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SMPC income surges, hits record-high P16 billion

SEMIRARAMINING.COM

SEMIRARA Mining and Power Corp. (SMPC) reported its consolidated net income jumped by 393% to P16.2 billion last year on the back of “larger than expected” coal demand, the coal supplier and power generator said on Monday.

In a disclosure to the exchange, SMPC said last year’s income was the highest it has posted in its 41-year history. The increase translated to P3.81 per share earnings with a return on equity of 36%.

“The stellar earnings result was largely attributable to stronger-than-expected coal demand, which pushed index prices to record highs before settling at elevated levels because of the China price cap. The power segment further boosted [the company’s] performance with improved sales and prices,” SMPC said.

SMPC prides itself as the lone company in the country that mines its own fuel. Aside from supplying coal domestically, it also exports coal to neighboring countries, including the three top coal importers in the world: China, Japan, and South Korea.

The mining and power company said its coal production rose by 8%, coal shipments jumped 16%, and the average coal selling prices jumped 71%.

Its coal segment alone contributed to 70% of earnings with P11.4 billion, while SMPC subsidiaries SEM-Calaca Power Corp. (SCPC) and Southwest Luzon Power Generating Corp. (SLPGC) accounted for 35% and 5%, respectively.

SCPC contributed P3.3 billion to the parent company’s income, while SLPGC shared P1.4 billion.

“Our results reflect the hard work of our people. They rose to the challenges of the pandemic and delivered exceptional value to our stakeholders,” said SMPC President and Chief Operating Officer Maria Cristina C. Gotianun in a statement.

The parent company reported that SCPC’s standalone revenues jumped by 144% to P3.73 billion from P1.31 billion, while it swung back to profitability with a net income of P529 million from a P142-million net loss in 2021.

SLPGC revenues also climbed 20% to P1.78 billion and its net income widened by 113% to P232 million.

SMPC shares at the local bourse rose P2.70 or 10.8% to close at P27.70 apiece on Monday. — Marielle C. Lucenio

AREIT earns P2.4 billion amid stable operations

AYALA LAND, Inc.’s (ALI) real estate investment trust (REIT) unit AREIT, Inc. booked a P2.43-billion net income in 2021, the company said in a statement on Monday.

The full-year income already takes into account the P165-million net fair value change in its investment properties. Excluding that change in investment properties, net income would amount to P2.27 billion.

The Ayala-led REIT firm also said it saw stable operations in 2021, resulting in a 98% occupancy rate and a 98% rental collection rate.

AREIT generated a 63% revenue growth to P3.32 billion in 2021, while its earnings before interest, taxes, depreciation and amortization (EBITDA) went up 55% to P2.4 billion.

AREIT ended the year with a total gross leasable area (GLA) of 549,000 square meters (sq.m.) and assets under management (AUM) worth P53 billion. It is targeting to grow its AUM to reach P60 billion by this year.

The company aims to expand its asset portfolio at around 100,000 sq.m. of GLA in 2023 and 2024, which would increase its AUM by P10-15 billion.

“The company maintains its thrust to grow and diversify its asset portfolio by sector, location, and income contribution and achieve a total shareholder return range of 10-12%,” AREIT said.

The company bought Pasig City-based The 30th in 2021, adding 75,000 sq.m. to its GLA on top of a 98,000 sq.m.-property in Laguna Technopark, which is currently leased by Integrated Micro-Electronics, Inc.

AREIT also put into place a property-for-share deal with its sponsor ALI and subsidiaries last year, allowing AREIT to add the Vertis North Office Towers and mall, Ayala Life FGU office condo units, One and Two Evotech BPO buildings, and Ayala Northpoint BPO Buildings.

In a separate disclosure to the exchange on Monday, ALI’s board of directors approved a plan to raise up to P45 billion in debt capital.

ALI said the proceeds will be used to refinance maturing debt and to partially fund general corporate requirements. Funds will be raised via issuing retail bonds and/or corporate notes to be listed on the Philippine Dealing and Exchange Corp. and/or through the execution of bilateral term loans.

AREIT shares at the stock exchange climbed 0.61% or 30 centavos to close at P49.30 apiece on Monday, while ALI stocks went up 4.84% or P1.80 to finish at P39 each. — Keren Concepcion G. Valmonte

New ventures and the return of star-studded events as Star Magic marks 30th year

STAR MAGIC head Lauren Dyogi with the nine Kapamilya stars

DESPITE all the difficulties of the last two years, ABS-CBN’s talent agency Star Magic is celebrating its 30th anniversary with new television programs, international collaborations, and star-studded events.

Back in 1992, then Executive Vice-President and General Manager for ABS-CBN Freddie M. Garcia, together with then Program Director Johnny Manahan, had the idea to develop talents exclusively for the network’s programs and established the Talent Center. In the same year, it launched its first project, the afternoon youth show, Ang TV.

Over the next three decades, the talent agency — renamed Star Magic — has provided workshops in acting, dance, art, script appreciation, styling, and voice production. Star Magic alumni include Angelica Panganiban, John Lloyd Cruz, Kim Chui, JC De Veyra, Jed Madela, Sarah Geronimo, Maja Salvador, and Liza Soberano.

Its active artists, who recently signed new contracts, have a number of projects lined up for 2022.

Actor Gerald Anderson will soon star in the drama series, A Family Affair, along with actor and singer Sam Milby. Anderson will also star in a film, To Russia with Love. Actor Jake Cuenca will be working in the upcoming international series Cattleya Killer. Real-life couple Loisa Andalio and Ronnie Alonte will star in the upcoming drama series, Love in 40 Days. Meanwhile, Jolina Magdangal and Shaina Magdayao will continue to star in Magandang Buhay and FPJ’s Ang Probinsyano, respectively. Zanjoe Marudo is currently in the cast of The Broken Marriage Vow, the Filipino adaptation of BBC One’s Doctor Foster.

A NEW MEDIA LANDSCAPE
This year, Star Magic looks forward to bringing talents to global events in collaboration with TFC (The Filipino Channel). It will also bring back star-studded sports events, and the Star Magic Ball red carpet event, together with ABS-CBN’s Creative Programs, Inc. (CPI).

“We are venturing into a new year. Nagbago kasi ang landscape (the landscape changed). When we were on free TV, it was so easy to come up with programs…Nagyon, iba na ang engagement (Now, engagement is different). Hindi lang sa (It’s not only on) free TV, [but also] social media,” Star Magic and ABS-CBN entertainment production head Laurenti Dyogi said at a hybrid press conference on Feb. 23.

“We will continue to evolve, grow, and make activities not only to build camaraderie among the artists, but also to build their characters and to build their skills.”

Star Magic Studio will also partner with Star Cinema, Mavx Productions, and Regal Entertainment for film projects, and Star Magic Records for music projects. The talent center’s artists are also expected to be featured and star in original content on YouTube, Kumu, and other digital platforms.

“We’re now starting a catalog shoot for the new 2022 catalog of artists. We’re going to have a new website. And we’re venturing into the international arena. We’ve asked a lot of our artists to audition in international productions,” Mr. Dyogi said. “…I see it as a possibility reaching out to a global audience.”

Within the last two years, ABS-CBN has had to deal with the difficulties posed by the ongoing coronavirus disease 2019 (COVID-19) pandemic, has seen the renewal of its broadcast franchise denied by a hostile Congress, and some artists have decided to venture into other pursuits.

Mr. Dyogi, however, stressed that they are focusing on talents who have stayed with them.

“The loss of the franchise gave us a lot of insight into what’s important in our lives and who are the people who is also important and who value that relationship,” Mr. Dyogi said.

“I think we’ve gone through the worst already. Exciting times are just ahead,” he said. — Michelle Anne P. Soliman

JoyRide gets nod for 4-wheel transport service

MOTORCYCLE ride-hailing service JoyRide announced on Monday that it had received approval from the Land Transportation Franchising and Regulatory Board (LTFRB) to operate as a transport network company (TNC).

“We are grateful that JoyRide Car is now one of the accredited 4-wheel TNC in the Philippines,” JoyRide Senior Vice-President for Corporate Affairs Jose Emmanuel “Noli” M. Eala said in an e-mailed statement.

The company said it received its certificate of accreditation as TNC from the LTFRB on Feb. 24.

To recall, JoyRide launched its motorcycle ride-hailing services in 2019.

“We are very excited to have JoyRide Car as one of the newest services available in our superapp. As always, we remain committed to providing value-for-money quality service to the public through the use of a powerful and scalable technology platform,” Mr. Eala said.

“We view this as a good development as commuters will now have another viable choice for safe, comfortable, and affordable car rides to their destination,” he added.

JoyRide’s app currently houses multiple mobility products, including JoyRide MC Taxi (motorcycle ride-hailing), JoyRide Delivery (express motorcycle deliveries), JoyRide Pabili (buy-for-me services), JoyRide Taxicle (tricycle ride-hailing), and Happy Move (2-wheel and 4-wheel courier deliveries for business).

The app also has JR Mall (online marketplace for food, groceries, and other non-food items), Buy Load, and COVID-19 (coronavirus disease 2019) Home Testing services.

The company offers its services in Metro Manila, Rizal, Bulacan, Cavite, Laguna, Baguio, and Metro Cebu.

JoyRide said that since 2019, it has onboarded more than 20,000 Kasundo Driver-Partners with vehicles ranging from motorcycles, cars, vans, and trucks.

“JoyRide Car is now accepting transport network vehicle service, or TNVS, drivers and operators to register as partners,” it added. — Arjay L. Balinbin

After decades in a spin, Sonic’s break-out leaves Sega hoping for more

SONIC the Hedgehog

TOKYO —  Japan’s Sega Sammy Holdings, Inc. is hoping to ride the fast-moving coattails of Sonic the Hedgehog as the character enjoys a renaissance amid a global scramble for entertainment content.

This year sees the release of a sequel to a record-breaking Hollywood movie and a Netflix series, along with a title that Sega hopes will revive the fortunes of the long-running Sonic game franchise after decades of malaise.

“Sonic is the face of Sega. If Sonic is doing well, then Sega is doing well to an extent, too,” Shuji Utsumi, co-chief operation officer of Sega, told Reuters in an interview.

The blue blur became a household name in the West in a series of side-scrolling games in the 1990s on the Sega Mega Drive console, also known as the Sega Genesis in North America, which outsold Nintendo’s Super NES in many countries.

“Sonic was cool with humor and an attitude… that resonated in the West,” said Mr. Utsumi, who worked at Sony when it launched the first PlayStation.

Unlike Nintendo’s Mario, who starred in decades of acclaimed titles, Sonic struggled to make the transition to 3D games as Sega withdrew from the console business to become a game publisher.

Now, after years of trial and error during which Sega merged with pachinko gambling machine maker Sammy, Sonic revived his career as a movie star as studios raided corporate larders for underused characters with mass appeal.

Sonic-related sales, including those from the movie, have quadrupled in the five years to the financial year that ended March 2021.

The game series has a committed, and long-suffering, fanbase in the West, in contrast with other Sega franchises such as Yakuza and Persona, which have a large audience in Japan.

“It’s definitely a nostalgic love for him,” said Jacob Mills, 31, a British game level designer, referring to the hedgehog. Mills plays new Sonic releases and describes his enthusiasm as “a shared experience of mutual disappointment.”

Initial prospects for the first Sonic movie from Paramount, which featured Jim Carrey, seemed in doubt when a trailer showing the character with prominent white teeth was derided on social media.

The studio tweaked the design, and the movie eventually raked in more than $300 million worldwide —  becoming one of the best grossing video game adaptations —  after its release in 2020 during the early days of the coronavirus disease 2019 (COVID-19) pandemic.

Sonic the Hedgehog 2 will be released in April. The franchise’s importance to Paramount was underscored in an investor presentation earlier this month outlining the future of the company and announcing a second Sonic sequel along with a hybrid animated/live-action series about the Knuckles character for its streaming service. A separate animated series is due to launch on Netflix this year.

“It’s another big franchise for us and for Sega,” Paramount Pictures chief Brian Robbins told Reuters. The Sonic investment is part of a broader commitment to franchises spanning movies and series, Paramount Chief Executive Bob Bakish said during the presentation. Shares fell on skepticism over whether the content could compete in an increasingly crowded streaming market.

OPEN WORLD
Sega has embraced the Sonic community, in 2017 releasing Sonic Mania, a widely praised retro platformer that began life as a fan-made game before being backed by firm.

An artist from the game later worked for Paramount on the Sonic movie, and Sega interacts humorously with fans via the Sonic the Hedgehog Twitter account, which has 5.8 million followers.

Expectations are growing for Sonic Frontiers, an open world platformer due for release this year. The format is novel for the franchise, whose other games have been bought or downloaded 1.38 billion times.

Sega has not shown any gameplay for the title, which was delayed for a year, and wary fans point to the “Sonic cycle,” in which excitement and talk of a comeback in the build-up to a new release is dashed by disappointment on playing the game.

The earnings impact of Sonic-related output “is going to be tangible” in the financial year starting in April, Utsumi said, without providing further details.

This month, the company upgraded its full year operating profit forecast by a third to ¥31 billion ($268 million). The gaming unit has been boosted by sales of titles such as role-playing game Shin Megami Tensei V for the Nintendo Switch.

Mr. Utsumi, who returned to Sega two years ago after founding his own gaming company and working at Disney and Warner Music, says the company is a “treasure island” of content that could be further commercialized.

Other Japanese characters joining the rush include a forthcoming Super Mario movie from Minions studio Illumination and Netflix’s live action remake of cult 1990s anime Cowboy BeBop released last year.

Sega has a close relationship with Xbox maker Microsoft and in November said it was exploring an alliance to develop titles using the Redmond, Washington-based firm’s cloud technology.

Longer term, Sega aims to create a “super game” with global appeal —  that perhaps will be part of the “metaverse,” a buzzy term for a network of persistent simulated online environments.

Sega, whose shares have risen by 16% year-to-date, has long experience across arcade and console gaming and different genres, Mr. Utsumi said.

“There’s no one better suited to do this than us,” he said. — Reuters

T-bill bids rejected as investors seek higher yields

BW FILE PHOTO

THE BUREAU of the Treasury (BTr) rejected all Treasury bill (T-bill) bids on Monday even as the offer was oversubscribed as investors asked for higher rates.

Bids for the T-bills the government offered on Monday were at P18.54 billion versus the BTr’s plan to raise P15 billion via the short-term papers.

Broken down, bids for the 91-day securities reached P6.07 billion, higher than the P5-billion plan. Had the Treasury made a full award, the three-month debt papers would have fetched an average rate of 1.49%, up by 59.1 basis points (bps) from the 0.899% seen last week.

The BTr also rejected the P5.65 billion in tenders for the 182-day securities, which was higher than the programmed P5 billion. The average rate of the six-month T-bill would have gone up by 57.9 bps to 1.736% from 1.157% previously had the government made a full award.

Lastly, the government turned down P6.82 billion in bids for the 364-day debt papers from an initial offer of P5 billion. If the tenor was fully awarded, the average yield on the one-year instrument would have stood at 1.865%, up by 29.7 bps from the 1.568% fetched a week earlier.

At the secondary market prior to the auction on Monday, the 91- 182- and 364-day T-bills were quoted at 0.9723%, 1.1639% and 1.5453%, respectively, based on the PHP Bloomberg Valuation Reference Rates published on the Philippine Dealing System’s website.

A trader in a Viber message said investors are asking for higher yields on indications of higher inflation after nine straight weeks of oil price increases.

Brent crude on Thursday exceeded $100 a barrel for the first time since 2014 after Russia invaded Ukraine, Reuters reported.

On Monday, Brent crude went up by 4% to $101.88 per barrel, while US West Texas Intermediate crude rose by 5% to $96.14 a barrel.

Inflation likely jumped to 3.3% in February on rising oil and commodity prices, a BusinessWorld poll of 15 analysts showed.

If realized, this median estimate would be faster than the 3% in January. Still, this is within the 2-4% target set by the Bangko Sentral ng Pilipinas.

“BTr though has room to reject in the short term following the reception of the RTB (retail Treasury bonds),” the trader said. “However, we expect this trend to continue (investors looking for higher yield) on risk aversion.”

The government raised an initial P120.764 billion at its rate-setting auction on Feb. 15 for its offer of five-year RTBs as tenders reached P183.44 billion, or more than six times the P30-billion plan. The retail bonds fetched a coupon rate of 4.875%.

The offer period for the RTBs was set to end on Monday (Feb. 28).

On Tuesday, the BTr will auction off P35 billion in fresh three-year Treasury bonds (T-bonds).

The BTr plans to raise P250 billion from the domestic market this month, or P75 billion via T-bills and P175 billion from T-bonds.

The government borrows from local and external sources to help fund a budget deficit capped at 7.7% of gross domestic product this year. — J.P. Ibañez

Telco DITO pilots 5G fixed wireless broadband in Metro Manila

BW FILE PHOTO

DITO Telecommunity Corp. announced on Monday that it has started the rollout of its fifth-generation (5G) home Wi-Fi offering.

The company is piloting its 5G home Wi-Fi service in 146 villages in Metro Manila.

“Barangays in the City of Manila, Caloocan, and Quezon City will be the first to experience up to 500Mbps (megabits per second) of download speed through the DITO 5G Home Wi-FI Starter Kit,” the company said in an e-mailed statement.

DITO priced its Starter Kit at P12,990. The package includes the 5G modem with a subscriber identity module (SIM) card.

The company is spending over P50 billion on its network expansion this year, as it aims to cover 70% of the country’s population.

“As of the start of February, DITO has hit 50% of its 2022 goal of 12 million total subscribers,” it said in a recent statement.

“In regard the upcoming third Independent audit of DITO’s government commitments in terms of speed and population coverage in July, our network rollout remains on track to reach the 70% coverage and 55Mbps average download speed,” the company added.

DITO Telecommunity’s parent company, DITO CME Holdings Corp., recently postponed its P8-billion stock rights offering (SRO).

The listed company cited “less than ideal market conditions” as the Philippine financial markets opened the year on “a negative note,” following the surge in coronavirus disease 2019 (COVID-19) infections due to the Omicron variant and the hawkish stances of the US Federal Reserve.

Proceeds of the SRO were supposed to be used to invest in the expansion of its telecommunications services under DITO Telecommunity. To finance the move, DITO CME said it had secured commitments worth $4 billion in long-term debt under a project finance arrangement with foreign lenders. — Arjay L. Balinbin

CODA lands top SAG award on road to the Oscars

A SCENE from the film CODA

LOS ANGELES — CODA, a coming-of-age drama about the only hearing member of a deaf family, won the Screen Actors Guild’s (SAG) top film award, raising its chances of success at next month’s Oscars ceremony.

The movie, which Apple TV+ acquired at the Sundance Film Festival for $25 million, follows the story of a small-town girl who pursues her dream of becoming a singer. The film, directed by Sian Heder, cast deaf actors Marlee Matlin and Troy Kotsur as parents of the young performer, played by Emilia Jones. Mr. Kotsur also won the award for male actor in a supporting role.

“We deaf actors have come a long way,” said Ms. Matlin, speaking through an interpreter.

The SAG awards, chosen by members of the SAG-AFTRA acting union, are closely watched because actors form the largest voting group in the Academy of Motion Picture Arts and Sciences, which organizes the Oscars. Winning the top SAG honor often, but not always, precedes a best picture win.

This year’s Oscar winners will be announced on March 27.

The war in Ukraine did not go unnoticed, with actor Leslie Odom, Jr. acknowledging the violence at the onset of the ceremony, sending “our thoughts, prayers, and hopes for impending peace.” It was a recurring theme throughout the night.

CODA, an acronym for Child of Deaf Adult, landed the top SAG award — for ensemble cast in a motion picture — over drama Belfast, Kenneth Branagh’s semi-autobiographical tale about the Northern Ireland conflict; climate change allegory Don’t Look Up; King Richard about the father of tennis legends Venus and Serena Williams; and House of Gucci, the story of the family behind the famous fashion house.

The Power of the Dog, which led Oscar nominations with 12 nods, was not nominated by SAG for best cast. The gothic Western did not win on Sunday.

Jessica Chastain won best movie actress for The Eyes of Tammy Faye, and Will Smith was named best movie actor for King Richard.

Among the night’s television honors, the fish out of water series about an American football coach hired to coach a British soccer team, Ted Lasso, won for best comedy, and the cast of HBO’s tale of money, power, and politics, Succession won for outstanding ensemble performance in a drama series.

Succession’s Brian Cox used his acceptance speech to address the war, lauding the Ukrainian President Volodymyr Zelensky, a former comic, and offering support for Russian actors, who “under pains of high treason” cannot speak out.

Helen Mirren was honored with a lifetime achievement award.

“I joined our tribe of rogues and vagabonds a long time ago,” said Ms. Mirren. “And it is you, you actors, that I want to thank.” — Reuters

 

 

And the winner is…

The full list of winners of the 28th Screen Actors Guild Awards follows:

MOTION PICTURE AWARDS

  • Outstanding Performance by a Male Actor in a Leading Role: Will Smith, King Richard
  • Outstanding Performance by a Female Actor in a Leading Role: Jessica Chastain, The Eyes of Tammy Faye
  • Outstanding Performance by a Male Actor in a Supporting Role: Troy Kotsur, CODA
  • Outstanding Performance by a Female Actor in a Supporting Role: Ariana DeBose, West Side Story
  • Outstanding Performance by a Cast in a Motion Picture: CODA
  • Outstanding Action Performance by a Stunt Ensemble in a Motion Picture: No Time to Die

TELEVISION AWARDS

  • Outstanding Performance by a Male Actor in a Television Movie or Miniseries: Michael Keaton, Dopesick
  • Outstanding Performance by a Female Actor in a Television Movie or Miniseries: Kate Winslet, Mare of Easttown
  • Outstanding Performance by a Male Actor in a Drama Series: Lee Jung-jae, Squid Game
  • Outstanding Performance by a Female Actor in a Drama Series: Jung Ho-yeon, Squid Game
  • Outstanding Performance by a Male Actor in a Comedy Series: Jason Sudeikis, Ted Lasso
  • Outstanding Performance by a Female Actor in a Comedy Series: Jean Smart, Hacks
  • Outstanding Performance by an Ensemble in a Drama Series: Succession
  • Outstanding Performance by an Ensemble in a Comedy Series: Ted Lasso
  • Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series: Squid Game

BSP raises P130B from offering of 28-day bills

BW FILE PHOTO

THE BANGKO Sentral ng Pilipinas (BSP) raised P130 billion as planned via its offer of short-term bills on Monday, even as accepted rates rose amid concerns over Russia’s invasion of Ukraine and its impact on oil prices.

The BSP’s 28-day securities were oversubscribed as the offer fetched bids amounting to P135.4 billion. However, this was lower than the P139.75 billion in tenders seen a week earlier.

Accepted rates for the papers were from 1.7% to 2.2475%, rising from the 1.64% to 2.08% in the prior auction. This caused the average rate of the one-month bills to rise by 19.21 basis points to 1.9211% from 1.729% previously.

The usual Friday auction for the bills was done on Monday as Feb. 25 was a special non-working holiday to commemorate the anniversary of the People Power Revolution.

Accepted yields on the BSP bills increased on Monday amid uncertainties caused by the Russia-Ukraine conflict and concerns over its impact on oil prices, which could affect inflation, Rizal Commercial Banking Corp. Chief Economist Michael L. Ricafort said.

Russia’s political and economic isolation deepened on Monday as its forces met stiff resistance in Ukraine’s capital and other cities in the biggest assault on a European state since World War II, Reuters reported.

President Vladimir Putin put Russia’s nuclear deterrent on high alert on Sunday in the face of a barrage of Western-led reprisals for his war on Ukraine, which said it had repelled Russian ground forces’ attempts to capture urban centers.

Blasts were heard before dawn on Monday in the capital of Kyiv and in the major city of Kharkiv, Ukrainian authorities said, while diplomatic maneuvering continued.

Ukraine said negotiations with Moscow without preconditions would be held at the Belarusian-Ukrainian border. Russian news agency Tass cited an unidentified source as saying the talks would start on Monday morning.

US President Joseph R. Biden will host a call with allies and partners on Monday to coordinate a united response, the White House said.

Russia calls its actions in Ukraine a “special operation” that it says is not designed to occupy territory but to destroy its southern neighbor’s military capabilities and capture what it regards as dangerous nationalists.

Brent on Thursday went beyond $100 a barrel for the first time since 2014, Reuters reported. On Friday, April Brent crude futures declined by 1.2% to $97.93 per barrel after reaching a high of $101.99, while the US West Texas Intermediate crude dropped $1.22 or 1.3% to $91.59 per barrel following a high of $95.64.

A BusinessWorld poll of 15 analysts yielded a median estimate of 3.3% for February inflation, which is within the 2-4% target by the BSP. If realized, this will be faster than the 3% in January.

Analysts said the spike in global oil prices likely caused faster inflation in February.

Latest data from the Department of Energy showed gasoline, diesel and kerosene have increased by P8.75, P10.85, and P9.55 per liter, respectively, since the year started. — L.W.T. Noble with Reuters

Pandemic drives up costs of PHL socialized housing projects

PHILSTAR FILE PHOTO

THE PANDEMIC has driven up the production costs of socialized housing while the sector continues to face gaps in affordability and quality, the Subdivision and Housing Developers Association, Inc. (SHDA) said.

“The pandemic highlighted the urgency to address persistent vulnerabilities in the housing sector, such as housing affordability and quality gaps, particularly among low-income households,” SHDA President May Rodriguez said in an e-mail.

“But to address these vulnerabilities, the government should first introduce measures to remedy the increasing housing production costs — land, labor, construction materials, and cost of doing business, that the economic crisis has accelerated.”

The wholesale prices of construction materials in Metro Manila hit a nearly three-year high in November before slowing down slightly a month after, when mobility restrictions were relaxed, government data showed.

The Construction Materials Wholesale Price Index for the National Capital Region eased to 5.2% year on year in December 2021, compared to 5.4% in November.

Socialized housing will need to be a budget priority for the next government after the current funding emphasis on transportation and public works projects, Institute for Leadership, Empowerment, and Democracy Executive Director Zy-za Nadine Suzara recently said.

She had noted that the average share of housing in the national budget between 2016 and 2022 was about 0.3%, compared to infrastructure projects that account for nearly a quarter.

According to real estate services firm JLL Philippines, the overall residential market saw a slowdown in business activity during the pandemic.

“This was more felt in the socialized to low-end segments where a large number of units were returned to the market, with buyers pulling out from deals as they shift priorities and step away from big ticket purchases,” JLL Philippines Research Manager Karisse Garcia said in an e-mail.

But fewer units were being returned towards the end of last year, indicating a gradual recovery, she added.

As it gears towards recovery, SHDA is working with the government in identifying land that can be used for public housing, Ms. Rodriguez said.

“As the Philippines charts the path towards economic recovery, there is renewed momentum for increased investment in socialized housing,” she said.

“But to sustain this, the government should encourage the participation of the local government units, the private developers, and the communities themselves in conceptualization, identification of sites, and implementation of socialized housing programs.”

JLL’s Ms. Garcia said public-private partnerships could speed up the recovery of the sector.

“This is what was seen in several affordable housing projects launched during the pandemic such as Basecommunity, Tondominium and Binondominium in Manila City, as well as Uswag low-rise residential building in Iloilo, which came into fruition with the partnership of the different LGUs with private developers,” she said.

“Focus on socialized housing will need to be brought up to the national level with key government bodies getting their hands on the initiative.” — Jenina P. Ibañez

PHL gov’t in talks with SpaceX for satellite internet service

THE Philippine government is in talks with United States-based firm Space Exploration Technologies Corp. (SpaceX) to improve internet service in the country, according to the Board of Investments (BoI).

In a statement on Monday, BoI said Trade Undersecretary Ceferino S. Rodolfo met with SpaceX officials on Nov. 16 last year to discuss Starlink’s plan seeking to establish a Philippine-registered company that will be a wholly owned subsidiary of SpaceX.

SpaceX, headed by American tech billionaire Elon Musk, is a company involved in aerospace and communications.

Meanwhile, Starlink is a satellite broadband internet system operated by SpaceX that provides satellite internet access across the world.

“The company eyes to offer satellite internet services in the Philippines, particularly on providing broadband connectivity to remote areas where traditional internet (based on land cables) is limited or virtually absent,” the BoI said.

Further, the BoI said follow-up online meetings were conducted between Mr. Rodolfo and the company in December last year and on Feb. 2 this year.

“With the entry of Starlink into the Philippines, high-speed satellite broadband connectivity is expected to be delivered to customers nationwide, specifically in areas where connectivity has been a challenge,” BoI said.

According to the BoI, the amendments to the Public Service Act (PSA) will allow full foreign ownership of satellite internet services in the country and will not require a legislative franchise for public services.

The measure amending the PSA is awaiting the signature of President Rodrigo R. Duterte.

“[Starlink’s] constellation consists of over 1,600 satellites in mid-2021, and will eventually consist of thousands of mass-produced small satellites in low Earth orbit (LEO), which communicate with designated ground transceivers,” the BoI said.

“Although the technical possibility of satellite internet service covers most of the global population, actual service can be delivered only in countries that have licensed SpaceX to provide service within any specific national jurisdiction. As of September last year, the beta service offering is already available in 17 countries,” it added. — Revin Mikhael D. Ochave

Tom Holland’s Uncharted wins weekend as Spider-Man inches closer to $800 M in North America

Tom Holland in Uncharted (2022)

LOS ANGELES — It’s (still) good to be Tom Holland.

The 25-year-old actor has been all-but-singlehandedly propelling ticket sales at North American movie theaters, leading two films in the top three spots on domestic box office charts. Over the weekend, his action-adventure Uncharted repeated No. 1 as his comic book epic Spider-Man: No Way Home followed closely behind in third place.

Uncharted, Sony’s long-in-the-works video game adaptation, brought in $23.2 million from 4,275 domestic venues in its second weekend of release, representing a 46% decline in revenues from its opening. That brings its domestic total to $83.3 million. A drop of around 50% is standard for big-budget tentpoles, but making its hold a little more impressive, the film did not enjoy the rapturous reviews that greeted Spider-Man: No Way Home. It helps that Uncharted is based on an extremely popular video game series and caters to younger males, a demographic that has been reliably going to the movies during coronavirus disease 2019 (COVID-19).

Meanwhile, another Sony blockbuster Spider-Man: No Way Home took the No. 3 spot with $5.7 million from 3,002 North American theaters, sliding only 23% in its 11th weekend in theaters. Since debuting on the big screen in December, the Spidey threequel has managed to stay in the top three on domestic box office charts — a rare feat with or without an industry-altering pandemic. Through Sunday, No Way Home has collected an enormous $779.8 million in total. Given the movie’s stellar week-to-week holds, Spider-Man could soon become the third movie ever to cross $800 million at the domestic box office.

In second place, Channing Tatum’s PG-13 canine adventure Dog had surprisingly solid attendance levels in its sophomore outing. The road-trip buddy comedy, from MGM, earned $10.1 million from 3,827 screens over the weekend, pushing its North American tally to $30.8 million. It’s a strong result for a movie that carries a $15 million production budget. The movie, which was smartly marketed with the tagline “Don’t worry, the dog doesn’t die” in an attempt to win over anyone still reeling from the 2008 tear-jerker Marley and Me, continues to perform in America’s heartland.

Two new releases, Studio 666 and Cyrano, failed to make a notable dent on box office charts.

Studio 666, a horror-comedy-musical-fantasy about Foo Fighters frontman Dave Grohl and his bandmates as they attempt to record their 10th studio album, landed in eighth place with $1.5 million from 2,306 North American theaters. The R-rated film got mixed reviews, though several film critics admitted Studio 666 is at least fun to watch. Associated Press critic Jake Coyle liked the film to “a decent SNL sketch stretched to nearly two hours” and the New York Times critic at large Wesley Morris aptly described the movie as exuding “real Scooby-Doo-meets-The Shining vibes.”

Cyrano, a romantic musical drama directed by Joe Wright and starring Game of Thrones actor Peter Dinklage, nabbed the No. 9 spot. The well-reviewed film, based on the 2018 stage musical and Edmond Rostand’s 1987 play Cyrano de Bergerac about an emotionally crushing love triangle, opened in just 797 locations and grossed $1.4 million. Nearly 60% of opening weekend audience members were female, according to exit polls. MGM will continue to expand the movie’s theatrical footprint in the coming weeks, but given its $30 million production budget, the profit margins for Cyrano could be more brutal than heartbreak. — Reuters