Home Blog Page 2496

An intellectual giant on Philippine agribusiness

(Part 1)

On Oct. 18, 2023, Dr. Rolando Dy left this world to join his Creator. The Philippines, together with a good number of countries in Southeast Asia, lost an intellectual giant in the field of agribusiness. As his long-time colleague in his chosen field of specialization, Dr. Fermin D. Adriano, also a leading practitioner of agribusiness, wrote in his column “Finer Points” in The Manila Times, Rolly was the foremost expert in agribusiness management and considered as a leading agricultural economist in the country.

It was no exaggeration for Dr. Adriano to comment that Rolly combined the talents of internationally acclaimed Professor Ray Goldberg — who introduced the agribusiness management program at the Harvard Business School — and famous business author Michael Porter, who wrote the best-selling book The Competitive Advantage of Nations which has been widely used all over the world and translated into so many languages as a standard textbook in management. Indeed, Rolly was the authority on the topic of competitive advantage of nations in agribusiness, having written a great deal on how Philippine agriculture compares with its counterparts in Indonesia, Thailand, Malaysia, Vietnam, and other countries.

One of his schoolmates at the Center for Research and Communication (now the University of Asia and the Pacific or UA&P) remarked that he was the best Secretary of Agriculture the Philippines never had. As one of his professors in the early 1970s at CRC, I followed very closely his long career doing research, giving advice to both government officials and top business executives, and mentoring hundreds of agribusiness professionals in a variety of short courses and degree programs, starting in the World Bank during his stint there in 1979 to 1983 and with the UA&P where he spent the rest of his professional life until his demise.

He established and led the Center for Food and Agribusiness (CFA) at UA&P, a think tank that for close to 40 years has been significantly influencing the decisions, especially of entrepreneurs and managers, in the field of agribusiness. He combined expertly the task of doing very intensive research in his field and acting as a consultant to many private businesses. Needless to say, one Secretary of Agriculture after another after the EDSA Revolution sought his advice about agriculture policy, although, as Dr. Adriano wrote in his column, his most important advice on land consolidation was unheeded for political reasons.

In this series of articles, I will attempt to present the gist of his thinking on Philippine agricultural development, especially as regards the most important link of improving agricultural productivity and addressing the perennial problem of mass poverty in the country.

I also intend this summary of the words of wisdom of Rolly Dy to be a humble contribution to the newly appointed Secretary of Agriculture, Francis Tiu Laurel. I am confident that President Ferdinand Marcos, Jr., who was mentored on agricultural development by Rolly when the President took the Strategic Business Economics Program (SBEP) at UA&P at the time he was Governor of Ilocos Norte, would be glad to know that what he learned from Rolly would now also be communicated to his boyhood friend whom he just appointed to take his place as Secretary of Agriculture.

In all his writings, Rolly never considered agricultural productivity as an end in itself. He always related it to the all-important goal of every society of achieving inclusive growth, of making sure that mass poverty is eradicated. Another very salient feature of all his writings is the superabundant empirical evidence that he always presented to back up his policy recommendations. He was not merely espousing his favorite theories. He was always showing what works in practice as demonstrated by the facts at hand, especially as he was able to extract them from the success stories of our neighboring countries such as Thailand, Malaysia, Indonesia, and Vietnam, with which countries he was very familiar because of his stint with the World Bank and his frequent visits to these countries in road shows where he accompanied Philippine agribusiness entrepreneurs who wanted to observe best practices in their fields.

We are fortunate that 10 years ago, on Aug. 15, 2013, Rolly delivered the annual UA&P Magisterial Lecture in which he presented an all-encompassing view of “Inclusive Growth and Agricultural Development.” In this very comprehensive lecture, he demonstrated the fact that he did not limit his studies and research to agricultural economics but was a very accomplished development economist in his own right. He can be classed together with the leading Philippine development economists of my generation, e.g., Amado Castro, Gerry Sicat, Solita Monsod, and Raul Fabella.

He started his Lecture with a definition of “inclusive growth,” which should always be the objective of any economy whether developed or emerging. Quoting the Commission on Growth and Development, he wrote: “Inclusiveness encompasses core concepts: equity, equality of opportunity, and protection in market and employment transitions.” No form of economic progress, whether agricultural development or industrialization or the present mantra called “Industrial Revolution 4.0” is desirable in itself unless it leads to inclusive growth.

No doubt, a rapid pace of growth is necessary for substantial poverty reduction. This was demonstrated in China during the time of Deng Xiao Peng when the Chinese GDP was growing at breakneck speed of 12% or more annually. True enough, such high growth that was sustained for some two decades led to the liberation of some 700 million Chinese from dehumanizing poverty. Rolly wrote emphatically: “The rapid pace of growth is necessary for substantial poverty reduction, but for this growth to be sustainable in the long run, it should be broad-based across sectors, and inclusive of the large part of the country’s labor force.”

Borrowing from a study of the World Bank, his former employer, he spared no details in defining inclusive growth. Inclusive growth focuses on both the pace and pattern of growth. How growth is generated is critical for accelerating poverty reduction.

An example of the wrong kind of growth was the one that we attained in the 1950s after the Philippines gained political independence. Our leaders allowed our forest resources to be depleted and we just cut down trees and exported the logs. The revenues from these exports allowed the economy to grow at above-average rates of close to 8% per annum but did not lead to poverty reduction, not to mention the harm done to the physical environment.

Already anticipating the policy errors that accompanied the agrarian reform programs of the 1980s, Rolly emphasized that inclusive growth focuses on productive employment rather than income or wealth redistribution. Hence the focus is not only on employment growth but also on productivity growth.

Furthermore, inclusive growth has not only the firm, but also the individual as the subject of analysis.

Finally, inclusive growth is typically fueled by market-driven sources of growth with the government playing a facilitating role. This explains why Rolly spent the bulk of his time giving advice to private entrepreneurs and corporations to map out their respective strategic plans in agribusiness ventures, which go much beyond farming and include the whole value chain of agribusiness, from farming to post-harvest, cold storage, logistics, supply chain, food processing or manufacturing, retailing, and all the way to the final consumers of food products.

Rolly backed up his insistence on inclusive growth with abundant citations from leading development agencies like the Asian Development Bank (ADB), the Organization of Economic Cooperation and Development (OECD), and the Ford Foundation, Inc. He referred to ADB Strategy 2020 which describes inclusive growth as based on three pillars: 1.) high, sustainable growth to create and expand economic opportunities; 2.) broader access to these opportunities to ensure that members of society can participate in and benefit from growth; and, 3.) social safety nets to prevent extreme deprivation.

Despite the fact that the OECD is an organization composed of supposedly highly developed economies, it was admitted that poverty remains a reality in many of its member countries. Poverty is on the rise and makes up to 20% of the population in Israel, Mexico, and Turkey; and 15% in the US, Spain, Japan, and South Korea.

The United Nations Development Program (UNDP) recognizes that inclusive growth means participation and benefit sharing. Participation without benefit sharing will make growth unjust. Sharing benefits without participation will lead to a welfare state which usually kills the spirit of enterprise of individuals.

(To be continued.)

 

Bernardo M. Villegas has a Ph.D. in Economics from Harvard, is professor emeritus at the University of Asia and the Pacific, and a visiting professor at the IESE Business School in Barcelona, Spain. He was a member of the 1986 Constitutional Commission.

bernardo.villegas@uap.asia

Restorers uncover demon in a 1789 painting — and reveal the decline of superstition in the Age of Reason

DETAIL of the ‘fiend’ in Joshua Reynolds. — NATIONAL TRUST IMAGES

RECENT news that restorers had uncovered the image of a Gothic-looking demon in a late work by Sir Joshua Reynolds (1723-1792) seems fitting for these long, dark evenings. The sinister face hovers above the head of a dying clergyman in The Death of Cardinal Beaufort, painted in 1789.

Fake-or-Fortune-style reveals such as this, where Reynolds’s hollow-eyed fiend re-emerges, fanged and uncanny from the gloom of centuries of overpainting, are always popular with the public. But what are we to make of Reynolds’s devilish detail in his painting, and how does it fit into the larger story of demonic representation in the art and literature of the 18th century?

First of all, we can be sure that the painted demon was put there by Reynolds because it was much discussed at the time. The scene of the dying cardinal comes from Shakespeare’s Henry VI Part II. Witnessing bedside the death throes of Beaufort — a corrupt, mad and guilt-ridden figure — King Henry beseeches God to drive away “the busy meddling fiend / That lays strong siege unto this wretch’s soul.”

In Shakespeare’s writing, this fiend is a figure of speech, a metaphor for mental torment. Unconventionally for a painter at the time, Reynolds gives a face to this devil, and makes the fiend a visible being. It leers out of the shadows, behind Beaufort’s pillow, a grotesque detail out of character in Reynolds’s usual art of grand portraiture and soberly historical picture subjects.

Reynolds’s contemporaries were deeply critical of the inclusion of this demonic creature in an otherwise traditional history painting. Doubtless this had to do with Reynolds’s official status as the president of the Royal Academy of Arts (which champions art and artists) and author of 15 lectures on art, known as the Discourses. The art theory of the day, as far as history painting was concerned, favored improving subjects, rendered in an idealized manner, but taken from life. There was little room for the fantastical or the macabre, for several reasons.

Broadly speaking, the Age of Reason saw “the death of Satan,” when science and rational thought sought to replace the religious superstitions of the previous century. Devils and demons, since they couldn’t be proven to exist in this new era of factual enquiry, lost much of their fear-driven religious power as tangible beings at loose in the world, sent to punish sinners.

Yet demons didn’t altogether disappear. In literature, they left the realm of physical possibility and entered the mind as metaphors for the human struggle between good and evil. As such, demons retained their moral function of teaching good souls how not to behave. Now the punishment for sin was not eternal damnation but the threat of a far more real internal mental conflict, madness, and even suicide.

In the new genre of the novel, especially, writers could still explore the dark forces working beneath the surface of the human condition through devilish allusions while reassuring readers that good moral conduct was within their own control. In Daniel Defoe’s Robinson Crusoe (1719), Moll Flanders (1722), and Roxanna (1724), or Samuel Richardson’s Clarissa (1748), demons don’t appear as such, but the behavior of key characters is repeatedly described in devilish language.

The most frightening concepts, it was thought, were best left as suggestions of the mind. Embodied devils and demons only appeared on stage or in the Gothic novel later in the 18th century. In the latter they were often found in disguise, as in MG Lewis’ Ambrosio the Monk (1796).

In art, the shift towards the Gothic was influenced by Henry Fuseli (1741-1825). His painting The Nightmare showed a real-looking demon, larger than life, crouching on the body of a sleeping woman. The imp caused a sensation when the painting was shown at the Royal Academy in 1782.

Fuseli earned the nickname “Painter in Ordinary to the Devil,” and was influential in London for his visionary images in this newly fashionable style. One such fan was Sir Joshua Reynolds, who became closely acquainted with Fuseli and an admirer of his work.

In 1789, they both contributed paintings to John Boydell’s Shakespeare Gallery, a commercial exhibition space on Pall Mall which commissioned the best artists of the day to make pictures of subjects taken from Shakespeare.

This was the context for Reynolds’s fiend in The Death of Cardinal Beaufort, which appeared in that exhibition. Tellingly, Fuseli had already shown a drawing of the same subject at the Royal Academy as early as 1772, a work in which Beaufort’s own face took on a demonic look with reference to his internal possession.

By the 1780s, Shakespearean fiends were common among Boydell’s artists. George Romney (1734-1802) made several sketches of other scenes in Henry VI Parts I and II where demons are conjured up by characters, and a painting of Joan of Arc doing the same, now lost.

Demons and devils visibly re-entered the art of the 18th century in the realm of satire. Here, in the monochrome print, winged or inky black devils became symbols for a host of contemporary social problems. Hogarth spoofed the religious convictions of the Methodist Church by having a little devil whisper in the ear of a sleeping congregant.

Satirist James Gillray pilloried the scourge of the 18th-century gluttonous diet, the painful condition of gout, depicting it as a sharp-toothed demon, sinking its fangs into a well-fed human foot.

Thus in 1789, the year of the French Revolution, far from losing the plot, the ageing Reynolds was part of a revolution in art that saw the demons of the imagination, so beloved of 18th-century literature, brought back vividly into the visual realm. — The Conversation via Reuters Connect

 

Jenny Graham is an associate professor in Art History at the University of Plymouth.

AllDay earnings more than double

AllDay Supermarket

ALLDAY Marts, Inc. reported a net income of P254 million, 154% higher year on year, boosted by higher revenues for the period.

“As we head into the fourth quarter — a historically strong quarter for AllDay — we are pleased with our business results at the 9M2023 mark of this year,” AllDay Chairman Manuel B. Villar, Jr. said in a media release on Tuesday.

The listed supermarket operator saw its revenues climb to P7.43 billion, marking a 5.2% increase from the same period last year.

The company has yet to release its financial statement for the period but it previously reported an attributable net income of P83.4 billion for the second quarter, 4.4% lower from the P87.21 billion last year.

Mr. Villar said that as the holiday season approaches amid the lifting of restrictions due to the pandemic, the company expects further growth.

“With this season of celebrations, our supermarket concept is ready to capitalize on a market that is now again very comfortable with spending time shopping in-store,” he said.

“Despite normalizing sales levels and inflationary pressures evident throughout 2023, we are happy to report continued momentum for AllDay as we head into the last quarter of 2023,” said Frances Rosalie T. Coloma, AllDay president and chief executive officer.

At the local bourse on Tuesday, shares in the company closed 1.17% lower at  17 centavos each. — Ashley Erika O. Jose

Gov’t awards in full its reissued Treasury bonds

THE GOVERNMENT made a full award of the reissued Treasury bonds (T-bonds) it offered on Tuesday at a higher average rate than its last awarding as the Bangko Sentral ng Pilipinas (BSP) is expected to hold rate steady at its meeting on Thursday.

The Bureau of the Treasury (BTr) raised P30 billion as planned via the reissued 10-year bonds it auctioned off on Tuesday as total bids reached P65.928 billion or more than twice the offered volume.

The bonds, which have a remaining life of nine years and nine months, were awarded at an average rate of 6.781%, with accepted yields ranging from 6.748% to 6.8%.

The average rate of the reissued bonds was 17.3 basis points (bps) lower than the 6.954% quoted for the papers when they were last offered on Oct. 24.

Still, this was 15.6 bps above the 6.625% coupon for the series.

The average yield was also 3.8 bps higher than the 6.743% quoted for the 10-year bond and 4.2 bps above the 6.739% seen for the same bond series at the secondary market before Tuesday’s auction, based on PHP Bloomberg Valuation Service Reference Rates data provided by the Treasury.

The full P30-billion award brought the total outstanding volume of the series to P120 billion, the BTr said in a statement on Tuesday.

The full award and average rate were in line with market expectations as the BSP is expected to hold its key rate steady at its Thursday meeting, a trader said via phone interview.

A BusinessWorld poll of 18 analysts held last week showed that 15 analysts expect the Monetary Board to maintain the target reverse repurchase (RRP) rate at a 16-year high of 6.5%.

Meanwhile, the three remaining economists said the Monetary Board might hike policy rates by 25 bps to 6.75% at the Nov. 16 meeting.

The Monetary Board implemented an off-cycle 25-bp rate hike on Oct. 26, ahead of its scheduled meeting. It has raised interest rates by 450 bps since May 2022 to temper inflation.

Easing inflation and a stronger peso recently also support the expectations of a pause by the BSP, Rizal Commercial Banking Corp. Chief Economist Michael L. Ricafort said in a Viber message.

Headline inflation for October eased to 4.9% from 6.1% in September and 7.7% in October 2022. This was also below the BSP’s 5.1-5.9% forecast for the month.

October inflation was the slowest pace in three months or since the 4.7% in July, but marked the 19th straight month that inflation breached the central bank’s 2-4% target.

Meanwhile, the peso closed at P56.06 per dollar on Tuesday, unchanged from Monday, based on Bankers Association of the Philippines data.

Year to date, it has declined by 30.5 centavos or 0.55% from its P55.755 per dollar close on Dec. 29, 2022.

The local currency has remained above the P56 per dollar level since early August but has recently strengthened to the P55 per dollar level when it first closed at P55.91 on Nov. 6.

The BTr plans to borrow P225 billion from the domestic market this month, or P75 billion via T-bills and P150 billion via T-bonds.

The government borrows from local and foreign sources to help fund its budget deficit, which is capped at 6.1% of gross domestic product this year. — Aaron Michael C. Sy

A renewable energy-centric approach for the environment, for the economy, for everyone

FREEPIK

That climate change is upon us can no longer be denied.

Reports by experts and anecdotal evidence from communities around the world attest to the fact that the planet is warming, and that we are dangerously close to the runaway point where change is irreversible and impossible to slow down. Science has also established that fossil fuels and other “dirty” sources of energy, over centuries of industrialization, have been responsible for the drastic increase of greenhouse gases (GHGs) in the atmosphere. Most importantly, the manifestations of climate change are undeniable — extreme weather patterns that endanger people’s lives and livelihoods. The Philippines is now confronting the harsh reality of being one of the most vulnerable countries being hit by the destructive consequences of climate change.

This provided the impetus for a global movement to keep GHG emissions down by shifting to renewable energy (RE) sources. Different countries of the world, to varying degrees, have pledged to alter their consumption patterns to make good on their commitment to keep the change in overall global temperature below 1.5 degrees Celsius.

But the shift to RE is not just an environmental endeavor. It is likewise a strategic response to escalating energy demands that are specific to our country.

The pandemic dealt a serious blow to the Philippine economy. It exposed systemic weaknesses and gaps that need to be addressed. As we slowly make our way to recovery and, beyond that, to sustainable development for the benefit of our people, we acknowledge the need to upgrade our country’s energy infrastructure. This is especially true for key industries such as manufacturing, telecommunications, and digital services. I speak here not only for the immediate energy requirements, which are important in themselves, but also to set us onto a resilient, sustainable course toward a future characterized by economic growth, sustainable quality of life, and responsible stewardship of the environment.

The difficult energy situation we find ourselves in does not come as a surprise. The government itself admitted that some hydropower plants would face challenges and be unable to provide the power required by their serviced areas. We saw how the province of Occidental Mindoro was placed under a state of calamity: its difficult power situation had substantial negative consequences for households, institutions, and businesses alike.

We don’t want this happening to more areas in the country. We don’t want this happening, period.

To do this, we propose an RE-centric approach to achieving an optimal energy mix in the short, medium, and long term. By optimal, I mean a sustainable, reliable, and affordable energy mix, viably integrating renewable resources. This paradigm’s transformative potential is the result of the confluence of the continuing drive for economic progress that embraces environmental stewardship enabled by technological innovation.

This approach mitigates the risks associated with traditional energy sources, and in so doing, catalyzes economic growth. RE reduces our vulnerability to price fluctuations in fossil fuels, promoting predictable operational costs. A stable power supply is a key determinant of investors’ decision to infuse capital into the country. Unfortunately, we have the second-highest cost of electricity in Southeast Asia, next only to Singapore. While this is disheartening news, it also alerts us to the amount of work that is ahead of us. This makes a comprehensive upgrade of the energy infrastructure paramount. In the end, we set our sights on attracting — and keeping — long-term investments, which will foster sustained economic development. Such investments can be in numerous industries, ranging from manufacturing to technology, which can be made to thrive with a stable and cost-efficient energy supply.

Shifting to an RE-centric paradigm that would seamlessly integrate renewable sources will foster a more robust and stable power supply network. We can achieve this by being resolute and consistent in our efforts to comprehensively upgrade our energy infrastructure, specifically through smart grids, energy storage solutions, and grid expansion.

It is good to note that our energy officials appear to have a firm grasp not only of what needs to be done but, more importantly, how to do it. They have been aggressive in their policies promoting RE, such as feed-in tariffs and emission reduction targets. Solar and wind power, among the more common RE sources, have lately seen substantial cost reductions. Thus, they have become an increasingly attractive and cost-saving complement to traditional fossil fuels.

Another way to be RE-centric is by collaborating with international partners. Other countries can provide access to funding, transfer technology, and educate on best practices that may be applied to the local environment. Indeed, we can learn much from like-minded and similarly oriented counterparts. Our collaboration will pave the way for the Philippines’ stepping up to the challenge and blazing a trail in terms of sustainability.

The private sector has been exemplary in demonstrating how their stewardship of the environment positively impacts their operations and enhances the value of their enterprises. Businesses and industries have begun to tailor renewable solutions to their specific needs. Energy efficiency and cost-effectiveness, after all, are beneficial to their bottom line and brand reputation.

RE must be embraced as a vital complement to fossil fuel power generation, facilitating a balanced energy mix that ensures reliable power supply while mitigating the existential risk of global climate change.

 

Victor Andres “Dindo” C. Manhit is the president of the Stratbase ADR Institute.

It’s now or never to meet climate goals for the Philippines — and every second counts

FREEPIK

TO ACHIEVE our climate targets, we need carbon emissions to peak by 20251 and halve by the end of this decade.

The urgency of the situation is unequivocal, and the solution is equally clear: We need to triple renewable energy and require a seismic change in the level of investment — up to $5.7 trillion per year by 20302 — to put us on course for the 1.5C Paris Agreement scenario. The final quarter of this year, as we build up to COP28, the UN Climate Change Conference, is the critical moment to shift our focus from targets to implementation at pace.

However, renewables alone are not enough to deliver the change we need. To enable wind and solar to thrive, we need to build flexible energy systems that are reliable and affordable. We cannot delay any longer.

WASTING RENEWABLE ENERGY
Around the world, renewables are quickly becoming the cheapest form of new energy generation. Setting ambitious renewable energy targets and deploying wind and solar at scale is essential to enabling rapid decarbonization. However, investing trillions of dollars into wind and solar will waste energy and money if they are built into inflexible power systems.

For generations, we have been reliant upon traditional, inflexible power plants, such as coal and combined-cycle gas turbines (CCGT) to provide baseload power for our energy grids. These traditional power systems now need to adapt, as renewable energy is expected to meet 35% of global power generation by 2025. In the Philippines, the government published the National Renewable Energy Program (NREP) 2020-2040, providing the strategic building blocks to decarbonize electricity by increasing renewable energy production and investment. The NREP has set a target of 35% renewable energy by 2030 and 50% by 2040. Although this is an important step in the right direction, lacking a clear net zero commitment is a challenge for the Philippines to join other countries in reaching climate targets.

As wind and solar power are intermittent, running them alongside inflexible baseload power plants, which cannot quickly ramp up and down to match the changing levels of renewable power, can create significant issues, such as instability or unreliability for our power grids. As the level of renewable power on our grids increases in the coming years, a large share of these inflexible power plants will become obsolete, uneconomical stranded assets in our power grids.

We therefore need to combine the build out of renewables with a substantial increase in flexible capacity, such as grid balancing engines and energy storage, which can quickly ramp up and down to support wind and solar power. Because this flexible capacity can respond to sudden changes in demand and supply, it can also serve as different ancillary services in the grid. This includes, for example, frequency control, maintaining the stability and reliability of the grid, preventing blackouts and power disruptions.

A lack of flexibility often leads to renewables being switched off, or curtailed, as it is cheaper and easier to stop wind and solar from generating power than it is to switch off or ramp down a baseload power plant.

Flexibility is not an optional addition to our power systems with an increasing amount of renewables — it is an essential part of our future power grids. If we fail to deliver flexibility at scale, it will threaten our ability to provide affordable and reliable power to industry, homes, and businesses — while reaching our decarbonization targets. It will inhibit our ability to deliver reliable renewable power, which could have a significant impact on lives and livelihoods.

BUILDING AFFORDABLE POWER SYSTEMS
Wärtsilä has studied and modelled over 190 energy systems around the world, using energy market simulation software. We have found that anywhere in the world, the most cost-effective approach to reach 100% renewable energy is to combine renewable power with flexibility in the form of grid balancing engines and energy storage. These solutions offer high levels of dispatchability and can ramp up and down quickly in any conditions. This setup delivers reliable renewables at a low levelized cost of electricity, making clean energy affordable for all.

For example, according to the latest modelling work by Wärtsilä for the Philippines3, by investing in renewable-based power systems backed by grid balancing engines and energy storage, the Philippines would be able to reach net zero by 2050, cut its levelized cost of electricity by 23% and avoid nearly $7 billion per year in forecasted carbon taxes.

FUTURE-PROOFING OUR POWER
The path to net zero is not linear and the last few years have demonstrated that we cannot see exactly what is around the corner. Therefore, policy makers must establish market conditions and policies to enable us to build flexibility into power systems today and ensure they’re adaptable for tomorrow.

The balancing of renewables requires both energy storage and grid balancing power plants. They work together to cover sub-second, minute, daily and seasonal variations and ensure a steady supply of electricity when renewable output fluctuates.

Grid balancing engine technology can also be converted to run on hydrogen and other sustainable fuels in the future. These include fuels produced from excess wind and solar power, to enable a closed loop, fully renewable system and avoid stranded assets.

Such flexible engine technology is the optimal choice to supporting our increasingly renewable power systems compared to alternatives like gas turbines. This is because they can quickly ramp up and down an unlimited number of times per day, are highly efficient at any output and can maintain efficiency and power output at different loads and at high ambient conditions. That means they can better match the variability of renewable power to match the energy requirements of the grid.

THREE PRINCIPLES FOR OUR FLEXIBLE FUTURE
Based on our modelling and expertise, Wärtsilä has outlined three crucial principles for policy makers and the wider energy industry to follow when designing our future power systems.

Firstly, we need to ensure that we are choosing the right technologies. The build out of wind and solar power must be matched with flexible grid balancing engines and energy storage to ensure the optimal, lowest cost power mix.

Secondly, we must design our energy markets to support flexibility — for example, creating capacity markets to ensure developers receive a return on their investment, even if a plant runs only intermittently with short hours to balance demand.

Thirdly, there should be proper market mechanisms for the procurement, utilization, and compensation of ancillary services. Assigning a real price to ancillary services and subjecting these services to competitive bidding will increase incentives for generators to make such services available and to invest in flexible technologies.

EVERY SECOND COUNTS
In 1896, a seminal paper by Swedish scientist Svante Arrhenius first predicted that changes in atmospheric carbon dioxide levels could substantially alter the surface temperature through the greenhouse effect. Over 120 years later, we still haven’t been able to stop CO2 levels from rising.

Our window to reduce emissions and keep our planet habitable is closing. We have the technologies, expertise and finance available now to create a greener future and there is no time to waste: every second counts.

1 https://www.ipcc.ch/report/ar6/wg3/

2 https://www.irena.org/News/pressreleases/2023/Mar/Investment-Needs-of-USD-35-trillion-by-2030-for-Successful-Energy-Transition

3 https://www.wartsila.com/phl/energy/rethinking-energy

 

Kari Punnonen is the energy business director in Australasia of Wärtsilä. Wärtsilä, headquartered in Finland, is a global leader in complete lifecycle power solutions for the marine and energy markets.

British theater beguiles on the big screen

By Brontë H. Lacsamana, Reporter

Theater Review
CCP’s National Theatre Live: Fleabag
Greenbelt 3 Cinema

THOSE OF US who are oceans away from London might think that watching a British stage play is but a pipe dream, just considering the great distance from and great cost of accessing a professional London theater. National Theatre Live (NTL), a new program of the Cultural Center of the Philippines, changes all that.

First launched in 2009, NTL broadcasts stage productions filmed live from the London National Theatre to cinemas across the United Kingdom, around the world, and now in the Philippines. Screened in high definition, it allows theater fans everywhere to watch an actual British play.

Classics — Mary Shelley’s Frankenstein, Anton Chekhov’s The Seagull, Arthur Miller’s The Crucible, and of course, William Shakespeare’s Much Ado About Nothing, Othello, King Lear, and Hamlet — will have screenings at Greenbelt 3 in Makati over the next six months.

Already shown back in September were the magical visuals and puppetry in Yann Martel’s Life of Pi, a modern tale about the journey of a 16-year-old boy stranded on a lifeboat at the sea with four animals.

But it is the screening of Phoebe Waller-Bridge’s darkly comedic one-woman show Fleabag in October this writer was able to see and experience what all the fuss was about.

Written and performed by Phoebe Waller-Bridge and directed by Vicky Jones, Fleabag is about a daring, often filthy-minded, and extremely flawed woman only known as Fleabag. The hilarious play follows how she navigates her strained relationships with family and friends and uses sex and adult humor to mask her vulnerabilities.

Though it inspired the BBC’s hit TV series of the same name, it is clearly the foundation or precursor for it. For one, it’s a one-woman show, with Waller-Bridge performing all the events she is recounting as Fleabag, almost as if it were a stand-up routine. (Of course, the key difference would be that stand-up follows no plot, so this qualifies as a play since there is a central narrative.)

Because of this, the magic of NTL being able to bring the glory and magnitude of a full-blown production to the big screen is tested only slightly. Fleabag is minimalist, with one actor on stage monologuing in a chair on an empty set.

(Perhaps BusinessWorld will attend a screening of one of the grander Shakespeare productions at a later date.)

Still, the simplicity of the stage works. Fleabag’s irreverent commentary, sharp wit, and at times shocking vulnerability become more intimate.

It is the sounds that bring her world to life — the tinkle of bells as a cafe door opens, moans from a computer as Fleabag watches pornography, and the soft squeaking of a small guinea pig central to the plot. Waller-Bridge also interacts with voiceovers sometimes while narrating a story.

The lights do their part. On a taxi ride home, the flash of streetlamps indicates that Fleabag sits in a vehicle traveling through the streets at night. The camera work by NTL makes the production somewhat cinematic as well, with angles switching when Fleabag recounts conversations with others.

Another reminder that this is a theater play is the audience reaction. It isn’t too distracting, like staged sitcom laughter. Someone may cough softly into handkerchief, as one did in London’s West End in 2019 when this was recorded live, or Waller-Bridge may suddenly speak as if pointedly making a certain audience member in the front row laugh.

The story itself is a riot, as the character tells the audience about various aspects of her professional, personal, and sex life, following the death of her friend Boo. Adult humor, subtle yet hilarious, often hides a sorrowful tone.

Fleabag, in essence, goes to great lengths to show how flawed a woman can be, relatable enough with its tonal shifts to make female audiences to laugh or gasp, but fucked up enough to remind us all that we’re watching a character.

This stream of consciousness composed of recollections of disastrous life decisions and short-term sexual flings gradually cuts through the defensive mechanism of humor to expose the raw pain within (tied inextricably to a certain guinea pig that we never see, but effectively only hear).

It’s the barebones genesis of a highly regarded television series, and though that does show in places, it’s a must-watch for anyone who is curious about how the crazy world of Fleabag came to be.

(Fleabag can be streamed on National Theatre at Home.)

Credit demand rises ahead of further growth, says TransUnion

DEMAND for credit has increased significantly so far this year and is expected to further improve, the top official of TransUnion Philippines said.

“We’re not seeing the uncertainty, what we’re actually seeing is market recovery. The demand has increased, so much so that it’s even higher than pre-pandemic levels,” Pia L. Arellano, president and chief executive officer of TransUnion Philippines, said at a briefing on Tuesday.

“We haven’t penetrated the entire lending industry, we’ve barely scratched the surface,” she said. “There’s so much that we can still do, so much growth for the industry.”

Data from TransUnion showed that demand for credit increased by 89% in the first half of the year.

“Filipinos still have a very negative perception of credit. What we want to do is try to change that perception because ultimately credit is not bad as long as you’re responsible,” Ms. Arellano said.

TransUnion Chief Commercial Officer Yogesh Daware said that there has also been more demand across various credit products.

“The good news is this is only further accelerated. We don’t see evidence in terms of any slowdown in any product,” he added.

Mr. Daware noted that the country’s young demographic will be among the drivers for credit demand in the coming years.

“We have one of the youngest populations in the world, this is a population raring to go. There’s an aspiration to live a better lifestyle,” he said.

Meanwhile, Ms. Arellano noted that there is still much to be done in terms of improving credit perception.

“A lot of education still has to be done to talk about credit. From a supply side, our role is to influence lenders and banks, to lend more [and] be less risk-averse,” she said, adding that doing so will drive financial inclusion.

“Our solutions and insights allow them to say yes to more Filipinos,” she added.

The preference for e-wallet platforms is also not seen impacting the promotion of credit.

“We don’t see it dampening credit. It’s the first entry into financial management and then inspiring (them) to take on more credit,” she added.

According to TransUnion’s Credit Perception Index (CPI) study released earlier this year, 69% of Filipinos surveyed had a “general understanding” of credit concepts but still preferred to use cash and e-wallets over these products.

Among credit products, Filipino respondents were found to be most familiar with installment payments (83%) and were least knowledgeable about overdraft protection (25%).

They likewise favored installment loans (81%), followed by personal loans (76%), “buy now, pay later” products (71%), and credit cards (67%).

The study also showed that the majority of respondents believe users of credit products are risk-takers in their finances. — Luisa Maria Jacinta C. Jocson

Innovation in romance: Pioneering proposal planning in the Philippines

MPROPOSALS.COM

By Arjay L. Balinbin, Multimedia Editor

CURATING moments of joy and surprise is the driving force behind M Proposals MNL, a wedding proposal planning company that hopes to expand all over the country, its founder Carmela Denise A. Alcordo said.

“We researched this several years ago, and until now, we’re the only one doing this full time,” Ms. Alcordo said in an interview with BusinessWorld.

Her journey started during high school in Batangas when a feasibility study project sparked her entrepreneurial spirit.

“Our teacher asked us to do a feasibility study, and what I did was create an events company. I saw that it was a viable business and something I could do.”

“So I started with weddings, debuts, social and corporate events. And then, right after I graduated, I went to a corporate job, and I saw there was potential in proposal planning because I saw one of those showbusiness proposals, and I saw it usually goes viral (on social media platforms),” she added.

The transition from general events to a niche as specific as proposal planning was not without its challenges.

“I didn’t have a business model to guide me; everything I created was based on my experience,” Ms. Alcordo said.

“It was challenging but exciting to really come up with a business that is unique but with a lot of opportunities and potential.”

M Proposals also experienced an unexpected surge in inquiries during the pandemic period, reaching an average of 10-20 per day, Ms. Alcordo added.

She said that the demand could be attributed to the hunger for surprise-filled proposals and the convenience the company offers to busy clients.

“We cater to overseas Filipino workers, nurses, executives, CEOs — people who lack time to conceptualize proposals.”

PERSONALIZED PROPOSALS
At the core of M Proposals lies the art of personalization.

Ms. Alcordo detailed the process: “From significant details to shared hobbies, we use these elements to conceptualize a proposal perfect for the couple.”

She recalled a flash mob proposal in a busy street, saying, “The unforgettable moment was the girl’s reaction.”

“She dreamt of this her whole life but didn’t expect her boyfriend could do it to her.”

Such moments, she said, epitomize the emotional impact M Proposals aims for, resonating not just with the couple but also the surrounding audience.

DIVERSE OFFERINGS AND INCLUSIVITY
M Proposals embraces diversity through ready-made proposal packages starting from P30,000, Ms. Alcordo said.

Options like the hotel proposal, complete with decoration, cocktails, and an overnight stay, or the scenic lush proposal, offering breathtaking views, cater to varied preferences, she noted.

The inclusivity extends to LGBTQ couples.

While M Proposals does not have specific packages for them, Ms. Alcordo said, “They’re unique, [and] we give them the creativity they require.”

“Basically, we really cater to their requirements because they’re really unique and glamorous, and I like that,” she added.

FUTURE EXPANSION AND VISION
As M Proposals continues its journey, Ms. Alcordo envisions expanding to different Philippine destinations and partnering with international companies.

“Clients ask about proposals in other locations like… Singapore,” she said.

This aligns with her ultimate goal — making M Proposals a well-known name in proposal planning.

“I really want M Proposals to be a well-known proposal company in the Philippines,” Ms. Alcordo said.

Beyond individual success, her vision extends to a collaborative network where proposal planners share creativity and craft unique experiences.

“Even if we are the first, definitely, I feel like we can have a network of proposal planners where we can help each other, but we will be top of mind when it comes to proposal planning. With all the clients that we’ll have, we can provide them with creativity, and the unique and unforgettable experience that they would like to have,” she said.

For Ms. Alcordo, her entrepreneurial journey embodies the essence of her business — unique, creative, and passionately driven.

“The good thing about this is the anticipation of surprises and having the privilege to listen to all of our clients’ love stories and make the most out of those stories to create unforgettable memories,” she said.

“Even if I’m working, it feels like I’m not… For example, if I have a client and ask them what their love story is, that’s the most precious part of my work.” — with Aaron Michael C. Sy

Cebu Air eyes sustained growth momentum

CEBUPACIFICAIR.COM

CEBU AIR, Inc., operator of budget carrier Cebu Pacific, is optimistic to maintain growth momentum until next year, as the company prepares to expand its network with additional destinations by yearend.

“Going into the fourth quarter, we remain optimistic as we saw our domestic market share at 55% in October despite challenges on fleet availability. Aside from that, we expect that by the end of the year, our system-wide network will be at 103% of pre-pandemic levels;” Michael B. Szucs, chief executive officer of Cebu Air, told the stock exchange on Tuesday.

The budget carrier is expecting to continue its financial and capacity growth through 2024 on the back of a systemwide network projection to exceed pre-pandemic capacity by yearend, Cebu Pacific said.

For the third quarter, Cebu Air recorded an attributable net income of P1.28 billion, reversing a net loss of P2.54 billion last year driven by higher travel demand.

The company is expecting to expand its overall capacity by the end of this year by flying to 60 destinations, over 100 routes, and reaching about 2,700 weekly flights, Mr. Szucs said.

The low-cost airline’s continued expansion will likely help sustain its growth momentum, Globalinks Securities and Stocks, Inc. Head of Sales Trading Toby Allan C. Arce said.

“[Cebu Pacific’s] low-cost business model makes it more affordable for passengers to travel. This is especially important in the Philippines, where many people are price sensitive,” Mr. Arce said in a Viber message.

For the three months to September,  the company reported total revenues of P23.34 billion, a 38.5% increase from P16.85 billion previously.

Cebu Pacific also anticipates to grow its seat capacity in 2024 by 5-8% growth.

“We continue to explore various opportunities to supplement the fleet and ensure operational resilience, including securing both brand new and used aircraft, as well as exploring aircraft leases,” Mr. Szucs said.

In September, Cebu Pacific said it would lower its fleet growth rate for 2024 as the engine maker Pratt and Whitney (P&W) inspects A320/321 NEO aircraft engines worldwide following suspected issues.

Further, it is expected to have at least 10 aircraft grounded by January and expand to 20 throughout 2024.

At the local bourse on Tuesday, shares in the company closed 75 centavos or 2.29% lower at P32 apiece. — Ashley Erika O. Jose

Arts&Culture (11/15/23)


Jeanette Kamphuis art at Imahica Art

AT IMAHICA Art, visitors can explore the profound connection between art, nature, and the elements. Swedish artist Jeanette Kamphuis’ unique art show and book launch features over 20 artworks and the unveiling of the book Jeanette Kamphuis: Inspirations and Impressions. The exhibit runs from Nov. 11 to 22.


West PHL Sea exhibit on

WITH tension in the West Philippine Sea running high, the interactive exhibit “Not One Inch: Our Seas, Our Hope,” which will run from Nov. 13 to 23 at Robinsons Galleria’s Activity Center, aims to shed some light on the controversial territorial issue. Pilipino Aksyon for Governance and the Environment (Pinoy Aksyon), a volunteer-run non-profit organization behind the interactive exhibit, seeks to educate viewers by showcasing the historical, social, environmental, economic, and geopolitical aspects of the West Philippine Sea issue in one venue. It features photos, videos, and other narratives of the fisherfolk of the coastal community of Masinloc, Zambales, one of the communities benefiting from the sea and its unique biodiversity. There will also be a timeline on display explaining its history from pre-colonial times to the present.


Issay Rodriguez solo exhibit at AFM

THE SOLO exhibit of Issay Rodriguez, the Alliance Française de Manille’s (AFM) Philippine Artist Residency Program 2022 laureate, is an exploration of the Conidae family of snails. “Harpoon, Milky Way, Armour” is inspired by the artist’s unexpected journey into the world of cone snails during her artist residency in La Rochelle, France. It delves into the microscopic wonders of star-shaped foraminifera and a global collection of cone shells archived from over 40 years of Professor George Richard’s research. Guided by experts of the Muséum d’Histoire naturelle de La Rochelle, the multimedia experience celebrates the rich biodiversity of cone snails and the threats they face. The exhibition, curated by Sandra Palomar, runs from Nov. 14 to Dec. 4 at the AFM gallery in Makati.


Palanca awardee’s play on Filipino youth at DLS-CSB

A PLAY focusing on dilemmas confronting Filipino youth will be staged at the 5F Theater of the De La Salle-College of Saint Benilde’s (DLS-CSB) Design + Arts Campus starting Nov. 15. Bukas Na, written by Don Carlos Palanca Memorial Awardee Jay Crisostomo IV, centers on a group of friends who embark on an adventure to search for self-worth, purpose, and love by investing their savings in a dropshipping business. The two-hour production is directed by DLS-CSB Theater Arts graduating student Jack Denzel Gaza and features performances by student-actors Coleen Nika Aldana, Jang Baniasia, Kyle Confesor, Sam Dahilan, Ysabel Suaybaguio, and Ethan Wong. It is produced by Odd One Out Productions, a group of young thespians from Benilde’s Theater Arts Program. It runs from Nov. 15 to 21, with tickets costing P350. For more information, visit https://web.facebook.com/OddOneOutProductions.


Intramuros Evenings returns with a sarsuwela night

IN THE late 1990s, Intramuros hosted a series of cultural shows produced and curated under the management of the Intramuros Administration. Dubbed Intramuros Evenings, the program featured the best of Philippine artists and performing groups. This year, the Intramuros Administration is reviving the program, kicking off with the re-staging of the Cultural Center of the Philippines’ Out-Of-The-Box (OTB) Series, Isang Gabi ng Sarsuwela on Nov. 18, 6 p.m., at the Baluarte de San Diego, Intramuros, Manila. Isang Gabi ng Sarsuwela features excerpts and songs from classic and contemporary sarsuwela productions featuring classical and musical theater performers such as Nenen Espina, Franco Laurel, Ayen Munji Laurel, Reuben Laurente, Lorenz Martinez, Shiela Valderrama Martinez, Jonathan Tadioan, and Karylle Tatlonghari.  The show is free to the public. Entrance fee to Baluarte de San Diego is P75, with discounted price of P50 for students, senior citizens, and PWDs.


Filipino Christmas ballet at Metropolitan Theater

HAVING first premiered at the Cultural Center of the Philippines in 2022, the first full-length, all-Filipino Christmas ballet, Puso ng Pasko, presented by Alice Reyes Dance Philippines (ARDP), will again have performances on Dec. 1 and 2, this time at the Metropolitan Theater in Manila. The production is a collaboration between National Artists Alice Reyes and Ryan Cayabyab, featuring timeless Filipino Christmas carols and choreography. Directed and choreographed by ARDP artistic director Ronelson Yadao, the ballet tells the story of Lolo Val, now living abroad in New Jersey, as he tells his young granddaughter Angelita about the magical Christmases of his youth with his barkada in Tres Reyes. Following the performances at the Metropolitan Theater, Puso ng Pasko will go on a Luzon tour for the rest of the month, with performances at Angeles City, Pampanga; Muñoz City, Nueva Ecija; Tarlac City, Tarlac; and Iligan City, Isabela, followed by performances for the City of Makati and at Malacañan Palace.


CCP’s Kanto Kultura: Baraptasan extends deadline

THE CULTURAL Center of the Philippines (CCP) has extended the deadline for applications to Kanto Kultura: Baraptasan 2024 to Dec. 10. The competition — which revolves around the fusion of rap and the traditional spoken word art form, the balagtasan — is open to groups of three Filipinos aged 18 and above, it requires video submissions of Baraptasan performances. From the submissions, 10 finalists will be selected and invited to perform in the national competition, slated on April 6, 2024, in time for the celebration of the centennial anniversary of the first-ever Balagtasan. To know more, follow the official CCP social media account on Facebook.


Metrobank offers Christmas ballet discounts

THE MAGIC of Ballet Philippines’ Christmas Fairytales will be available at discounted prices for Metrobank credit card holders. Metrobank is offering 20% off on select seats at all Ballet Philippines shows until March 10, 2024, which includes the Christmas show which will run from Dec. 15 to 17 at the Theatre at Solaire. Set in a world of magic and dreams, Christmas Fairytales follows Little Tala, who is tasked by The Master of Time to fix lost fairytale characters in order to go home. Tickets to the show can be booked via TicketWorld or via Ballet Philippines at info@ballet.ph.


Miss Saigon extends its Manila run

DUE to overwhelming demand during pre-sale, Cameron Mackintosh’s globally acclaimed production of Boublil and Schönberg’s Miss Saigon will extend its run in Manila by two more weeks. The production, initially set to close on April 21, 2024, will now run until May 5. Miss Saigon has music by Claude-Michel Schönberg with lyrics by Richard Maltby, Jr. and Alain Boublil. The new production is directed by Laurence Connor with musical staging by Bob Avian and additional choreography by Geoffrey Garratt. Tickets are available exclusively through TicketWorld.


Fil-Am author introduces Pinoy kilig to the world

FILIPINO-AMERICAN author Anna Gomez has captured the hearts of readers around the world with her unique take on love. Her book, Moments Like This, which she co-authored with actor Kristoffer Polaha, is not only a major bestseller in the United States, but is also set to be adapted into a Hallmark movie. Ms. Gomez, born and raised in the Philippines, is the Global Chief Financial Officer of New York/Toronto-based advertising agency No Fixed Address, her LinkedIn profile defying expectations for a multi-awarded, bestselling romance novelist. Her books are available at Fully Booked, National Bookstore, and on Amazon and Kindle.

Metro Retail profit down on higher expenses 

METRO Retail Stores Group, Inc. recorded a third-quarter net income of P117.7 million, lower by 35.3% than the P181.8 million profit last year due to higher expenses.

The company recorded a three-month top line of P9.64 billion, 4.8% higher than the P9.2 billion posted in the same period last year.

Metro Retail saw its gross expense climb 5.5% to P9.41 billion from P8.92 billion a year earlier.

For nine months to September, the company recorded a net income of P254.6 million, down by 36.5% from the P400.7 million last year on higher operating expenses.

The company reported 0.19% higher revenues to P26.77 billion from P26.72 billion a year ago.

“Our last three quarterly results showed an improving trend quarter on quarter. Before the year concludes, we anticipate a lift in our performance as the holiday season draws in more robust consumer spending,” Metro Retail President and Chief Operating Officer Manuel C. Alberto said in a media release on Tuesday.

At the local bourse on Tuesday, shares in the company closed unchanged at P1.21 each. — Ashley Erika O. Jose