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Senate OKs bill lowering tax on stock transactions on final reading

The lobby of the Philippine Stock Exchange in Taguig City, Sept. 30, 2020. — REUTERS

THE SENATE on Monday approved on final reading a bill that seeks to cut the tax on stock transactions to 0.1% from 0.6%, aiming to encourage more Filipinos to invest in the stock market.

Twenty-one senators unanimously voted in favor of Senate Bill No. 2865, or the Capital Markets Efficiency Promotion Act, which aims to make the country’s capital market more competitive with its regional peers.

A final tax rate of 10% will be imposed on cash and property dividends received from a local corporation, joint stock company, mutual fund, or on the share of an individual in the net income of the entity.

The House of Representatives passed a counterpart bill in March, which also seeks to lower the tax on dividends for non-resident investors to 10% from the current 25%.

These measures will be reconciled in a bicameral conference committee before President Ferdinand R. Marcos, Jr. signs the final version into law.

A tax rate of 15% will be set on net capital gains during a taxable year on shares of stock in domestic and foreign corporations, except shares sold.

There will also be a final tax rate of 20% on royalties earned as passive income, while royalties on books, literary works, and musical compositions will be subject to a 10% tax.

Based on a forecast by the Philippine Stock Exchange, the lowered 0.1% stock transaction tax would boost stock trading to P4.9 trillion by 2029.

“It lowers friction costs and puts us within a comparable range with the ASEAN (Association of Southeast Asian Nations) region. Definitely a crucial measure,” Benedicta Du-Baladad, founding partner and chief executive officer of tax, commercial, and corporate services firm Du-Baladad Associates, said in a Viber message.

The bill also imposes a final tax of 20% on interest or monetary benefits earned from any currency bank deposit, trust fund, or similar arrangement.

Capital gains from the sale, exchange, barter, or disposition of shares of stock not traded on the Philippine Stock Exchange will be subject to a 15% tax on net capital gains during a taxable year, based on a copy of the bill.

Resident foreign corporations and their regional operating headquarters will have to pay a minimum corporate income tax of 10% on their taxable income.

“Our proposed measure seeks to promote efficiency in the capital markets and reduce the barriers that have long made investing seem out of reach for the everyday Filipino,” Senator Sherwin T. Gatchalian, the bill’s sponsor, told the Senate floor after the approval.

“With the passage of this measure, we are taking a significant step toward revitalizing our capital markets, ensuring they serve not just a privileged few, but every Filipino aspiring for professional growth and security.” — John Victor D. Ordoñez

Puregold unveils 32 entries for 2nd CinePanalo Film Fest

THIRTY-TWO directors have received film grants to compete in the 2nd Puregold CinePanalo Film Festival, as announced at a press conference on Jan. 24 at Artson Events Place, Quezon City.

Ivy Hayagan-Piedad, Puregold’s senior marketing manager, told the press that this edition saw “an intensely competitive application period.” The festival’s prompt was for filmmakers, who will be making both full-length and short films, was to submit uplifting stories.

“We know these directors will produce excellent, gripping work, and we can’t wait to share these with the viewing public at the upcoming festival,” Ms. Hayagan-Piedad said.

The grants to make the movies are bigger this year. Eight full-length films were given P3 million each (compared to P2.5 million last year) while the 24 short films will recieve P150,000 each (up from P100,000 last year).

CinePanalo festival director Chris Cahilig added that their partnership with CMB Film Services this year gives the chosen filmmakers access to a plethora of camera and lighting equipment.

“It makes a huge difference. It provides them more than double the resources, which really elevates their work,” he said.

The full-length finalists are:

Mes de Guzman’s Sepak Takraw, starring Enzo Osorio, Nicollo Castillo, Ruby Ruiz, and Acey Aguilar. The film follows two long-separated half siblings from the Isinay tribe who reunite and join a team playing sepak takraw.

JP Habac’s Olsen’s Day, featuring Khalil Ramos, Romnick Sarmenta, and child actor Xander Nuda. It is about a 30-year-old researcher who embarks on a trip with a strange old man and his son.

Tara Illenberger’s Tigkiliwi, starring Ruby Ruiz, Gabby Padilla, and Julian Paul Larroder. It is about two young sisters who were orphaned with no one to help them but an old woman rumored to be an aswang.

Christian Paolo Lat and Dominic Lat’s Journeyman, starring JC Santos and Jasmine Curtis-Smith. It is a sports drama that follows a factory laborer-boxer who earns money by throwing fights.

TM Malones’ Salum, with stars Allen Dizon and Christine Mary Dimaisip. It is a family drama about a father-and-daughter duo of scallop divers who learn that they sold a mollusk containing a pearl worth millions.

Jill Singson Urdaneta’s Co-Love, starring KD Estrada, Alexa Ilacad, Jameson Blake, and Kira Balinger. It follows two popular content creators seeking to collaborate after conflicts in their respective romantic relationships.

Baby Ruth Villarama’s Food Delivery: Fresh from the West Philippine Sea, the festival’s first documentary entry. It is about how the Filipino fishermen, the Coast Guard, and Navy deliver food to communities while defending the nation’s sovereignty in the West Philippine Sea.

Catsi Catalan’s directorial debut, Fleeting, starring Janella Salvador and RK Bagatsing. It is a romance about a dreamer who wants to fly around the world forming a connection with an unambitious heir.

Meanwhile, the 24 short films by student directors are: Adelbert Abrigonda’s Dan, En Pointe (Polytechnic University of the Philippines or PUP); Allan M. Balance, Jr.’s Cancer Din Ang Zodiac Sign Mo? (PUP); Angel Allizon Cruz’s Dito, Dati (University of Santo Tomas); Roniño Dolim’s Sine-Sine (University of Eastern Philippines); Kenneth Flores’ 1… 2… Strike!!! (Far Eastern University or FEU); Austine Rae R. Fresnido’s Sa Susunod Sisikat si Susan (FAITH Colleges); Clyde Cuizon Gamale’s Champ Green (University of the Philippines, UP); Bjorn M. Herrera’s Nanay’s Frankenstein (Central Philippine University); Maria Eleanor P. Javier’s Mother at Sixty (UP Visayas); Mae Malaya’s Sisenta! (UP); Ira Corinne Esquerra Malit’s SamPie (University of Caloocan City); Naiah Nicole Mendoza’s Taympers (PUP); Vhan Marco B. Molacruz’s Uwian (Colegio de San Juan de Letran); Jadrien Morales’ Let’s Go Somewhere Else (UP);

Regene Narciso’s Papunta Ka Pa Lang, Naka-Bounce Na Ako (Dalubhasaan ng Lunsod ng San Pablo); Alexie Nicole Pardo’s Checkmate (PUP); Kieth Earl B. Rebaño’s Daeaura (UP Visayas); John Lester Rimorin’s Japan Surplus (UP); Jose Andy Sales’ G! (University of San Carlos); Mark Joseph Sanchez’s Our One and Only Bab(o)y (PUP); Aubrey Soriano’s Si Nadia at ang Kanyang mga Kuro-Kuro (PUP); Jasper Tan’s Sa Pagbunga (FEU); Johannes Tejero’s Daog, Pildi (University of San Carlos); and, Sean Rafael A. Verdejo’s Dela Cruz, Juan P. (National University Laguna).

The finished films will be screened at the Gateway Cinemas in Cubao from March 14 to 25. — Brontë H. Lacsamana

Filinvest REIT adds Festival Mall to portfolio

COMMONS.WIKIMEDIA.ORG

GOTIANUN-LED Filinvest REIT Corp. (FILRT) is diversifying its portfolio into the retail mall segment after a P6.26-billion property-for-share swap deal with its parent company and sponsor Filinvest Land, Inc. (FLI) for a mall in Muntinlupa City.

FLI will transfer ownership of the 121,862 square-meter (sq.m.) main mall of Festival Mall in Alabang to FILRT in exchange for 1.63 billion FILRT primary common shares at P3.85 per share, FLI said in a regulatory filing on Monday.

The deal was approved after the respective board meetings of FILRT and FLI on Jan. 24.

This marks the inclusion of a retail mall into FILRT’s portfolio, which previously comprised 17 office buildings and 2.9 hectares of land leased to the owner and operator of Crimson Resort & Spa Boracay.

Upon infusion, FILRT’s portfolio mix will consist of 67% offices, 6% hospitality, and 27% retail.

The deal will boost the gross leasable area of FILRT’s portfolio by 37% to 452,310 sq.m., while the occupancy rate will grow to 88% from 83%.

The property-for-share swap also boosts FLI’s holdings in FILRT to 63.27% from 51.06% post-transaction.

FILRT said in a separate statement that the issuance price was set at a 30% premium over its 30-day volume-weighted average price of P2.94 per share, within the fair value price range given by Leechiu Property Consultants and FTI Consulting.

“This move fulfills the commitment made by our sponsor FLI to continually support the growth and expansion of our REIT portfolio through the infusion of high-quality income-generating real estate assets,” FILRT President and Chief Executive Officer Maricel Brion-Lirio said.

“At the same time, we remain true to our investment thesis of sustainable practices in the leasing business, with Festival Mall being partially supplied by renewable energy through the solar panels installed atop the mall,” she added.

The deal is still subject to regulatory approval and will be presented for approval at a special stockholders’ meeting of FILRT on March 4.

FLI and FILRT will execute a lease agreement for the property once approved by the Securities and Exchange Commission.

In December, FLI created room for further asset infusions after expanding its public float to 46.68% from the previous 34.48%.

The company increased its public float following a capped voluntary tender offer via a share swap in exchange for FILRT shares.

On Monday, FLI stocks rose by 4.29% or three centavos to 73 centavos apiece, while FILRT shares gained by 1.95% or six centavos to P3.14 per share. — Revin Mikhael D. Ochave

Netflix musical Emilia Pérez piles up 13 Oscar nominations

ZOE SALDANA and Karla Sofía Gascón in Emilia Pérez (2024).

LOS ANGELES — The Netflix movie musical Emilia Pérez led the Academy Award nominations on Thursday, giving the streaming service another shot at its first best-picture trophy, followed by historical drama The Brutalist and box-office smash Wicked.

Emilia Pérez, the Spanish-language story of a Mexican drug lord who transitions to a woman and starts a new life, earned 13 nominations. The Brutalist, a 3-1/2-hour tale about a Holocaust survivor and architect chasing the American dream, and The Wizard of Oz prequel Wicked picked up 10 nods each.

All three films will compete for the coveted best-picture prize at the 97th Oscars ceremony in Hollywood. Winners will be announced at a live, televised ceremony on March 2.

A Complete Unknown, starring Timothée Chalamet as a young Bob Dylan, dark romantic comedy Anora and papal selection drama Conclave also landed in the best-picture race.

The other nominated films were the science-fiction blockbuster Dune Part 2, Brazilian political docudrama I’m Still Here, racial drama Nickel Boys, and horror movie The Substance.

Nominations for the film industry’s highest honors were announced on Thursday in Beverly Hills as the Los Angeles area, the heart of the movie business, grappled with ongoing wildfires that devastated parts of the city. A new blaze erupted on Wednesday last week. The Academy of Motion Picture Arts and Sciences postponed nominations twice due to the ongoing wildfires in Los Angeles. — Reuters

Full List Of Nominees:

Best Picture — Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked

Best Director — Sean Baker, Anora; Brady Corbet, The Brutalist; James Mangold, A Complete Unknown; Jacques Audiard, Emilia Pérez; Coralie Fargeat, The Substance

Best Actor — Adrien Brody, The Brutalist; Timothée Chalamet, A Complete Unknown; Colman Domingo, Sing Sing; Ralph Fiennes, Conclave; Sebastian Stan, The Apprentice

Best Actress — Cynthia Erivo, Wicked; Karla Sofia Gascon, Emilia Pérez; Mikey Madison, Anora; Demi Moore, The Substance; Fernanda Torres, I’m Still Here

Best Supporting Actor — Yura Borisov, Anora; Kieran Culkin, A Real Pain; Edward Norton, A Complete Unknown; Guy Pearce, The Brutalist; Jeremy Strong, The Apprentice

Best Supporting Actress — Monica Barbaro, A Complete Unknown; Ariana Grande, Wicked; Felicity Jones, The Brutalist; Isabella Rossellini, Conclave; Zoe Saldaña, Emilia Pérez

Best Adapted Screenplay — A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing

Original Screenplay — Anora, The Brutalist, A Real Pain, September 5, The Substance

Best Animated Feature Film — Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Best Animated Short — Beautiful Men, In the Shadow of the Cypress, Magic Candies, Wander to Wonder, Yuck!

Best International Feature — I’m Still Here, Brazil; The Girl with the Needle, Denmark; Emilia Pérez, France; The Seed of the Sacred Fig, Germany; Flow, Latvia

Best Documentary Feature — Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane

Best Documentary Short — Death by Numbers, I Am Ready, Warden, Incident, Instruments of a Beating Heart, The Only Girl in the Orchestra

Best Live Action Short — A Lien, Anuja, I’m Not a Robot, The Last Ranger, The Man Who Could Not Remain Silent

Best Original Score — The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot

Best Original Song — “El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late

Best Sound — A Complete Unknown, Dune: Part Two, Emilia Perez, Wicked, The Wild Robot

Best Production Design — The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked

Best Cinematography — The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu

Best Makeup and Hairstyling — A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked

Best Costume Design — A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked

Best Visual Effects — Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked

Best Film Editing – Anora, The Brutalist, Conclave, Emilia Pérez, Wicked

PAL to start direct flights to Beijing in March

BW FILE PHOTO

PHILIPPINE AIRLINES (PAL) is set to boost its flights to China by operating non-stop flight services to Beijing in March, the flag carrier announced on Monday.

PAL, operated by PAL Holdings, Inc., is set to operate flights to Beijing Capital International Airport starting March 30, it said in a statement.

The company will operate non-stop flights to Beijing three times a week, every Tuesday, Friday, and Saturday, starting March 30, it said.

PAL President and Chief Operating Officer Stanley K. Ng said the new service is expected to boost tourism and enhance trade between the Philippines and China.

“We believe that the Manila-Beijing service will help boost tourism, enhance trade, and deepen the friendly ties between the Filipino and Chinese people,” Mr. Ng said.

For its non-stop Manila-Beijing flight, PAL will use an Airbus A321 aircraft with a capacity of 168 to 199 seats, allowing it to offer both business class and economy services.

With this, PAL will now have the widest flight network from the Philippines to Mainland China, the company said, adding that it currently offers flights to Shanghai (Pudong), Xiamen, and Quanzhou (Jinjiang) from Manila.

Airline companies have been gradually increasing their flight frequencies to China, as travel demand has not yet fully recovered since the pandemic. — Ashley Erika O. Jose

Philippine cinema icon Gloria Romero, 91

RENOWNED movie and TV actress Gloria Anne Galla-Gutierrez, better known by her stage name Gloria Romero, passed away on Jan. 25, her daughter Maritess Gutierrez announced.

In a post on social media, Ms. Gutierrez said, “It is with great sadness that we announce the passing of my beloved Mother, Gloria Galla Gutierrez, a.k.a. Gloria Romero, who peacefully joined our Creator earlier today, Jan. 25.”

“In this time of loss, our family deeply appreciates the support, prayers, sympathy, all the lovely messages and heartfelt condolences that we’ve received. She will surely be missed dearly,” she said.

Film Development Council of the Philippines’ chair Jose Javier Reyes, who directed Ms. Romero in various films, paid tribute to the screen legend on Facebook: “Rest eternal in the embrace of Our Father. You shall always be the Queen of Philippine Movies. Thank you for making our silver screen sparkle.”

The land development Eastwood City revealed in a Facebook post that candles, a black-and-white photo, and a bouquet of flowers have been placed on Ms. Romero’s star on its Walk of Fame to honor her life and legacy.

Her wake is being held at the Arlington Memorial Chapel, Araneta Ave., Quezon City. Public viewing is scheduled for Jan. 27 and 28.

Born in Denver, Colorado, USA, on Dec. 16, 1933, Ms. Romero got her start as an extra in the 1949 film Ang Bahay sa Lumang Gulod. She would eventually earn acclaim for her performances in Kasintahan sa Pangarap (1951) and Palasig and Monghita (1952). She also found critical recognition for her role in Dalagang Ilocana (1954), for which she received a FAMAS Best Actress nomination and actually won.

Ms. Romero’s career spans seven decades, with over 250 movie and TV productions. Some of her memorable projects are Hong Kong Holiday (1957), Nagbabagang Luha (1988), Tanging Yaman (2000), and Magnifico (2003).

In what turned out to be her final film, she starred alongside veteran movie and theater icons Eddie Garcia and Tony Mabesa in Rainbow’s Sunset, which won Best Picture at the 2018 Metro Manila Film Festival.

In ABS-CBN’s long running sitcom, Palibhasa Lalake (1987-1998), she played a heartwarming auntie Minerva, a role that further cemented her status as a movie and TV legend. Her onscreen daughter in the show was played by Amy Perez, who posted a tribute on her Instagram page.

“Mommy, I will miss you. Thank you for everything. Rest now in the loving arms of our Lord Jesus Christ. Love you forever,” Ms. Perez said in the post, along with a clip of the two of them in one of their shared scenes in the sitcom.

“Watching her movies felt like entering a world of magic, where she brought every character to life with such authenticity, elegance and grace,” said actress and ABS-CBN executive Charo Santos-Concio in a post on Instagram. “Never in my wildest dreams did I imagine that one day, I would have the honor of working with her.”

They worked together on the 1990 film Kapag Langit Ang Humatol, which Ms. Santos-Concio produced. “Tita Glo had this remarkable way of making everyone around her feel valued and respected. She treated every role with the same reverence,” she continued.

“She showed us how to carry success with humility, how to navigate challenges with grace, and how to leave a legacy that transcends time.”

Ms. Romero is survived by her only child Maritess Gutierrez (with actor Juancho Gutierrez who passed away in 2005). — Brontë H. Lacsamana

EPI subsidiary seeks ERC nod for P1.19-B transmission facility

PHILIPPINE STAR/ANTHONY ABAD

NORTHERN Palawan Power Generation Corp. (NPPGC), a subsidiary of Emerging Power, Inc. (EPI), is eyeing to link its 145-megawatt-peak (MWp) Cawag Solar Power Project in Subic, Zambales, to the Luzon grid via a transmission facility.

The company is seeking the approval of the Energy Regulatory Commission (ERC) to develop, own, operate, and maintain a dedicated point-to-point limited facility with an estimated cost of P1.19 billion, based on its filing with the ERC.

NPPGC plans to develop a solar power plant in Subic, Zambales. The initial phase of 70.011 MWp is targeted for commercial operations by November 2025, while the second phase of 74.996 MWp is by February 2026.

“To help address the need for additional capacity in the Luzon grid, NPPGC will develop and own a dedicated point-to-point limited transmission facility pursuant to Section 9(f) of EPIRA (Electric Power Industry Reform Act),” the company said.

NPPGC is proposing to transmit the project’s generated power to the grid via its direct connection to the 230-kV Subic (Hanjin) Substation of the National Grid Corp. of the Philippines (NGCP), through a dedicated interconnection facility.

The entry of the project, however, will require the expansion of the substation, as indicated in the NGCP-approved system impact study, the company said.

It said that it is currently negotiating with the NGCP regarding the possibility of advancing costs for implementing the upgrade of the substation for reimbursement by the grid operator at approximately P395.81 million, subject to the agreement of the parties.

In line with the target energization of the solar power project, the completion of the transmission facility is eyed by June for Phase 1 and by October for Phase 2 this year.

“The proposed connection of the project is the most viable and reasonable interconnection scheme considered, recommended, and evaluated by NPPGC that will enable it to dispatch the capacity of the project when the need arises,” the company said.

Last year, NPPGC entered into a power supply agreement with Aboitiz Energy Solutions, Inc. and Advent Energy, Inc., the retail electricity supplier units of Aboitiz Power Corp., for the supply of renewable energy.

The power supply will be sourced from Phase 1 of the Cawag Solar Power Project.

NPPGC is a subsidiary of publicly listed mining firm Nickel Asia Corp. (NAC) through EPI and is primarily engaged in the renewable energy business and in producing and generating electricity and processing alternative fuels for power generation.

In August last year, NAC said that EPI is on track to hit its target of achieving 1,000 MW of capacity by 2028. — Sheldeen Joy Talavera

Entertainment News (01/28/25)

SM celebrates Chinese New Year with discount promo

CELEBRATE Chinese New Year with a visit to SM Store as it takes the hassle out of holiday shopping, plus there are special discounts for the occasion. Looking for red and gold decorations to bring good luck into the home? SM Store has a selection of lanterns, banners, and charms. Planning an out-of-town trip? Check out the new luggage collection. For gifts there are special collections of accessories, beauty products, home essentials, and even Chinese snacks like hopia, tikoy, and more. In addition, with no minimum spend required, shoppers can enjoy an extra 10% off everything when they use their SMAC from Jan. 29 to Feb. 2. Celebrate the Year of the Snake in style with lucky clothes, shoes, snacks, and festive décor to bring in good vibes and fortune. For more details about this promo, visit smstore.com/cny/2025.

Chinese New Year at Greenhills, Estancia

KICKING off the Chinese New Year festivities on Jan. 29 in the City of San Juan is the Dragon & Lion Dance at the Greenhills Mall’s East Wing Atrium at 10 a.m., followed by fortune telling at noon and a Drum War at 2:30 p.m. Tikoy, desserts, and other trinkets and delicacies will be available at the Chinese New Year Pop-up from Jan. 31 to Feb. 2. Meanwhile, at Estancia Mall in Mandaluyong City, another Dragon & Lion Dance will be held on Jan. 29, starting at 10 a.m. Certified master feng shui consultant Joyce Co will then give a talk titled “Welcome the Year of the Snake” at 3 p.m., followed by a Chinese Cultural Dance at 4 p.m., and a Chinese Puppet Show at 5 p.m. The mall’s Chinese New Year Pop-up will be up until Feb. 2.

Robinsons leans into urban legend for Chinese New Year

ROBINSONS Galleria has set up eye-catching installations at the Atrium to get mallgoers in the Chinese New Year mood. There are also several activities at the department store until Jan. 31. First off is the 2025 Horoscope forecast at the Atrium area and a Lunar Lucky Fair sale. Shoppers also have a chance to win gift certificates by snapping and sharing z in the Robinsons Galleria fitting rooms, a reference to the snake of local urban legend. There is also a free photo booth at the department store from Jan. 29 to 31.

Culture Wars visits Manila for the 2nd time

ALT-ROCK band Culture Wars returns to Manila on Jan. 29, this time as part of Maroon 5’s Asia Tour. The Texas-based band first visited the Philippines last October as LANY’s opening act at the Philippine Arena. In the meantime, their latest single, “It Hurts,” has been released on all digital music streaming platforms. It is part of the band’s upcoming debut album which was mostly recorded in Los Angeles, California.

Paddington in Peru showing in PHL cinemas

AS did the first two Paddington films, Paddington in Peru has been garnering praise from audiences and film critics for its unique story, animation, and humor. The movie will open in Philippine cinemas on Jan. 29. The film sees the iconic bear in a brand-new adventure as he tries to get back to his roots and solve a mystery involving his family in his birthplace of Peru. The third Paddington film stars Hugh Bonneville, Emily Mortimer, Julie Walters, Jim Broadbent, Imelda Staunton, Carla Tous, Madeleine Harris, Samuel Joslin, Olivia Colman, and Antonio Banderas, with Ben Whishaw returning as the voice of Paddington.

RuPaul’s Drag Race World Tour to come to Manila, Cebu

THIS April, fans of RuPaul’s Drag Race will be able to see the live show in Manila and Cebu. On April 29, the production will be staged at the Waterfront Hotel, Cebu City, while on April 30 the show goes to the Araneta Coliseum in Quezon City. Presented by Voss Events and Wilbros Live, in collaboration with World of Wonder and MTV, the 2025 tour has Sasha Velour as host, starring Derrick Barry, Jaida Essence Hall, Jorgeous, Roxxxy Andrews, and Vanessa Vanjie. There will also be a lineup featuring iconic Drag Race PH queens, to be announced soon. Tickets to the Manila show will be available at TicketNet.com.ph while tickets to the Cebu show will be available at SMTickets.com, both starting Jan. 31.

Valentine’s film screenings at MiraNila

THE MiraNila Heritage House and Library is hosting a unique Valentine’s celebration titled “Pelikula sa MiraNila,” with screenings of romantic films under the stars. On Feb. 4, the first of the two outdoor screenings will feature Gitling by Jopy Arnaldo and Past Lives by Celine Song, which explore “unlived lives, cultural differences, and our unknowable selves through the prism of failed romance.” On Feb. 12, the event continues with two acclaimed fantasy-romance short films: Martika Ramirez Escobar’s Living Things and Carla Pulido Ocampo’s Tokwifi. The evening culminates with Isa Pa With Feelings by Prime Cruz, starring Maine Mendoza and Carlo Aquino. On both days, MiraNila opens at 4:45 p.m. with a mini art fair on site. Screenings will start at 6 p.m. Tickets are priced at P700 for regular admission and P560 for students. Each ticket includes the film screenings, a Heritage House tour, and a bag of special popcorn. Garden mats will also be provided for the outdoor screening. Guests are encouraged to bring their own pillows. MiraNila is located at 26 Mariposa St., Brgy. Bagong Lipunan, Crame, Quezon City.

Dilaw releases single, launches fan nights

FILIPINO band Dilaw has kicked off the year with a new song, “Mahal,” which talks about how priceless true love and commitment are. It is the last song to be released from their Love Trilogy series, along with “Nilalang” and “YIEE.” These songs talk about the stages of love, with the goal to form a perfect soundtrack for Valentines Day. They also launched the first of their Lawdian Nights fan events at Lyf Malate, Manila. A night filled with fun activities and music, the band intends for this to be a regular event for them to meet, bond, and perform for their fans. Attendees may even hear new, unreleased songs at one of these events.

dwta and SB19’s justin reimagine nursery rhyme

SINGER-songwriter dwta has linked up with SB19’s justin for a new collaboration, “Sampung Mga Daliri,” a folk-pop lullaby that captures the degradation of a love that was once formidable and promising. Released under Sony Music Entertainment, the track reimagines the classic Filipino nursery rhyme as a poignant tale of doomed romance. “Sampung Mga Daliri” deals with the heartbreaking realization that love is no longer enough to make two people stay together. It is out now on all digital music streaming platforms.

QCinema 2025 calls for QCShorts submissions

THE QCinema International Film Festival is once again inviting aspiring and established filmmakers to submit their projects for QCShorts 2025. Now in its 13th year, QCinema offers a production grant of P500,000 for short films in the early stages of development. Selected films will premiere at the QCinema International Film Festival slated for November. This year, QCinema is looking for narrative fiction, animation, or experimental short films that demonstrate creative storytelling and artistic merit. Filipino citizens aged 18 and above, whether based in the Philippines or abroad, are eligible to apply. The final film output must have a total running time of no more than 20 minutes, including opening and closing credits. The submission deadline is Feb. 14, 11:59 p.m. For more details and to apply, visit qcinema.ph/submissions/qcshorts2025.

B Hotel stages Valentine’s Concert

B Hotel celebrates the “Love Month” with a concert titled Love Unplugged: Valentine’s Mini Concert. It will be held on Feb. 15, 6 p.m., at the B Hotel Alabang, Muntinlupa City. The event will feature Ella May Saison, with Elhmir and Kashli Saison. Tickets cost P2,499 per person, inclusive of a buffet dinner.

T-bill yields decline further on BSP easing bets

BW FILE PHOTO

THE GOVERNMENT on Monday increased the volume of Treasury bills (T-bills) it awarded for the third straight week as rates continued to decline across the board on the back of strong market demand for short-term papers amid heightened expectations of a rate cut by the Bangko Sentral ng Pilipinas (BSP) next month.

The Bureau of the Treasury (BTr) raised P27.6 billion from the T-bills it auctioned off on Monday, higher than the initial P22-billion plan, as total bids reached P91.06 billion, more than four times as much as the amount on offer but slightly lower than the P93.89 billion in tenders seen on Jan. 20.

The oversubscription led the Treasury to double the accepted non-competitive bids for the three- and six-month debt to P5.6 billion each for the third straight T-bill auction.

Broken down, the Treasury borrowed P9.8 billion via the 91-day T-bills, higher than the programmed P7 billion, as tenders for the tenor reached P32.25 billion. The three-month paper was quoted at an average rate of 5.113%, falling by 42.3 basis points (bps) from the 5.165% seen at the previous auction, with accepted rates ranging from 5.098% to 5.128%.

The government also made a P9.8-billion award of the 182-day securities, above the P7-billion program, as bids stood at P26.65 billion. The average rate of the six-month T-bill stood at 5.488%, dropping by 13.5 bps from the 5.503% fetched previously, with the BTr only accepting bids with this yield.

Lastly, the Treasury raised P8 billion as planned via the 364-day debt papers as demand for the tenor totaled P32.16 billion. The average rate of the one-year debt decreased by 5.1 bps to 5.724% from 5.84% last week, with bids accepted having rates of 5.69% to 5.728%.

At the secondary market before the auction, the 91-, 182-, and 364-day T-bills were quoted at 5.3122%, 5.5721%, and 5.8467%, respectively, based on PHP Bloomberg Valuation Service Reference Rates data provided by the Treasury.

T-bill average auction yields dropped for the fourth straight week on expectations that the BSP will cut benchmark borrowing costs further in their policy meeting next month, Rizal Commercial Banking Corp. Chief Economist Michael L. Ricafort said in a Viber message.

“Rates dropped because the market is convinced that BSP may be able to cut rates next month, especially as US President Donald J. Trump seems to be less aggressive when it comes to tariffs, helping tame inflation expectations,” the first trader said in a text message.

“Demand for short-term issuance remained strong amid fluctuating pronouncements by US President Trump on Chinese tariffs following his assumption last week, which accordingly drove yields lower. This rapid change of events continues to prompt investors to adopt a wait-and-see mode to seek returns on T-bills until greater clarity emerges regarding Trump’s policies on tariffs,” the second trader said in an e-mail.

BSP Governor Eli M. Remolona, Jr. earlier said the central bank still has room to continue cutting interest rates as current benchmark borrowing costs remain “restrictive.”

The Monetary Board has slashed benchmark borrowing costs by a total of 75 bps since it began its easing cycle in August, bringing its policy rate to 5.75%.

It will hold its first policy meeting for this year on Feb. 13.

Meanwhile, Mr. Trump suggested a softer stance on tariffs against China, adding to uncertainty about the trade policy that kept equity markets on edge, Reuters reported.

Mr. Trump told Fox News on Thursday his recent conversation with President Xi Jinping was friendly and he thought he could reach a trade deal with China.

Monday’s auction was the last T-bill offering for January. The Treasury raised P104.8 billion from the short-term papers it offered this month, above its P88-billion program, as it upsized its awards at three of its four auctions.

On Tuesday, the BTr will look to raise P35 billion via two Treasury bond (T-bond) tenors. Broken down, it will offer P15 billion in reissued seven-year T-bonds with a remaining life of three years and two months, and P20 billion in new 25-year papers. — A.M.C. Sy with Reuters

PDEx eyes P600B in bond issuances this year

PDS.COM.PH

THE PHILIPPINE Dealing and Exchange Corp. (PDEx) is eyeing to generate P600 billion in corporate bond issuances this year after missing its target for 2024, according to its president.

“We’ll be refocusing it again, but right now, the budget is for P600 billion,” PDEx President and Chief Executive Officer Antonino A. Nakpil told reporters on the sidelines of a Financial Executives Institute of the Philippines (FINEX) event on Monday.

This will exceed the record P508 billion raised in 2022 if the target is met.

However, Mr. Nakpil said the target may be adjusted based on company plans and the impact of geopolitical risks.

“We’re not sure of the P600 billion. We’ll be refocusing. We’ll see whether it’s reachable this year,” he said.

“Everybody’s looking at geopolitical stuff. No one wants to make any plans. But what we’re finding is that everybody talks about inflation, interest rates going here or there,” he added.

Mr. Nakpil said that refinancing initiatives are driving efforts to achieve the target.

“We think most of it is refinancing. The ones who were planning late last year, they’re coming into this first quarter of 2025. We’ll see them starting February,” he said.

“I think we have three or four to start. Still the same folks. Banks and real estate are coming in,” he added.

He also said PDEx is refocusing its efforts to cater to micro, small, and medium companies.

“We’re refocusing our efforts on that. We’ll try to digitalize the process, then we’ll aim for smaller amounts, which is what the micro, small, and medium scale like,” he said.

“Then we’ll try to bring them together with what we call qualified investors,” he added. — Revin Mikhael D. Ochave

Intangible assets are assets

FREEPIK

When you hear of the terms AOC, DOC, DOCG, what comes to mind? French and Italian wines, cheese, and other produce that are priced at a premium.

When you use the word “champagne” for any sparkling wine, be careful. “Champagne” can only be used for sparkling wines from the Champagne region, and which are made using the “method champenoise,” a special technique implemented in this region of France for many centuries now. This name is also protected by a Geographical Indication (GI) and is legally protected in the European Union and many other countries. Because of this GI and Intellectual Property (IP) registration, all other sparkling wines are not “champagne” but are called other names: Prosecco in Italy, Cava in Spain, and sparkling wine in other places. Now, that is protection for champagne! And this is why champagne, besides its meticulous method of production, is priced at a premium and keeps its value compared to other “bubblies.”

How about Kampot pepper from Cambodia? And Guimaras mangoes from Guimaras island in the Philippines? These products start out with having collective marks and then graduate to become GI assets, protecting the producers and the community in the region where they are produced. Thanks to the World Intellectual Property Organization or WIPO (www.wipo.int), these IPs are protected so creators, innovators, and communities can use them for economic and sustainable growth.

How is this used as a tourist draw to benefit a community? Tourists often want to see the place where the cheese is produced, where the balsamic vinegar is processed, and how you can make special pepper that sells for more than five times the price of its general commodity cousin. GI and other IP registrations provide more income to the producers, either by the export of the products or by drawing in tourists to its very origin, the place where the agricultural product is produced. We can name many examples, like Ha Giang tea of Vietnam, Son La coffee of Vietnam, and Preah Vihear rice of Cambodia. These may otherwise be ordinary commodities but with the addition of GI, they become specialty products with a premium.

In the Philippines, we can think of many products that can carry a GI, such as Sulu coffee, Benguet coffee, Batangas Liberica, Criollo cacao from Bohol, Bicol pili (now nearing GI status), Sukang Iloko, Malabon patis, Tultul salt, Miag-ao salt, and more.

The only work we need to do is educate the producers and the communities to be able to protect their ancestral traditions of food production. Thanks again to Director-General Rowel Barba of the Intellectual Property Office of the Philippines (IPOPHIL), we are now adding to the roster of our GI-registered products.

This is a good investment for the communities who otherwise just sell their produce as commodities. Think of heirloom rice from Kalinga and Ifugao which could have collective marks. Think of Carcar lechon in Cebu, pomelo from Davao, mangosteen, marang, and durian. Civic organizations who continue to help farming communities can also help them be sustainable through IP registration. And GI is a way to do it. They can add value to their produce once they have a GI — and consumers are assured they are getting the right, original, and authentic product as claimed. It sounds easy and IPOPHL can hold our hands in doing this.

The Department of Tourism (DoT) can also help transform areas into GI destinations for food lovers and enthusiasts, as the trend worldwide is to find the product at the source. Already, the DoT has started by joining Slow Food (www.slowfood.com) in using food as a hook for tourists looking for gastronomic destinations.

The Department of Trade and Industry (www.dti.org) can help products with GI be showcased in food fairs abroad or in our very own consular offices or Philippine Centers, like those in New York and San Francisco.

But first, we must educate the consumers to look for “the mark.”

In Slow Food events, we look for Presidia* products, like a special fish sauce called Colatura, or a special cheese produced only in a specific region. We look for Normandy oysters, as we can also look for Tayabas Bay oysters. But are they registered as GI?

The Europeans were way ahead in making their products special and protected with marks like France’s AOC (Appellation d’Origine Contrôlée or Controlled Designation of Origin), DOC (Denominazione di Origine Controllata, Italy’s version of AOC), and DOCG (Denominazione di Origine Controllata e Garantita, the highest Italian classification for wine). And the WIPO makes sure governments abide by updated rules on all these individual classifications of wines, cheese, and other agricultural products.

But wait, there are other IPs that can boost economies. These can be trademarks, like Café Amadeo in Cavite. It is a registered trademark, not a GI, and yet Batangas is jealous that Cavite has pulled the rug from under their feet as the original source of Barako coffee. I explained that Amadeo is known for Philippine coffee in general, not specifically Liberica or Barako which Batangas may still claim. Amadeo’s local executives, way back in 2002, had a vision of promoting Philippine coffee and tagged themselves as the “Coffee Capital of the Philippines” and no one questioned or challenged such a claim. If you have been using a tag like this with no opposition from anybody, you can claim and register it as your own.

That is what intellectual assets and IP protect. IP rewards creators, innovators, and visionaries. And translate simple origins or names of origins into prime assets — for as long as they have a plausible story of being the original source.

Do check the rules on IP marks.

*According to www.slowfood.com, these are “small-scale food productions that protect traditional and artisanal products that are at risk of disappearing.”

 

Chit U. Juan is the co-vice chair of the MAP Environment Committee. She is also the president of the Philippine Coffee Board, Inc. and Slow Food Manila (www.slowfood.com).

map@map.org.ph

pujuan29@gmail.com

Universal Music Group and Spotify strike new agreement

UNIVERSAL MUSIC GROUP (UMG), the world’s biggest music label, and Swedish streaming giant Spotify reached a new multi-year agreement for recorded music and music publishing, they said on Sunday.

The publishing agreement establishes a direct license between Spotify and UMG across Spotify’s current product portfolio in the US and several other countries, they said in a statement.

“Artists, songwriters and consumers will benefit from new and evolving offers, new paid subscription tiers, bundling of music and non-music content, and a richer audio and visual content catalog,” the companies said.

The partnership will ensure constant innovation, making music subscriptions even more attractive to a broader worldwide audience, Spotify founder and CEO Daniel Ek said.

Spotify has laid off employees, pulled back podcasts, and cut marketing spending over the past year to boost profitability. It has also raised prices of its US plans to capitalize on demand for its premium products. — Reuters

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