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To sing with passion and love

MAX on the cover of his album LOVE IN STEREO.

MAX on returning to Manila, collaborating with other artists

AMERICAN pop singer MAX (full name: Maxwell Schneider) arrived at a press conference Friday at UP Town Center in Quezon City with an extreme warmth that rivaled that of the sunny weather. His last time in the Philippines was back in 2016, and he intended to make his return just as fun and memorable.

“It will be passionate, delicious, and hot,” the singer told reporters, on how he would describe the Manila leg of his world tour.

MAX performed at the UP Town Center on April 5, at Ayala Malls Manila Bay on April 6, and at One Ayala on April 7.

The mall shows were held to promote his latest album, LOVE IN STEREO, released in February. It contains MAX’s hit collaborations with other artists, such as “Stupid In Love” with Huh Yunjin of K-pop girl group Le Sserafim and “It’s You” with Vietnamese-American singer-songwriter keshi.

“There’s nothing I love more than performing live. It’s amazing. I love to hear the Filipino fans sing along and connect through the music,” MAX said.

CRAZY FAN LOVE
Notably, the last time he was in the country in 2016, a fan broke into his hotel room and left a message.

“I walked in my room and on my mirror it said ‘Hey MAX, want to see how we party in the Philippines? Come to the 4th floor lobby! The first drink is on us,’ and I was like ‘oh my god, I’m gonna die’,” he said.

It turned out, the message was from someone who worked at the hotel and surprisingly got the blessing of his manager to do it. For MAX, while the experience was odd and a bit scary, he appreciated the fan’s enthusiasm.

On working with Filipino artists, he said that he met with the band Lola Amour and the pop group SB19 during his trip. “For me, any collaboration comes from just naturally connecting, so let’s see how it goes. I would love to [collaborate with them].”

He already regularly works with a Filipino musician — Los Angeles-based Chinese-Filipino saxophonist, pianist, and composer Cody Dear.

“He co-wrote ‘Stupid In Love,’ ‘It’s You,’ and nine other songs on my album,” MAX said. “[At our shows] I love to hear Cody rip the saxophone and the keyboard at the same time. It’s one of my favorite things. It gives me life.”

UNDERRATED SONGS
MAX also spoke about underrated deep cuts from his album that he hopes more people will listen to: “Keep It Chill,” “Love Never Felt Like This,” and “Edie Celine.”

The first is his personal favorite: “I want people to hear it more. It’s like everything that I loved growing up with, like 2000s R&B and pop music.” The second is a track that Filipinos may love to song along to given its vocal range.

Meanwhile, “Edie Celine” is the closest to his heart, born out of love for his baby daughter after he held her in his arms at the hospital.

“It’s beautiful when music streams hundreds and millions and all these things, but that song will always be for her and that moment will be forever, and I think that milestone is not something you can see on a plaque,” he explained.

As for the possibility of coming back to the Philippines a third time, MAX said that it is definitely in the cards — except instead of mall shows he would love to do a big concert tour so that he could bring a full band and perform his anthem tracks.

“I want people to feel that they can love who they love,” he said. — Brontë H. Lacsamana

Under Parallel Skies merging cultures

WITH protagonists coming from Thailand and the Philippines meeting and falling in love in Hong Kong, the romantic drama film Under Parallel Skies promises to be a heartwarming cross-cultural story.

It follows Parin (played by Thai star Win Metawin) who travels to Hong Kong to look for his missing mother. There, he meets Iris (played by Filipina actress Janella Salvador), a hotel employee who joins him on his journey.

Director Sigrid Bernardo said in a press conference on April 2 which was streamed online that having three cultures involved — Philippines, Thailand, and Hong Kong — reflected both in the story and in the production crew.

“It works because the right communication and mutual respect of each other’s cultures makes it work,” she said. On the two leads’ chemistry, she added, “Coming from different cultures is hard enough. It’s a romantic comedy and a love story so it’s very important to have chemistry between the actors. It helped them both a lot to do the acting workshop and bond during the shoot.”

BRINGING THE PHILIPPINES TO ASIA
Inspired by today’s increasingly globalized landscape, 28 Squared Studios chief executive officer and the film’s executive producer Kristhoff Cagape said that Under Parallel Skies represents their studio’s vision.

“We want to bring stories from the Philippines to Asia and beyond. With audiences’ support, we’ll definitely have more cross-country stories like this for the world to see,” he said.

As the leading lady of the film, Ms. Salvador said it was important to draw from the characters’ similarities and shared experiences rather than their differences to bring the story to life.

“No matter how different we are — because obviously our characters are from different parts of the world — we all live under the same sky. We can all just connect with each other and love each other freely,” she said.

CREATING HAPPINESS
While the creation of the film was brought about by ambitious goals, its message is actually very simple, according to Mr. Metawin.

“My character, Parin, understands that you can create your own happiness,” he said. It is also a sentiment he now shares with his character: “I always dreamed that if I had a chance, one day I would collaborate with international people. Now, my dream has come true already.”

He praised the Philippine team he worked with. “It was a very good experience working with Filipinos. Our cultures are very similar, so I didn’t have to adapt or change anything with myself,” he added.

On the other hand, the film gave Ms. Salvador a challenging role.

“Iris is very different from who I am in real life, which is what made her a bit challenging for me to portray, but I loved every bit of it. Ang dami kong natutunan kay Iris bilang OFW (I learned a lot from Iris who is an OFW). If we have a similarity, it’s that we’re both big dreamers,” she said.

A DIFFERENT SIDE OF HONG KONG
Filming in Hong Kong was also a highlight for both actors. They explained that audiences will enjoy discovering underrated locations through the movie, like the small island town of Peng Chau and the fishing village of Tai O.

“They don’t have cars there and they live very simply, and it was nice to observe how different the way of living is there,” said Ms. Salvador.

Richard Juan, the film’s co-producer from 28 Squared Studios, added that those locations are meant to “showcase a different side of Hong Kong.”

“We’ve seen all the Causeway Bays, all the Centrals, all the tall buildings, but people often forget that there’s a different side [to Hong Kong],” he said.

On the film’s relatability to audiences, he told the press that it is the driving force behind making it in the first place. “The movies I resonate the most with are the ones I see are real. I prefer stories I can connect with. That’s why what you see in real life, we try to portray on the big screen.”

Under Parallel Skies had its world premiere at the 17th Asian Film Awards in Hong Kong. It will premiere in the Philippines on April 17, in Singapore on May 1, and in Thailand on May 9. — Brontë H. Lacsamana

Hotel101 to list on Nasdaq through SPAC merger deal

HOTEL101GLOBAL.COM

HOTEL 101 Global Pte. Ltd. (Hotel101), a unit of Philippine-listed property developer DoubleDragon Corp., is nearing its planned listing on the Nasdaq Stock Exchange with a valuation of over $2.3 billion (P130 billion) following a merger deal with a special purpose acquisition company (SPAC) in the United States.

Hotel101, a hotel property technology operator, and JVSPAC Acquisition Corp. have entered into a “binding definitive merger agreement,” DoubleDragon said in an e-mailed statement on Monday.

The deal is expected to close in the second half of the year.

“Upon completion of the business combination transaction, the combined entity is expected to be publicly listed on the US NASDAQ under the ticker symbol ‘HBNB,’ ” DoubleDragon said.

Sought for comment, Alfred Benjamin R. Garcia, research head at AP Securities, Inc., said in a Viber message that the P130-billion market valuation of HBNB will exceed the value of its parent company, DoubleDragon, by more than six times. DoubleDragon currently has a market capitalization of P19.67 billion.

“With an expanded capital base and access to the thriving US equities market, this listing of Hotel101 on Nasdaq could help accelerate its plans to expand to 25 countries by 2026,” he said.

COL Financial Group, Inc. Chief Equity Strategist April Lynn C. Lee-Tan said Hotel101’s upcoming listing could spur other Philippine companies to consider listing in the US.

“If it is easy for them to raise capital in the US, then I don’t see why not. The problem in the Philippines is that valuations are so low. The question is, if they list in the US, will they get better valuations? Will there be buyers?,” she said.

“If a business will only focus on the Philippine market, it might not be as attractive to global investors,” she added.

 Hotel101 is aiming to have one million rooms across more than 100 countries.

 It seeks to have presence in 25 countries by 2026. These include Philippines, Japan, Spain, United States, United Kingdom, the United Arab Emirates, India, China, Thailand, Malaysia, Vietnam, Indonesia, Singapore, Cambodia, Bangladesh, Mexico, South Korea, Australia, Canada, Switzerland, Turkey, Italy, Germany, France, and Saudi Arabia.

 Hotel101 recently began development on a 680-room hotel in Madrid, Spain. It is also constructing a 482-room hotel in Hokkaido, Japan.

The company also previously secured a 3,647-square meter commercial lot in Los Angeles, California, for its first hotel in the US.

 On Thursday, DoubleDragon shares rose by 13.53% or P1 to P8.39 apiece. — Revin Mikhael D. Ochave

Filmmaker and fan Jonathan Nolan brings Fallout games to TV

LONDON — Filmmaker Jonathan Nolan says he was both nervous and excited to adapt the popular post-apocalyptic video game series Fallout for television.

“(It was) intimidating, honestly, and the reason why is that I had played the games and loved them,” Mr. Nolan said as he premiered the new TV show in London on Thursday.

The eight-episode live-action show comes from husband-and-wife duo Mr. Nolan and Lisa Joy, who previously created the hit series Westworld, and centers on three main characters; vault dweller Lucy MacLean (Ella Purnell), Maximus, a member of the Brotherhood of Steel (Aaron Moten) and mutated bounty hunter The Ghoul (Walton Goggins).

Set in the wasteland of Los Angeles some 200 years after a nuclear armageddon, it sees Lucy resurfacing from the vaults for the first time in her life and leaning on her skills, wits, and values to survive in a world very different from hers. Traversing the hostile terrain in search of her father (Kyle MacLachlan), Lucy crosses paths with Maximus and The Ghoul, each on a mission of their own.

Mr. Nolan, who co-wrote several of his brother Christopher Nolan’s films, including Interstellar and The Dark Knight, also directed the show’s first three episodes.

“I think it’s very similar to the games in the sense that each game in the franchise connects to this larger universe but each game has a new setting, a new set of characters and a new story. And just like that, our series is a new story with new characters but set in this larger universe,” Mr. Nolan, 47, said.

“For myself, the fun of it was having loved the games and being passionate about them, I was excited to try to bring reality in terms of large on-location impactful photography and building all the creatures, building all the stunts, the power armor … It was just like being a kid in a candy shop.”

Fallout starts streaming on Prime Video on April 11. — Reuters

Shari’ah-compliant securities reduced to 53 — PSE

THE Philippine Stock Exchange (PSE) announced on Monday that 53 companies are Shari’ah-compliant, down from 55 previously.

Three securities were removed from the list, while one was added, the PSE said, citing its quarterly screening for the period ending March 25.

The new list does not include Greenergy Holdings, Inc., PTFC Redevelopment Corp., and Marcventures Holdings, Inc. The PSE added Victorias Milling Company, Inc.

The PSE releases the updated list of Shari’ah-compliant securities every quarter. The market operator issued the previous list on Jan. 8, covering the period ending Dec. 25, 2023.

Shari’ah refers to the moral and religious code of Islam that covers rules, regulations, teachings, and values governing the lives of Muslims.

“Shari’ah-compliant investment instruments create a mechanism for listed companies to gain access to potential funding from Islamic investors including those in countries in the Middle East and other countries with high Islam population such as Malaysia and Indonesia,” the PSE said.

 The adoption of Shari’ah in the Philippine capital market allows local Islamic investors to comfortably participate in the Philippine business community as well as to create an ethical investment climate, it also said.

 The PSE tapped the services of IdealRatings, Inc. to assess listed companies in accordance with Shari’ah standards under the Accounting and Auditing Organization for Islamic Financial Institutions.

 IdealRatings looks at companies’ adherence to Shari’ah standards in terms of their business activities and financial ratios.

 Under the business screening, the income of companies derived from activities such as adult entertainment, alcohol, cinema, defense & weapons, financial services, gambling, gold and silver hedging, interest-bearing investments, music, pork, and tobacco must be less than 5%.

 In terms of financial ratio screening, a company’s cash or interest-bearing deposits or investments should not exceed 30% of its market capitalization, while its interest-bearing debt should not go beyond 30% of its market capitalization.

 “Through the screening process, securities that are engaged in activities involved in Haraam (impermissible or unlawful) will be taken out from the list of Shari’ah compliant stocks,” the PSE said. — Revin Mikhael D. Ochave

Bjorn Ulvaeus says ABBA success humbling as he marks two milestones

BJORN ULVAEUS (C) with cast members of Mamma Mia! on stage at The Novello theater in London. — REUTERS

LONDON — ABBA’s Bjorn Ulvaeus reflected on the Swedish pop group’s reach and longevity as he joined Mamma Mia! cast and creators for the musical’s 25th anniversary celebrations in London on Saturday.

Saturday also marked 50 years since ABBA won the Eurovision Song Contest final in Brighton, United Kingdom, in 1974 with the song “Waterloo,” bringing them to global attention.

“About this time in the evening, exactly 50 years ago, I was standing on another stage in another city here in the UK,” Mr. Ulvaeus said.

“It’s strange to think that if we hadn’t won … I most probably wouldn’t be standing here today. And this wonderful adventure which we call Mamma Mia! Wouldn’t have happened,” he said, speaking to the audience on the London stage.

ABBA was formed by Ulvaeus, Benny Andersson, Agnetha Faltskog, and Anni-Frid Lyngstad in Stockholm in 1972.

Mamma Mia!, composed by Mr. Ulvaeus and Mr. Andersson and based on their songs, originally opened in London’s West End on April 6, 1999. Written by Catherine Johnson and directed by Phyllida Lloyd, it centers around a mother and daughter with three possible fathers. 

According to its creators, over 70 million people have seen productions of the show in more than 450 cities around the world, staged in 16 different languages. It has also led to two blockbuster movies.

“The fact that somehow ABBA has managed to touch so many millions of lives around the world, generation after generation and people ask me ‘how does it feel for you to know that?,’ and that’s a very good question and very hard to answer,” Mr. Ulvaeus, 78, said.

“It’s a very elusive feeling. It’s more to do with gratitude and with humility than pride, because it humbles you to know that so many people have listened to something you’ve created and that they’ve been made happy by it or sad, and that it has meant so much for them in their lives.”

“It’s very difficult to fully emotionally grasp that, at least for me,” said Mr. Ulvaeus, who was joined on stage by producer Judy Craymer, who first met him and Mr. Andersson in the 1980s and convinced them that a musical could be made from their songs.

With its 25-year run, Mamma Mia! becomes the 3rd longest running musical in West End history, after Les Miserables, which made its debut in 1985 and The Phantom of The Opera, launched a year later, in 1986. — Reuters

Repower Energy signs deal with NIA for mini hydropower projects

RENEWABLE ENERGY developer Repower Energy Development Corp. (REDC) announced on Monday an agreement with the National Irrigation Administration (NIA) for the development of mini hydropower plants.

The company and NIA have signed a memorandum of understanding seeking to develop mini hydropower plants in three areas where the agency has existing infrastructure, the company said in a statement.

REDC had requested NIA’s permission to conduct comprehensive studies on the economic, financial, and technical viability of the projects.

These projects cover the river irrigation systems in Brgy. Dapdap in Tayabas, Quezon; Brgy. Sta. Justina in Iriga City, Camarines Sur; and Brgy. Poblacion in Pilar, Bohol.

“We would like to thank NIA Administrator Eddie Guillen and the entire organization for their trust and confidence in REDC by allowing us to develop and integrate mini hydropower plants into their existing infrastructure,” REDC President Eric Peter Y. Roxas was quoted as saying.

“These will benefit the Filipino people through renewable energy that will be delivered to their households. At the same time, these projects are designed to uphold the property rights of Filipino farmers so that they can continue with their livelihood,” he added.

REDC is a run-of-river hydropower developer, a subsidiary of Pure Energy Holdings, which has 124 megawatts (MW) of mini-hydropower projects clustered in Laguna, Quezon, Camarines Sur, Bukidnon, and other provinces under development.

The company is currently constructing a 4.5-MW hydropower plant in Quezon and a 20-MW plant in Bukidnon. Both plants are targeted to start operations by the fourth quarter of 2025.

For the third quarter, the company reported an attributable net income of P36.51 million, up 19.3%. Gross revenues went down by 11.9% to P103.26 million.

At the local bourse on Monday, shares of the company went down by P0.20 or 3.33% to close at P5.80 each. — Sheldeen Joy Talavera

The irony that was the April 9 holiday

PRISONERS OF WAR on the Bataan Death March. — US AIR FORCE

“Good evening, everyone everywhere. This is the Voice of Freedom broadcasting to you from somewhere in the Philippines.

“Bataan has fallen. The Philippine-American troops on this war-ravaged and blood-stained peninsula have laid down their arms. With heads bloody but unbowed, they have yielded to the superior force and numbers of the enemy. The world will long remember the epic struggle that the Filipino and American soldiers put up in the jungle fastnesses and along the rugged coasts of Bataan. They have stood up uncomplaining under the constant and grueling fire of the enemy for more than three months. Besieged on land, and blockaded by sea, cut off from all sources of help in the Philippines and America, these intrepid fighters have done all that human endurance should bear. For what sustained them through these months of incessant battle was a force more than physical. It was the force of an unconquerable faith — something in the heart and soul that physical adversity and hardship could not destroy. It was the thought of native land and all that it holds most dear, the thought of freedom and dignity and pride in those most priceless of all our human prerogatives.

“Our men fought a brave and bitterly contested struggle. All the world will testify to the almost superhuman endurance with which they stood up until the last, in the face of overwhelming odds.

“The decision had to come. Men fighting under the banner of an unshakable faith are made of something more than flesh, but they are not impervious to steel. The flesh must yield at last, endurance melts away, and the end of the battle must come. Bataan has fallen! But the spirit that made it stand — a beacon to all the liberty-loving people of the world — cannot fall!”

The above was the message broadcast from the secret radio station Voice of Freedom in Malinta Tunnel in Corregidor on April 9, 1942 that informed the Filipino people and the world that “Bataan has fallen.” It was written by Captain Salvador P. Lopez, who was at the time assigned to the headquarters of General Douglas MacArthur, commander of the United States Army Forces in the Far East (USAFFE). The broadcast was delivered by 3rd Lieutenant Normando “Norman” Reyes.

Mr. Lopez, who had earned a Bachelor of Arts degree in English in 1931 and a Master of Arts degree in Philosophy in 1933 from the University of the Philippines, was teaching literature and journalism at the University of Manila before the war. He was also a daily columnist and magazine editor of the Philippines Herald. When war broke out, Lopez was drafted into the Philippine Army as captain and assigned to Gen. MacArthur’s headquarters on Corregidor. He was captured by the Japanese when the island fortress fell on May 6, 1942.

After the war, he served as adviser on Political Affairs, Philippine Mission to the United Nations, becoming Charge d’affaires, and subsequently Acting Permanent Representative. He was also assigned to diplomatic posts in a number of European countries. President Diosdado Macapagal appointed him Secretary of Foreign Affairs. President Ferdinand Marcos named him ambassador to the United States in 1968 but he appointed him president of the University of the Philippines the following year. It was during his presidency that UP students became political activists, staging mass protest marches and rallies against the Marcos regime right from the First Quarter Storm in 1970.

Mr. Reyes, born to a Filipino father and an American woman, was studying in the American school H. A. Bordner when war broke out. When schools closed, Reyes worked full time in Station KZRH in Manila until the end of December 1941 when the Japanese closed in on Manila. He was drafted into the Philippine Army as a 3rd lieutenant and sent to Corregidor as a broadcaster.

Lt. Reyes was the voice on radio that told of the story of Capt. Jesus Villamor shooting down two Japanese planes from his Boeing fighter plane, and of a “mile-long convoy” of US ships with troops, arms, ammunition, and food on its way to Manila. That was the convoy that kept the spirit of the beleaguered, shell-shocked, wounded, starving, and tropical disease-ravaged troops in Bataan afloat and kept them fighting. Unknown to the gallant soldiers in Bataan, the convoy had been ordered to divert to Brisbane, Australia as the port of Manila and the US Naval bases in Sangley Point and Subic, where the troops and cargo were to be disembarked, had all been destroyed by Japanese bombers.

Lt. Reyes was captured along with the 11,500 men and women of the USAFFE on Corregidor. After several months in prison, he was shipped to Japan.

The Voice of Freedom was a makeshift radio station in Malinta Tunnel in Corregidor. It was set up by former Radio KZRH technicians Wallace “Ted” Ince and Simeon Cheng out of components of their station, which was shut down along with all Manila stations on orders of Gen. MacArthur. The objective of the Voice of Freedom was to broadcast favorable news for the Allies. It first went on the air on Jan. 2, 1942 and fell silent permanently with the Fall of Corregidor.

KZRH was put up by Samuel Gaches, the owner of H. E. Heacock Co., a department store in Escolta, Manila. It was the fourth commercial radio station in the Philippines. It went on air on July 15, 1939. On Dec. 8,1941, KZRH was the first station to announce the Japanese attack on Pearl Harbor.

After World War II, the Elizalde brothers — Federico, Joaquin, and Manuel — bought KZRH. They transferred its operations to the Insular Life Building in Plaza Cervantes. On June 12, 1946, the Elizaldes established the Manila Broadcasting Co., the country’s first radio network, with KZRH as its flagship station. The station returned to the airwaves on July 1, 1946. When the Philippines separated from the American broadcasting milieu in 1948, KZRH changed its callsign to DZRH.

That Voice of Freedom broadcast on April 9, 1942 was the cause of the irony that the April 9 holiday was. The broadcast extolled the valor of the “Battling Bastards of Bataan.” We are supposed to remember on April 9 of every year “the epic struggle that the Filipino and American soldiers put up in the jungle fastnesses and along the rugged coasts of Bataan.” But for many years we remembered instead the Fall of Bataan — the mass surrender of Filipino and American soldiers to the Japanese Imperial Army. That was because the broadcast opened and closed with the statement “Bataan has fallen.”

In April 1961, President Carlos P. Garcia signed Republic Act No. 3022 into law, declaring April 9 of every year as “Bataan Day.” Only in June 1987, did President Corazon C. Aquino put it right when she issued Executive Order No. 203 referring to the April 9 holiday as “Araw ng Kagitingan.”

 

Oscar P. Lagman, Jr. is an avid reader of Philippine history.

Century Pacific Food income jumps 12% to P5.6B

PO-LED Century Pacific Food, Inc. (CNPF) recorded a 12% increase in its 2023 net income to P5.6 billion, driven by higher sales.

The listed food and beverage manufacturer saw an 8% growth in revenues to P67.1 billion despite the softening of its original equipment manufacturer (OEM) exports segment, CNPF said in a regulatory filing on Monday.

 CNPF said its branded segment, which accounted for majority of sales, recorded an 11% sales growth, led by the milk, marine, and meat segments.

 The branded segment also includes products such as pet food, coconut, refrigerated food, and plant-based alternatives.

 The company saw a 4% decline in its OEM tuna and coconut exports segment due to the supply chain challenges and elevated commodity costs that led to softer markets.

 “The branded business continued to exhibit resilience amidst a volatile macroeconomic environment. Our primary focus is on delivering affordable nutrition through our vast assortment of brands and products spanning multiple price tiers — our way of providing value to our consumers in both good and challenging times,” CNPF Chief Financial Officer Richard Kristoffer S. Manapat said.

 CNPF recorded a 15% increase in earnings before interest, taxes, depreciation, and amortization to P8.7 billion as a result of gross margin expansion and “efficient” operating expenses management.

 “On the whole, we are pleased to deliver consistent and profitable growth despite operating in a volatile environment in 2023. We attribute this to the all-weather nature of our business model, diversified portfolio, and prudent usage of our resources,” Mr. Manapat said.

 “We ended the year on solid footing, putting us in a good position to reinvest in growth and sustainability as well as to provide our shareholders with a healthy return on their investment,” he added.

 CNPF generated P8.4 billion in operating cash flows last year, of which P1.4 billion was released as dividends, while P1.5 billion was reinvested in capital expenditures for capacity expansion and for renewable energy initiatives.

 The company expanded its solar capacity to 8.8 megawatts and commissioned a new biomass boiler that can be fueled by coconut shells.

Meanwhile, Mr. Manapat said that CNPF aims to grow its top line and bottom line in the low double-digit territory this year.

 “We are only in the early days of 2024… We plan to reinvest gains from improving commodities into growth and expansion, as we continue to focus on affordability and providing better, healthier food options to Filipino consumers,” he said.

CNPF’s brands include Century Tuna, Argentina, 555, Ligo, and Birch Tree. The company is also one of the leading providers of private label tuna and coconut products for export.

 CNPF shares fell by 0.82% or 30 centavos to P36.50 apiece on Monday. — Revin Mikhael D. Ochave

Social innovation in Sablayan

FACEBOOK.COM/PUPSABLAYANBRANCH

When I learned that Sablayan, Mindoro Occidental was the site of the Sablayan Prisons and Penal Farm (SPPF), the Philippines’ largest penal colony with a sprawling 16,190 square meters, I promised myself that I would help, even in some small way, some of the 1,800+ Persons of Deprived Liberty (PDLs) there.

Sablayan is a 1st class municipality in the province of Occidental Mindoro. According to the 2020 census, it has a population of 92,500+ people. It has a total land area of almost 2,200 square kilometers, making it the largest municipality in the nation.

PUP AND SABLAYAN AND STANFORD
It is providential that the Polytechnic University of the Philippines (PUP) established its 21st campus in Sablayan in 2010. It offers bachelor’s programs in Secondary Education, Cooperatives, and Entrepreneurship.

In the course of my Stanford fellowship with the Distinguished Careers Institute, I had the privilege of being part of a course in the Design School (D.School) entitled “Design to Equip Learners in Under Resourced Communities.” With Stanford D.School professors Paul Kim, Laura McBain, and Isabelle Hau, and working with PhD student Alessandra Napoli and Computer Science senior Carina Wing Fung, we posed the typical design HMW (How Might We) question: How Might We enhance the teaching capability of PUP to support the SPPF PDLs?

Two progressive PUP leaders, Vice-President of Campuses Pascualito B. Gatan and Dean of Business and key contact Cindy F. Soliman — agreed to be co-designers to this project.

STEPS IN THE DESIGN PROCESS
Empathy interviews are Step 1 of the Stanford Design Process and involve conversations with stakeholders in which the interviewers place themselves “in the shoes of the interviewees.” The design team interviewed Leine S. Alcaraz, the head of PUP-Sablayan; Dr. Arnulfo A. Jacinto, the PUP-Sablayan faculty representative; Felipe S. Balilo, the PUP-Sablayan student representative; Chief Superintendent Robert A. Veneracion, the head of SPPF; and two PDLs.

Next is the “Defining” Step. Teaching activities at PUP-Sablayan for students are managed out of PUP in Sta. Mesa, Manila, while limited teaching activities at SPPF for PDLs are supervised by the Department of Education. Therefore, the design challenge has been defined as: “How do you start to equip the SPPF PDLs with training and education that could lead them to acquire degrees while inside SPPF, and/or life skills prior to their exit from SPPF?”

Then comes the “Ideating” Step. Addressing the design challenge involves answering the HMW question. It was clear from the onset that a sustainable PUP-SPPF partnership would have to be a long-term one. While we have to think big in terms of the opportunities that this collaboration will provide the overall Sablayan community, most especially the students and the PDLs, we do have to start small with immediately doable projects on a pilot basis. This would inform PUP and SPPF of adjustments in the projects, work arrangements, and relationships necessary to ensure robust and sustainable solutions that work.

Based on the premise above, the Design Team brainstormed on ideas and arrived at two initial projects that could be launched within the next six months:

1. Building teaching bandwidth by tapping senior PUP Sablayan students to become teaching assistants in SPPF; and,

2. Designing and conducting Life Skills workshops for PDLs who are about to leave SPPF.

Once these projects are launched, PUP and SPPF could jointly assess the projects on a regular basis.

PROTOTYPING AND TESTING
In the design process, prototypes are models of products or services, made in accordance with customer requirements, to be tested and improved over time.

To build teaching bandwidth in an under-resourced ecosystem, a proposed system map was developed by the design team that involved linking highly qualified and capable senior PUP Sablayan students (aspiring for secondary education degrees) to assist SPPL teachers. It is envisioned that these seniors will eventually teach the courses once they graduate.

As PDLs need to become productive members of society upon their reentry and avoid being recidivists, intervention in the form of a Life Skills Workshop will be conducted within three months of PDL’s scheduled departure from the facility. Key topics — such as managing money, managing oneself, and managing family and community — will be taught, and individualized coaching and counselling sessions will be scheduled.

THE PROTOTYPING STEP WILL BE FOLLOWED BY A TESTING STEP.
The above prototypes will be evaluated in a forthcoming visit to Sablayan. During this visit, a PUP-SPPL team will be organized to oversee the pilot implementation of an initial batch of student teaching assistants for an initial six-month period. Lessons will then be gathered, and the solution finalized in accordance with the design process steps. A maiden run of the Life Skills workshop is also planned, and an evaluation of the workshop will be conducted to finalize the design of the workshop’s future runs.

SOCIAL INNOVATION
This partnership between PUP-Sablayan and SPPF promises to create a social impact, defined as significant and/or positive changes that solve or at least address social challenges, in the Sablayan community and may well serve as a template for other municipalities and cities in the Philippines.

I am very hopeful that in the Philippines, social innovation — new social practices that aim to meet social needs in a better way jointly curated by private, public and civil society sectors — will thrive and flourish.

 

Dr. Ramon “Mon” B. Segismundo is a member of the Management Association of the Philippines’ Shared Prosperity Committee. He is a 2023-2024 fellow of the Stanford University Distinguished Careers Institute. He holds a Doctorate in Business Administration from the Singapore Management University. He is the CEO of Singapore-based OneHRX.

map@map.org.ph

rbsegismundo@onehrx.com

Colliers: Developers ramping up residential projects in Cebu City

PHILIPPINE STAR/MIGUEL DE GUZMAN

(Second of two parts)

THIS is the conclusion of my piece on Cebu’s exciting residential landscape. What stands out is that more projects are due to be turned over in Cebu over the next few years. This should give Cebu investors and end-users more options. 

CEBU CONDOMINIUM SUPPLY TO GROW BY A FIFTH IN 2026
Colliers recorded the completion of 10,500 new condominium units in Cebu in 2023. Among the notable completions during the year include Avida Land’s Avida Towers Riala, as well as Cebu Landmaster’s Mivela Garden Residences, Casa Mira Towers Guadalupe, and Casa Mira Towers Mandaue. Meanwhile, we also recorded the completion of Thyme Residences, the first condominium project in Minglanilla.

We see  substantial completion across Metro Cebu from 2024 to 2025. By 2026, Colliers expects Cebu’s condominium stock to reach 93,100 units with the average annual completion of 5,000 new units from 2024 to 2026. Projects from national developers in the pipeline include Rockwell Land’s The Villas at Aruga, Megaworld’s Pearl Global Residences, 8990’s Urban Deca Homes Banilad (2 towers), and Arthaland’s Lucima. These projects, classified as affordable to luxury in terms of total contract price (TCP) per unit, are dispersed across Cebu Business Park, Mactan Newtown, Lapu-Lapu City and Mandaue City.

AFFORDABLE TO LOWER MID-INCOME PROJECTS DOMINATE
In 2023, Colliers recorded the take-up of 5,620 condominium units in Cebu, down 33% year on year. The affordable to lower mid-income projects (P2.5 million to P7 million), accounted for about 62% of total condominium units sold in the pre-selling market during the year.

In our view, the demand for these segments is partly sustained by investors who plan to rent out their units to outsourcing employees. These segments should also receive sustained demand from local investors as well as Filipinos working abroad looking for viable investment options.

The affordable to lower mid-income segments also dominated the take-up for house-and-lot (H&L) projects in Cebu, accounting for 55% of horizontal units sold in 2023. In our opinion, take-up for these units is also supported by remittance-receiving households, especially as Cebu is part of Central Visayas region, one of the top sources of deployed overseas Filipino workers (OFWs) in 2022.

MORE PRONOUNCED PRODUCT DIFFERENTIATION AS DEMAND RECOVERS
Colliers encourages developers to assess the viability of launching more master-planned communities to take advantage of the government’s infrastructure projects.

Overall, we see Cebu reaping the benefits of a recovering property market. With the largest condominium stock outside of Metro Manila, Colliers believes that Cebu is well-prepared to capture demand post-Covid. Metro Cebu has options that cater to the demands of end-users and investors. The region also has diversified projects that serve the residential needs of young employees to the more discerning and astute investors. Colliers projects a recovery in residential demand beyond 2024. This should be supported by sustained regional economic growth, stable inflow of remittances from Filipinos working abroad, and sustained BPO investment, with Cebu cornering more than half of office space deals closed outside of Metro Manila in 2023. Developers should further explore opportunities in the market but these strategies should revolve around the continued offering of attractive promos and flexible payment schemes as well as exploration of alternative locations for residential development, covering condominium, house and lot, and lot only developments.

With more projects in the pipeline covering vertical and horizontal developments, Colliers believes that it is essential for Cebu developers to further differentiate to stand out in a fiercely competitive market and satisfy the demands of discerning and astute investors. Homegrown developers with sizable parcels of developable land should explore the viability of forming joint ventures with national and even foreign developers. We expect more projects that will incorporate green and sustainable features, more open spaces as well as upscale amenities. Developers should also test the upscale to luxury markets especially now that investors and end-users start to gravitate toward more expensive projects especially given Cebu market’s constantly rising affluence. Colliers data show that it’s not just the condominium  projects that have constantly posted price increases; prices of House and Lot and Lot Only units have also increased across Cebu.

The Colliers Philippines team is looking forward to lining up more briefings in Cebu. It’s interesting to see what the future holds and the vast opportunities that national and homegrown players are planning to tap in Cebu in the years to come. I, myself, am excited for our next Cebu rendezvous!

 

Joey Roi Bondoc is the research director for Colliers Philippines.

Colin Farrell embodies film noir detective in Sugar

IMDB
IMDB

LOS ANGELES — Film noir is back, with a lot of color, starring Colin Farrell in Sugar, a new Apple+ series set in contemporary Los Angeles.

The role of a private detective battling inner demons as he tracks down a Hollywood producer’s missing granddaughter is a dream come true for the Golden Globe Award winner for best actor in The Banshees of Inisherin.

“I do love film noir, and I have had a love for it that pre-dates this show, so there were certain tropes that I was well aware of,” Mr. Farrell said in an interview.

The noir genre began with crime films in the 1940s and 1950s, featuring sharp shadows, pessimistic characters, smoke and rainy streets in black and white.

“I was well aware of the archetypical trope aspect to those things,” said Mr. Farrell, whose character John Sugar works on a case that turns his whole world upside down.

The series, which premieres on Friday, juxtaposes the colorful landscapes of Los Angeles with scenes that look like vintage Hollywood noir. Scenes between characters are edited in ways that surprised the actors.

“I knew I was filming a noir but then once I’m done with my process, there’s a completely separate creative process that happens after,” said British actor Kirby Howell-Baptiste, who plays Sugar’s manager Ruby in a contemporary twist.

“So when I watched it, the voiceover was a mystery to me, all of that footage that’s cut into it, the way it is cut, all of that was such a mystery.”

Mr. Farrell fondly recalled some nights when they were shooting car footage: Cinematographer Cesar Charlone would get in the passenger seat and Mr. Farrell would drive them to downtown Los Angeles for 40 minutes.

“There were moments where I was kind of honest-to-God pinching myself, going, ‘this is just unbelievable’ and ‘aren’t we so lucky?’,” Mr. Farrell said. — Reuters