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BDSM in the time of ML

BENEDICT MIQUE, Jr. the writer and director of the acclaimed Cinemalaya Festival entry ML (which stands for Martial Law) uses the popular framework of the standard teen slasher horror thriller to get his message across. It is an inspired choice. In that revered form, a bunch of attractive young people are inadvertently trapped somewhere, then one by one they meet a gruesome end. The good or virtuous teen is spared. As in fairy tales with a moral lesson to tell, the youths who die deserve it. They are usually fatally flawed to begin with: obnoxious bullies, disrespectful of their elders or of authority, criminally inclined or sexually promiscuous — generally all of the above. A recent local example was Topel Lee’s Bloody Crayons (2017) based on a popular wattpad novel, which unexpectedly had the audience ROFL. For Mique’s film though, any elicited laughter is nervous and hollow because of the dark seriousness of his subject.

A history lesson

TWO MONTHS after Kip Oebanda’s indie feature Liway was shown nationwide, another Cinemalaya 2018 alum — director Benedict Mique’s ML — is currently on wide release.