AT ANY TIME, not just during the Christmas season when Filipino audiences expect to be entertained, Culion would be a daring enterprise. First it is a period piece, and Filipinos notoriously lack a sense of history, whether ours or the world’s. The events portrayed span 1937 to 1941, which is why the prominence given to the obviously anachronistic Hollywood type sign in cast white concrete letters, spelling out “Culion” and its government insignia, on the side of a mountain, is perplexing. That sign was probably circa 2006 when Culion had its centenary. After so much effort devoted by the production design guys to attempting period authenticity, what with the kerosene lamps and the nearly uniform women cast members’ attire of earth-toned baro at camisa, couldn’t they have erased the damn thing through CGI?