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The meaning of ‘the common good’

This is a topic I’ve written about previously but feel it bears revisiting. The term “common good” is quite fashionable nowadays. From the environment to education reform, common good has been uttered to add credibility to whatever measure is being proposed. Unfortunately, there is a need to clarify what is really meant by the term “common good.”

To start, let us discuss another oft-used phrase: Salus populi est supreme lex, which many people understand as “the will of the people is the supreme law.” Which is not really the case. The closer translation goes like this: “The welfare of the people is the supreme law.”

There is a world of difference between the two translations: the latter indicating that what is necessarily good for the people is something they may not consciously will or desire but still must logically or rationally be achieved.

The same with the common good.

The common good is not the sum total of the desires and aspirations of the people. Rather, it is the instrument for which each people’s individual rational flourishing is to be achieved. More on this later.

As I wrote in 2014 (“The Common Good”), one finds the term in our Constitution’s very beginning, the Preamble: “An attempt to restore the phrase ‘general welfare’ in place of the Committee’s phrase ‘common good’ was not accepted. The change from ‘general welfare’ to ‘common good’ was intended to project the idea of a social order that enables every citizen to attain his or her fullest development economically, politically, culturally, and spiritually. The rejection of the phrase ‘general welfare’ was based on the apprehension that the phrase could be interpreted as meaning the ‘greatest good for the greatest number’ even if what the greater number wants does violence to human dignity, as for instance when the greater majority might want the extermination of those who are considered as belonging to an inferior race (see Fr. Bernas; The 1987 Constitution of the Republic of the Philippines, 2009).”

From the foregoing, two points: The Preamble lays down the purpose of the Constitution. It is, as Fr. Bernas points out, a “manifestation of the sovereign will of the Filipino people.” Secondly, the use of the term “common good” was a deliberate act on the part of our Constitution’s drafters.

Now, what should be undeniable is the peculiar strain of Judeo-Christian thought that permeates our constitutional system. It comes from two sources: its Spanish lineage and the relatively recent (and more direct) US genealogy.

And many from those sources up to the people who drafted the present Constitution would have been steeped (consciously or not) in Aristotelian thought, and quite definitely the ideas of the Enlightenment thinkers such as Locke and Rousseau.

Hence, the recognition of man’s inherent dignity and equality (between men and women, and regardless of race or religion), the natural law and natural rights (e.g., freedom of speech and of religion and the right to change religions), the social contract, and – of course – the common good.

For Aristotle, sometimes acknowledged as the father of the “common good,” the same is that which leads to individual good or human flourishing (the so-called “eudaimonia”). This finds its way in Catholic social teaching (e.g., Gaudium et Spes), which views the common good as ‘the sum total of social conditions which allow people, either as groups or as individuals, to reach their fulfillment more fully and more easily.”

For me personally, the best definition can be found in John Finnis’s Natural Law and Natural Rights: “a set of conditions which enables the members of a community to attain for themselves reasonable objectives, or to realize reasonably for themselves the value(s), for the sake of which they have reason to collaborate with each other (positively and/or negatively) in a community.”

Note the repeated mention of the attainment “for themselves” by the people.

The government should not, must not attempt to do everything, the president is not envisioned to be the national patriarch.

And thus, here is another point where many of our government and policy makers go wrong: the common good of society, indeed even society (or country) itself, are not the ends. They are merely instrumental (not intrinsic) goods. They are “primarily a means to the realization of valuable ends by members of the community; it is not an end in itself. Participating in the life of the community as one of its members does not immediately instantiate a basic aspect of our well-being and fulfillment as human persons (Robert George, The Common Good: Instrumental But Not Just Contractual; Public Discourse, 2013).”

The end is the flourishing of each member of the community, for which responsibility ultimately lies not with the government but with each and every individual.

Because human flourishing requires self-responsibility, not dependence. Hence, common good’s constant partner: subsidiarity.

This is what it means when we say that ours is a government of, by, and for the People.

 

Jemy Gatdula is a Senior Fellow of the Philippine Council for Foreign Relations and a Philippine Judicial Academy law lecturer for constitutional philosophy and jurisprudence.

jemygatdula@yahoo.com

www.jemygatdula.blogspot.com

facebook.com/jemy.gatdula

Twitter @jemygatdula

Dumangas mayor calls for tighter regulation at seaport

THE LOCAL government of Dumangas has asked authorities to increase the manpower assigned at the town’s seaport to strengthen regulation procedures following the seizure of P18 million worth of illegal drugs, particularly shabu, from a couple who passed through the Dumangas port on Jan. 28. Mayor Ronaldo Golez acknowledged that the town’s port is known as a major entry and exit point of contrabands into and out of Panay Island. The port is supervised by Task Force Puerto, created in 2015, composed of representatives from the police, Philippine Drug Enforcement Agency, Regional Maritime Office-6, Highway Patrol Group, Land Transportation Office, Philippine Coast Guard, Bureau of Customs, and the Criminal Investigation and Detection Group. Mr. Golez said the task force, though multi-agency, does not have enough assigned personnel for 24/7 operations. “Ro-Ro (roll-on, roll-off ship) operation is 24/7, and we lack the manpower. That’s why we are knocking on the doors of our leaders to ask for help,” Mr. Golez said. At the same time, the mayor said they are looking into the possibility of building a holding area, to be operated by the municipal government, to inspect cargo vehicles passing through the port. — Louine Hope U. Conserva

Lots of rhythm, a few blues

By Alexander O. Cuaycong
and Anthony L. Cuaycong

RIGHT OFF THE BAT, followers of DJMax Technika might see something familiar in Superbeat: Xonic. Little surprise, really, as developer Nurijoy is composed of former employees of Pentavision, the company responsible for the DJMax Metro Project. Even as the line of DJMax games continued, with DJMax Respect on the PlayStation 4 the latest release, Superbeat: Xonic debuted in the PS Vita back in 2015. And in light of its appeal, it made its way to the PlayStation 4, the Xbox One, and the Nintendo Switch last year.

As with DJMax Technika, Superbeat: Xonic challenges players to complete songs by rhythmically pressing buttons corresponding to the location of the notes on the screen. It offers a wide variety of tracks to choose from and a pseudo-campaign mode in the form of its “World Tour,” as well as free play via its “Stage” game mode.

While the premise might sound simple enough, the actual gameplay is nothing short of challenging. Superbeat: Xonic throws beats at players in dizzying fashion. And depending on the intensity of the song, notes can come slowly or fly across the screen at hyper-speed. Taken alongside various other types of notes (among them holding notes, sliding notes, flicking notes, and FX notes), this means that players won’t be making use of just the usual buttons on the Joy-Cons’ faces, but the analog stick and the L and R buttons on the side of the Switch as well. All this, while managing the constant barrage of inputs, can prove demanding to negotiate.

Longtime habitues of rhythm games know this is all very standard fare. Plenty of other titles from such notable series as Project Diva and Guitar Hero promise the same type of gameplay. Nothing really new here. What DOES make Superbeat: Xonic stand out, though, is in how approachable it feels compared to its rivals, not just in the interface, but also in aesthetic design. While the tutorial is fairly bare bones, learning the basics is easy. And while the unconventional setup of the Switch can make for confusing button presses and take some getting used to, touchscreen controls are likewise available, and they work great. As an alternative to button mashing, they’re probably the game’s biggest plus. Using fingers directly is infinitely easier, not to mention much, much more fun. Combine this with the ability to customize song speeds, songs not ending on players losing all their “health” to allow for practice sessions, and the wide variety of song genres — from rhythm ‘n’ blues to metal to popular music — and there’s something for everybody to like with the title.

This isn’t to say that Superbeat: Xonic on the Switch is flawless. Even as it runs great, its control scheme takes a while to get used to. The analog controls for the flicking and holding notes feel awkward and difficult to use, sometimes even failing to register prompts and inputs. Even the touch screen can fail to register taps at times, and there’s nothing more frustrating than to lose a high combo just because the game isn’t up to par, programming-wise. Even worse, there’s a natural and invariable strain that comes from using the touch screen. The development forces players to resort to likewise using the Joy-Cons’ L and R buttons, thus making gameplay a chore, especially with fast-paced selections.

Fortunately, Superbeat: Xonic is so compelling as to overcome its flawed controls. True, half the fun is about how well players can manipulate said control mechanics. And, true, the technical missteps can stunt the release. Nonetheless, it provides fans of rhythm games with an ample supply of enjoyment. A little patience can and will go a long way towards realizing its value. Both accessible and exacting, it’s perfect for beginners and veterans of the genre alike.

Video Game Review
Superbeat: Xonic
Nintendo Switch

THE GOOD
• Extremely diverse roster of songs

• Adjustable difficulty combined with good progression and forgiving timing on inputs

• Touchscreen controls (apart from the occasional sputter) feel amazing

THE BAD
• Inputs can sometimes fail to register

• Long-play sessions using the buttons can cramp up fingers due to awkward positioning

RATING: 8.5/10

Nintendo to produce Super Mario film

TOKYO — Japanese videogames maker Nintendo Co. Ltd. said on Thursday it would team with US film studio Illumination Entertainment to produce an animation film using its Super Mario Bros. characters.

The film would be distributed by Universal Pictures, President Tatsumi Kimishima said at a meeting with analysts on son Thursday. The launch date has not been decided.

It is part of Nintendo’s efforts to diversify revenue sources as the firm’s earnings are heavily reliant on the gaming console business.

On Wednesday, the company reported its biggest third-quarter operating profit in eight years, driven by smashing demand for its new Switch games console, and said it expected annual earnings to outstrip its previous estimate. — Reuters

Metro Manila labor turnover stabilizes in Q3

By Christine J. S. Castañeda, Senior Researcher
and  Mark T. Amoguis, Researcher

LABOR TURNOVER in large Metro Manila enterprises declined to its slowest pace since early 2016, the Philippine Statistics Authority (PSA) said.

According to a PSA quarterly survey, labor turnover in the National Capital Region (NCR) decelerated to 1.1% year on year in the third quarter of 2017, from 3.67% a year earlier and 2.1% in the second quarter of 2017.

The reading was the lowest since the 0.96% turnover rate in the first quarter of 2016.

Turnover rate is the difference between those hired (accession rate) and those who left or were terminated (separation rate). In the third quarter, the accession rate in large Metro Manila firms was 8.91%, down from 14.1% a year earlier, while the separation rate was 7.81%, down from 10.43% a year earlier.

For every 1,000 employed, a net 11 were added to Metro Manila’s work force with 89 new hires against 78 either laid off or resigned.

Ruben Carlo O. Asuncion, chief economist at the Union Bank of the Philippines, said the indicator is a “good sign.”

“It means that reduced departures in [the third quarter] of 2017. It could be a general sentiment of job satisfaction and a feeling of stability with one’s current employment. This is generally a positive picture of the labor force,” he said.

Security Bank Corp. economist Angelo B. Taningco attributed the slowdown in labor turnover to a sharp decline in the services sector “that was partly offset by an increase in the industrial sector.”

Industry contributed the most to job generation with a labor turnover rate of 1.38%, as the accession rate of 8.35% outstripped the 6.97% separation rate. Top performers in this sector were mining and quarrying (2.34%) and manufacturing (2.22%).

Meanwhile, Metro Manila’s accession rate was driven up by the expansion in services of 9.07%. However, it also had a high separation rate of 8.02%, bringing the sector’s labor turnover rate to 1.05%. Much of the employment growth in this sector was seen in financial and insurance activities (3.08%); information and communication (2.73%); transportation and storage (2.53%); and real estate activities (2.25%).

On the other hand, the agriculture sector work force fell with the separation rate (4.12%) exceeding the accession rate (3.42%).

“This negative figure [in the agriculture sector] implies the difficulty of job mobility in this particular sector. It is known that sometimes jobs in agriculture are part-time and seasonal, and agriculture workers sometimes are left with no choice but to remain in the sector due to lack of other opportunities and lack of necessary access to training for higher level of labor,” UnionBank’s Mr. Asuncion said.

Mr. Asuncion added: “With eight quarters of above 6% economic growth, I expect that labor opportunities will increase and the quality of these opportunities to increase as well. Thus, labor turnover may remain at a minimum moving forward.”

Security Bank’s Mr. Taningco concurred: “I think labor turnover in the NCR may have rebounded in the fourth quarter, and I expect this to accelerate in the succeeding quarters especially with more business investment and public infrastructure spending expected to intensify this year.”

Separately, the 2016 Occupational Wages Survey showed a P12,013 median for monthly basic pay in 2016, up 2.2% compared with 2014 for time-rated, full-time workers.

The survey, conducted every two years, covers both agricultural and non-agricultural establishments employing at least 20 workers. The coverage is wages of time-rated workers, or those being paid on the basis of a time unit of work such as an hour, a day or a month.

Among major occupation groups, 10 out of 18 saw their median basic pay exceed the national average. Workers in information and communications received the highest median basic pay of P21,399 in 2016, down 3.9% from two years earlier.

The electricity, gas, steam and air-conditioning supply occupations came in second with a median basic pay of P20,400, up 13.6%; followed by professional, scientific and technical activities; financial and insurance activities; real estate activities; education except public education; water supply, sewerage, waste management and remediation activities; administrative and support service activities; and transportation and storage.

On the other hand, agriculture, forestry and fishing recorded the lowest median basic pay at P7,927, down 6.2% from two years earlier.

Brexit haunts Prime Minister May as she seeks China trade post-EU

BEIJING — Hounded by Brexit rows at home, Prime Minister Theresa May was due to meet Chinese President Xi Jinping on Thursday to forge deeper trade ties after Britain leaves the European Union (EU).

Ms. May began her trip with plans to announce nine billion pounds ($12.7 billion) in business deals, an agreement to end a ban on British beef and promises to seek more trade opportunities.

But criticism in London over her domestic agenda and her handling of Britain’s contentious divorce with the European Union loomed large, prompting her to declare she was “not a quitter” as she flew to China.

Brexit figured in her talks with Premier Li Keqiang at the start of her visit on Wednesday. She meets Mr. Xi later on Thursday after visiting an agricultural sciences academy.

“Brexit is a situation that both our countries face,” Mr. Li said, reassuring her that “our bilateral relationship will not change with the changes of UK relations.”

Both leaders championed a “golden era” of relations between their countries as they seek new trade opportunities.

“We are determined to deepen our trading relationship even further and we are ambitious for what our future trade relationship will be,” Ms. May said.

She said they also agreed new measures to improve access to the Chinese market, including lifting a ban on British beef exports to China within six months.

In a nod to her hosts, Ms. May said “we welcome the opportunities” provided by China’s cherished Belt and Road initiative, a massive infrastructure project aimed at reviving ancient Silk Road trade routes and creating greater market access for Chinese companies.

But she threw in a caveat, saying the two countries would continue to work together to ensure that the endeavor “meets international standards.”

Wooing China is part of her government’s broader strategy to seek deeper trade ties with countries beyond Europe’s borders after Britain leaves the EU next year.

Britain runs a £25.4-billion trade deficit with the Asian giant and only 3.1% of British exports go to the country, according to Rajiv Biswas, Asia-Pacific chief economist at IHS Markit. The British prime minister was also under pressure to address the political situation in Hong Kong and human rights abuses in mainland China.

Chinese authorities have carried out a relentless crackdown on civil society since Mr. Xi took office in 2012. But she had yet to make public statements about either matter as she prepared to meet with Mr. Xi.

Before her trip the former British governor of Hong Kong, Chris Patten, sent a letter to Downing Street saying the semi-autonomous city, which London handed back to Beijing in 1997, was facing “increasing threats to the basic freedoms, human rights and autonomy.” — AFP

PAL to increase flights, routes to China

PHILIPPINE AIRLINES (PAL) will boost the number of flights and add routes to China starting March, as the government targets to attract two million Chinese tourists annually.

In a statement, PAL said starting March 25, it increase the flights between the Philippines and Greater China to 103 times weekly, from the current 103 times weekly.

The flag carrier will start daily flights for Manila-Jinjiang, and Manila-Guangzhou (Canton) routes, from five times weekly on each route.

Data from the Department of Tourism (DoT) showed China was the Philippines’ second-biggest source of tourists in 2017 with 968,447 arrivals, 43% higher from the previous year.

The DoT attributed the higher number of Chinese tourists to “improved ties between the Philippines and China, added air routes, and the visa upon arrival (VUA) option for Chinese nationals.”

PAL said it will launch new flights to China in the next few months, particularly Tianjin, Shenzhen and Nanning.

The airline is also planning to mount direct flights to Puerto Princesa, Palawan from both Tianjin and Shenzhen, and to Boracay (via Kalibo) from Shenzhen and Nanning.

At present, PAL flies from Manila to Beijing, Shanghai, Hong Kong, Macau and Xiamen. Its other routes include Cebu-Beijing, Kalibo-Beijing, Kalibo-Chengdu, Kalibo-Nanjing, Kalibo-Shanghai Pudong, and Kalibo-Hangzhou.

The government is hoping to attract more Chinese tourists this year.

“We’re expecting to double our tourist arrivals because of increased tourist arrivals from China,” Presidential Spokesperson Herminio Harry L. Roque , Jr. said during a briefing in Baguio City.

“Starting this month, in February, there will be direct charter flight from Xiamen, in Fujian Province in China to Puerto Princesa in Palawan. This is according to the Department of Tourism. In addition, the DoT reported that in order to provide better air connectivity from major tourist source markets to the Philippines, another new route from Tianjin China to Puerto Princesa in Palawan is already on its way,” he added.

Escape reflex

In times of uncertainty, anxiety, adversity, many people have a reflex action — escape from reality. The world of make-believe becomes a convenient refuge, a cocoon of illusion.

William Shakespeare once wrote, “All the world’s a stage. And all the men and women merely players: They have their exits and entrances…”

The fantasy factor is therapeutic. It allows the mind to have some breathing space and time to relax and recharge. This explains why blockbuster action or musical movies attract big audiences. For two hours, the viewer vicariously lives though a superhero or a heroine. Virtual reality relieves the anxiety and tedium of a stressful life.

People watch fantasy movies, historical dramatic epics, romantic comedies, science fiction, and action thrillers. Any subject that is far removed from the current situation.

Human beings have an innate survival mechanism that switches the brain off from pain or any disconcerting stimuli. The “fight or flight” instinct is characteristic of self-preservation.

People flee from confrontations to seek solace in recreation and entertainment in soothing or harmless activities.

Some individuals self-indulge and plunge into buying sprees. A shopaholic buy unnecessary, frivolous objects because the act of buying is relaxing or fun.

“When things get tough, the tough go shopping.” The “high” produced by acquiring something new is fleeting. Shoppers claim it calms restlessness or dissatisfaction. Provided, of course that one has the wherewithal to purchase on a whim. Otherwise the shopper accumulates junk and debts that would trigger worse anxiety attacks.

Other escapist activities are compulsive eating, drinking, partying, and gambling. There are acceptable levels that would alleviate the problem partially. Any activity that is done in excess (such as ravenous gorging, alcoholic binges, and decadent orgies) is harmful and self-destructive.

Exercise freaks work out to the point of exhaustion. Vain women are so weight-obsessed that they starve themselves to the verge of anorexia and bone-thinness. They try the extreme fad diets that are bad for the body. The majority go to the salon for some pampering while others try enhancing cosmetic procedures.

People who lead balanced lives are healthy. They can adjust to hard times with grace and aplomb. They can switch off and indulge in moderate exercise and sports.

Enjoyable physical exercise always releases happy hormones. Endorphins (similar to love pheromones) flow in to the blood stream and thy deal with pain — both physiological and psychological. The soothing effect tones the body and conditions the mind.

Compulsive TV and Internet addicts get a mixed brew of reality and fiction. The viewer gets stressed seeing sensational images and confusing messages. Fiction and fact interspersed with some fake news are blended, magnified or distorted to induce panic. Fortunately, the attention span is short. It is easily cut off by the click of the remote control.

Gadgets are addictive. Kids and their parents are hypnotized by images in their smart phones and tablets. Social media can be entertaining to a certain degree. But it can absorb people to the point that they forget to interact and converse with others.

For many years, rallies have been the rage.

Prayers, protests, and political rallies are forms of expression. The political rallies are considered farcical entertainment. They rate high crowd magnets because of the popular celebrities. There have been rallies that attempted to sound moralistic with fire and brimstone. What was disturbing was the presence of incongruous characters on stage. A few resembled righteous, critical Pharisees proclaiming their superiority. Others looked like cardboard reptilian and amphibian figures straight out of a jungle comic strip.

The exciting rallies resembles the ancient gladiator “bread and circus” event. To the roar of the bloodthirsty mob, the protagonists and lead stars demand for “martyrs à la carte” with lions and tigers growling in the background.

Although rallies offer standard showbiz fare, stage direction and blocking are sloppy. Production values suffer from too many executive and line producers and director. Too many bosses of different persuasions call the shots. Confusion and chaos add color to the stage.

Casting choices could stand improvement. One sees a mediocre hodgepodge of box office luminaries and heroes surrounded by comedians, shady has-beens, anti-heroes and political flip-flopper. Not to mention the wannabes and satellites of dubious characters and cameo roles.

There is a lighter side to rallies.

Despite the glitches of rain and other divine disturbances, gatherings are festive occasions. After the serious speakers ventilate the anger and rage, the audience mood switches to a congenial frequency.

The eclectic gathering becomes a social event.

Pseudo-radicals, baby boomers, society activists (the perfumed, coiffed, and made-up matrons) business yuppies, millennials, and assorted party animals form a “party rally.” (The one that does not require lofty ideals or heavy slogans.)

After all, “…life’s too short.” For wolves and other predators, it’s open season for the hunt.

The performing and cultural arts belong to a higher dimension beyond entertainment. Seasoned thespians and artists in theatre, ballet, opera, and musical concerts evoke spiritual vibes. A live performance is an uplifting experience. This is definitely the type of “escape” that stimulates the imagination, touches the mind, and warms the heart.

 

Maria Victoria Rufino is an artist, writer and businesswoman. She is president and executive producer of Maverick Productions.

mavrufino@gmail.com

One great show

By Richard Roeper

Movie Review
The Greatest Showman
Directed by Michael Gracey

Just about every moment in The Greatest Showman is dripping with corny and cheesy and shameless sentiment.

No kidding, there were times when I rolled my eyes to the ceiling with all the subtlety of a round-faced emoji.

But then I’d look down and realize my foot was once again tapping in time to the beat of the catchy tunes, at which point I’d just settle back and acknowledge I was thoroughly enjoying myself, despite all cynical instincts.

Directed by Michael Gracey and featuring songs from the immensely talented and red-hot duo of Benj Pasek and Justin Paul (Oscar winners for La La Land, Tony winners for Dear Evan Hansen), The Greatest Showman has the look and feel of a Broadway hit adapted for the big screen, but it is wholly separate from Barnum, the musical that debuted in New York in 1980.

This is an original work, inspired by the life and times of the legendary 19th-century promoter P.T. Barnum, who didn’t actually coin the phrase “There’s a sucker born every minute,” but most certainly was devoted to finding new and creative ways to attract a crowd — even if it meant stretching the truth and inventing narratives in order to sell tickets.

It’s an easy casting decision to have Hugh Jackman play Barnum, given Jackman’s credentials as a Broadway performer and, of course, the film version of Les Miserables. (Hey. Don’t blame Jackman for the Russell Crowe insanity.) Jackman is an old-fashioned movie star, equally effective as the anti-hero Logan and the play-it-to-the-rafters P.T. Barnum.

The Greatest Showman opens with Jackman/Barnum in splashy splendor, center stage, wearing a beautiful red coat, sporting a top hat and twirling his cane. With the chorus providing a backbeat and vocals that sound like something out of an anthem from Queen, Barnum sings: “It’s everything you ever want, it’s everything you ever need, and it’s right in front of you… This is where you wanna be!”

And 10 days after seeing the movie, as I type these words, I don’t stand a chance of NOT hearing that tune (titled “The Greatest Show”) all over again. It’s the first of at least a half-dozen undeniably addictive numbers.

As the music fades, Barnum finds himself alone onstage, wondering where everyone has gone. Cue the flashback and the real start of the story.

After a heavy-handed sequence in which the young and impoverished P.T. (Ellis Rubin) first sets eyes on the privileged but sweet Charity (Skylar Dunn) and they instantly fall in love, we flash forward a dozen years or so, with Jackman now playing P.T. and Michelle Williams as Charity. (OK, fine, they’re no more believable as 20-ish lovers than Robert Redford and Glenn Close in The Natural, but it’s not long before the story moves ahead another 10 years and we can go with it.)

Through the years (and the birth of two daughters), as the family barely survives, Charity remains supportive of P.T. and his dreams — and just when all hope seems dashed, P.T. comes up with the mad scheme to showcase the outcasts, the unusual, the “freaks” of the world. And it works!

We rarely go more than 10 minutes without the characters breaking into song — and not in the “live singing” style of Les Miserables, but in a manner that makes it clear Jackman et al. are lip-syncing to previously recorded material. When it’s a big production number highlighting dance moves and group singing, that’s not an issue. When it’s an intimate moment with just two performers, it’s an issue.

Still, there’s not a clunker in the entire soundtrack.

Even after P.T. achieves great success and fame as a showman, he yearns to be accepted as more than a huckster. To that end, he brings the famous Swedish opera singer Jenny Lind (Rebecca Ferguson) to the States, ignoring his responsibilities to circus and family as he devotes all his attention and finances to Jenny’s American tour.

Hmmm, perhaps P.T. will have to hit rock bottom and even contemplate giving into temptation before he realizes what’s truly important in life!

Zac Efron, who’s kind of a mini-Jackman in that he can do the song-and-dance stuff, but also straight dramatic material (although he still has a long way to go to match Jackman’s total skill set), is terrific as Phillip Carlyle, a to-the-manor-born type who risks becoming a society outcast when he partners up with P.T. Given the tenor of the times and the world in which he was raised, Phillip must decide if he’ll take an even bigger risk when he falls in love with Anne Wheeler (Zendaya), a black trapeze artist.

My favorite number in The Greatest Showman is when the bearded lady (Keala Settle, in a lovely and funny and warm performance) leads the charge after the “freaks” find themselves on the outside looking in yet again; instead of resorting to their lifelong default mode of slipping into the shadows, they respond with a defiant, strength-in-numbers, badass song of affirmation.

With all that corn and cheese and old-timey sentiment, The Greatest Showman ends up scoring some very timely social arguments. P.T. Barnum himself would have approved the dramatic sleight of hand. — Chicago Sun-Times/Andrews McMeel Syndication

Rating: Three stars

MTRCB Rating: PG

Evergreen Tom Brady not the retiring type

MINNEAPOLIS — Tom Brady said Thursday he has no plans to retire anytime soon as he prepares to lead the New England Patriots into his eighth Super Bowl against the Philadelphia Eagles this weekend.

The 40-year-old quarterback could win an extraordinary sixth Super Bowl ring in Minneapolis on Sunday at an age when most NFL players are already comfortably settling into a life beyond the sport.

Brady, however, who attributes his remarkable longevity to his strict diet and fitness regime, told reporters he would like to play on until his mid-40s after another dazzling season in which he amassed a league-leading 4,577 yards.

The California-born signal-caller was responding to comments by Patriots President Jonathan Kraft earlier Thursday in which he said Brady had earned the right to choose his own retirement date.

But Brady was having none of it.

“Why does everyone want me to retire so bad?,” he said.

“I’m having fun. The team’s doing good. I’m really enjoying it.

“I obviously really enjoy the experience of playing in this (Super Bowl) game.

“It’s been a dream come true for me, many times over, and you know it takes a lot of hard work to get here.

“We’re working hard this week, we had a good practice today. I’m not thinking about retirement — I’m thinking about the Super Bowl and trying to win the most important game of the year.”

RECORDS AT RISK?
Brady will already become the oldest non-kicker to play in the Super Bowl when he suits up at the US Bank Stadium on Sunday.

And at five months past his 40th birthday, he will comfortably eclipse his great rival Peyton Manning’s record for being the oldest quarterback to win the championship if he bags another Super Bowl against the Eagles.

Manning was 39 when he led the Denver Broncos to a fairy-tale win over the Carolina Panthers in Super Bowl 50 two years ago.

If Brady plays into his mid-40s, he could rival records set by Steve DeBerg, who became the oldest quarterback to start an NFL game when he led the Atlanta Falcons against the New York Jets in 1998.

DeBerg, a back-up quarterback, also became the oldest player ever included on a Super Bowl roster, at the age of 45 years and 12 days, when the Falcons appeared in Super Bowl 33 in 1999.

“I’ve always wanted to play until my mid-40s, so we’ll see,” Brady said of breaking DeBerg’s records.

“Football is such a physical sport. Every game could be your last game. It’s the reality of sport. I’d love to plan for those things. I try to work hard at the things I need to to allow my body to feel good week after week, year after year.

“I’ve got a good routine that’s really worked for me over the past 12 years. So as long as I feel like I’m willing to make the commitment to doing those things, then I feel like my body will allow me to be able to do that.”

Brady’s first Super Bowl title came way back in 2002 in a 20-17 win over the St. Louis Rams.

Since then, he said, he has learned to prepare more efficiently for the championship game. — AFP

What to see this week

4 films to see on the week of February 2-9, 2018

A Better Tomorrow 2018


THIS IS THE fourth film in an a series that started with the original John Woo movie about a former drug smuggler who attempts to reform his life and reunite with his policeman brother. Directed by Sheng Ding, it stars Wang Kai, Tianyu Ma, and Darren Wang. Screen Daily’s John Berra writes, “For all of its individual qualities, A Better Tomorrow 2018 is destined to wind up as a footnote to a stone cold classic, but this is nonetheless solid genre fare that stands on its own two feet, with both guns blazing.”

MTRCB Rating: PG

Changing Partners


BASED on the PETA musical by Vincent de Jesus, the Cinema One Originals 2017 entry tells the romantic story of Cris and Alex a couple whose age difference is 15 years who are played by four different actors — Agot Isidro, Jojit Lorenzo, Anna Luna, and Sandino Martin. The story explores the nature of fidelity and issues faced by partners. Directed by Dan Villegas.

MTRCB Rating: R-13

Winchester


FIFTY miles outside of San Francisco stands the world’s most haunted house — seven stories tall with 500 hundred rooms — built by heiress Sarah Winchester. She did not build it for the living but as an asylum for vengeful souls. Directed by Michael and Peter Spierig, the film stars Helen Mirren, Jason Clark, and Sarah Snook.

MTRCB Rating: R-13

Paddington 2


AS Paddington scouts for a present to give his Aunt Lucy for her 100th birthday, he finds a unique pop-up book in Mr. Gruber’s antique shop and goes through a series of odd jobs to afford it. However, one day, the book is stolen. Paddington and the Brown family work together to catch the thief. Directed by Paul King, the film stars Hugh Grant, Ben Miller, Ben Whishaw, Julie Walters, Sally Hawkins, Hugh Bonneville, and Brendan Gleeson. The New Yorker’s Richard Brody remarks, “It has one out-loud laugh, plenty of sincere cleverness, vast technical ingenuity, a warm heart, lively performances and enough gyroscopic camera moves to make Max Ophüls (film director) jealous.”

MTRCB Rating: PG

Phoenix refreshes design for 100 gas stations

Phoenix Petroleum Philippines, Inc. has adopted a new design for its fueling stations nationwide just as the company folds in its new acquisitions and marks its entry into new businesses.

“The new look of our stations is just the start of our improved products and services to our customers as we set the tone for the future. Our goal is to exceed customer expectations and engage with the community we are part of through our improved stations,” Henry Albert R. Fadullon, Phoenix Petroleum chief operating officer, was quoted as saying in a statement.

Phoenix Petroleum has recently expanded to the convenience retailing business with the acquisition of convenience store brand Family Mart. It is also set to enter the bitumen business through a joint venture with Tipco Asphalt Public Co. Ltd. and PhilAsphalt (Dev’t) Corp.

“The new design features a clean, modern, and sleek style, to reflect the company’s aspiration of becoming the next generation fuel company catering to the needs of the next generation drivers,” Phoenix Petroleum said.

The listed company owned by Davao-based businessman Dennis A. Uy said 100 out of its 500 stations nationwide already carry the new design.

“The newest Phoenix station boasts of a spacious land area for easy movement, air-conditioned restrooms, and a strategic location — providing convenient access to motorists traveling on the South Luzon Expressway,” it said.

Phoenix Petroleum is engaged in the trading and marketing of refined petroleum products, including LPG and lubricants, operation of oil depots and storage facilities, hauling and into-plane services. It serves major accounts in various industries such as power, shipping, logistics, manufacturing, construction and transportation.

In January, the Philippine Competition Commission approved Phoenix Petroleum’s acquisition of shares in Philippine Family Mart CVS, Inc. The company previously said the convenience store complements its retail fuel business. The deal marks its entry into the fast-growing retail market. Family Mart has 67 stores in Luzon.

Also last month, the company entered into a joint venture with Thailand-based asphalt maker Tipco Asphalt and a local company to market and distribute bitumen and bitumen-related products in the country.

In December last year, Phoenix Petroleum disclosed placing an order for 650,000 cylinders of liquefied petroleum gas (LPG) in line with its plan to penetrate deeper into the Luzon market, where it said 80% of the demand for the product comes from.

The move comes as the company integrates the LPG business of Petronas Energy Philippines, Inc., a company it bought last year. — Victor V. Saulon