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Listening trends for Game of Thrones

GAME OF THRONES (GOT) is as much about sounds as sights, and as the show prepares to enter its 8th and final season, Spotify has dug into how it has influenced listening.

With more than 380 million streams of all GOT soundtracks and related playlists on Spotify since Jan. 1, 2016, it’s clear that fans of the show are also fans of the music. More than 250,000 listeners have created their own GOT-themed playlists, and many more have created character playlists. With what could be a hint as to who Spotify listeners think should sit on the Iron Throne, Tyrion Lannister has the most fan-made playlists: More than 7,700.

Also a big draw is the GOT soundtrack, scored by composer Ramin Djawadi, which provides instant recall of the characters’ most dramatic moments. “Light of the Seven,” the piece heard when Cersei blows up the Sept of Baelor in the Season 6 finale, is the most-streamed Mr. Djawadi composition since Jan. 1, 2016, followed by the show’s eponymous “Main Title” and then “The Winds Of Winter,” which accompanies Arya as she sails to Braavos at the conclusion of Season 4.

As fans prepare to return to Westeros for Season 8, Spotify has unveiled a refresh of its rock-influenced playlist, “Game of Thrones: The End Is Coming” (formerly named “Songs of Ice and Fire”), a collaboration between GOT co-creators David Benioff, D.B. Weiss and Spotify. “We were looking for songs that made us feel the way the show made us feel,” Messrs. Benioff and Weiss told For The Record, Spotify’s blog.

Fans of the show can stream seven different playlists curated by HBO and featuring Mr. Djawadi score songs that relate to each family’s journey on GOT.

There are individual playlists for House Baratheon, House Targaryen, House Stark, House Lannister, The White Walkers, The Night’s Watch, and, The Great Houses.


CHARACTERS WITH THE MOST USER-GENERATED PLAYLISTS GLOBALLY:

• Tyrion Lannister
• Hodor
• Jon Snow
• Cersei Lannister
• Arya Stark
• Samwell
• Sansa Stark
• Melisandre
• Khal Drogo
• Jaime Lannister

MOST-STREAMED SONGS FROM OFFICIAL GAME OF THRONES SOUNDTRACKS IN THE PHILIPPINES
(from Jan. 1, 2016 to April 1, 2019)

• “Light of the Seven,” Cersei blows up the Sept of Baelor, Season 6, Ep. 10
• Main Titles, longer version that’s featured during every episode
• “The Winds of Winter,” Arya sails to Braavos at the conclusion of Season 4
• Main Title — From The Game Of Thrones Soundtrack, featured during every episode.
• “Blood of My Blood,” Daenerys flies over her Dothraki khalasar on Drogon. Season 6, Ep. 6
• “Winter Has Come,” White raven flies over Winterfell, Jon and Sansa talk post Battle of the Bastards. Season 6, Ep. 9
• “Khaleesi,” Daenerys emerges from the Temple of the Dosh Khaleen after setting it alight. Season 6, Ep. 4
• “My Watch Has Ended,” Jon Snow, revived from the dead, greets his friends in the courtyard of Castle Black. Season 6, Ep. 3
• “Game Of Thrones” from The Game Of Thrones soundtrack, the main theme of the series, with a more drum-driven beat.
• “Hear Me Roar,” Cersei is crowned on the Iron Throne. Season 6, Ep. 10.

MOST-STREAMED SONGS FROM OFFICIAL GAME OF THRONES SOUNDTRACKS GLOBALLY
(from Jan. 1, 2016 to April 1, 2019)

• “Light of the Seven,” Season 6, Ep. 10
• Main Title from the Game Of Thrones soundtrack
• “The Winds of Winter,” conclusion of Season 4
• “Blood of My Blood,” Season 6, Ep. 6
• “The Rains of Castomere” (performed by The National), end credits of Season 2, Ep. 9, after the Lannisters win the Battle of the Blackwater
• “My Watch Has Ended,” Season 6, Ep. 3
• “Winter Has Come,” Season 6, Ep. 9
• “Khaleesi,” Season 6, Ep. 4
• “I Need You by My Side” (bonus track), Ser Jorah reveals to Daenerys that he has contracted the deadly disease, greyscale. Season 6, Ep 5
• “Maester,” Sam sees the Citadel library for the first time. Season 6, Ep. 10

Self-employed join gov’t compensation program

THE government-run Employees’ Compensation Program (ECP) will expand its health and welfare compensation benefits to self-employed workers, the labor department said.

Department of Labor and Employment (DoLE) Secretary Silvestre H. Bello III said in a statement on Thursday that the compensation program, will now serve self-employed workers who are members of the Social Security System (SSS). The ECP provides a compensation and benefits package to employees and their dependents in case of work-related sickness, injuries and even death.

“We recognize that most self-employed members of the SSS are also workers who need to be protected in time of work-connected sickness, injuries, or death,” Mr. Bello, who also sits as the Employees Compensation Commission (ECC) chair, said.

The program formerly only covered workers from private establishments and also employers in the public sector. ECC Executive Director Stella Z. Banawis said now that self-employed SSS beneficiaries will be covered by the ECP, “(T)he ECP will be able to serve more Filipino workers.”

Self-employed workers qualified for the ECP must be SSS members and have a monthly income of at least P2,000. The worker must also not be over 60 years old during the time of the initial coverage.

DoLE listed the following as self-employed SSS beneficiaries who are automatically entitled to the ECP: “Self-employed professionals who have their own business offices; Partners, single proprietors of businesses, and Directors or Trustees of the Board of corporations duly registered with appropriate government agencies; Actors, directors, scriptwriters, and news correspondents who do not fall within the definition of the term ‘employee’ in Section 8(D) of the SSS Law; Professional athletes, coaches, trainers, jockeys, individual farmers, and fisherfolk; Workers in the informal sector such as market and ambulant vendors, transport workers, and those similarly situated; Contractual and job order personnel engaged by the government through a Contract of Service and who are not covered under the GSIS Law; and, any other self-employed as determined by the Social Security Commission is subject for compulsory coverage, if for initial membership.”

Contributions will depend on monthly income levels. Self-employed workers with a monthly salary of P14,500 pay P10 monthly, while the fee for those earning P15,000 and above contribute P30 monthly. — Gillian M. Cortez

URC opens baking school

UNIVERSAL Robina Corp. (URC) on Wednesday said it opened its first baking school which is aimed at helping its customers expand their portfolio of flour- and pasta-based products.

In a statement, the Gokongwei-led food giant said the Baker John Academy, which is under the URC Flour and Pasta Division, will offer classes where customers can upgrade their baking skills and help set up their baking operations.

“With Baker John Academy, our focus is on the customer. We want to give them a helping hand, so they can expand their businesses faster through innovations and efficiencies,” Ellison Lee, business unit general manager of URC Flour and Pasta Division, said.

The school, named after parent company JG Summit Holdings, Inc.’s founder John L. Gokongwei, Jr., will develop its own recipes as well as produce branded bread and specialty products such as cheese rolls and ensaymada.

At present, Baker John will be open only to URC’s current and potential customers. However, there are plans to eventually open it to the public.

Baker John’s facility can be found in Robinsons Exxa Tower along E. Rodriguez Jr. Ave. (C5 Road) in Quezon City. It will have a laboratory with 10 workstations that can handle up to 50 participants.

Maynilad warns future investments may be put on hold

MAYNILAD Water Services, Inc. said its current rift with the government over its water contract may likely impact future investments in its west zone concession.

Asked if the government’s move to review all contracts with companies including Maynilad may set a bad precedent for future investments, Maynilad Chairman Manuel V. Pangilinan told reporters on Thursday, “yes.”

Last week, President Rodrigo R. Duterte expressed through his spokesman that he wants a review of all government contracts with foreign and private firms, including water concessionaires.

Mr. Pangilinan said earlier this week that they were willing to drop the company’s arbitration proceedings against the government in exchange for a tariff settlement that compensates for lost revenues from 2013 to 2017.

Last year, the Singapore court ruled that the Philippine government must pay Maynilad P3.4 billion for failing to allow it to implement tariff adjustments as granted in its contract.

“It’s stipulated in the contractual arrangements. That was a right given to us under the contract, so we just exercised it… We won the arbitration first round, we won it the second round, they just ignored us,” Mr. Pangilinan said.

The government, through the Office of the Solicitor General and the Department of Justice, is currently reviewing the Maynilad contract.

Meanwhile, Maynilad said it will be conducting several water network enhancement activities during the Lenten break within Metro Manila’s west zone for projects that include facility maintenance works, pipe decommissioning, pipe interconnections, and valve replacements.

As a result, Maynilad said some of its customers in parts of Manila, Malabon, Navotas, Valenzuela, Quezon City, Parañaque, Pasay, Las Piñas, and Bacoor in Cavite will experience temporary water service interruptions.

“The duration of service interruptions will differ per area. Some will have no water for five hours only, while others will have no water for 30 hours,” Maynilad Water Supply Operations Head, Engr. Ronaldo C. Padua said in a statement on Thursday.

“We apologize to our customers for the inconvenience. These activities are being done so we can continue to improve the water infrastructure and ensure better water services for the long term,” he added.

The enhancement activities are in line with the water concessionaire’s continuous efforts to improve water services in the west zone.

Maynilad said the activities are scheduled during the Holy Week, when fewer customers are expected to be home. This will lessen the impact of service interruptions on water consumers.

“Besides these major activities, Maynilad will also take the opportunity to conduct smaller, parallel activities like leak detection and leak repairs, which would otherwise require the implementation of separate service disruptions,” the company said.

Maynilad advised its affected customers “to store water at least three days before the scheduled interruption to prevent simultaneous heavy withdrawals of water from its pipelines, which can reduce water pressure and cause some customers to have no water earlier than schedule.”

It said 40 water tankers are on standby and ready to deliver water to affected areas when needed.

Metro Pacific Investments Corp., which has majority stake in Maynilad, is one of three Philippine units of Hong Kong-based First Pacific Co. Ltd., the others being Philex Mining Corp. and PLDT, Inc. Hastings Holdings, Inc., a unit of PLDT Beneficial Trust Fund subsidiary MediaQuest Holdings, Inc., has interest in BusinessWorld through the Philippine Star Group, which it controls. — Denise A. Valdez and Victor V. Saulon

PULP marks 20 years with special issue

PULP Magazine marks its 20th year in print and this coincides with the release of the publication’s 200th issue which celebrates its lasting legacy in the Philippine music industry as the country’s longest-running music and lifestyle publication.

“Honestly, I do not believe there was a proper music magazine published locally prior to PULP,” says CEO and Publisher Vernon Go. Inside this special issue, Mr. Go answers 20 Questions to tell the story of PULP. This release highlights 20 iconic PULP covers. It rounds up 20 epic photographs that appeared on its pages. And that’s just the first round as PULP will continue to dedicate the rest of its 2019 issues to PULP’s 20th anniversary.

There will also be exclusive coverage of Taking Back Sunday’s 20th anniversary show in Manila; the bands that set the stage on fire in the recently concluded PULP SUMMER SLAM XIX: The Second Coming; the lowdown on how Mayday Parade became one of the Philippines’ favorite bands; how Jason Mraz inspired his Filipino fans with the positivity and good vibes. There is also an exclusive interview with The Story So Far’s Ryan Torf ahead of their first show in Manila, presented by PULP Live World, on April 15 at the Skydome, SM North EDSA.

The issue includes a free poster featuring all 200 PULP Covers. PULP Magazine’s special 200th issue is now available for P250 at major bookstores nationwide and online (e-mail to sales@pulp.ph).

Chinese employees stole corporate secrets from ASML, impact limited — report

AMSTERDAM — Chinese employees stole corporate secrets from Dutch semiconductor equipment maker ASML, resulting in hundreds of millions of dollars in losses, Dutch financial newspaper Financieele Dagblad (FD) reported on Thursday. The paper said, citing its own investigation, technology had been stolen by high-level Chinese employees in the research and development department of ASML’s US subsidiary and ultimately leaked to a company linked to the Chinese government.

But ASML itself “found no hard proof of involvement of the Chinese government,” the FD reported.

An ASML spokeswoman told Reuters the company was aware of the FD report and was preparing a response.

ASML is the dominant maker of lithography systems, used to trace out the circuitry of semiconductor chips.

The newspaper based its report partly on company sources and partly on a November 2018 ruling by a California court in a suit between ASML’s US subsidiary and a subsidiary of a Chinese company, XTAL Inc.

The documents from the Santa Clara, California Superior Court show six former ASML employees, all with Chinese names, breached their employment contract by sharing information on ASML software processes with XTAL, the FD showed.

“The FD’s investigation found XTAL’s Chinese parent company Dongfang Jingyuan has ties with the Chinese Ministry of Science and Technology,” the paper said.

The court awarded ASML $223 million in damages and XTAL filed for bankruptcy a month later.

The Dutch intelligence agency has included warnings in its annual threat assessments for the past several years, saying that China is targeting tech companies in the Netherlands, as it does in other countries, for intellectual property theft.

In 2015, ASML disclosed a breach of its computer systems, but said at the time damage from the hack was limited and released few further details.

ASML’s sales to China doubled to 1.8 billion euros ($2 billion) in 2018 from 919 million euros in 2017 as Beijing makes growth of its semiconductor industry a priority.

ASML CEO Peter Wennink told Reuters in January he saw no let up in demand from China, despite an economic slowdown. — Reuters

Microinsurance sector’s coverage, premiums up

THE INSURANCE Commission (IC) said the microinsurance industry expanded in 2018 in terms of individuals covered and premiums produced.

Preliminary data based on the quarterly reports submitted by insurers and mutual benefit associations (MBA) showed the microinsurance sector’s premium production grew 14.45% at end-2018 to P8.14 billion from the P7.11 billion in premiums booked the previous year, the IC reported Thursday.

MBAs continued to be the frontrunner in the microinsurance industry in terms of coverage as well as premium production. The sector booked contributions amounting to P4.56 billion, up 16.8% from the P794.19 million recorded the previous year.

Cornering a market share of 83.06% or P3.79 billion in terms of contributions, CARD Mutual Benefit Association, Inc. remained the leader in the MBA sector. It was followed by Tulay sa Pag-unlad Mutual Benefit Association, Inc. with P258.96 million and Alalay sa Kaunlaran Mutual Benefit Association, Inc. with P69.97 million.

Meanwhile, the life insurance sector produced microinsurance premiums worth P2.58 billion in 2018, growing 6.94% from the previous year’s P2.42 billion.

CLIMBS Life and General Insurance Cooperative led life insurers in terms of premium production with P1.34 billion. Pioneer Life, Inc. and The United Coconut Planters Life Assurance Corp., on the other hand, ranked second and third with P676.97 million and P189.17 million, respectively.

Microinsurance premiums booked by non-insurance companies were at P998.97 million last year, a 25.78% increase from P794.19 million in 2017.

CARD Pioneer Microinsurance, Inc. ranked first in the sector last year with a market share of 66.89% at P668.26 million, followed by Pioneer Insurance & Surety Corp. (P194.31 million) and The Mercantile Insurance Co., Inc. (P94.55 million).

The microinsurance sector likewise posted an 18.77% growth in the number of individuals covered to 38.89 million in 2018 from 2017’s 32.74 million.

The MBA sector covered a total of 22.75 million individuals at end-2018, 17.67% higher from 19.33 million a year prior.

Life insurers posted a 30.23% increase to 11.85 million individuals covered from 9.1 million the previous year.

Meanwhile, non-life insurance companies saw a 0.54% decline in individuals covered to 4.29 million in 2018 from the previous year’s 4.31 million.

Insurance Commissioner Dennis B. Funa said the life and non-life insurance sectors showed significant increases in terms of premiums produced and lives covered.

“This only proves that microinsurance in our country continues to grow and is an effective and affordable financial product for the protection of the properties and lives of our countrymen,” Mr. Funa was quoted as saying in a statement. — Karl Angelo N. Vidal

CLI to launch 29 projects this year

CEBU Landmasters, Inc. (CLI) is allocating P13 billion for capital expenditures this year, as it plans to launch 29 projects worth P25 billion.

In a briefing held in Taguig City on Thursday, CLI President and CEO Jose R. Soberano III said of the capex for 2019, 79% will be used for project development in Visayas and Mindanao areas.

“From P10.2 (billion) in 2018, we are projecting 2019’s budget of P13 billion, of which 79% will be on project development,” he said.

Most of the land for the 29 projects has already been acquired, with deals for the rest expected to close within the second quarter.

CLI said it is adding 7,517 residential condominiums units through One Paragon Condo, CM Towers CDO, One Astra Phase 2, and 38 Park Avenue Phase 2. It will also sell house-and-lots at Velmiro Granada, Casa Mira Granada, and Casa Mira South Phase 4.

The company is also increasing its number of hotel rooms to 1,223 through Citadines Bacolod, Citadines Paragon, Patria de Cebu Hotel and Mactan Hotel. It is also planning to boost total gross leasable area to 161,034 square meters (sq.m.) through projects like LPU retail and LPU Office.

With the new projects, CLI is targeting reservation sales to rise by 28% to P12.5 billion and consolidated sales to jump by 25% to P8.4 billion. The company expects net income to grow by 20% for both consolidated and parent to P2.6 billion and P2 billion, respectively.

“We are strongly positioned to sustain our growth in this region. There is a large underserved demand, and CLI will capitalize on its homegrown leadership and diverse product offerings in order to successfully cater to this growing VisMin market,” Mr. Soberano said in a statement.

The VisMin property developer saw its net income surge 72% to P2.17 billion in 2018, while net income attributable to the parent company grew by 36% to P1.66 billion.

CLI’s consolidated revenues increased by 72% to P6.76 billion due to strong sales and the higher number of projects under construction in 2018.

Reservation sales went up by 86% to P8.54 billion, exceeding its P7-billion target by 22%. — V.M.P.Galang

Sex tape

Jino to Mari (Gino and Marie)
Directed by Joselito Altarejos

JOSELITO ALTAREJOS’ Jino to Mari (Gino and Marie, 2019), about a pair of sex workers hired to do a Japanese porn film, is (to put it mildly) fairly explicit — about as explicit as a Filipino independent film probably gets nowadays without actually being porn.

Gino is a callow 18-year-old (though at one point he claims 17) who services gay clients to help out grandmother and younger sister, Marie is a single mother of 25; both are recruited by a common friend to do a Japanese porn film for P10,000 each (around $192) and are bused and shipped past forest and sea to a remote location (Cagbalete Island in Quezon Province).

One can’t help but think of Lino Brocka’s classic Maynila sa Mga Kuko ng Liwanag only in the opposite direction: two already corrupted urban dwellers lured out to the countryside by the promise of money, their street smarts and city-formed paranoia proving worse than inappropriate — they’re inadequate.

The film starts out slow: Gino (Oliver Aquino) stepping out with a client (filmmaker Emmanuel de la Cruz, in a brief amusing cameo), refusing to fellate the older man and threatening to slap him with a pedophile charge when he insists; Marie (Angela Cortez) taking her child to school dressed as a Disney princess (it’s costume day for the students, with a prize for best-dressed). Altarejos lets us know what kind of people they are, who they prostitute themselves for. If in the end their work days don’t look much different or more exciting than any other blue-collar laborer’s, that’s the point: different job, different day, same tired old shit.

Then the trip to the island. It’s no small effort; long bus trips with a change mid-journey; an equally long ferry ride to the island where the passengers get seasick on the way. You may start to wonder if Altarejos is perhaps pulling a fast one here but the trip serves several functions: it’s a chance for Gino and Marie to get to know each other, and it gives the viewer the sense that this is a break from the grime and grind and relentless crowds of the metropolis, a real holiday even from the need the two have to constantly earn for their loved ones — a holiday from responsibility, if you like. They can just be, breathe and doze and, on occasion, lean against each other for support. If they develop any rapport, it’s as travel companions.

Adding a little curious curlicue of detail to Gino’s personality: he likes to listen to opera. During the long bus ride he shares with Marie an excerpt from the “Flower Duet” from Leo Delibes’ Lakme, a delicate petal of a song that’s as far from urban Manila as anything you might imagine (hence Gino’s partiality, I assume). Marie seems fairly appreciative but otherwise unmoved; being the more experienced and more poised — basically the more hardened, though at first glance she has a childishly fragile look — she also seems less open to out-there influences.

Then the island. A break to rest from the trip, and filming. It goes as expected: shot in black-and-white and, yes, quite erotic. Then naked men with birdlike masks straight out of Kubrick’s Eyes Wide Shut suddenly appear out of nowhere, and all bets are off. A word on Altarejos’ soundtrack, which seems carefully considered, perhaps even more so, than his imagery: aside from Delibes he uses Schubert’s “Ellen’s Third Song” as prayerful counterpoint to the profane imagery, and (uncredited) Beethoven’s “Allegreto” (7th Symphony, 2nd Movement) — that pageantlike march-step rhythm and sense of doomed inevitability underlining and justifying the two actors’ long odyssey to this moment, of utter degradation.

Altarejos adds a radio broadcast (documentary?) describing the Japanese invasion of the Philippines, with mention of Filipino collaborators; as coda he plays Francisco Santiago and Ildefonso Santos’ “Pilipinas Kong Mahal” (My Beloved Philippines), about our willingness to perform any sacrifice to guarantee our freedom. Too heavy-handed? I don’t know; trip, arrival, and filmmaking have been carefully choreographed visually, aurally, emotionally to arrive at this point; the filmmaker may be forgiven for bringing out the big guns — may even be justified in doing so.

One thinks of shock cinema and its most famous practitioners: Gaspar Noe and Lars von Trier. Arguably the two filmmakers have filmed more explicit and more gruesome imagery, but what gives Altarejos’ film its force is that he fleshes out his characters, modulates their dramatic arc: they’re corrupt but not that corrupt; Gino refuses to perform oral sex, Marie does not kiss. When they’re persuaded and prodded to cross their respective lines step by shuffling step you’re with them; you care that they have drawn those lines — it’s what keeps them dignified, keeps them feeling human — and you care when they start losing their grip on that sense of humanity.

Most instructive in my book is Von Trier’s The Idiots — perhaps the only film of his I actively like. Much of it is pointless and, yes, idiotic — a nihilistic group of men and women, gleefully upending middle-class conventions. Then, suddenly, sharply there’s the ending — the very existence of the film justified, the point driven home with the swiftness and accuracy of a shank. Alterejos achieves something similar with a kiss: the film snaps into focus, our resistance and upraised arms fall away, and he (like the arty porn filmmaker in his picture) can have his complete and unquestioned way with us, however he likes.

US lawmakers grill bank CEOs on social issues

CHIEF EXECUTIVES of some of the largest US banks faced off with the House Financial Services committee for the first time since the financial crisis on Wednesday armed with the healthy balance sheets, but lawmakers grilled executives more on social issues than business fundamentals.

CEOs from JPMorgan Chase & Co, Bank of America Corp, Citigroup Inc, Goldman Sachs Group Inc, Morgan Stanley, State Street Corp and Bank of New York Mellon Corp walked into the hearing room ready to argue Wall Street has reformed the practices that fueled the 2007-2009 crisis and stress the contribution banks make to the broader economy.

But the tone, questions and players were distinctly different from a decade ago, when lawmakers focused on banks’ ability to safeguard the financial system and avoid future bailouts. Among the CEOs on the panel, only JPMorgan’s Jamie Dimon was at the helm of his bank before the financial crisis.

The hearing was led by Democratic Representative Maxine Waters and staffed with some high-profile freshman representatives like progressives including Alexandria Ocasio-Cortez.

Democratic lawmakers focused many of their questions on who the banks were doing business with, probing for answers about financing of gun manufacturers and fossil fuels.

Efforts to curry favor in the capital in recent weeks, like raising the minimum wage or pulling back from private prisons, earned some praise from politicians on the committee, but did not prevent lawmakers from pushing banks on their role in wealth inequality and corporate diversity.

Still, bank executives got a few chances to flag hoped-for talking points like their positive contribution to the economy when Republican lawmakers quizzed them on more systemic issues.

Democratic Representative Carolyn Maloney pressed JPMorgan’s Dimon to commit to a policy that would reduce the bank’s financing of gun makers. Citi and Bank of America last year said they would no longer provide certain banking services to gun manufacturers.

Some Republican lawmakers criticized such policies on Wednesday, with Representative Bill Posey cautioning banks against withholding financing from legal business and Representative Sean Duffy accusing Bank of America of denying Americans their Second Amendment rights.

Waters also questioned three of the bank CEOs whether they had found suspicious activity within their banks related to Russian accounts.

Citi CEO Michael Corbat declined to comment, citing an ongoing investigation into the matter. The Bank of America and Morgan Stanley CEOs said they had conducted internal investigations and did not find any suspicious activity.

Dimon said that JPMorgan “will never lose sight of what we learned.” Still, the bank has taken steps that went a long way to preventing another crisis, Dimon argued.

Since the crisis, the country’s largest banks have added more than $800 billion in capital to bolster the financial system. In the months leading up to the hearing, the banks also made a string of announcements to show how they are helping customers and communities.

Bank of America said on Tuesday it would raise its minimum hourly wage to $20 from $15 by 2021.

Last month, JPMorgan said it would no longer finance the private prison industry and would invest $350 million in job training programs.

Goldman Sachs has publicly set targets for hiring women and minority groups, a move Citigroup also made late last year.

Wells Fargo & Co was not present at the hearing since former CEO Tim Sloan resigned abruptly last month, two weeks after appearing before the same committee. — Reuters

BSP trims TDF offering to P10B

THE BANGKO SENTRAL ng Pilipinas (BSP) lowered the volume of its term deposit facility (TDF) offering next week to P10 billion — the lowest in history — due to upcoming holidays.

The P10 billion in term deposits to be offered on April 17 will only be under the seven-day tenor, a BSP advisory showed.

“Offered tenors were adjusted in view of the regular public holidays on May 1 and June 12 which fall on a Wednesday,” the central bank said in its advisory.

Last Wednesday, total bids for term deposits reached P50.321 billion, down from the P63.033 billion in tenders received in the previous week but still filling the P30 billion which the BSP placed on the auction block.

Appetite for both the one-week and two-week tenors softened compared to the April 3 exercise, but continued to clock in much higher than the amount the central bank wanted to sell.

This comes days ahead of the April 15 annual tax filing deadline and the long weekend break in observance of Holy Week among Catholics. Financial markets will be closed on April 18-19, forcing banks to service more withdrawal transactions during the period.

The seven-day papers received P29.696 billion in total tenders, filling the P20-billion auction volume although lower than the P40.46 billion in offers received a week ago.

The same trend was observed for the 14-day term. Bids totalled P20.625 billion on Wednesday, slightly lower than the P22.573 billion put forward last week but still double the P10 billion which the BSP offered to sell. — RJNI

ABS-CBN net income falls 40%

ABS-CBN Corp. reported its net income slumped 39.7% to P1.91 billion last year, as revenues from advertisers slipped and production costs increased.

In a regulatory filing, the Lopez-led media giant said total consolidated revenues dipped 1.4% to P40.13 billion in 2018, mainly due to the 3.4% decline in advertising revenues to P20.38 billion.

“Advertising revenues decreased by P716 million or 3.4% lower, attributable to fewer advertising placements from the year. Consumer sales increased by P149 million, mainly resulting from a 26% increase in ABS-CBN TVPlus boxes sold year-on-year,” the company said.

ABS-CBN said it sold a total of 2.5 million TVPlus boxes in 2018, an increase of 26.3% from the sales made in 2017. The total number of ABS-CBN TVPlus boxes sold since 2015 stood at 6.8 million as of end-2018. The company’s costs and expenses also went up 3.7% to P37.934 billion, as it spent P206 million more for license fees for sports programs and P140 million more for film rights amortization.

However, revenues from its film and music segments went down 0.3% in 2018 due to a weak movie results in the first half of the year. Revenues from its international business also fell 4.6% after it shuttered its money remittance and cargo businesses, reducing revenues by P159 million. The company’s satellite and broadband business SkyCable also slumped to a loss in 2018, ending with a net loss of P340 million from a net income of P123 million in 2017.

“SkyCable’s revenue decreased by P195 million or 2.1% year-on-year. The decline in SkyCable’s performance was triggered by the decrease in cable subscriber count by 69,000. In total, subscriber count of Sky increased by 489,000, significantly attributable to direct-to-home subscribers,” it said.

ABS-CBN’s Digital and Interactive Media segment, which covers its online and mobile platforms, recorded a slimmer net loss of P181 million during the full year from P441 million in 2017.

But its Consumer Products and Experience segment, or the ABS-CBN business involved with live events, theme parks and stores, posted a bigger net loss of P102 million from last year’s P82 million. — Denise A. Valdez