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MANG Kepweng: Ang Lihim ng Bandanang Itim, shown at this year’s Metro Manila Film Festival, had no right taking my P250 and wasting my time. Frankly, I feel that they owe me money for letting me watch that.
YOU’VE got a problem in your hands if Superstar Nora Aunor can’t quite get you to focus on a movie.
CHRISTIAN ACUNA may have helmed Magikland, but for all intents and purposes, the fantasy-adventure film was a Peque Gallaga and Lore Reyes film, harkening back to more than two decades ago when Magic Temple premiered at the Metro Manila Film Festival in 1996, winning 14 of the festival’s prizes.
WHILE I wrote in the Magikland review on this page that it was a pity that the movie wasn’t able to get a full theatrical release as the film was absolutely meant to be seen on the big screen with high quality surround sound, in contrast, the family drama Coming Home is perfect as a TV movie or afternoon drama as the cluttered storyline often left me wondering if I had missed something.
SUREFIRE crowd-pullers once again dominate the first four film entries for this year’s Metro Manila Film Festival (MMFF), which is set to run from Dec. 25 to Jan. 7 in cinemas nationwide.
JOEL LAMANGAN’s Rainbow’s Sunset is a convoluted story of a rich troubled clan, whose main conflict revolves around the family members’ having to deal with grandfather Ramon (played by Eddie Garcia), who comes out as gay and wants to live with his best friend and lover Fredo (Tony Mabesa) who is dying from cancer. But Ramon’s outing himself at the age of 84 (“It’s already 2018!”) should be the least of this family’s — and the audience’s — concerns because Rainbow Sunset doesn’t only feature a conflicted clan, but its storyline is problematic too.
“1” is a concept in Filipino romance that’s undefinable in other languages. We could describe it in parts: the giddiness; the rush when you feel a frisson of emotion for your beloved. Could you call “kilig” butterflies in your stomach? In any case, it won’t matter for this review, because I felt no such thing while watching One Great Love, which to me lacks a beating heart.
FILIPINOS love love stories, So it comes as no surprise that this year’s Metro Manila Film Festival had three romantic entries: Mary, Marry Me by Paul Soriano, One Great Love by Eric Quizon, and the focus of this review, The Girl in the Orange Dress by Jay Abello.
THIS year, Jose Marie “Vice Ganda” Viceral’s entry to the Metro Manila Film Festival (MMFF) might have avoided the overly obvious product placements of his previous outings, but the people behind the film still made sure their film, Fantastica, would suck in all that blockbuster moolah by stuffing in as many big stars and cameos as they could in the almost two hour-long film.
AFTER MONTHS of waiting, the Metro Manila Film Festival (MMFF) selection committee finally announced the final for of eight film entries which will be featured in the festival’s run from Dec. 25 to Jan. 7 in cinemas nationwide.
THE Metro Manila Film Festival (MMFF) 2018 selection committee has announced the first four official entries for this year’s film festival and the list includes festival veterans including Jose Marie “Vice Ganda” Viceral, Marvic “Vic” Sotto and Rodel “Coco Martin” Nacianceno.
By Nickky F. P. de Guzman Reporter Movie review Meant to Beh Directed by Chris Martinez A HIATUS always leads to clearer perspectives. And Vic Sotto should consider his...
By Michelle Anne P. Soliman Movie review Haunted Forest Directed by Ian Loreños THERE IS a mysterious creature living in a tree in the middle of the forest....
DESPITE BEING rejected the first time around when just script submissions were considered, Loy Arcenas’ musical Ang Larawan finally made the cut and has...
By Zsarlene B. Chua “Satisfactory,” was how Marichu Vera Perez-Maceda, spokesperson of the Metro Manila Film Festival (MMFF) 2015 described the recently concluded film festival,...