Home Arts & Leisure Spider-Man: Into the Spider-Verse swings to $35-M debut, Mortal Engines sputters
Spider-Man: Into the Spider-Verse swings to $35-M debut, Mortal Engines sputters
LOS ANGELES — Spider-Man: Into the Spider-Verse is the new box office king, collecting a solid $35.4 million during its first three days of release.
That’s hardly the biggest opening for an animated film this year, but it does rank as the best start for a cartoon in the month of December. Illumination’s Sing previously held that title, debuting with $35 million in 2016.
Another weekend release, Warner Bros.’ The Mule, snagged the No. 2 spot with $17 million. Clint Eastwood directed and stars in the R-rated crime drama about a nonagenarian who gets caught smuggling drugs for the cartel. The Mule, Eastwood’s first acting gig since 2012’s Trouble With the Curve, brought out a much older crowd. Moviegoers over the age of 35 accounted for 78% of audiences. In addition to Eastwood, The Mule cast includes Bradley Cooper, Laurence Fishburne, Michael Pena, and Dianne Wiest.
Not all newcomers were able to stick the landing.
Universal’s Mortal Engines launched in fifth place with a disastrous $7.5 million when it debuted in 3,103 venues. That could be catastrophic for the sci-fi saga that cost over $100 million to make. The post-apocalyptic steampunk adventure has fared slightly better overseas, picking up $34.8 million from 54 international territories, but Mortal Engines looks like it could still lose a sizable chunk of change. Peter Jackson produced the CGI spectacle, adapted from Philip Reeve’s YA novel. The middling reviews haven’t helped build momentum, and it carries a paltry 28% on Rotten Tomatoes. It’ll be an uphill battle for Mortal Engines to break through a crowded holiday frame and attract the kind of audience it needs to justify its expensive price tag.
Spider-Verse, based on Sony’s catalog of Marvel heroes, is resonating with a slightly older audience than most animated adventures. It also has plenty of time to make up ground during a holiday frame, though Warner Bros.’ Aquaman might cannibalize a bit of the superhero crowd.
Philip Lord and Christopher Miller produced Spider-Verse, which cost $90 million and takes place in a universe where more than one Spider-Man exists. Miles Morales (voiced by Shameik Moore), a Brooklynite with a Puerto Rican mom and an African American dad, puts on the Lycra-tights for this rendition. Mahershala Ali, Hailee Steinfeld, Jake Johnson, Brian Tyree Henry, Lily Tomlin, and John Mulaney round out the voice cast.
Spider-Verse has already racked up plaudits, including a Golden Globe nod for best animated feature, and boasts an impressive 97% on Rotten Tomatoes. Weeks before Spider-Verse opens in theaters, Sony announced the development of a sequel and spin-offs set in the shared multiverse.
Elsewhere, Fox’s Once Upon a Deadpool, a PG-13 re-release of Deadpool 2 picked up $2.6 million on 1,566 screens. That sum will get added to the initial run of Ryan Reynolds’ R-rated superhero comedy, which now sits at $322 million in North America and $736 million globally. The original version wasn’t released in China, but the new clean(er) cut means the Middle Kingdom could finally give the raunchy mercenary a chance.
A pair of animated flicks secured third and fourth place. Universal’s The Grinch continues to bring back solid returns, pocketing another $11.5 million this weekend for a domestic total of $239 million. Ralph Breaks the Internet earned $9.3 million in its fourth weekend of release, bringing its North American tally to $154 million. — Reuters