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An oasis of calm in shattered region, Dubai steps out as an art hub

DUBAI — As traditional centers of modern Arab art in Damascus and Baghdad have imploded amid disastrous wars, the sheeny city-state of Dubai in the United Arab Emirates has stepped into the vacuum as a major hub for art sales.

But at the annual Art Dubai fair last week, some Mideast artists among the scores of worldwide participants channeled in paint the chaos swirling around this bubble of calm luxury.

Tucked among the mostly apolitical photography, sculpture and installation art adorning the vast open-plan space, black-and-white paintings of war scenes in the Gaza Strip — devoid of people and any sharp detail — stand out.

“It’s like a monster, isn’t it?” says Palestinian artist Aissa Deebi, holding his arms menacingly above his head in the rough shape of a fireball from an Israeli war plan he painted exploding on top of building.

“I turned images from the TV into oil on canvas, which has its history in this tradition going back to Goya and Picasso,” he added, alluding to the latter’s iconic image of chaos brought on by a bloody air raid on the Spanish town of Guernica.

Myrna Ayad, Art Dubai’s director, said the event featuring artists from 48 countries did not seek to dwell on the region’s miseries, but noted that as Dubai’s star has risen in the art world the art on offer cannot flinch from harsh realities.

“The sad reality is that as Baghdad, Beirut, Damascus and even Cairo have suffered due to political and economic strife, the UAE is in a position to build on its openness and multicultural aspect to lead in the art scene.”

“Conflict and problems aren’t all there is to art in the Middle East and our exhibition celebrates modernists and visionaries from here and all over the world … artists do make incredible historians and documentarians, though,” Ayad added.

While she declined to name precise target for sales in the three-day event, she noted that works were on offer for between a few hundred and a few hundred thousand dollars: “There’s something for every pocket!”

Ead Samawi knows that well. A partner from the Ayyam Gallery, he has sold most of their handful of war-themed canvases for between $30,000 and $50,000 each to clients ranging from the United States to Lebanon, and insists profit and painful subjects can go together.

Arranged in a tense jumble of colorful shapes and splotches forming the rough shape of buildings and people, the work of Syrian artist Tammam Azzam evokes the broken cityscapes and refugee throngs from his homeland.

“It’s not commodifying, this is human life: there’s war and migration that happens all over. Artists have always had their distinct, creative way of presenting it that people have been attracted to,” Samawi said. — Reuters

Spamalot and Sa Wakas return to the stage

THANKS TO popular demand, two musicals — one a hilarious riot of a show based on a British comedy troupe’s movie, the other a bittersweet musical ode to the songs of the local band, Sugarfree — will have reruns in April.

Running from April 13 to 22 at the BGC Arts Center in Taguig City is the repeat performance of the Tony/Grammy/Drama Desk Award-winning show, Monty Phyton’s Spamalot.

Dubbed as the best-reviewed musical comedy in 2017, Spamalot once again showcases its cast’s comedic timing and great acting and singing.

The Broadway musical import is a spoof on the story of King Arthur and his quest for the Holy Grail.

Co-directed by Joel Trinidad and Nicky Triviño, Monty Python’s Spamalot features singers and actors Rachel Alejandro, Lorenz Martinez, Carla Guevara-Laforteza, Noel Rayos, Roxy Aldiosa, Reb Atadero, Rachel Coates, Domi Espejo, Rhenwyn Gabalonzo, Bibo Reyes, Dean Rosen, George Schulze, and Chino Veguillas.

Couturier Francis Libiran provides the cast member’s gowns, the Martinez sisters choreographed the show, and Onyl Torres handles the musical direction.

IN THE END
Meanwhile, the hugot musical Sa Wakas will have its third — and final — rerun from April 7 to May 26 at the PowerMac Center Spotlight in Circuit, Makati City.

The critically acclaimed Pinoy rock musical starts at the end of a relationship — a format which may bring to mind the Broadway musical The Last Five Years.

First shown in 2013 and again in 2017, Sa Wakas features the joys of a love story and the bitterness of a failed relationship.

Sa Wakas features the songs of the popular rock band, Sugarfree — the musical shares the same name of the band’s debut album released 16 years ago.

The successful Pinoy musical is co-written by Andrei Nikolai Pamintuan and Mariane Abuan, with music arranged by Ejay Yatco. Miguel Panganiban does the lighting design while Julian Vincent Cayabyab designs the set.

For tickets to the two shows, check www.ticketworld.com.phNFPDG

BSP requires banks to set up e-payment channels

By Melissa Luz T. Lopez
Senior Reporter

BANKS and other financial firms are required to offer electronic payment channels for all clients and should be able to put up systems that will allow fund transfers in a matter of seconds, the central bank said.

The Bangko Sentral ng Pilipinas (BSP) spelled out specific guidelines for the National Retail Payment System (NRPS) covering banks, non-banks and e-money issuers, in line with an industry-wide push towards digital transactions.

The central bank targets to shift cash-heavy transactions to digital avenues via the NRPS, which they expect to help broaden access to financial services and spur increased economic activity.

The rules spring from Circular 980 issued in November, which endorses the creation of automated clearing houses (ACHs) which would process payment and transfer instructions given through digital channels, which include online and mobile banking.

BSP Memorandum 2018-012 requires all BSP-supervised financial institutions (BSFIs) to have electronic platforms ready for public use so that they can participate in the NRPS scheme.

“The regulatory requirement is that electronic payment facilities, such as those enabled via the BSFI’s participation in ACHs, shall be available to the clients,” the rules read, as signed by Deputy Governor Chuchi G. Fonacier.

“For this purpose, non-availability of electronic payment in a delivery channel requires written justification from the BSFI addressed to their respective offsite units…”

The same rules also prohibit players to do bilateral payment arrangements, with all fund movements required to pass through the respective clearing houses. This is to preserve “free and fair competition” and maintain system-wide efficiency, the regulator said.

All BSFIs must likewise comply with “immediate credit” after electronic fund transfers (EFT) are cleared.

“The time frame of immediate credit to the payee’s account for near real-time transactions is within 2 to 3 seconds from receipt of clearing advice by the receiving institution,” the BSP said.

A two-hour window for crediting funds is provided for batched transactions, referring to the Philippine EFT System and Operations Network (PESONet) launched late last year.

The PESONet is the industry’s first attempt at rapid interbank transfers, which leapfrogs from the Philippine Clearing House Corp.’s system for bank checks to now include e-wallets.

The BSP also reminded all players that they can only impose fees and charges on money senders — if at all, with all recipients to receive amounts in full.

The central bank has set an ambitious goal to bring the share of e-payments to 20% of all financial transactions by 2020, coming from a measly one percent share back in 2013.

Yuchengco holds part 2 of Rediscovering Binondo lecture series

THE Yuchengco Museum will hold part two of “Rediscovering Binondo,” a talk on the old Manila district’s history from 1850 to 1900, particularly the arrival of the Chinese, their lifestyles; and the legacies of the Luna and Rizal families, conducted by Martin “Sonny” Tinio, Jr.

This is the second of a three-part “Tea with Tinio” series at the Yuchengco Museum.

The lecture will be held on April 7, from 9:30 a.m. to 11:30 a.m.

Mr. Tinio has written books and monographs about Philippine social history, architecture, and landscaping, among others, and co-authored Philippine Ancestral Houses, the first book on Philippine colonial architecture, and the largest-selling local coffee table book to date.

A former museum curator of the Intramuros Administration and of Malacañan Palace, he designed Casa Manila in Intramuros and has restored several period houses in Kawit, Cavite and Taal, Batangas. Most recently he served as a consultant for the San Ignacio Reconstruction Project in Intramuros.

Tickets to the lecture are P300. For reservations, call or e-mail at 889-1234 and info@yuchengcomuseum.org.

The museum is located inside RCBC Plaza, corner Ayala and Senator Gil J. Puyat Aves., Makati City.

Basic Energy raises investment in 2 Thai firms

BASIC ENERGY Corp. on Tuesday said its board of directors gave the go-signal to increase the company’s equity investment in two Thai companies to 15%.

“The equity investment will enhance the project portfolio of [Basic Energy] as a renewable energy and power company,” the listed firm told the stock exchange on Tuesday.

The company is increasing its holdings of the total capital of Vintage EPC Co. Ltd. (Thailand) (VEPC), and VTE International Construction Co. Ltd. (Thailand) (Vinter). The move was approved by its board on March 21.

Basic Energy placed the value of its investment at 106.185 million Thai baht or around P178 million. The amount is broken down as 75 million baht for VEPC, and 31.185 million baht for Vinter. It will increase their working capital and will lessen the need for advances from stakeholders or bank financing.

“The investment is expected to provide a continuing stream of revenues in the short and midterms,” Basic Energy said.

The increase is a follow through of the investment term sheet signed by the company on Nov. 9, 2017 with Vintage Engineering Public Co. Ltd. for a possible equity investment in its two Thai subsidiaries up to 12.5%, with an option to increase up to 20% of their total equity.

The companies that Basic Energy bought into are the primary engineering, procurement and construction (EPC) contractors of the 220-megawatt (MW) solar power plant located in Minbu District, Magway region, Myanmar.

The deal is subject to the compliance with certain precedent conditions resulting from the due diligence work on the investee companies and the approvals of their board of directors.

It is also subject to the mutual agreement of the parties on the provisions of the share purchase agreement and shareholders agreement to include directorship positions and minority rights provisions, among others. The agreements also rest on the final board approvals by Basic Energy and the investee companies.

The share purchase agreement is targeted to be executed within April, while the shareholders agreement is expected to be completed in April or May.

Basic Energy described VEPC as the supplier of the materials and equipment for the construction of the Myanmar solar power project, while Vinter handles the construction services required to build and complete the power plant.

“The development of the project commenced in 2016 and the power plant will be constructed in four phases, Phase 1 of which is targeted to be completed by end of 2018. Completion of all 4 phases of the project is targeted on or before 2021,” the company said. — Victor V. Saulon

Details out on Ateneo’s Purita Kalaw-Ledesma Art Criticism competition

THE Ateneo Art Gallery (AAG) and the Kalaw-Ledesma Foundation, Inc. (KLFI) have announced the exhibitions to be reviewed by writers interested in submitting entries for the Purita Kalaw-Ledesma Prizes in Art Criticism. These exhibitions are:

CULTURAL CENTER OF THE PHILIPPINES
The Ordinary Man: A One Man Exhibition by Josemaria Paolo Icasas which ran from Nov. 29, 2017 to Feb. 4, 2018

Pasilyo Vicente Manansala (2F Hallway)

Waterways: Caroline Ongpin Exhibition, Jan. 24 to Feb. 4

Walking Still: Rene Aquitania Exhibition, Jan. 25 to March 4

Garapata for Pasinaya, Feb. 3 to March 4

Saturday Group 50th Anniversary, March 3 to May 6

PAEA 50th Anniversary, March 20 to April 29

Marion Contreras Solo Exhibition, March 22 to May 13

Peek-A-Book — with Intertextual, March 24 to May 6

Association of Pinoyprintmakers 50th Anniversary, May 24 to July 15

UP VARGAS MUSEUM
Place of Region in the Contemporary: The initial project of the Philippine Contemporary Art Network (PCAN), Dec. 8, 2017 to Jan. 27, 2018

Living Architecture at the Vargas Museum: With special projects by Junyee and Indy Paredes, Feb. 3- March 31

Beyond Myself: Filipino Migrants’ Investments in Philippine Futures, Feb. 15 to March 24

Nona Garcia Solo Exhibition, April 7 to May 5

2018 Vargas Museum Art History Series Exhibition, April 7 to May 5

Elmer Borlongan Solo Exhibition, May 12 to June 9

AYALA MUSEUM
Curated by Federico de Vera Nov. 7, 2017 to Jan. 28, 2018

Urban Labyrinth: Rodel Tapaya New Works, Feb. 19 to April 1

Alfonso Ossorio Exhibition, Feb. 26 to June 17

MUSEUM OF CONTEMPORARY ART AND DESIGN
Flatlands, Dec. 7, 2017 to March 4, 2018

Pacita Abad Exhibition, April 12 to July 1

METROPOLITAN MUSEUM OF MANILA
Elmer Borlongan: An Extraordinary Eye for the Ordinary, Jan. 22 to March 28

Participants must write in the style of an art critique with no more than 1,000 words and submit a Writer’s Profile.

The Purita Kalaw-Ledesma Prizes in Art Criticism honors the memory of Purita Kalaw-Ledesma, art patron and founder of the Art Association of the Philippines (AAP). Ledesma was instrumental in the development of Philippine art of the post war period through the establishment of the AAP and her patronage of both established and emerging artists.

For details, call the Ateneo Art Gallery at 426-6001 ext. 4160 or 426-6488.

Fed faces pro-diversity uproar on nod for Williams

THE FEDERAL RESERVE is facing a backlash over its lack of diversity in key positions after it emerged this weekend that John Williams, the current president of the San Francisco regional branch, is a front-runner to succeed William Dudley as head of the powerful New York Fed.

It’s one of the most important roles in global central banking. The Fed’s New York branch oversees Wall Street and holds a permanent vote on monetary policy. The bank’s own search committee emphasized a diverse process to fill it, hiring a search firm that specializes in identifying minority and women candidates.

Yet New York Fed directors have identified Williams, 55, a respected macro-economist who is also white, as one of the front runners for the job, said a source speaking on the condition of anonymity.

The Wall Street Journal on Saturday reported Williams was the leading candidate, though a final decision on whom to select has not yet been made. Spokesmen for the New York Fed, San Francisco Fed and Fed Board in Washington all declined to comment on the Journal’s report.

Many observers see that choice as a disappointing end to a process that has passed over several well-credentialed candidates including Peter Blair Henry, dean emeritus of New York University’s Leonard N. Stern School of Business, who is black, and women including former US Treasury official Mary J. Miller. The news also comes at a time when Donald Trump’s administration has reportedly settled on Richard Clarida, another white male, as the front-runner to fill the open vice-chairman role on the White House-nominated Fed Board.

“The pick seems to reinforce the status quo that a woman has to be absolutely perfectly qualified to get top positions while a man can have significant shortfalls in his resume and still come out ahead,” Julia Coronado, founder of MacroPolicy Perspectives and a member of the New York Fed’s economic advisory panel, said in an e-mail. She pointed out that Williams has shown little interest in market functioning.

Williams is a top monetary economist and a career central banker who succeeded Janet Yellen to head the San Francisco Fed — the largest regional branch after New York. He’s popular within his bank, well-known for his research and is seen as a thought leader on the Federal Open Market Committee.

But Williams often says he looks past day-to-day market moves and points out that he does not have a Bloomberg terminal on his desk. That makes sense for a long-run-oriented economist, but makes him something of an odd pick for the New York job, which has historically required a careful eye on markets and banks.

The choice “would mean the search committee and the chair (who must sign off on the New York Fed president selection) would in effect have chosen to prioritize monetary policy expertise over first-hand experience of financial markets and diversity considerations pushed by some,” Krishna Guha, vice chairman at Evercore ISI, wrote in a note to clients.

To be sure, Williams could delegate market-related responsibilities. The New York Fed’s markets group is led by Simon Potter, who successfully managed the liftoff from zero interest rates in December 2015 and a smooth start to gradually shrinking the Fed’s balance sheet.

POLICY CONTINUITY
While Williams’ appointment would continue the bank’s history of white, male leadership, it could also mark another type of continuity: even-keel monetary policy.

Williams, a policy centrist and a 2018 voter, has recently said he favors three to four rate increases this year. At the same time, he’s pushing the Fed to rethink its longer-run framework to create more policy firepower in an era of low neutral rates.

Clarida was on the Pimco research team when it was focused on a so-called “new normal” of low interest rates, Guha wrote, and a leadership trio of Williams, Clarida and Chairman Jerome Powell could view the long-run neutral rate as lower, though they’d still lift rates into restrictive territory to prevent overheating.

Still, criticism over lack of diversity could pose a real problem.

“We are dismayed by the prospective failure to appoint someone who reflects the diversity of the district and the opaque process by which he was selected,” said Jordan Haedtler, campaign manager for Fed Up, an advocacy group that has pushed for greater Fed diversity.

The New York Fed search committee did lay out its process for selecting a new chair after Dudley announced his impending retirement in November 2017. It consulted widely and met with a number of prospective candidates. But as the shortlist narrowed, visibility of the process waned. Push-back over a Williams’ pick could bring renewed scrutiny.

Better Markets, a Washington-based non-profit group founded after the financial crisis to promote support Wall Street reform, said if Williams was selected it would show “the Fed continues to be a black box, keeping the public in the dark about what it does and why.”

The regional banks, including New York, operate as quasi-private institutions in which non-banking directors select leaders. The process happens outside of the public eye. Legislation introduced in the Senate sought to make the New York Fed chief a Senate-confirmed presidential nominee, which is how fully public Board of Governors members are selected. It never made it into US law.

Fed Up has been calling for a more public process for regional president selection, and said it would renew its push for reform.

Lawmakers are already focused on the selection process, as shown by a Bloomberg View article published Monday by Senator Cory Booker, a Democrat from New Jersey.

“The New York Fed has never had a woman or a person of color at its helm, and the Federal Reserve Bank only just last year added its first black regional bank president,” Booker writes in the piece. “If we’re serious about creating an inclusive and sustainable economy, no one should be left on the sidelines.”

Senator Elizabeth Warren, a Democrat from Massachusetts, said in a statement later Monday that if Williams is selected, he and the co-chairs of the New York Fed’s search committee should “testify before the Senate Banking Committee about his qualifications and the process that led to his selection.” — Bloomberg

Pure Foods’ name change gets SEC green light

SAN MIGUEL Pure Foods Company, Inc. (SMPFC) said it has secured the Securities and Exchange Commission (SEC)’s approval to amend its name and primary purpose, among others, to reflect the consolidation of the San Miguel group’s traditional businesses.

In a disclosure to the stock exchange on Tuesday, SMPFC said the SEC has approved the change of its corporate name to San Miguel Food and Beverage, Inc. (SMFBI) on March 23.

The SEC approval includes the increase in the company’s capital stock to P12 billion, comprising of 11.6 billion common shares with a par value of P1 each and 40 million preferred shares with a par value of P10 each.

SMPFC’s shareholders had earlier approved the company’s intention to change its corporate name and primary purpose to include its engagement in the alcoholic and non-alcoholic beverage business. This followed San Miguel Corp. (SMC)’s plan to fold San Miguel Brewery, Inc. (SMBI) and Ginebra San Miguel, Inc. (GSM) into SMPFC.

SMC’s plan to merge its traditional businesses under one company was unveiled last November 2017, after announcing a P336.35-billion share swap deal that would eventually form SMFBI.

For the transaction, SMC will be subscribing to 4.242 billion common shares with a par value of P1 each in SMPFC. This will be taken from an increase in SMPFC’s authorized capital stock by P9.54 billion, divided into 9.54 billion common shares with a par value of P1 each.

In return, SMPFC will acquire P336.35 billion worth of SMC’s shares in GSM (equivalent to 216.97 million common shares) and in SMBI (equivalent to 7.859 billion common shares).

The resulting transaction will bring down SMFBI’s public float to 4.3%, way below the current floor of 15% for companies listed on the Philippine Stock Exchange. With this, SMPFC said it will conduct a follow-on offering worth between P100 billion to P150 billion within the second semester of 2018.

The planned share sale had earlier been set for the second quarter of this year, but a source familiar with the transaction noted that it will be delayed to give the market a chance to breathe.

SMPFC booked a consolidated net income of P6.9 billion in 2017, 16% higher year on year on the back of a 5% increase in revenues to P117 billion.

The firm has committed to spend P56 billion to P60 billion in capital expenditures in the next three years, in order to grow its revenue contribution in SMC to 21% by 2020.

Shares in SMPFC gained P8 or 1.36% to close at P598 each at the Philippine Stock Exchange on Tuesday. — Arra B. Francia

PayPal bullish on Philippines as freelancer market continues to grow

PAYPAL Holdings, Inc. is upbeat on the growth of its Philippine market given the optimism of Filipino freelancers in growing their business.

In a press briefing on Tuesday, PayPal Regional Head for Strategic Partnerships for Southeast Asia Abhinav Kumar said the company is getting “positive” signals from the Philippine market.

The payment system company conducted an survey of over 500 freelancers in the Philippines last October 2017. The results showed the Philippines is a “very optimistic freelancer market” as 86% of freelancers claiming they anticipate future growth in their businesses.

The survey also showed 23% of respondents said their business is growing steadily, while 46% said their business is stable.

Mr. Kumar said the nature of PayPal’s business, which allows online money transfers worldwide, makes it relevant to the freelancing segment.

“We believe that we are extremely relevant to this segment given our platform transcends boundaries and allows them to accept payments in multiple currencies… So I think everything at this point in time is quite positive,” Mr. Kumar said.

Mr. Kumar said PayPal is confident despite the rise of other payment system companies because the company considers cash as its main competitor.

“The biggest competition for us is still cash… The bigger opportunity that we have is to change the ecosystem through the digitization of cash… I think, the opportunity is large enough,” he said.

Filipino freelancers who participated in the PayPal survey were mostly involved in data entry/Internet research, virtual assistant, and customer service jobs.

PayPal conducted similar surveys in 21 other countries. — Patrizia Paola C. Marcelo

Celebrating Easter Sunday (03/28/18)

Easter at Westgate

OVER at Westgate Alabang on Easter Sunday, children ages four to 11 years old can get the chance to greet the Easter Bunny’s furry and feathery friends at the petting zoo at Easterville. They can also see them perform tricks and routines at the animal and bird shows. For a dash of theatrics, gather the kids to watch the magic and puppet shows. In between the shows, kids can visit the face painting booth and unleash their inner fairy or superhero before smiling for the camera at the event’s photo booth. Aside from a cotton candy to satisfy their sweet tooth, games, activities, and more surprises also await. To join the Easter celebrations, make a P1,000-single receipt purchase or two accumulated receipts from any Westgate Center establishment March 19 to 31 (10 a.m. to 9 p.m.) and April 1 (9 a.m. to 5 p.m.) for one Easterville pass. Customers may register and claim the pass from 4:30 p.m. to 5 p.m. upon presenting the receipt at the registration booth at the Activity Park, Westgate Center on April 1. Westgate Center is a development project of Filinvest Alabang, Inc. in Filinvest City, Alabang, Muntinlupa City.

Easter at the Ortigas Malls

HOP RIGHT into a fun-filled summer on April 1 with Ortigas Malls’ Easter Eggstravaganza. Unleash one’s creativity at the Easter Craft Station at the Estancia Bridgeway, or become the canvas at the Face Painting sessions at both Greenhills and Tiendesitas. Navigate through the Easter Maze at Greenhills with the entire family at Greenhills V-Mall. Meet some cute and furry friends at Tiendesitas Level 1 Building B to be able to join the Rabbit Feeding activities. And — for the young and young at heart — go join the Easter Egg Hunt at the Ortigas Malls: Greenhills, Tiendesitas, Estancia, and Circulo Verde.

Easter Sunday at Conrad Manila

THE Conrad Manila invites families to hop on over this Easter and indulge in mouth-watering temptations and “egg-citing.” Kids and kids-at-heart will be spoilt for choice at Brasserie on 3, where Executive Chef Daniel Patterson rolls out a spread featuring sustainable and organic summer ingredients. Taking center stage is a vibrant Easter-themed dessert station boasting of homemade ice cream in different flavors, candy floss, and other confections. After a filling Sunday brunch, the children are whisked away to a rousing adventure where they may enjoy face painting, egg decorating, bunny ear ring toss, and an Easter egg hunt, among other activities. The Easter-rific Sunday Brunch is priced at P3,000 net per person inclusive of one complimentary kid’s pass for the egg hunt, with children ages six-12 at P1,500 net, and those five and under free of charge. Meanwhile, Bru Coffee Bar has a decadent and playful display of rich chocolate confections and signature pastries. Guests are treated to grab-and-go treats and desserts to enjoy or give as the ideal Easter Basket indulgence. For inquiries or reservations, visit www.conradmanila.com, e-mail conradmanila@conradhotels.com or call 833-9999.

The Pen’s Secret Easter Garden

THE Moët & Chandon will flow for three straight hours at The Peninsula Manila’s Easter Sunday Champagne Brunch at Escolta. On April 1, from noon to 3 p.m., a Seafood & Raw Bar will highlight poached shrimp, oysters with traditional condiments, crabs and slipper lobsters; while freshly baked breads will complement cured meats, smoked salmon, terrines and pâtés, Mediterranean spreads, charcuterie and jams. Guests can enjoy custom-made omelets filled with their choice of ham, mushrooms, cheddar cheese and more, or hot-off-the-grill waffles and pancakes. A carving station will feature slow-roasted prime rib and herb-crusted red snapper. Fruit, bakery and salad offerings include an Asian beef salad with ginger dressing, Oreo-strawberry-Tanduay religieuse, and much more. The buffet costs P4,300 for adults with free-flowing Champagne; P3,100 for adults; and P1,500 for children ages six to 12. One child under six will receive one invitation and one activity passport to The Peninsula Secret Easter Garden. Invitations are restricted to one invitation per table. Secret Easter Garden activities include Easter egg hunts, Lego toys, Easter crafts making, canvas and egg painting, Easter egg and bunny doll making, and games. One can also book the Pen Days of Easter Weekend Escapade package (March 31 to April 2) and enjoy a special breakfast buffet in Escolta, receive one invitation to The Peninsula Secret Easter Garden, an Easter welcome amenity, and much more. The package rates start at P8,500 net for a Superior Room. For inquiries and information on The Pen’s dining promotions and room packages, call 887-2888, extension 6694 (Restaurant Reservations) or 6630 (Room Reservations), e-mail diningpmn@peninsula.com or reservationpmn@peninsula.com or visit peninsula.com.

China’s risky debt heads overseas as financial deleveraging rolls on

THE GLOBAL hunt for yield might not be as frenzied as it once was now that interest rates are rising, but for those looking for premiums in dollars, a slew of Chinese borrowers will be happy to oblige this year.

China’s commitment to reining in domestic financial leverage — showcased by the appointment of de-risking champion Guo Shuqing to a top role at the central bank — is making things tougher for high-yield borrowers. So they’re increasingly turning to dollar-bond issuance offshore.

“There will definitely be more supply of high-yield bonds overseas,” said Gordon Ip, Hong Kong-based chief investment officer for fixed income at Value Partners, who manages a China-focused junk-bond fund that beat 98% of peers the past three years. While Ip says bigger supply means prices will probably weaken this year, returns should still be “decent,” and he’s considering adding to his holdings of Chinese junk notes.

High-yield Chinese borrowers — many of which are cash-strapped property developers — issued $2.8 billion of notes in the two weeks through March 23, the biggest fortnight since a new-year rush of sales in January, according to data compiled by Bloomberg. Such securities may grow to account for 40% of Chinese corporate debt sales in dollars this year, up from less than one third in early 2017, according to Moody’s Investors Service.

Behind the rush overseas: a major crackdown on financial leverage at home, in an initiative that took on new urgency with President Xi Jinping chairing a Politburo meeting on the issue last spring. Guo Shuqing, who stepped up scrutiny of leveraged investments after taking the helm of the China Banking Regulatory Commission (CBRC) last year, now also oversees insurers and has become Communist Party boss at the People’s Bank of China (PBoC).

“Guo was firm as the head of the CBRC in clamping down on shadow banking activities. His appointment may thus be viewed as a hawkish turn,” Goldman Sachs Group Inc. economists wrote in a note to clients. The crackdown on shadow banking doesn’t necessarily mean Guo will be hawkish on broad monetary policy, though such restrictions do tend to tighten financial conditions, they wrote.

The push makes it all the tougher to map out refinancing plans for a record of $20 billion high-yield debt coming due in 2018. The initiative drove up the yield on three-year AA- rated corporate bonds, which are seen as non-investment grade by onshore standards, to a 2 1/2-year high of 6.82% in January, according to ChinaBond data.

“Curbs on shadow banking may be contributing to higher yields in the onshore bond markets — such as by reducing demand for onshore bonds from wealth management products — and therefore encouraging more issuance offshore,” said Sandra Chow, Singapore-based senior analyst at research group CreditSights. She said a boost in Chinese issuance presents one of the key risks to the Asian dollar bond market this year.

The dollar debt market itself has shown some wobbles. What’s also helped make issuing abroad more attractive is stability in the yuan, which in 2017 halted a three-year slump against the dollar. That makes it easier to service debt payments, though any surge in dollar sales that put pressure on the currency could in turn put officials on the alert. Newly installed PBoC Governor Yi Gang pledged over the weekend to open China’s capital account in an “orderly” manner.

Defaults could also trigger scrutiny.

“If a corporate did face a default, that would create significant reputational risk, which in turn could limit the cross-border funding channel for many Chinese corporates,” said Matt Jamieson, senior director and head of Asia Pacific research at Fitch Ratings in Sydney. “In that event, we will certainly see the government intervening to place higher restrictions on offshore issuance.” — Bloomberg

How PSEi member stocks performed — March 27, 2018

Here’s a quick glance at how PSEi stocks fared on Tuesday, March 27, 2018.