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CANNES, France — Parasite, a thriller that doubles up as a wickedly funny satire about class struggles, has upped the ante at the Cannes Film Festival, with South Korean director Bong Joon-ho emerging as an strong contender for an award after impressing critics.
LOS ANGELES — James Bond actor Daniel Craig will undergo ankle surgery after injuring himself while filming the spy franchise’s latest installment, but the movie remains on schedule for an April 2020 release, producers said on Wednesday.
GIVE IT to master Filipino filmmaker Lamberto Avellana: he knows how to start a picture. Badjao had a horn blown to gather a village of house canoes, forming a seaborne village; Huk sa Bagong Pamumuhay began with a detonating grenade; Anak Dalita evoked Roberto Rossellini in neorealist mode, tracing the ruin of a church from its fractured belfry to the people teeming at the base of its crumbling walls. Kundiman ng Lahi (Folksong, 1959), Avellana’s last film for LVN studios, trumps them all I think: no blown horn, no explosives, no church ruins, just the monotonous thumping of a wood pestle milling rice in a mortar. An obvious symbol — we’re the rice, the husk (our innocence, our sensitivity) pounded out of us by the relentless pestle — but also a sexual one, the phallic pestle pounding into the accepting mortar, turning hard seed into tender food.
IN 1992, Filipino singer Lea Salonga, having just made a splash on Miss Saigon, got what many believed was a gig of a lifetime — a chance to sing what was sure to be a worldwide hit for a Disney animated movie. “A Whole New World” from Aladdin introduced her — or at least her voice — to a new generation of fans worldwide.
LONDON — Hollywood star Will Smith was reluctant at first to play Genie in the live-action remake of Disney’s Aladdin as it meant following in the big footsteps of late comedian Robin Williams who voiced the character in the 1992 animated film.
LOS ANGELES — Walt Disney Co. on Tuesday pushed back the release of James Cameron’s sequel to box-office champion Avatar by a year, to December 2021, and announced debut dates for new Star Wars films starting in December 2022.
LOS ANGELES — Disney’s Avengers: Endgame became the fastest film to gross $2 billion globally in just 11 days, crushing Avatar’s record of 47 days internationally. The Marvel juggernaut now stands as the second-biggest movie of all time with $2.188 billion worldwide.
GLOBALGATE Entertainment, the local-language film consortium of American entertainment company Lionsgate, has added the Philippines’ Viva Communications, Inc. to its 13-country entertainment network which signal’s Viva’s strengthening efforts to make its productions available to the international market.
IF Ang Kwento Nating Dalawa (2015) became a cult favorite because of its “rawness” as described by the film’s director, its sequel — which comes four years after the first — is anything but as Nestor Abrogena wanted to make Tayo sa Huling Buwan ng Taon, which opens in cinemas on May 8, something more than its predecessor.
THE final film of Marvel’s Avengers Infinity saga, Avengers: Endgame, shattered Philippine box- office records as it posted P937.5 million over the four days since it opened on April 24, making it the film with the biggest opening weekend of all time.
A COLLECTION of animated science fiction films which focus on the impact of technology on modern life and its political and ideological concerns is featured this month at the De La Salle-College of Saint Benilde (DLS-CSB) Museum of Contemporary Art and Design.
LOS ANGELES — Fans around the globe packed movie theaters for the debut of Avengers: Endgame over the weekend, pushing total ticket sales for the Walt Disney Co. superhero spectacle to a stunning $1.2 billion and crushing records in dozens of countries.
DWEIN BALTAZAR’S romantic comedy Gusto Kita with All My Hypothalamus bagged the Filipino Academy for Movie Arts and Sciences (FAMAS) Awards’ top categories including Best Picture, Best Director, and Best Original Screenplay, beating Filipino auteur Lav Diaz’s rock opera Ang Panahon ng Halimaw for Best Picture and Best Director.
LINO BROCKA would have been 80 this April, if he hadn’t been killed in a car crash on May 21, 1991. He was only 52, and had directed around that many films too in the last two decades of his life, though his oeuvre also spanned TV and the legitimate stage, both as an actor and a director, and occasionally, even as a writer. His creative output is probably unequalled by any other Filipino artist in those fields. He was bluntly matter-of-fact about having to grind out five cinematic potboilers to subsidize each worthwhile passion project, such as Insiang (1976), the first Filipino film to be shown at the Cannes Directors Fortnight.
LONDON — J.R.R. Tolkien’s fantastical world of hobbits, elves, and orcs have won over fans around the world in the decades since The Hobbit and The Lord of the Rings stories were published.
LOS ANGELES — The final chapter in a decade-long superhero saga and the remake of a big-screen classic could topple box-office records during a summer movie season expected to be dominated by Walt Disney Co.
IN A WIN for Netflix, Amazon, and other internet streaming services, the Academy of Motion Picture Arts and Sciences has voted not to change its rules for winning an Oscar, Hollywood’s top prize.
SUPERPSYCHOCEBU has been touted as the first Pinoy stoner film. It’s a wonder that it ever got made in a country with, notoriously, among the harshest penalties for marijuana possession and use. On the other hand, House Bill 180 on medical marijuana and the bill to revive the death penalty were passed practically together, one after the other. (The House approved the bill legalizing medical marijuana on Jan. 29 this year while the bill to resume capital punishment passed the House of Representatives in February 2017. Both stalled in the Senate. — Ed.)
THE FILM Badjao or The Sea Gypsies (1957) starts with an image of waves lapping onto shore, the divide between land and sea stretching diagonally across the screen. With his first frame Lamberto Avellana (collaborating with the great cinematographer Mike Accion) summarizes what the film will be all about: the tension between sand and surf, between people of differing loyalties, communities, ethnicities. A man standing beside a roof of dried palm raises his horn against a clouded sky and blows; cue the bombast (and lovely lilting melody) of Francisco Buencamino, Jr.’s theme music.
FOR ITS fourth year, the Moviemov Italian Film Festival is presenting a selection of art films at the Film Development Council of the Philippines (FDCP) Cinematheque in Manila.
FOR ITS first foray into scripted entertainment, Fox Networks Group (FNG) Philippines, decided to take a gamble on Mark A. Meily’s Maledicto, a “character-driven horror film” about exorcism and a skeptical priest which is set to premiere on May 1 in cinemas nationwide.
HUNTING and deforestation are the two major causes of the decline in the number of Philippine eagles, said Philippine Eagle Foundation (PEF) Director for Research and Conservation Jayson Ibañez during the Q&A portion following a screening of the multi-awarded documentary Bird of Prey at Cine Adarna of the University of the Philippines recently.
CHICAGO — The ninth film in the original Star Wars saga will be called The Rise of Skywalker, and will feature the return of the evil emperor Palpatine to threaten the young heroine Rey and the Resistance, Walt Disney Co. revealed on Friday.
BETWEEN high-priced coffees and sushi, movie executives meeting in Las Vegas last week had one heated argument: Which Disney film will be the year’s top blockbuster?
NETFLIX, Inc.’s pursuit of Academy Awards could become an antitrust issue.
AVAILABLE ON filmmaker Mike de Leon’s Citizen Jake Vimeo site: Lamberto Avellana’s postwar drama Huk sa Bagong Pamumuhay (Huk in a New Life, 1953), about a wartime guerrilla who, out of desperation, joins communist forces seeking to overthrow the Filipino government. Produced by De Leon’s grandmother Doña Narcisa de Leon, it was unabashedly anticommunist pro-American propaganda, the third such effort by Doña Sisang’s LVN Studios. The print on this website — a not-especially-clear recording from a DVD — emphasizes the slant: some of the dialogue is in English, and much of the Filipino dialogue is overdubbed with English narration, reportedly by Avellana himself, carefully explaining the motivation of characters and significance of each scene: “If I had known then what Maxie (Joseph de Cordova) really represented, things might have been different.”
DUMBO, a live-action remake of Walt Disney Co.’s 1941 animated classic, hit theaters Friday, but many reviewers declared the film a snoozer even before it opened.
ON APRIL 6, in commemoration of the 80th anniversary of the end of the Spanish Civil War, Instituto Cervantes, in collaboration with the Embassy of Spain and the University of the Philippines Film Institute, will be holding “El fin de la Guerra Civil,” a mini film cycle featuring two movies set during the turbulent post-Civil war era in Spain.
ASIAN video-on-demand (VOD) service iflix has finally launched Mystified, the company’s first foray into creating original content from the Philippines, with a special arrangement for it to be streamed on Twitter tonight.
LONDON — Bring a hankie to the new movie version of Disney’s flying elephant tale Dumbo because it may be a little dark for some people.
HIROKAZU KORE-EDA’s latest film Shoplifters (Manbiki Kazoku, 2018) begins with as unremarkable an opening as possible: a father and his son enter a grocery, split up to walk down separate aisles. Only father and son keep throwing each other sidelong glances and hand signals; only son does a little finger twiddle that we’ll see from time to time; only when a clerk working nearby glances at son, the father walks up to block the clerk’s view while the son drops several packets of instant ramen into his backpack. Graceful bit of choreography, made casual by long practice, understated yet captivating in its intricacy.
FILMS backed by disgraced movie mogul Harvey Weinstein, from The King’s Speech to Inglourious Basterds, have found a new home.
GENTLE sun-dappled rainfall is the benign form water takes for the child Maya (Elia Ilano) who lost her parents in a storm at sea. In Filipino folklore, this odd synchronicity of sunshine and rain is whimsically believed to happen during the weddings of tikbalang, those horse-headed creatures of our lower mythology who like to lead wayfarers astray. Do take note of the lovely cinematography and the thoughtful production design of this beautifully photographed film.
It isn’t as if the life of Vincent Van Gogh hasn’t been adapted for the big screen before. Lust for Life was Vincente Minnelli’s lustily melodramatic take (based on Irving Stone’s novel), with Kirk Douglas holding little back as he strained to suggest Vincent’s intensity; Robert Altman’s Vincent and Theo focused on the relationship between the Van Gogh brothers and their destructively parallel course; Maurice Pialat’s Van Gogh — easily the most unsentimental of the group — presents a harsh, uningratiating view of a harsh, uningratiating artist, avoiding the traditional highlights (including that ear thing) and focusing on more quotidian activities — Pialat doesn’t even make much effort to show the paintings, or approximate Vincent’s unmistakable style onscreen.
THE Sinag Maynila International Film Festival is back for its fifth year, promising to present “diverse and compelling” film starting April 4 in select cinemas. This year’s festival will have five full-length feature films, 10 short films, and five documentaries.
THE online trolling was fierce.
ONE OF Japan’s most beloved cat cartoon characters is headed for Hollywood.