy Bridges, and his older brother Beau in the 1950s before carving his own path in mostly offbeat roles.
Never typecast, Mr. Bridges has played a bank robber, a struggling writer, a blank-faced alien, a US president and a video game programmer in both independent and blockbuster movies. — Reuters

And the winner is…

LOS ANGELES — The Golden Globes for movies and television, chosen by the Hollywood Foreign Press Association, were handed out at a gala dinner in Beverly Hills on Sunday, hosted by actors Sandra Oh and Andy Samberg.
Following is the list of winners:
MOVIES
• BEST DRAMA — Bohemian Rhapsody
• BEST COMEDY OR MUSICAL — Green Book
• BEST ACTOR, DRAMA — Rami Malek, Bohemian Rhapsody
• BEST ACTRESS, DRAMA — Glenn Close, The Wife
• BEST ACTOR, COMEDY OR MUSICAL — Christian Bale, Vice
• BEST ACTRESS, COMEDY OR MUSICAL — Olivia Colman, The Favourite
• BEST DIRECTOR — Alfonso Cuaron, Roma
• BEST SUPPORTING ACTOR — Mahershala Ali, Green Book
• BEST SUPPORTING ACTRESS — Regina King, If Beale Street Could Talk
• BEST ANIMATED FILM — Spider-Man: Into the Spider-Verse
• BEST FOREIGN FILM — Roma, Mexico
• Best original score — Justin Hurwitz, First Man
• BEST ORIGINAL SONG — “Shallow,” A Star is Born
TELEVISION
• BEST TV DRAMA SERIES — The Americans, FX
• BEST TV COMEDY/MUSICAL SERIES — The Kominsky Method, Netflix
• BEST TV MOVIE OR LIMITED SERIES — The Assassination of Gianni Versace: American Crime Story, FX
• BEST ACTOR, TV DRAMA — Richard Madden, Bodyguard
• BEST ACTRESS, TV DRAMA — Sandra Oh, Killing Eve
• BEST ACTOR, TV COMEDY/MUSICAL — Michael Douglas, The Kominsky Method
• BEST ACTRESS, TV COMEDY/MUSICAL — Rachel Brosnahan, The Marvelous Mrs. Maisel
• BEST ACTOR, TV MOVIE OR LIMITED SERIES — Darren Criss, The Assassination of Gianni Versace: American Crime Story
• BEST ACTRESS, TV MOVIE OR LIMITED SERIES — Patricia Arquette, Escape at Dannemora
• BEST SUPPORTING ACTOR — Ben Whishaw, A Very English Scandal
• BEST SUPPORTING ACTRESS — Patricia Clarkson, Sharp ObjectsReuters

Jolliville raises rate for property dividends

JOLLIVILLE Holdings Corp. (JOH) has increased the rate of its property dividends consisting of shares in two subsidiaries.
In a disclosure to the stock exchange on Monday, the company led by businessman Jolly L. Ting said its board of directors has approved a rate of 66.03% for its property dividends amounting to P185.86 million, from its previous rate of 65.85% worth P185.37 million.
The property dividends will consist of 76.5 million shares in Philippine Hydro Electric Ventures, Inc. (Phil Hydro) at P1 each, and 42.23 million shares in Tubig Pilipinas Corp. (Tubig Pilipinas) at P2.59 apiece. The company said the share values were based on the interim financial statements of both units in the period ending Sept. 30, 2018.
With this, eligible shareholders will receive 27 shares in Phil Hydro and 15 shares in Tubig Pilipinas for every 100 shares in JOH.
The company noted that fractional shares will be converted into cash and released to the shareholders at the same time the property dividends will be handed out.
The release of the property dividends could indicate that JOH is spinning off these units.
JOH recently sold its 36.728% stake Philippine H2O Ventures Corp. (H2O) to Davao-based businessman Dennis A. Uy through his property firm Udenna Development Corp. (UDEVCO).
Including JOH’s stake, UDEVCO was able to acquire 62.006% of the total outstanding shares of H2O from other shareholders valued at P320.11 million. UDEVCO also agreed to purchase 62.006% of the remaining cash assets of H2O, valued at about P320.11 million.
Mr. Uy’s group then changed H2O’s corporate name to PH Resorts Group Holdings, Inc., which will now be used for his resorts and gaming businesses.
PH Resorts currently has four projects in the pipeline, including a casino in Mactan and Clark and two hotels in Davao and Bohol. The company is spending up to $500 million for the two casinos.
JOH booked a net income attributable to the parent of P373.66 million in the first nine months of 2018, 620% higher year-on-year amid a 47% uptick in revenues to P491.78 million.
Incorporated in 1986, JOH has interests in leasing, management services, property development, land banking, local waterworks system, business process outsourcing, and power generation. It also owns several properties in Metro Manila, Calapan City, Agoo in La Union, and Puerto Galera intended for future businesses.
Shares in JOH went down 0.34% or two centavos to close at P5.88 each at the stock exchange on Monday. — Arra B. Francia

How flexible working space operators can distinguish themselves

FLEXIBLE WORKING spaces seem to be popping up all over the metropolis, but how can they distinguish themselves in an increasingly competitive market?
Commercial real estate services company Cushman & Wakefield Philippines Inc. said flexible workspace operators for serviced offices and co-working spaces can differentiate themselves in terms of niche, space and value-added services.
“With a growing number of operators, both homegrown and foreign, serving the Philippines, differentiation strategies are vital,” Cushman & Wakefield said in its study “Standing out: Differentiation Strategies of Flexible Workspace Operators in Manila.”
Flexible workspace operators should first determine their target market.
“Operators have also realized that despite selecting a niche, their target market do not always end up being their only regular clients — they come from all sorts of industries. Although, identifying the target market is still essential as this provides basis on how to craft the service offerings that the operator will provide, including aspects such as location, visual appeal, and cost,” the commercial real estate services firm said.
While many focus on serviced offices, some new foreign entrants are offering a hybrid model with both private offices and hot desks that allow them to attract individual and corporate clients.
Location is also important, and will depend on the target market. The report showed serviced offices and hybrid flexible workspaces targeting corporate clients are mostly in business districts, such as Makati, Bonifacio Global City, and Ortigas Center.
On the other hand, co-working spaces targeting freelancers, start-ups, small businesses and students are usually found near residential areas in Metro Manila.
Rates of flexible workspaces would also depend on the target market and the location. For instance, a seat at a flexible workplace in Manila will range from P35-P50 per hour, while in Makati, the rates will range from P100 to P700 per hour.
SPACE
Flexible workspace operators can also differentiate themselves with ambience of the office, either professional, creative, or relaxed.
Serviced offices in business districts usually adopt a professional look, as they mainly target corporate clients.
To gain an edge over competitors, Cushman & Wakefield said operators can also offer value-added services such as food and beverage, 24-hour service, accommodation, support services, and events, on top of the usual amenities.
“Particularly applicable to flexible workspaces with 24-hour operations is the need for providing sleeping quarters for its users,” the commercial real estate services firm said.
Food and beverage services also play an important factor in attracting clients. Aside from the usual free coffee, some have in-house food stalls, while some allow food deliveries and even offer alcoholic beverages to their clients.
Some flexible workspace operators have also become “one-stop-shops” for business registration, provide information and technology, administrative, human resource, accounting, legal, and marketing services to their clients.
Cushman & Wakefield expect flexible workspaces to continue its growth in the Philippines, with many operators adopting a hybrid model since it can cater to both individual and corporate clients.
“Flexible workspaces are here to stay, and a lot of improvements are anticipated. As this sector develops, more operators are predicted to enter the scene. As this happens, operators who fail to stabilize their businesses would find themselves losing the game,” Cushman & Wakefield said.
“In the end, differentiation is the key to achieve sustainability.” — V.M.P. Galang

PSBank starts P8-billion rights offer

PHILIPPINE SAVINGS Bank began offering P8 billion worth of stock rights on Monday.

PHILIPPINE Savings Bank (PSBank) started its P8-billion stock rights offering (SRO) yesterday, with proceeds to be used to support the lender’s growth.
PSBank, the thrift banking arm of Metropolitan Bank & Trust Co. (Metrobank), will offer 184.7 million common shares equivalent to its remaining unissued shares through an SRO which will run from Jan. 7-11.
The shares are priced at P56 apiece.
In a Dec. 14 filing, PSBank said the proceeds from the capital-raising activity will be used to “strengthen its CET1 (common equity Tier 1) capital, further solidifying the bank’s capital adequacy and financial strength.”
In particular, the additional funds will be used to support the bank’s expected asset growth, primarily in consumer loans.
In a previous interview, PSBank President Jose Vicente L. Alde said the lender is expecting better loan growth for this year as decelerating inflation coupled with other economic conditions translate to softer loan rates.
PSBank has tapped First Metro Investment Corp. to be the issue manager and underwriter of the offer, while Metrobank’s Trust Banking Group will serve as the stock transfer agent.
Local banks have been conducting various fund-raising activities to meet the tighter risk management requirements by the central bank under the international Basel 3 standard.
Last September, the Ty-led savings bank announced it will issue medium-term notes amounting to P10 billion to “give PSBank an opportunity to access medium-term and stable funding as the bank further expand its consumer banking business.”
Prior to this, it raised P5.08 billion in August through the issuance of long-term negotiable certificates of time deposits which carry a 5% coupon.
PSBank booked a P2.03-billion net income in the first nine months of 2018, 8.1% higher than the P1.88 billion logged in the comparable year-ago period, supported by sustained loan growth and higher fee-based revenues.
Shares in PSBank closed at P59.55 each on Monday, up P2.05 or 3.57% from the previous finish. — Karl Angelo N. Vidal

Moving to the music


IT IS a universally acknowledged truth that when January rolls in, gym membership spikes with many people trying to fulfill their “new year, new me” resolutions or to simply burn away all those holiday calories.
Colorado-based fitness business solutions provider Zen Planner, reported on Dec. 31 that historically their customers have seen their gym memberships increase by an average of 18% during the first month of the year and then steadily decline until June rolls in which is when people in temperate zones want to get their beach bodies ready.
So music streaming service Spotify decided to aid all the new gym goers by compiling the most popular workout songs in the Philippines and globally so that those sticking with their resolutions can create a playlist — or choose from 43.5 million existing workout-themed playlists on the service — that will make them run longer or pump those irons harder.
Topping the list globally is American rapper Eminem’s 2002 hit, “Till I Collapse” from his fourth studio album The Eminem Show, while another Eminem hit follows second, “Lose Yourself,” another 2002 hit which was the lead single of the 8 Mile (2002) film soundtrack.
Rounding up the top five workout songs of all time list are two Kanye West songs — “Stronger” (2007) from his third album Graduation, and “POWER” (2010) from My Beautiful, Dark Twisted Fantasy — and “Can’t Hold Us,” the 2010 hit from American rapper Macklemore and music producer/DJ Ryan Lewis featuring vocals from Ray Dalton which occupies the fifth spot.
Back home, Filipinos loved working out to UK singer Jessie J’s 2014 hit “Bang Bang,” featuring vocals from Ariana Grande and Nicki Minaj, as it sits on the top spot of the country’s top workout songs of all time.
“Bang Bang” is then followed by another 2014 hit, “Uptown Funk,” this time by UK music producer Mark Ronson featuring American singer, Bruno Mars.
Completing the top five are two entries from the global list — Eminem’s “‘Til I Collapse” at number three and “Lose Yourself” at number five — while fourth place went to the American girl group Fifth Harmony’s 2015 bop, “Worth It.”
In 2018, Canadian singer Drake’s song “God’s Plan,” off of his Scorpion album released in 2018, was the most popular workout song globally according to Spotify. This is followed by “I Like It” by American rapper Cardi B from her 2018 album, Invasion of Privacy.
Completing the top five are “Til I Collapse,” Drake’s “Nice for What” (also from the Scorpion record) and “One Kiss” from American singer Dua Lipa and UK DJ/music producer Calvin Harris.
GETTING CHILL, LITERALLY
Aside from the top song streamed while getting the sweats done, Spotify noted that they saw an increase in the number of cryotherapy/ice bath-themed playlists making it the top workout trend of 2018.
“It seems people are getting into the chill of this practice, which involves exposure to very cold temperatures in an effort to heal tissue,” said the company in a statement.
And the top songs in these playlists are Vanilla Ice’s 1989 hit, “Ice Ice Baby” and Foreigner’s 1977 hit, “Cold as Ice.”
Spotify also named Finland as the most active country in terms of the amount of workout music it streams while Sweden is the most “zen,” based on the Swedes’ enthusiasm for yoga-themed playlists. — Zsarlene B. Chua

DoE: 300 fuel retailers start collecting new tax

THE Department of Energy (DoE) said on Monday a total of 268 retail stations of Petron Corp. had already imposed the excise and value-added taxes (VAT) under the second tranche of the tax reform law, while 32 Flying V stations implemented the higher tax.
In a press conference on Monday, DoE Undersecretary William Felix B. Fuentebella said out of Petron’s 8,630 stations, 268 had reported to the department that they had implemented the taxes as called for under the Tax Reform for Acceleration and Inclusion (TRAIN).
“Consumers have the power of choice,” he said, calling on fuel users to report to the DoE any fuel retailers that imposed the taxes without the required notices.
Mr. Fuentebella also said the DoE will check the stations whether these complied with the required tarpaulin notice disclosing the petroleum products that already carry the taxes.
Under the second tranche of TRAIN, an additional excise tax of P2 will be imposed per liter of diesel and gasoline, and P1 per kilogram on household liquefied petroleum gas (LPG).
An additional 12% VAT will also be imposed, which totals to P2.24 for both diesel and gasoline, and P1.12 for LPG. The imposition of the taxes took effect on Jan. 1, 2019.
The higher taxes have already been imposed by a number of Petron and Flying V retail stations in Metro Manila.
However, the DoE said it expected petroleum supply from 2018 to last by at least 15 days from the start of the year for importers, and at least 30 days for refiners. But it said inspectors would also take into consideration the storage capacity and the turnover in each retail stations.
“We will ensure the fuel stocks for 2018 will be utilized first and sold at the pre-implementation prices,” said DoE Secretary Alfonso G. Cusi in a statement on Monday.
DoE officials pointed out that the increase in pump prices resulting from the imposition of the second tranche of fuel excise tax would still be smaller.
“This is due to the offsetting effect of the rollbacks implemented in 2018 and January 2019,” the DoE said.
While there is an uptick in the price of oil in the world market, Mr. Cusi said industry forecasts did not see crude oil prices hitting record high prices, such as in October 2018 when Brent crude oil price breached the $80-per-barrel level.
“If the trend continues, we do not expect it to have as much impact on fuel prices as it did last year. Besides, we can cushion the effect of any new oil price increases by becoming more efficient in our use of energy,” he said. — Victor V. Saulon

Gov’t keeps hands off legal fight between RCBC, Dhaka on heist

THE PHILIPPINE government maintained its stance to keep its hands off any developments on Dhaka filing charges against Rizal Commercial Banking Corp. (RCBC) next week over the $81-million bank heist in 2016.
“Our position is unchanged,” Finance Secretary Carlos G. Dominguez III told reporters in a mobile phone message on Monday.
This comes after a Bangladesh daily reported that Dhaka will file charges against RCBC and the Federal Reserve Bank of New York on Jan. 15 over their role in the $81-million Bangladesh Bank heist.
Mr. Dominguez met with Bangladesh Finance Minister Abul Maal Abdul Muhith in Manila in May last year, where he said the Philippine government will have no hand in any out-of-court settlement or developments in court regarding the charges against RCBC as it has already imposed the necessary sanctions on the bank.
Hackers stole $81 million from Bangladesh Bank in February 2016 using fraudulent orders on the SWIFT payments system, which were eventually wired to RCBC accounts.
Manila has returned $15 million so far, but the remaining $66 million is still unaccounted for after the money trail went cold in local casinos.
The Bangko Sentral ng Pilipinas slapped a P1-billion fine on RCBC, which was the largest penalty ever imposed by the central bank on a lender.
Local authorities have also filed money laundering charges against an RCBC branch manager involved in the heist. — E.J.C. Tubayan

Bandersnatch: a good introduction to interactive films but not the best

By Zsarlene B. Chua, Reporter
Movie Review
Black Mirror: Bandersnatch
Netflix
A FEW days before 2018 ended, global internet streaming service Netflix and the people behind sci-fi series Black Mirror decided to release their most ambitious project yet — an interactive film called Bandersnatch, which immediately, it caught viewers’ fancy. It presents an intriguing, yet familiar, proposition, especially for those who grew up reading Choose Your Own Adventure books published by Bantam Books from 1979.
For the Netflix show, people can make choices using their mobile devices, choices that can lead to multiple endings for the story set in 1984 and which follows Stefan Butler (played by Fionn Whitehead), the people around him, and his video game, Bandersnatch.
Bandersnatch is a unique Black Mirror story in that it’s interactive: you the viewer, get to decide what’s going to happen,” Charlie Brooker, creator/writer/producer of the series, said in a featurette uploaded by Netflix on Jan. 3.
Black Mirror is a sci-fi anthology series which started airing in 2011 and is meant to examine the unanticipated consequences of new technologies. The episodes, usually standalones, are set in an alternate timeline and are often dark and satirical.
“Netflix asked us if we’d like to do an interactive story. I knew I wanted to do another period episode and I thought, ‘Well, what if you’re controlling somebody in the past? So it kinda spiraled from there,” Mr. Brooker said.
At first, Mr. Brooker and producer Annabel Jones didn’t want to make an interactive episode and would only do it if it made sense thematically for the show.
“We didn’t want it to feel like it was just a gimmick,” Ms. Jones said.
Thankfully, Mr. Brooker had a suitable script in mind and came up with Bandersnatch, a feat said to be equivalent to four Black Mirror episodes.
And while Netflix posits that the film itself is only an hour and 30 minutes in length, The Telegraph noted that its entire length spans more than five hours if one takes note of all the choices and all the endings.
“It’s actually complicated behind the scenes but for the viewer it’s fairly straightforward — you are given choices: will you go out the door or jump out the window? But there’s a myriad sort of timelines and story branches you can go down,” Mr. Brooker said.
“It was very challenging at every stage. There were points where when working stuff out, it got like trying to do a Rubik’s cube in your head, and I had to literally get up from the desk and kind of walk around the house holding my head,” he said.
This is actually not Netflix’s first time to create an interactive film since in 2017, the company produced a children’s interactive show called Puss in Book.
“Part of the excitement in working in Netflix is constantly inventing what is internet TV. There’s a lot responsibility because we are innovating in this whole new form and so one of the things we talked about was interactive content,” Todd Yelin, VP for product at Netflix, said in a separate featurette uploaded in the same account.
He described Bandersnatch — the service’s first interactive film for an adult audience — as a film which combined “technology and design and innovation with incredible storytelling.”
MIXED REVIEWS
While the film received generally favorable reviews — Rotten Tomatoes gave it an average rating of 7.5 out of 10 based on 52 reviews as of Jan. 9 — critics have pointed out that “while Bandersnatch marks an innovative step forward for interactive content, its meta narrative can’t quite sustain interest over multiple viewings — though it provides enough trademark Black Mirror tech horror to warrant at least one watch,” said the review aggregator site.
The interactivity aspect garnered favorable to mixed reviews, with David Griffin from IGN calling the decision points “smooth and unobtrusive” while Roisin O’Connor of The Independent called the same points “wearisome” and said it “pulls you out of the story.”
This writer spent the better part of three hours navigating the film on Sunday and is inclined to agree with O’Connor — the decision points do sometimes get tedious and interfere with immersion, especially because of the card which cuts the screen every time a decision has to be made — a card which doesn’t disappear until the timer runs out even if you made your choice in less than two seconds.
It might be nitpicky, but this writer had the chance to play Tobias Weber’s Late Shift (2016), a downloadable movie/game (available on online game store Steam) billed as “The World’s First Cinematic Interactive Movie,” which succeeds in making the choices unobtrusive and in which the reaction time is suitably paced — meaning the viewer doesn’t have to wait another second before seeing the character perform the choice, especially if the choice is a critical one.
Late Shift, which was screened at the New York Film Festival and Raindance Film Festival (the audience voted for their choices through the smartphones, and the majority vote became the choice used), follows the story of Matt (Joe Sowerbutts), a night shift parking lot attendant who gets roped into a high-stakes heist in a London auction house.
Late Shift scores more points in “rewatchability” and complexity as the endings, and how you get to the endings, really vary depending on the most miniscule of choices made in several parts of the film — many gaming accounts on YouTube dedicated hours to creating video walkthroughs on how to get to all of the endings. It is a really good film, both as a suspense-heist film and an interactive one, though I do have misgivings about the film’s continuity issues.
I can only hope that, like Telltale Stories’ interactive video series Minecraft: Story Mode (2015), Late Shift also makes it way to Netflix because it deserves to be experienced by a wider audience.
But what I do like about Bandersnatch is, with a streaming giant behind its back, it pushes forward the idea of interactive stories to break the monotony of linear and passive viewing for audiences.
(It became such a hit that flowcharts upon flowcharts from fans have appeared on the internet showing how choices affect the endings.)
Oh, and I also do like the Bandersnatch ending that’s reminiscent of Peter Weir’s The Truman Show (1998) and because it also mirrors the joke endings from Konami’s Silent Hill horror game franchise.

Amaia Land launches third building at Pasig project

AMAIA LAND Corp. is set to begin construction on a third building at Amaia Steps Pasig within the first quarter, after the success of the first two towers.
In a statement, the economic housing unit of Ayala Land, Inc. said turnover of Amaia Steps Pasig Blanca is targeted by June 2021.
The project is located along Eusebio St. in Barangay San Miguel, Pasig City.
Amaia Land said it launched the new tower at Amaia Steps Pasig, after selling 220 units at its Aria building, and another 122 units at its Esperanza building.
Blanca is a mid-rise condominium with nine floors with studio, de luxe, and premier units. The tower offers 256 units with sizes ranging from 23 square meters (sq.m.) to 42 sq.m. Some units will have their own balconies.
Among the project’s amenities include a swimming pool, a courtyard garden, a children’s play area, jogging path, and a clubhouse, which were completed early 2018.
Blanca is less than six kilometers away from Ortigas business district, and four kilometers away from C-5, which makes the development ideal for professionals working in central business districts.
Amaia Steps Pasig is also near Tiendesitas, SM Supercenter Pasig, Robinsons Galleria, and the Pasig Public Market, as well as educational institutions, hospitals, and restaurants. — VMPG

2 reports show women still struggle in Hollywood, black men make strides

LOS ANGELES — African-American men made measurable progress in gaining top jobs in Hollywood last year, though women — and particularly non-white women — continue to miss out.
The state of women in movies was borne out in a study by the San Diego State University’s Center for the Study of Women in Television and Film, released on Thursday, which showed that only 8% of Hollywood’s top films in 2018 were directed by women, down from 11% the prior year, despite high-profile efforts to improve gender equality.
The percentage is roughly unchanged from two decades ago, according to the annual study, which found a “radical underrepresentation” of women in the industry.
“The study provides no evidence that the mainstream film industry has experienced the profound positive shift predicted by so many industry observers over the last year,” study author Martha Lauzen, executive director of San Diego State University’s Center for the Study of Women in Television and Film, said in a statement.
The center has been producing the “Celluloid Ceiling” report for 21 years.
Allegations of sexual harassment in Hollywood became public in late 2017, prompting calls for more women at all levels of the entertainment business.
Yet in 2018, women accounted for just 8% of directors of the 250 highest-grossing Hollywood films, less than the 9% in 1998.
The overall percentage of women in behind-the-scenes movie roles rose to 20% from 18% in 2017. Women were most represented as producers, making up 26% of the total. Just 4% of cinematographers were female.
“This radical underrepresentation is unlikely to be remedied by the voluntary efforts of a few individuals or a single studio,” Ms. Lauzen said. “Without a large-scale effort mounted by the major players — the studios, talent agencies, guilds, and associations — we are unlikely to see meaningful change.”
Movies directed by women in 2018 included Ava DuVernay’s A Wrinkle in Time and Marielle Heller’s Can You Ever Forgive Me?
GOOD YEAR FOR BLACK MEN
Meanwhile, according to the latest annual survey from the University of Southern California’s Annenberg Inclusion Initiative, 16 of the top 100 movies produced last year were made by black directors, a historically high figure that shows Hollywood can improve diversity. However, only one of those directors was a woman: A Wrinkle in Time’s Ms. DuVernay. That’s one of many signs of slow progress for women and Asians, the study said, with a scant percentage of directing jobs going to those groups over the past dozen years. That was especially true for women of color.
The progress for African-American men in Hollywood comes after years of pressure. The #OscarsSoWhite campaign that emerged in 2015 drove the motion-picture academy to increase the diversity of its membership by highlighting awards shows that routinely overlook noteworthy performances by black actors. Against the backdrop of sexual-harassment scandals rocking Hollywood, the new Annenberg report shows women continue to confront a lack of opportunity.
“Women of color are nearly invisible in film production — whether as directors, producers, or in below-the-line crew positions,” said Stacy Smith, the Annenberg Inclusion Initiative’s founder and director, as well as author of the study.
For the first time, the University of Southern California study looked at data on producers and so-called below-the-line positions — film crew jobs — across the top 300 movies from 2016 to 2018.
‘PRODUCED BY’
Just 11% of the “Produced by” credits over the last three years went to individuals from underrepresented groups. Men held 97% of the cinematographer jobs and 84.5% of the editing jobs, the report said.
“Only one woman of color worked as a composer across the 300 films we examined and there were no underrepresented female directors of photography,” Ms. Smith said.
Not surprisingly, the study also found that films with underrepresented producers were more likely to be directed by an individual from an underrepresented racial or ethnic group. That was true, though also less pronounced, with female producers and female directors.
On the other hand, women fared much better in lower roles: They accounted for 34% of second assistant directors and 32% of unit production managers. Few women worked as first assistant directors, at 9%.
The researchers also looked at the executive and board ranks of seven major entertainment companies. Women made up 25% of board members, an improvement from 19% last year. The study found 17% of top management positions were held by women.
Looking more deeply at the film divisions, women held 23% of the president and chairperson roles, with higher percentage in the executive vice-president, senior vice-president and vice-president ranks. Women of color held just 6% of film executive team roles, the report said.
Sony Pictures distributed five films with black directors last year, the highest-performing company in the analysis. Walt Disney Co. released two films with an African-American director, the first ever for the company across the 12-year stretch the researchers have looked at. — Reuters/Bloomberg