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US companies team up with hospitals to reduce maternity costs

NEW YORK — General Electric Co and other large companies are trying to chip away at rising childbirth costs for U.S. employees, working directly with hospitals to reduce cesarean sections and related complications.
The efforts are in very early stages, with few details on their impact outside of cost savings of a few million dollars so far. But they illustrate yet another path companies are taking to bring down U.S. medical costs by working with doctors and hospitals to set health goals.
GE’s maternity strategy is designed to steer its employees to hospitals that are believed to provide better care and less likely to recommend unnecessary and costly interventions, company officials told Reuters.
U.S. employer spending on maternity care rose 50 percent in the last decade, fueled by a jump in C-section rates despite years of efforts to curb the practice, according to research firm Truven Health Analytics.
“Maternity is one of the main drivers of high cost claims,” for employers, said Ellen Kelsay, chief strategy officer at the National Business Group on Health. Avoiding unnecessary C-sections and minimizing complications “decreases turnover in the workforce following the birth of a child,” she said.
General Motors Co said it has included maternity goals, including reducing C-sections, in a new contract with a Detroit-area hospital. Dow Chemical demanded explanations from hospitals that care for its employees when its C-section rate hit 44 percent several years ago. Now part of the merged company DowDuPont Inc, it is working on new payment agreements with doctors and administrators.
“We went to them and said how do you explain this?” said Steve Morgenstern, Dow Chemical’s North American Health and Insurance Plan Leader, who called the rate “unacceptable.”
GE launched its Maternity Care Select Program in Cincinnati, Ohio, home to its aviation business, where nearly 300 babies are born to employee families every year.
Local hospital system TriHealth agreed to a single “bundled” payment rate to care for low and moderate-risk mothers from the start of pregnancy until 90 days after the baby is born, rather than charge for each visit and delivery separately. That typically removes the financial upside for C-sections, which cost nearly 60 percent more, on average, than a regular delivery.
Adam Malinoski, GE’s manager of health services, said none of the company’s health insurers offered bundled payments on maternity care when it designed its program, so it decided to work directly with providers.
GE pays the out-of-pocket costs for women who enroll, saving them up to several thousand dollars. TriHealth and GE would not disclose the bundled payment rates or how they compare with other hospital rates.
New deliveries under GE’s program began in 2016, when only 78 pregnant women enrolled. In 2017, 136 women enrolled, TriHealth told Reuters. C-section rates for first-time, low-risk deliveries, which represent a small group within the program, dropped to about 6 percent in 2017 from 24 percent in 2016. That comes in well below the U.S. rate of 26 percent for low-risk births.
TriHealth would not disclose the C-section rate for the total group.
GE expanded the program to hospitals in Wisconsin, South Carolina and Massachusetts in 2017 and announced a fifth location in New York in August, but says it is too early to provide data for other locations.
GE executives said the program so far has saved the company nearly $2 million because of lower negotiated fees for maternity care. It represents a fraction of its spending on the 113,000 employees and family members enrolled in the GE health insurance plan, but a step in the right direction, they added.
The rise of C-sections has been fueled in part by fears about malpractice litigation, as well as expecting mothers with health issues or who are older, which raise the risk of complications.
Hospitals say that makes them reluctant to set maternity goals. The Stanford Health Care medical system works directly with employers on health targets, such as diabetes care, but has so far refused to set specific goals on C-sections.
In such higher risk cases, “it’s entirely appropriate and (there’s) no way to determine upfront” who will need a cesarean, said John Jackson, who handles corporate health partnerships at Stanford Health Care.
Suzanne Delbanco, executive director of the nonprofit Catalyst for Payment Reform, has worked with large employers seeking to reduce C-section rates. But some companies “are still leery about wading in too much,” she said. “They don’t want to alienate people, they don’t want to be accused of being Big Brother.”
GM is taking its own shot at lowering costs and improving care with a new health program, announced in August, that was created directly with Henry Ford Health System in Michigan . Three of the program’s 19 health metrics involve maternity care such as lowering C-section rates, the company told Reuters.
The automaker’s total C-section rates vary widely, from about 40 percent in the Dallas/Fort Worth area to 30 percent or lower in Detroit.
“We were shocked,” said Sheila Savageau, U.S. health care leader for GM. “We have to change the system.” — Reuters

China Bank posts lower income at end-Sept. as revenues drop

CHINA BANKING Corp. (China Bank) saw its net income slip as of end-September, bogged down by lower non-interest revenues despite higher loans booked during the period.
In a disclosure, the Sy-owned bank reported a P5.56-billion bottom line for the first nine months, 2.1% lower than the P5.68 billion net profit during the comparable period in 2017.
China Bank saw its consolidated operating income pick up to P20.72 billion, up by eight percent year-on-year as core businesses continued to grow.
This was driven by a 16% increase in loans, which reached P507.83 billion as of September. In particular, loans granted to the retail segment surged at a faster 19% climb.
Earnings from loans and investments also pushed China Bank’s net interest income by a fifth to hit P17.08 billion. Year-to-date net interest margin likewise improved to 3.17%, which came at a time of rising interest rates.
Despite brisker lending activity, the bank saw a lower share of problem loans at just 1.23% of its portfolio compared to a 1.76% share a year ago.
On the other hand, non-interest revenues dropped by 26% to settle at P3.64 billion. These cover service fees and commissions, as well as trading and one-off gains.
Gross profits were partly offset by operating costs, which amounted to P13.11 billion.
Still, bank assets expanded to P816.2 billion led by a 20% increase in deposits. More than half of China Bank’s P691.66 billion deposit base came from low-cost accounts, which grew at a faster 29% pace, the lender said in the disclosure.
China Bank said it has enough buffers against a funding crunch, with a total capital adequacy ratio of 13.02%, high-quality tier 1 capital at 12.29%, and loan loss coverage at 121%.
China Bank is the seventh-biggest lender in the Philippines as of June, according to the Bangko Sentral ng Pilipinas. The bank, together with its thrift banking unit China Bank Savings, runs 616 branches and 949 automated teller machines nationwide.
The lender recently teamed up with the International Finance Corp. to float up to $150 million worth of green bonds, which will fund environment-friendly projects.
Shares in China Bank closed at P28 each on Thursday, up 15 centavos or 0.54%. — Melissa Luz T. Lopez

Wilcon earnings jump 24% in 9 months

EARNINGS of Wilcon Depot, Inc. rose by 24% in the first nine months of 2018, lifted by its store expansion complemented by strong same-store sales.
In a statement issued Thursday, the listed firm booked a net income of P1.39 billion from January to September, following a 17.9% uptick in net sales to P15.36 billion.
Net income reached P475 million during the third quarter alone, after a 17.8% increase at the top line to P5.36 billion.
The company opened seven new Wilcon branches and two home essential stores in the first nine months of the year, contributing P521 million in net sales for the quarter. Meanwhile, same-store sales growth stood at 8.6% from July to September.
It plans to open four more depots in the fourth quarter, for a total of 51 stores this year.
“Because of the continued healthy sales growth in the third quarter and anticipating the continued contribution of newly opened stores in the fourth quarter, Wilcon is looking to exceed its mid-teens 2018 net income growth target despite the expected continuing inflationary cost pressures,” Wilcon Chief Finance Officer Mark Andrew Y. Belo said in a statement. — Arra B. Francia

MRC Allied to build solar PV system for milling plants

MRC ALLIED, Inc. said on Wednesday that it had executed a memorandum of agreement (MoA) to build a solar photovoltaic rooftop system for two rice milling plants with a capacity of at least 550 kilowatt-peak (kWp).
The company did not disclose the other parties to the deal except to say that the development, design, construction and installation of the solar energy systems are for milling plants in northern Luzon.
Under the MoA, the company will be the project developer and owner of the solar facility, while a “private entity” that owns and operates the milling plants will be the off-taker of the produced power.
MRC Allied said the total investment cost for the project is estimated at P34 million. It said the MoA would become effective upon the issuance of the acceptance certificate by the power off-taker to the listed company “after successful completion of actual performance testing and interconnection.”
The cooperation period of the parties under the MoA will be for 20 years from the issuance of the certificate.
MRC Allied described the signing of the memorandum as “a significant milestone” for the company, and will kick off its pilot project in its current solar photovoltaic pipeline. The company aims to develop at least 4 megawatts of solar energy projects within the pilot project area, it added.
The MoA comes after the company last month announced a reorganization that consolidates under MRC Allied all its assets and portfolio while its operating subsidiaries will be implementing the projects.
As part of the reorganization, it announced the appointment of Augusto M. Cosio, Jr. as president and chief executive officer and the resignation of Gladys N. Nalda in those positions. The moves were unanimously approved by the board.
Ms. Nalda also resigned from MRC Allied’s board of directors, while Mr. Cosio was named as a new member. Both actions will take effect on Oct. 16, 2018. The new composition of the board committees are also to take effect on that date.
“The Company will continue to pursue renewable energy projects thru Menlo Renewable Energy Corp. (MREN) and Ms. Nalda will be appointed as its new President & CEO,” MRC Allied had said. — Victor V. Saulon

Idris Elba named People’s ‘sexiest man alive’

LOS ANGELES — Actor Idris Elba, who James Bond fans are campaigning to be the next person to play 007, was named the sexiest man alive on Monday by People magazine.
The London-born actor, 46, said he didn’t believe it when the magazine told him.
“I was like, ‘Come on, no way. Really?’” Elba told the celebrity publication. “Looked in the mirror, I checked myself out. I was like, ‘Yeah, you are kind of sexy today.’ But to be honest, it was just a nice feeling. It was a nice surprise — an ego boost for sure.”
One of Britain’s best-known stars, Elba won a Golden Globe for his lead role in BBC television detective series Luther, played a Norse god in Thor, and appeared in US TV series The Wire.
Other actors and singers who have been given the title by the magazine’s editors in recent years include Blake Shelton, Chris Hemsworth, Adam Levine, George Clooney, and Channing Tatum.
Only two other non-white men — African-American star Denzel Washington in 1996 and Dwayne “The Rock” Johnson, whose mother is Samoan and whose father is black Canadian, in 2016 — have won the title since People started the feature in 1985.
Fans have been campaigning for Elba, the son of African immigrants to Britain, to take over from Daniel Craig as secret agent James Bond in the lucrative movie franchise after the next Bond film, due for release in 2020.
Elba in August stoked the rumors that he was set to become the first black actor to play Bond when he posted a cryptic message on Twitter using one of the character’s best-known lines — “My name’s Elba, Idris Elba.” Days later he flatly denied it was going to happen, however.
Elba appears on the cover of a special double issue of People that arrives on newsstands on Friday. — Reuters

Ahold ups stakes in US grocery war with mini-‘robot supermarkets’

GROCERY GROUP Ahold Delhaize will roll out small, automated warehouses to speed order picking and cut delivery times, Reuters has learned, as it revamps its ecommerce business in response to rising competition in a fast-growing sector.
At an investor event on Nov. 13, the world’s eighth biggest food retailer is set to showcase a partnership that will allow it to automate order collection at mini “robot supermarkets” attached to the stores of its U.S. chains like Stop & Shop.
That marks a departure from its previous strategy of relying more on manual labor at bigger warehouses, or on a mixture of man and machine, to meet online food orders.
Now Netherlands-based Ahold Delhaize is teaming up with Takeoff, a start-up which builds small warehouses that stack groceries to the ceiling to save space and use robot arms to assemble shoppers’ orders for items such as beer, milk, bread and fruit.
The warehouses serve as condensed supermarkets that can supply several stores with click-and-collect orders. They cost about $3 million to build, which Takeoff says is less than the cost of a typical store revamp.
“Ahold is preparing for a major push,” Curt Avallone, Takeoff’s chief development officer who led digital innovation at Stop & Shop until 2003, told Reuters.
“If it goes well, both from their side and our side, the hope is we would rapidly be able to build quite a few.”
Ahold Chief Executive Frans Muller confirmed the deal on Wednesday and said it should help expand online faster and at a lower cost than with standalone warehouses.
“With the robotized solution we can optimize those picking costs and be closer with micro fulfillment to our catchment areas. We also reduce the cost of the last mile,” he said.
Ahold’s shares jumped 5 percent on Wednesday as it reported third-quarter results that beat analysts’ forecasts, lifted by strong online sales and growth in its key markets.
ONLINE GROCERY WAR
Ahold’s move is the latest salvo in a war for the online grocery market that has escalated since Amazon’s takeover of Whole Foods last year. Whole Foods since launched same-day grocery delivery with Amazon’s Prime Now in more than 60 cities. Other retailers are also racing to respond: Walmart will test Alert Innovation’s Alphabot automated grocery picking at a store in New Hampshire, and Kroger has teamed up with British online grocery expert Ocado.
Kroger said it will disclose the location for the first three U.S. sites out of a planned 20 high-tech Ocado warehouses in the next couple of weeks. They will take about two years to build and each cost Ocado about $39 million.
Ahold Delhaize, the operator of U.S. chains such as Giant Food, Food Lion and Hannaford, acquired Chicago-based online grocer Peapod in 2000 which is still the market leader.
However, growth has slowed at Peapod since Amazon bought Whole Foods and as supermarkets — including Ahold’s own chains like Stop & Shop — team up with start-ups like Instacart to offer curbside pick-up, or one- to two-hour delivery.
Ahold reported U.S. online sales growth picked up in the third quarter, but Muller said he was still not happy with that.
HAND TO MOUTH
Until now, Ahold’s strategy has been largely manual. At its warehouses, known as “dark stores,” pickers grab items from shelves and put them into crates for packaging and delivery. Ahold has decades of experience in delivering groceries to homes, starting in the Netherlands in 1986 when its Albert Heijn chain took orders by phone or fax.
At one Albert Heijn warehouse outside the Dutch city of Eindhoven, pickers each grab an average of one product every 10 seconds, walking about 4.5 km a day. Algorithms work out the shortest path through the aisles, and try to minimize trolley congestion.
Pawel Kamienczuk, a 28-year-old order picker from Poland, sweats as he races down an aisle, trying to meet a target of 380 items an hour.
“At the beginning, it took time to get used to it, but now I don’t feel tired,” he said.
Kamienczuk wears a device like a smartphone on his wrist which tells him where to go and which items to grab next.
He scans each product with a device mounted on his forefinger and puts it into one of 18 blue crates stacked on a large trolley.
Albert Heijn warehouses can pick and pack 135-140 units per labor hour, lower than Kamienczuk’s rate because it takes into account work done by others to unload supplies, stack shelves, assemble orders and pack delivery vans.
The figure is also less than the 163 units Ocado reported for the first half of 2018, but analysts say it is impressive given than Albert Heijn’s capital outlay for its centers is a fraction of the cost of Ocado’s automated warehouses.
Efficiency is key at a time when labor costs are rising in the United States and Europe.
The Dutch jobless rate is at an 18-year low and U.S. unemployment is around the lowest in five decades, wage pressures are rising and companies are increasingly complaining about a scarcity of workers.
Last month, Amazon said it would raise the minimum wage for U.S. workers to $15 an hour, in part to attract staff.
China hopes to escape bumpy landing as trade ties improve
At Ahold’s Peapod warehouse in Jersey City, pickers who start on about $12 per hour with benefits can make up to $3.50 an hour extra if they beat speed targets, but they are also closely monitored for quality: a dented tin could mean a refund.
“When we shop, we have many people that check after us,” said Amal, an expert “shopper” who specializes in selecting bananas, Peapod’s top selling product.
The Peapod warehouse in New Jersey is the firm’s biggest and most sophisticated to date in terms of automation.
There, crates move along conveyer belts to teams of pickers who focus on different food categories, while robots add non-food items like shampoo. Peapod does not share pick times.
Despite the automation, Peapod employs 825 people here, working two shifts from 5 a.m. until 2 p.m. and from 5 p.m. until 2 a.m. in a warehouse with seven temperature zones.
NEXT DAY VERSUS SAME DAY
Peapod has only offered next-day delivery so far. The partnership with Takeoff will enable the group to offer same-day delivery, or click-and-collect, initially to customers living near a pilot warehouse at a Shop & Stop in Connecticut.
Avallone declined to comment on the financials of the Ahold deal, but said Takeoff should be able to roll out the concept quickly as it takes 16-20 weeks to set up its 10,000 square foot warehouses, which can handle up to $50 million in annual sales.
That contrasts with Ocado’s newest facility in Britain, which is a 563,000 square foot site, with a potential annual turnover of 1.2 billion pounds ($1.55 billion).
The U.S. grocery ecommerce market is still in its infancy at just 1.6 percent of sales, but it is expected to more than double by 2023, according to industry research group IGD.
Ahold, which makes almost two thirds of its sales in the United States, wants to boost ecommerce sales to 5 billion euros ($5.8 billion) by 2020, or about 8 percent of total turnover, from 2.8 billion in 2017. It will update that target next week.
Its U.S. online sales should near $1 billion by the end of the year as it creates a shared ecommerce infrastructure for all of its store-based brands, along with its online grocery site Peapod, Muller said in August. — Reuters

Sun Life still country’s top life insurer in 2017

SUN Life of Canada (Philippines) Inc. was the top life insurer in 2017 based on premium income with P32.11 billion, the Insurance Commission (IC) said on Thursday.
The IC released the list of top life insurers in 2017 in terms of net premiums, new business premiums, net income, assets, and net worth based on firms’ audited annual statements.
Philippine Axa Life Insurance Corp. was second, with P26.18 billion in net premiums last year.
BPI-Philam Life Assurance Corp. (BPI-Philam) ranked third with P20.33 billion in net premiums, followed by Philippine American Life & General Insurance Co., (Philam Life) with P19.90 billion, and Pru Life Insurance Corp. of UK (Pru Life UK) with P19.22 billion.
The top five firms kept their 2016 rankings. The life insurance industry overall had a combined premium income of P202.77 billion last year, 10.89% higher than the P182.86 billion recorded in 2016.
In terms of premiums from new policies, Sun Life remained on top with annual new business premiums worth P6.64 billion in 2017, followed by AXA Philippines with P5.36 billion, Pru Life UK with P4.81 billion, Philam Life with P4.17 billion, and BPI-Philam with P3.88 billion.
Sun Life also booked the highest net income among life insurers in 2017 with P7.03 billion, jumping from its seventh spot finish in 2016.
Philam Life was second with P6.15 billion, followed by Insular Life Assurance Co., Ltd. with P4.02 billion, Manufacturers Life Insurance Co. (Phils.), Inc. (Manulife Philippines) with P3.07 billion, and AXA Philippines with P2.36 billion. These firms all saw their ranks go down by a notch from 2016.
“The reported net income of the top players accounts for 80.53% of the total net
income of the life insurance industry in 2017,” the Insurance Commission said.
Meanwhile, Philam Life retained its top rank in terms of totals assets in 2017, booking P259.48 billion.
Sun Life followed with P232.77 billion worth of assets, Insular Life with P137.38 billion, and AXA Philippines with P113.70 billion, who all retained their respective second, third, and fourth ranks from 2016.
BPI-Philam meanwhile went up to the fifth spot from sixth in 2016 as it recorded P103.42 billion in total assets in 2017, overtaking Pru Life.
On the other hand, Philam Life booked the highest net worth last year at P77.53 billion, followed by Insular Life’s P38.27 billion, Sun Life’s P27.28 billion, Manulife Philippines’ P14.07 billion, and United Coconut Planters Life Assurance Corp.’s P7.56 billion. The rankings were unchanged from 2016.
“By end of 2019, existing insurance companies are required to increase their respective net worth to P900 million coming from the existing minimum of P550 million. This is the penultimate mandatory increase in minimum net worth requirement as required under the Insurance Code, as amended by Republic Act No. 10607,” the IC said.
The law also mandates insurance companies to increase the net worth further to P1.3 billion by December 2022. — Elijah Joseph C. Tubayan

Converge ICT opens network node in Taiwan

CONVERGE ICT Solutions, Inc. on Thursday said it has opened a new network node in Taiwan, as the fiber internet provider continues with its nationwide expansion.
In a statement, the company, owned by Pampanga-based businessman Dennis Anthony Uy, said this node will “serve as a buffer and backup for Converge ICT’s current fiber network, providing better and stronger network resiliency and reliability in case of emergency network downturns.”
The new node will have a direct connection to Google’s largest data center operating in Changhua County, Taiwan.
“(It) is set to leverage its strategic location to efficiently manage and route network traffic for Converge ICT’s consumer and enterprise-level user,” the company said.
ICT Converge currently has nodes located in Singapore, Hong Kong, and the United States.
“This critical deployment for Converge ICT’s network operations is also done in line with the company’s current campaign to attain global-standard technical requirements for reachability and reliability, spreading its network capacities to address any possible points of failure and congestion beforehand,” the company said.

Michael Douglas gets Hollywood star


MICHAEL DOUGLAS celebrated his 50th year in show business on Tuesday with a star on the Hollywood Walk of Fame near that of his screen legend father, Kirk Douglas, now 101. Douglas, 74, best known for his Oscar-winning turn as Gordon Gekko in Wall Street, was accompanied by his father — star of 1960 gladiator movie Spartacus — his actress wife Catherine Zeta-Jones and The China Syndrome co-star Jane Fonda. Douglas has appeared in more than 60 films and TV shows, including 1970s police series The Streets of San Francisco, psychological thrillers Fatal Attraction and Basic Instinct, and more recently the Marvel comic book movie Ant-Man. Douglas is also a film producer, winning an Oscar for the 1975 film One Flew Over the Cuckoo’s Nest and producing dozens of independent movies. — Reuters

PNB net profit surges on loans, one-off gain

By Melissa Luz T. Lopez, Senior Reporter
PHILIPPINE National Bank (PNB) saw its net income surge as of September, driven by one-off gains from asset sales as well as a bigger loan book.
The Tan-led lender reported a consolidated net income of P7.5 billion for January-September, spelling a 67% increase from the comparable year-ago period. PNB said this was driven by a 36% jump in total operating income, according to its regulatory filing to the Philippine Stock Exchange yesterday.
Net interest profits amounted to P20 billion, a fifth higher than the P16.2 billion it made during the same nine-month period in 2017. The bank’s loan portfolio reached P550.7 billion as of September, while deposits likewise increased to hit the P692.8 billion level.
Collections from service fees and non-interest income sources also posted a marginal increase to P2.5 billion, driven by higher revenues from credit, deposit and bancassurance products. These helped offset lower gains drawn from underwriting and investment banking at a time of tepid activity in the local capital markets, PNB said.
Meanwhile, gains from trading and foreign exchange dropped to P1.42 billion, as market players were reluctant to bet at a time of easing interest rates.
Providing a boost to the bank’s bottom line are one-off gains worth P4.6 billion from the sale of foreclosed properties. These are assets seized from non-paying borrowers which are eventually sold off by a bank in order to recoup loan losses.
On the other hand, PNB also incurred bigger costs as operating expenses grew by 16% year-on-year, largely due to higher business taxes.
Total bank assets reached P910.7 billion as of end-September, while the listed lender continued to be well-funded with a capital adequacy ratio of 14.8%, better than the central bank’s 10% standard.
PNB, the country’s fifth-biggest bank, announced in September that it will absorb its thrift unit PNB Savings Bank, subject to regulatory approvals. Once combined, the lender will have a total of 707 branches and over 1,390 automated teller machines in the country, on top of 70 overseas offices.
PNB President and chief executive officer Reynaldo A. Maclang will be retiring by Nov. 15. He will be replaced by Jose Arnulfo “Wick” A. Veloso, who was the former president and CEO of the Hong Kong and Shanghai Banking Corp. (HSBC) Philippines.
PNB shares dropped 0.13% to P39.25 apiece on Thursday.

Joan unornamented


By Noel Vera
Video Review
The Trial of Joan of Arc
(Proces de Jeanne d’Arc)

Directed by Robert Bresson
(Robert Bresson’s film is available for streaming on the soon-to-be-lamented USA-only Filmstruck, which will shut down by Nov. 29. It is still available though less readily on Amazon and should ideally be available on a streaming service accessible everywhere including the Philippines.)
THE first film to come to mind watching this stony ground of a picture is Carl Th. Dreyer’s silent film, a wondrous series of gigantic closeups shuffled through at speed, arguably one of the most revered and the best-known version of the story.
Robert Bresson’s response? “Grotesque buffooneries.”
Call The Trial of Joan of Arc (Proces de Jeanne d’Arc) Bresson’s more measured response. Where Dreyer was profligate in his production — he had an elaborate castle set built complete with large courtyard and torture chamber then largely ignored it, to close in on the faces — Bresson films cobblestones, heavy wooden doors, a crack in a cell wall through which light gleams, suddenly interrupted (someone steps up close to peer at Joan). Not quite true that Bresson avoids closeups but his is an oblique style: instead of Joan’s face (or — as with Dreyer — focusing almost exclusively on Joan’s face) he looks at Joan’s feet padding across the floor or her hands being cuffed with thick manacles (did they think a 19-year-old girl — embodied by the slim Florence Delay — would overpower her guards and escape?). And it isn’t true that his Joan is almost totally emotionless — early in the film, after her ankles are shackled to a massive beam, she takes a brief moment to cover her eyes and sob through gritted teeth.
Bresson like Dreyer draws upon the trial transcripts, but unlike Dreyer doesn’t prune his dialogue to focus on her visions and on her wearing men’s clothes — Joan here talks openly of a Fairy’s Tree and mandrake roots, and of her military adventures. Looking at Delay’s face you can imagine — despite the slightness of her figure — that she’s capable of wearing armor and commanding men.
The difference between Delay’s face and Falconetti’s in Dreyer’s film says nearly everything about the difference between the directors’ approach; that the girls wear a similar haircut only emphasizes the difference. Falconetti is all eyes, her oval face and plump cheeks softening the stark staring near-madness found in them (you can picture her staring straight into the sun overhead, the harsh rays burning away her retinas). Delay’s eyes are downcast almost as often as they are level, the impression given not so much of a girl demure as of a girl sullen. A rebellious daughter dragged before her stern father, if you like, forced to account for her disobedient actions.
The image of a girl defiant before male authority does resonate. The trial turns into a verbal struggle, with the panel hurling one accusation after another and Joan replying “Beware of judging me” and “I won’t accept your judgment.” Occasionally Joan steals sidelong glances at a nearby priest who seems to be giving her nonverbal prompts — Who is he? Why is he helping her? The judges notice but don’t censure the priest, or remove him from the trial — Why? Bresson doesn’t elaborate.
Bresson’s style has always been spare but this time you have to wonder if he has pushed spareness too far. He’s done adaptations of novels and memoirs — Georges Bernanos, Tolstoy, and (indirectly) Dostoevsky. Bernanos’ material proved particularly fertile — Diary of a Country Priest is a personal favorite. When he’s writing original material he’s arguably even more creative — his transposition of Dostoevsky’s Crime and Punishment is, I think, audaciously brilliant, reducing the Russian author’s murderer to a mere pickpocket, yet still managing to wring the full measure of drama (and a startling eroticism) out of the felon’s story.
But the transcript of a trial conducted 600 years ago? Without descriptive prose (We have no idea what the Maid of Orleans looks like) or attempt at characterization, just what was spoken and written down? Bresson brings us just the words, unadorned, in his elliptical visual style, and, yes, it does work — eventually you tune in to the film’s verbal sparring, get some sense of the legal and theological intricacies involved, involve yourself in the drama of this 19-year-old arguing for her life before a panel of vindictive old men.
The film is perhaps not the most poignant Bresson has made up to then or since but is perhaps not meant to be. A distant echo from the past, an audio recording if you like from a surveillance microphone taped under the bishops’ table and smuggled to present day — the roughness of it, the crude imagery precisely wrought, that’s what gives this film a special poignancy.
Once Joan’s fate is sealed and she’s led to the stake, Bresson allows himself a smidgen of allusive poetry: Joan’s feet follow as the camera glides down the cobbled street, unaccountably shuffling (Is she limping? Is she perhaps acting goofy?); a leg sticks out in an attempt to trip her but she stumbles past the cruel jab. A dog lopes to the camera (a foreshadowing of Bresson’s donkey?). A pair of doves, no, the shadow of a pair of doves, flaps onto a canvas roof — presumably the one over the bishops’ heads as they watch the girl burn — flutters off again. Arguably the most austere work of an austere filmmaker, and whether you like it or not depends on whether you like the filmmaker and his style (I do) and if you like his style pushed as far as it can go.

A history lesson

TWO MONTHS after Kip Oebanda’s indie feature Liway was shown nationwide, another Cinemalaya 2018 alum — director Benedict Mique’s ML — is currently on wide release.
Aside from both being Cinemalaya entries (and award-winning ones at that), the two films also share a common theme: Marcos’ Martial Law. But while Liway focused on the drama and family, ML hones in on the bloody and violent face of former President Ferdinand E. Marcos’ dictatorship.
“This is something I did for me, after having spent more than 20 years in the industry,” Mr. Mique told the media in vernacular during a Nov. 6 press conference on at Limbaga 77 restaurant in Quezon City.
In the film, a college student thinks that Marcos’ Martial Law was not all that bad. When he is confronted by a history professor, he sets out to prove that he is right and comes across a retired METROCOM officer — played by film veteran Eddie Garcia — to interview. Turns out, his history professor was not wrong at all as the soldier decides to show the student and his classmates just what he did during Martial Law.
The film also stars Tony Labrusca, Lian Valentin, Henz Villaraiz, Jojit Lorenzo, and Rafa Siguion-Reyna.
Mr. Mique said that he got the idea for the film when he saw a Facebook post from one of his younger relatives which said “Martial Law isn’t so bad after all.” He said he wants to show the younger generation, and his own children (he has a nine-year-old and a three-year-old), the horrors of Martial Law and why it should be seen as a bad thing.
As for why he chose to do a thriller, Mr. Mique offered two reasons during his interview with BusinessWorld prior to the press conference: one, he likes the genre; and two, “the younger generation won’t get it unless it hits them in the face.”
This idea resulted in a visceral film which shows the “tamer” tortures that activists and political adversaries faced during the Marcos regime.
(It also helped that Mr. Mique had a reclusive neighbor who was a former soldier on whom he based partly based the character of Eddie Garcia).
“I talked to a few Martial Law victims and they told me the tortures they faced were far more brutal than what was shown in the film,” he said.
UPHILL BATTLE
ML’s Cinemalaya run was a successful one as it took home a Best Actor trophy for Eduardo “Eddie” Garcia and a Best Editing trophy. It was also the second-highest grosser during the independent film festival run. The highest grosser was Liway which won Special Jury Commendation, a Special Jury Award for Acting given to Kenken Nuyad, and Audience Choice Award.
“I’m happy the two Martial Law films were the highest grossers in Cinemalaya… but there’s still so much more to be done in trying to open people’s eyes about Martial Law,” Mr. Mique told BusinessWorld, adding that he is also happy that his film has spurred conversations about Martial Law as evidenced by the discussions on social media by people who watched the film — most of whom, he said, were too young to have ever experienced Martial Law.
“This is probably my legacy film… it’s something I made for Filipinos,” he said during the press conference.
The film, made with a budget of P3.5 million and shot over seven days, was rated by the Movie and Television Review and Classification Board (MTRCB) as R-16 and with no cuts.
“We got [the rating] we wanted,” Mr. Mique said before adding that the screening committee congratulated him for making the film.
While the MTRCB gave ML a favorable ruling, theaters are not so keen — Mr. Mique said many are hesitant about showing the film in light of the political climate, but he points out that “This is, undoubtedly, the best time to have a film like this shown.”
ML is showing in select cinemas nationwide.


COLLEGE jock Carlo thinks that the period of Martial Law was not all that bad. When he is confronted by a History professor, he sets out to prove that he is right and comes across a retired soldier to tell the tale. Directed by Benedict Mique, Jr., it stars Eddie Garcia, Tony Labrusca, Lian Valentin, Henz Villaraiz, Jojit Lorenzo and Rafa Siguion-Reyna.
MTRCB Rating: R-16