SURELY it’s good luck to greet the New Year with a full stomach. We’ve got options around the city which will bust your bellies...

SANTIAGO — Walt Disney production company Lucasfilm is suing a themed carwash on the outskirts of Chilean capital Santiago for plagiarizing its multibillion-dollar galactic...

AMERICAN comic Tom Smothers, one-half of the musical-comedy duo the Smothers Brothers, died on Tuesday at 86 at home in California after being diagnosed...

GRAMMY-WINNING Colombian singer Shakira, one of the world’s top-selling musicians, has been immortalized in her famous belly-dancing pose in a giant bronze statue in...

THE FARM at San Benito in Batangas has been chugging along with expansion plans.

SEOUL — Lee Sun-kyun, an actor in the Oscar-winning film Parasite, was found dead on Wednesday in an apparent suicide in a car at...

LOVE is a curse. This is what this overly complicated horror film boils down to after its promising concept, centered on the Philippines’ first documented serial killer who is a priest, is injected with steroids of multiple ideas.

AS ONE of the most beloved Philippine superhero franchises, the challenge in remaking Pedro Penduko is how to make it a fresh experience for today’s audience while staying true to its roots as National Artist for Literature Francisco V. Coching’s 1956 creation. This year’s Penduko, an entry to the Metro Manila Film Festival, has adequately checked those boxes.

THE RAPPER YE, formerly known as Kanye West, issued an apology in Hebrew to the Jewish community on Tuesday for his past antisemitic remarks,...

THERE was a hush that descended every time Ballet Manila (BM) co-artistic director Osias “Shaz” Barroso Jr. entered the studio. Suddenly, all the dancers were standing straighter. Everyone appeared to be intent on warming up. Those who were caught unprepared were hustling to find their place, hoping he would not notice. But Shaz would see all. With one look, he could tell who was properly warm and stretched, who spent the night studying, and who was out partying.

IT’S pleasantly surprising that a Filipino film can successfully shed light on an oft-misunderstood part of history and have the intensity to move people to tears. Though pacing can be an issue given the weight of dialogue that sounds almost like it came out of a history textbook, it more than makes up for it in its powerful and soul-stirring final act.

REWIND has a very simple premise: what would you do differently if you went back in time? For John Nuñez (Dingdong Dantes), he would try to make things right with everyone, especially with his family, after spending many years being a selfish cad.